Angel Collection

DANTE: PARADISE. The Saintly Throng in the Form of a Rose (Canto 31, lines 1-3). Wood engraving by Gustave Dor

Piero della Francesca (c. 1420-1492). Italian painter. The Ba
Renaissance Art. Italy. 15th century. Piero della Francesca (c.1420-1492). Italian painter. The Baptism of Christ (c. 1450). Detail. Tempera on panel. National Gallery. London. England. UK

The Annunciation, c1438-1445, (c1900-1920). Artist: Fra Angelico
The Annunciation, c1438-1445, (c1900-1920). A print after the fresco in the Museo di San Marco dell Angelico, Florence, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co

MURILLO, Bartolom項steban (1617-1682). The Guardian
MURILLO, Bartolom項 steban (1617-1682). The Guardian Angel. c. 1665. SPAIN. Sevilla. Cathedral. Baroque art. Oil on canvas

The guardian angel, 1897. Private Collection

The burial monument of the archduchess Marie Christine by Antonio Canova, in the augustinian church in Vienna Funerary Monument Neoclassicism, Nineteenth century, 19th century, Europe

DORE: THE RAVEN, 1882. Sorrow for the lost Lenore. Engraving by Gustave Dore
DOR: THE RAVEN, 1882. Sorrow for the lost Lenore. Engraving by Gustave Dor, 1882, for an 1884 edition of The Raven by Edgar Allan Poe

PARADISO: DORE. Beatrice leads Dante into the Empyrean, or highest level of Heaven, where he beholds the angels and souls of the blessed forming a snow white rose in attendance upon the Deity

Allegorical representation of the Angel of the Paris Commune (26 March-28 May 1871). Illustration by Walter Crane (1845-1915) English artist, published in Germany

Mappa Mundi, ink and colors on parchment, created in London about 1265
Cartography, 13th century. Mappa Mundi, Medieval map, London about 1265. Ink and colors on parchment. The maps diameter is 9 cm

A 14th century icon of Archangel Michael in the Byzantine Museum in Athens, Greece, Europe

The Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). Artist: Jan van Eyck
The Adoration of the Mystic Lamb, The Ghent Altarpiece, 1432, (c1900-1920). A print after the lower half of the central panel in the St Bavo Cathedral, Ghent

Saint Teresa of Avila
SAINT TERESA OF AVILA (upper left) she narrates her vision to her confessor; (lower left) she dies; (right) an angel wounds her heart with divine fire

Angels of Mons [Pearse]
The so-called Angels of Mons halt the German advance at Mons, Belgium - the first engagement of World War One

Madonna and Child, c1918. Artist: Jeanne Labrousse
Madonna and Child, c1918. From The Studio Volume 73. [London Offices of the Studio, London, 1918]

DANTEs PARADISE: EMPYREAN. Beatrice leads Dante into the Empyrean, or highest level of heaven, where he beholds the angles

SAINT JOHN CLIMACUS (550-649). Abbot of Mount Sinai. St John Climacus at the top rung of his Ladder of Heavenly Ascent. A late 12th century icon from Sinai

Angel in Derek Jarmans Caravaggio (1986)

The famous painting on the ceiling of the winged heads of 80 Ethiopian cherubs, UNESCO World Heritage Site, Gonder, Debre Berhan Selassie Church, Ethiopia, Africa

Carravagio, Naples, Campania, Italy, Europe

Painting of the Visitation in the Visitation church in Ein Kerem, Israel, Middle East

Guardian Angel at Bed
A guardian angel raises an arm in blessing while a girl helps her younger sister to say her evening prayers

Angels of Mons, cover design for piano music
Angels of Mons (Reve Mystique), cover design for solo piano music by Sydney C Baldock, inspired by rumours of angelic intervention in the fighting (Battle of Mons, Belgium)

JOAN OF ARC (c1412-1431). French national heroine. Oil on canvas, 1879, by Jules Bastien-Lepage

Angels at the Rockerfeller Centre, decorated for Christmas, New York City, USA

The Adoration of the Christ Child. Creator: Unknown
The Adoration of the Christ Child. (ca. 1515)

The Assumption of the Virgin Mary, 1642, by Guido Reni (1575
Guido Reni (1575-1642). Italian painter. The Assumption of the Virgin Mary, 1642. Alte Pinakothek. Munich. Germany

Illustrated London News Christmas number cover, 1904
A beautiful fairy with wings, looks thoughtful as she gazes out to the sea and starry sky. Front cover of The Illustrated London News Christmas Number 1904. Date: 1904

A Plan of the town of Sheffield in the county of York drawn by W. Fairbank 1797. Engraved by Thomas Harris
Original at Sheffield Local Studies Library:s 45 S

The Angel of the North sculpture by Antony Gormley, Gateshead, Newcastle-upon-Tyne, Tyne and Wear, England, United Kingdom, Europe

