Animated Collection

Snow White & the Seven Dwarfs released in UK, 1938
Page from The Bystander showing two scenes from the Disney full-length animation, Snow White and the Seven Dwarfs at the time it was released in Britain

Filming Thunderbirds
Filming the classic 1960s series Thunderbirds, a British mid-1960s science fiction television show devised by Gerry and Sylvia Anderson and made by AP Films

Filming Thunderbirds
Filming the classic 1960s series Thunderbirds, a British mid-1960s science fiction television show devised by Gerry and Sylvia Anderson and made by AP Films

Filming Thunderbirds
Filming the classic 1960s series Thunderbirds, a British mid-1960s science fiction television show devised by Gerry and Sylvia Anderson and made by AP Films

Walturdaw Bioscope advert
Walturdaw Bioscope poster, 1908 Date: 1908

Passions from Physiognomy
Passions from Johann Caspar Lavaters Physiognomy. Sadness, Weeping, Compassion, Scorn, Horror, Terror or Fright, Anger, Hatred or Jealousy and Despair

Actress Aimi Macdonald at the Theatre Royal on 8th June 1970 where she is starring in the play " The Mating Game" with Terry Scott and Nicholas Parsons

Tony Sarg and one of his dancing marionettes, 1928
Tony Sarg (regarded as Americas puppet master and one of his dancing marionettes, 1928 Date: 1928

Useful Domestic Dogs, Canis lupus familiaris. Cur or cattle dog, bull or beast dog, extinct rough water dog, mastiff or guard dog, Dalmatian or coach dog, sheperds dog, Newfoundland or house dog

Brahma breed of zebu cattle, Bos taurus indicus. The Brahmin Bull in the Gardens of the Zoological Society. Handcoloured copperplate engraved by Russell after an illustration by Horace S

Black wildebeest, Connochaetes gnou
Black wildebeest or white-tailed gnu, Connochaetes gnou. Gnus in the Gardens of the Zoological Society. Handcoloured copperplate engraving from William Smellies translation of Count Georges Buffons

The Black Leopard, Panthera pardus, in the Gardens of the Zoological Society. Handcoloured copperplate engraving from William Smellies translation of Count Georges Buffons History of the Earth

Elton John, singer and songwriter pictured during his interview for John Gibson, Chief Sports Writer at The Newcastle Chronicle in November 1977

Naturalist David Bellamy carries Neptune, alias Mr Phil Lodge out of the surf on the Blue Flag beach at South Shields on 11th July 1990

David Bellamy at Penshaw Monument on 13th April, 1987, with some of the 200 people who joined him to walk to Washington Waterfowl Park

Pupils from Seaton Delaval First School played host to TV nature expert, David Bellamy, on 2nd June 1986, to show off a former pit heap they adopted

Conservationist David Bellamy (left) and Mayor of South Tyneside Councillor Bill Pargeter (right) celebrate the Blue Flag award with Neptune, aka Phil Lodge, (centre) at South Shields on 11th July

David Bellamy and Diane Crozier, of English Nature, plant wild flowers to represent the five regions ot Tyne and Wear on 17th June 1994

David Bellamy teaches Mark Cumberledge, aged 2, from Hookergate, about Chopwell Woods, after the opening of the Woodland Park on 3rd July 1994

Actress Aimi Macdonald in her dressing room at the Theatre Royal on 8th June 1970 where she is starring in the play " The Mating Game" with Terry Scott and Nicholas Parsons

Royal Air Force - Avro Shackleton AEW. 2 WR960 Dougal
Royal Air Force - Avro Shackleton AEW.2 WR960 Dougal, delivered to No.8 Squadron at RAF Lossiemouth on 8 June 1972 and retired in 1981

Dr David Bellamy (right) with his brother Gervaise on 29th March 1989

Poster, Samuel Cody, A Patriotic Lecture, London
EARLY AVIATION PIONEERS - THE SAMUEL CODY ARCHIVE: Rare promotional poster ?What the Nation Should Do To Be First in Aviation? by Colonel S. F

Animated Desk Lamp
A strange illustration of a desk lamp with a decorative shade, stooping down with long, gangly legs, almost like a 1901 version of Pixar's animated lamp! Date: circa 1901

E. B. Posters Advertisement
An advertisement poster illustration for E. B. Studios, producers of posters and postcards. The design shows two tradesmen in animated style. Date: circa 1918

The Legend of Sleepy Hollow
Illustration to The Legend of Sleepy Hollow showing a man and woman in a strange clearing, surrounded by animated trees and a couple of goblins looking down on them. Date: circa 1929

Image of a woman mid-phone conversation, taken from a lifestyle article about living alone. Date: 1954

We made Big Teddy be the donkey boy, illustration from Josephine is Busy, by H. C
IL262867 We made Big Teddy be the donkey boy, illustration from Josephine is Busy, by H.C. Cradock, published by Blackie & Son, Ltd

