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Appiani Collection

"Appiani: A Master of Historical and Portrait Painting" Step back in time to the late 18th century, where General Bonaparte embarked on his Egyptian campaign in 1798

Background imageAppiani Collection: Venus fastens the girdle for Juno

Venus fastens the girdle for Juno, . Private Collection

Background imageAppiani Collection: General Bonaparte, 1798, (1921). Creator: Pierre Michel Alix

General Bonaparte, 1798, (1921). Creator: Pierre Michel Alix
General Bonaparte, 1798, (1921). Le General Bonaparte, Portrait of Napoleon Bonaparte (1769-1821) when he was in Commander-in-Chief of the Army of Italy, (part of the French army)

Background imageAppiani Collection: Allegorical figure of Europe by Andrea Appiani

Allegorical figure of Europe by Andrea Appiani
Allegorical figure of Europe seated on a throne in a purple robe with books, globe, palette, sceptre, lyre and owl. After a painting by Andrea Appiani.. L Europa come figurata dall Appiani

Background imageAppiani Collection: Periander, Solon, Bias, Thales and Pittacus

Periander, Solon, Bias, Thales and Pittacus
Portraits of Corinthian ruler Periander 1, Athenian statesman Solon 2, Bias of Priene 3, Greek mathetician Thales of Miletus 4, and Pittacus of Mytilene 5. etc

Background imageAppiani Collection: Allegorical depiction of Asia reclining on a bed

Allegorical depiction of Asia reclining on a bed, with a garland of flowers, and a bowl of incense smoking. Handcoloured copperplate engraving by Luigi Giarre after an illustration by Andrea Appiani

Background imageAppiani Collection: Portrait of Count Nicholas Frochot (not Etienne Pierre, Graf Mejan), 1806

Portrait of Count Nicholas Frochot (not Etienne Pierre, Graf Mejan), 1806

Background imageAppiani Collection: Portrait of Ugo Foscolo (1778-1827), 1801-1802. Creator: Appiani, Andrea (1754-1817)

Portrait of Ugo Foscolo (1778-1827), 1801-1802. Creator: Appiani, Andrea (1754-1817)
Portrait of Ugo Foscolo (1778-1827), 1801-1802. Found in the Collection of Pinacoteca di Brera, Milan

Background imageAppiani Collection: Napoleon I, 1800. Artist: Appiani, Andrea (1754-1817)

Napoleon I, 1800. Artist: Appiani, Andrea (1754-1817)
Napoleon I, 1800. From a private collection

Background imageAppiani Collection: Venus Fastens the Girdle for Juno, c. 1811

Venus Fastens the Girdle for Juno, c. 1811. Private Collection

Background imageAppiani Collection: Portrait of Claude-Louis Petiet (1749-1806), ca 1804

Portrait of Claude-Louis Petiet (1749-1806), ca 1804. Private Collection

Background imageAppiani Collection: Louis Charles Antoine Desaix (1768-1800), 1801

Louis Charles Antoine Desaix (1768-1800), 1801. Found in the Collection of Muse e de l Histoire de France, Cha teau de Versailles

Background imageAppiani Collection: Princess Augusta, Madame de Beauharnais (1788-1851), Duchess of Leuchtenberg, with her Daughters Jos

Princess Augusta, Madame de Beauharnais (1788-1851), Duchess of Leuchtenberg, with her Daughters Josephine and Eugenie, 1809. Private Collection

Background imageAppiani Collection: Portrait of Giambattista Bodoni (1740-1813). Artist: Appiani, Andrea (1754-1817)

Portrait of Giambattista Bodoni (1740-1813). Artist: Appiani, Andrea (1754-1817)
Portrait of Giambattista Bodoni (1740-1813). Found in the collection of Galleria Nazionale, Parma

Background imageAppiani Collection: Portrait of Emperor Napoleon I Bonaparte (1769-1821). Artist: Appiani, Andrea (1754-1817)

Portrait of Emperor Napoleon I Bonaparte (1769-1821). Artist: Appiani, Andrea (1754-1817)
Portrait of Emperor Napoleon I Bonaparte (1769-1821). From a private collection

Background imageAppiani Collection: APPIANI, Andrea (1754-1817). The Chariot of Apollo

APPIANI, Andrea (1754-1817). The Chariot of Apollo. 18th c.-19th c. Neoclassicism. Oil on canvas. ITALY. Milan. Pinacotheca of Brera

Background imageAppiani Collection: APPIANI, Andrea (1754-1817). Portrait of the

APPIANI, Andrea (1754-1817). Portrait of the

Background imageAppiani Collection: Napoleon (Appiani 2)

Napoleon (Appiani 2)
NAPOLEON I as First Consul, 1803

Background imageAppiani Collection: Napoleon (Appiani)

Napoleon (Appiani)
NAPOLEON I as First Consul, 1803

Background imageAppiani Collection: Andrea Appiani

Andrea Appiani
ANDREA APPIANI Italian artist


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"Appiani: A Master of Historical and Portrait Painting" Step back in time to the late 18th century, where General Bonaparte embarked on his Egyptian campaign in 1798. Amidst this historical event, a talented artist named Pierre Michel Alix captured the essence of the era through his brush strokes. Little did he know that his work would inspire one of Italy's most renowned painters - Andrea Appiani. One of Appiani's notable creations is "Venus fastens the girdle for Juno, " a masterpiece showcasing his exceptional skill in depicting mythological scenes. The attention to detail and delicate rendering transport viewers into ancient mythology, where gods and goddesses come alive. Not limited to mythology, it also delved into allegorical representations. His piece titled "Allegorical figure of Europe" showcases his ability to convey complex concepts through visual storytelling. With each stroke, he captures Europe's spirit and identity with grace and elegance, not only skilled at capturing mythical tales or abstract ideas; he excelled at portraiture as well. In "Portrait of Count Nicholas Frochot, " painted in 1806, Appiani immortalizes an esteemed nobleman with precision and dignity. Every brushstroke reveals Frochot's character and status within society. Another prominent portrait by Appiani is that of Ugo Foscolo, an influential Italian writer during the Napoleonic era. Painted between 1801-1802, this piece encapsulates Foscolo's intellectual depth while highlighting Appiani's ability to capture human emotion on canvas. Speaking of Napoleon Bonaparte himself, it comes as no surprise that such a significant figure caught Appiani's attention multiple times throughout his career. One remarkable portrayal is simply titled "Napoleon I. " Here we witness the artist masterfully capturing both Napoleon's power and vulnerability simultaneously – a testament to their shared understanding. In addition to historical figures, it also painted scenes from everyday life.