Angel of the North
England, Tyne and Wear, Gateshead. Aerial (drone) view of the iconic Angel of the North statue by Antony Gormley. The Angel, built on a a former colliery pit head bath site

Colorful Archangel Uriel Stained glass Cathedral Puebla, Mexico. Built in 15 to 1600 s

The Angel Standing in the Sun, 1846. Artist: JMW Turner
The Angel Standing in the Sun, 1846. The Archangel Michael with flaming sword on Judgement Day. From Tate Britain, London

Islington Angel
The Angel at Islington is one of North Londons best- known landmarks at the site of one of its busiest crossroads. Date: 1895

The Mouth of Hell of engraving
Engraving by Gustave Dore

God, Jesus and Mary, Vatican Museum, Vatican, Rome, Lazio, Italy, Europe

UK Dairy Show - Feeding the goats
Feeding the prize goats at the UK Dairy Show of 1911, held at the Royal Agricultural Hall, Islington, London - now the Business Design Centre and former venue for the BAPLA Picture Buyers Fair

Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90. Creator: Jean Bourdichon
Manuscript Leaf with the Annunciation from a Book of Hours, ca. 1485-90

The Guardian Angel (after Pietro da Cortona). Artist: Ferri, Ciro (1634-1689)
The Guardian Angel (after Pietro da Cortona). Private Collection

The Virgin and Child with Angels: Leaf of the Wilton Diptych, c1395. (1941)
The Virgin and Child with Angels: Leaf of the Wilton Diptych, c1395. Housed in The National Gallery, London. From The Connoisseur, 1941 edited by H. Granville Fell. [The National Magazine Co

Romanesque altar from Sagas. The Visitation, Nativity and Ad
Spain. Romanesque art. 12th century. Altar from Sagas. The Visitation, Nativity and Adoration of the Magi. Diocesan and regional Museum of Solsona. Catalonia

Ramon Llull (1235-1316). Breviculum Codex. Miniature. Baden
Ramon Llull (1235-1316). Breviculum Codex. Miniature. Llull preaching. Parchment 92. Page 5r. Baden Memorial Library. Karlsruhe. Germany

Wallingford Screen, St Albans Abbey, Hertfordshire
View of the 15th century Wallingford Screen (high altar) in St Albans Abbey, Hertfordshire. The statues were destroyed during the Dissolution, but were replaced in the 19th century

Saint Michael Angels Golden Icon Saint Georges Greek Orthodox Church Madaba Jordan. Church was created in the late 1800s and houses many famous mosaics

Charon the ferryman engraving
Charon the ferryman of Hell engraving by Gustave Dore

WAR IN HEAVEN, 1480. War in Heaven - the Beast (Revelation XII, 7-10 and Revelation XIII): woodcut from the Cologne Bible, 1478-80

Israel, Jerusalem, Church of the Holy Sepulchre
Jerusalem, Church of the Holy Sepulchre, Greek Golden Icon (Orthodox Church), Virgin Mary with Jesus

La Ghirlandata, 1873. Artist: Dante Gabriel Rossetti
La Ghirlandata, 1873. A red-haired woman with sensuous red lips plays a harp garlanded with flowers. She looks dreamily into the distance, framed by angels, modelled by May Morris

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"The Divine Presence: Exploring the Angelic Realm through Art and Literature" Step into a world where celestial beings guide and protect, as we delve into the enchanting realm of angels. From ancient manuscripts to iconic paintings, these ethereal creatures have captivated human imagination for centuries. In "The Guardian Angel" (1897), we witness the timeless belief in a personal protector, a heavenly companion watching over us with love and care. This notion echoes throughout history, as depicted in "Mappa Mundi, " an exquisite ink and color masterpiece from 1265 London. Dante Alighieri's epic poem "Paradiso" takes us on a journey through celestial realms. In one breathtaking scene, Beatrice leads Dante into the Empyrean, where angels and blessed souls form a resplendent snow-white rose around the Deity. Gustave Dor's wood engraving beautifully captures this divine spectacle. Archangel Michael stands tall in a 14th-century Byzantine icon, symbolizing strength and courage against evil forces. Meanwhile, Saint John Climacus ascends his Heavenly Ladder towards enlightenment in an awe-inspiring late 12th-century icon. The mesmerizing painting adorning the ceiling showcases 80 Ethiopian cherubs with their wings spread wide—a testament to artistic brilliance that transcends time. Similarly, the Visitation Church in Ein Kerem reveals an angelic encounter between Mary and Elizabeth—an image of hope amidst turmoil. The Angels of Mons grace piano music covers with their presence—mysterious guardians believed to have protected soldiers during World War I. Their ethereal essence lingers even today. As Dante reaches Paradise's highest level—the Empyrean—we are reminded of our ultimate goal: union with God himself. The wood engraving by Gustave Dor depicts this saintly throng forming a magnificent rose—a sight that leaves us breathless. Finally, within Vatican Museum's hallowed halls lies artistry at its finest.