Book Cover, illustration from Josephine is Busy, by H. C. Cradock, published by Blackie & Son, Ltd. (colour litho)
IL262866 Book Cover, illustration from Josephine is Busy, by H.C. Cradock, published by Blackie & Son, Ltd. (colour litho) by Appleton

They ran around to see who had the longest strip, illustration from Josephine is Busy, by H. C
IL262869 They ran around to see who had the longest strip, illustration from Josephine is Busy, by H.C. Cradock, published by Blackie & Son, Ltd

Again the bell rang, illustration from Josephine is Busy, by H. C. Cradock, published by Blackie & Son, Ltd
IL262871 Again the bell rang, illustration from Josephine is Busy, by H.C. Cradock, published by Blackie & Son, Ltd. (colour litho) by Appleton

Illustration from the Fables of Jean de la Fontaine (litho)
GIA2909359 Illustration from the Fables of Jean de la Fontaine (litho) by Chauveau, Francois (1613-76); Private Collection; (add.info.: 1728 edition); eGiancarlo Costa; French, out of copyright

A Victorian die cut pop up greeting card of a harp entwined with forget-me-nots and roses
3604821 A Victorian die cut pop up greeting card of a harp entwined with forget-me-nots and roses, c. 1880 (colour litho) by English School

A Victorian die cut pop up religious card of an angel kneeling, c. 1880 (colour litho)
3604818 A Victorian die cut pop up religious card of an angel kneeling, c. 1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

A Victiorian die cut pop up New Year card of roses and forget-me-nots, c
3604791 A Victiorian die cut pop up New Year card of roses and forget-me-nots, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English

A Victiorian die cut pop up greeting card of a boy in costume presenting roses to a
3604790 A Victiorian die cut pop up greeting card of a boy in costume presenting roses to a seated girl over a balcony, c.1880 (colour litho) by English School

A pop up card of a sailor dancing, c. 1920 (colour litho)
3604780 A pop up card of a sailor dancing, c.1920 (colour litho) by English School, (20th century); Private Collection; Photo eDavid Pearson; English, out of copyright

A Victorian rocking greeting card of a dog on a rocking chair, c. 1880 (colour litho)
3604595 A Victorian rocking greeting card of a dog on a rocking chair, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

A Victorian rocking Christmas card of three frogs on water lily leaves playing musical
3604593 A Victorian rocking Christmas card of three frogs on water lily leaves playing musical instruments, c.1880 (colour litho) by English School

A Victorian moving greeting card of bald gentleman wearing a bow tie
3604590 A Victorian moving greeting card of bald gentleman wearing a bow tie and a monocle whose eyes move, c.1880 (colour litho) by English School

A Victorian deckle edge mechanical sand card of a man in a cellar holding a bottle
3604559 A Victorian deckle edge mechanical sand card of a man in a cellar holding a bottle and drinking from a glass watched by a monkey, c.1880 (colour litho) by English School

A Victoriandeckle edge embossed New Year mechanical New Year card of three men wearing
3604555 A Victoriandeckle edge embossed New Year mechanical New Year card of three men wearing bibs and holding glasses of champagne with one about to lift the entree cover

A Victorian die cut mechanical Christmas and New Year card of afan with a bouquet of
3604549 A Victorian die cut mechanical Christmas and New Year card of afan with a bouquet of flowers, c.1880 (colour litho) by English School

A Victorian deckle edge silver embossed mechanical greeting card of a bouquet of flowers
3604547 A Victorian deckle edge silver embossed mechanical greeting card of a bouquet of flowers, c.1880 (colour litho) by English School

Comes to the Second, 1866 (woodcut)
3726004 Comes to the Second, 1866 (woodcut) by Burne-Jones, Edward Coley (1833-98) (after); 10.6x8.1 cm; Private Collection; (add.info)

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"Unleashing the Magic of Animation: From Snow White to Thunderbirds. " Step back in time to 1938, when the enchanting tale of Snow White & the Seven Dwarfs was released in the UK, captivating audiences with its animated brilliance. Fast forward to a different kind of animation as we delve into the behind-the-scenes world of filming Thunderbirds. Witness the meticulous craftsmanship and attention to detail that brought these iconic characters to life. Amidst all the action on set, a nostalgic Walturdaw Bioscope advert reminds us of how far animation has come since its early days. It's a testament to human creativity and innovation. The cameras keep rolling as we get an exclusive glimpse into the making of Thunderbirds. The dedicated crew work tirelessly, ensuring every frame is perfect and every movement seamless. But amidst all this modern marvel, there's still room for some prehistoric wonder. A majestic Stegosaurus takes center stage, showcasing how animation can transport us through time and space. In London, Samuel Cody delivers his patriotic lecture while an eye-catching poster catches our attention. It serves as a reminder that animation isn't just about entertainment; it can also educate and inspire. So join us on this journey through animated history - from classic fairy tales like Snow White & the Seven Dwarfs to futuristic adventures like Thunderbirds - where imagination knows no bounds.