Application Collection

Snowdrop, Galanthus nivalis, as design motif in wallpaper, borders and fabrics.. Lithograph by Verneuil with pochoir (stencil)

Warpaint by David Wright
An attractive woman wearing a fur stole that has slipped to reveal a shapely back, glances behind her as she applies her make up using a compact mirror. c.1950

Max Factor make up booklet with Hollywood stars
Rochelle Hudson and Bette Davis demonstrate how to apply powder and rouge respectively in a Max Factor promotional booklet. Date: 1937

Botanical illustration of the jonquil, Narcissus jonquilla, showing parts of flower.. Lithograph by Verneuil with pochoir (stencil)

Olive Borden applies lipstick in the mirror
Actress Olive Borden putting the finishing touches to her face in a scene from The Monkey Talks, a film adaptation of the stage play produced in London and New York. Date: 1927

The Ritualistic Prosecutions (engraving)
1060399 The Ritualistic Prosecutions (engraving) by English School, (19th century); Private Collection; (add.info.: The Ritualistic Prosecutions)

Cyclamen persicum plant as motif in designs for tapestry, fabric and wallpaper.. Lithograph by Anna Martin with pochoir (stencil)

Forceps and Bandages
A selection of medical appliances, including forceps and a hook to extract bullets (fig 8). Also bandage application diagrams

Niger, West Africa - Baby receiving an enema from his Mother. Date: circa 1930s

King Louis XVI-style wall hanging, circa 1900. Gilt wood pelmet, gourgouran lambrequin and curtains, plush drapes, chair and window. Planche 18. Croisee Loius XVi

Crop duster applying chemicals on wheat fields from Steptoe Butte near Colfax, Washington State, USA

Painting & Decorating - Illustration of a smartly dressed housewife mixing paint for application onto the kitchen dresser. Artist: Anon. Date: 1931

Central Australian Shield Design
An aboriginal design for a shield from central Australia, suitable for application to cushions. Date: circa 1925

Port Essington Belt Design
A design derived from a Port Essington belt, suitable for application to border designs. Date: circa 1925

Golmary Shield Design
A design taken from a Golmary Shield, in North Queensland, suitable for application to mats and cushions. Date: circa 1925

Armoured corvette SMS Sachsen was the type ship of the Sachsen class named after her
1900s, 19th-century, 4, accurate, app, application, apps, archive, black, black-and-white, black-white, boat, boats, bunch of, cell phone, cellphone, cellular phone, communicate, communicating

An old couple making music at home, he playing the flute and his woman holding the notes, 1880, Spain, Historic
1900s, 19th-century, 2, 2 people, app, application, apps, art work, arts, artwork, artworks, at home, black, black-and-white, black-white, cell phone, cellphone, cellular phone, communicate

Printers, Linotype typesetting machine from Mergenthaler Setzmaschinenfabrik, Germany
1900s, 19th-century, app, application, apps, archive, art work, arts, artwork, artworks, black, black-and-white, black-white, building, buildings, castings, cell phone, cellphone, cellular phone

The Graphic, Front Cover Saturday December 15. 1888, 1888. Creator: Unknown
The Graphic, Front Cover Saturday December 15. 1888, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Buttercup in art nouveau patterns for wallpapers and a vase, 1897 (lithograph)
FLO4637926 Buttercup in art nouveau patterns for wallpapers and a vase, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P)

Monks hood botanical study, 1897 (lithograph)
FLO4637894 Monks hood botanical study, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P. Verneuil with stencil handcoloring from Eugene Grassets Plants)

Lilac botanical study
FLO4637885 Lilac botanical study. by Grasset, Eugene (1841-1917); (add.info.: Lithograph by Anna Martin with stencil handcoloring from Eugene Grassets Plants and their Application to Ornament, Paris)

Botanical illustration of a snowdrop, Galanthus nivalis, 1897 (lithograph)
5855515 Botanical illustration of a snowdrop, Galanthus nivalis, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info)

The water lily, Nelumbo lutea, in fabric, cross-stitch tapestry, and relief mold patterns. Lithograph by C. G
5855493 The water lily, Nelumbo lutea, in fabric, cross-stitch tapestry, and relief mold patterns. Lithograph by C. G. Schlumberger, 1897 (lithograph) by Grasset

The water lily, Nelumbo lutea, and flower parts, 1897 (lithograph)
5855492 The water lily, Nelumbo lutea, and flower parts, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by Marc Mangin with pochoir (stencil)

The poppy, Papaver somniferum, in stained glass, wallpaper, fabric and tile patterns
5855490 The poppy, Papaver somniferum, in stained glass, wallpaper, fabric and tile patterns. Lithograph by Marc Mangin, 1897 (lithograph) by Grasset

The iris in patterns for fabrics and tiles, 1897 (lithograph)
5855487 The iris in patterns for fabrics and tiles, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by E)

Iris plant and flower parts, with inset, 1897 (lithograph)
5855485 Iris plant and flower parts, with inset, 1897 (lithograph) by Grasset, Eugene (1841-1917); (add.info.: Lithograph by M. P)

Auditions telephoniques de l Opera a l Exposition d electricite (engraving)
3646073 Auditions telephoniques de l Opera a l Exposition d electricite (engraving) by French School, (19th century); Private Collection; (add.info)

Application from Swedish Peasants to be instructed in the Sunday-School (engraving)
5232949 Application from Swedish Peasants to be instructed in the Sunday-School (engraving) by English School, (19th century); Private Collection; (add.info)

Sections of Westminster Abbey, shewing the Application of Mr Pullans System of Proportion (engraving)
6018906 Sections of Westminster Abbey, shewing the Application of Mr Pullans System of Proportion (engraving) by English School

Scotch Thistle; Height up to 4 feet; Lower leaves sometimes 18 inches long; Flowers purple (engraving)
6009699 Scotch Thistle; Height up to 4 feet; Lower leaves sometimes 18 inches long; Flowers purple (engraving) by English School

Tapestry hanging based on Honeysuckle; 27 inches across (engraving)
6009688 Tapestry hanging based on Honeysuckle; 27 inches across (engraving) by English School, (19th century); Private Collection; (add.info.: Tapestry hanging based on Honeysuckle; 27 inches across)

Fuchsia; Flowers crimson, purple, white, and red (engraving)
6009701 Fuchsia; Flowers crimson, purple, white, and red (engraving) by English School, (19th century); Private Collection; (add.info.: Fuchsia; Flowers crimson, purple, white, and red)

Tulips; same crimson flower; yellow; crimson; white (engraving)
6009693 Tulips; same crimson flower; yellow; crimson; white (engraving) by English School, (19th century); Private Collection; (add.info.: Tulips; same crimson flower; yellow; crimson; white)

Application form for £100 Prize Beauty Contest, 1913 (litho)
5998582 Application form for £ 100 Prize Beauty Contest, 1913 (litho) by English School, (20th century); Private Collection; (add.info.: Application form for £ 100 Prize Beauty Contest)

Application d un topique sur l amygdale, au moyen du pinceau (colour litho)
5210347 Application d un topique sur l amygdale, au moyen du pinceau (colour litho) by French School, (19th century); Private Collection; (add.info.: Application d un topique sur l amygdale)

Brighton Marina Brighton Marina site - photograph used for planning appeal
Brighton Marina, Brighton, East Sussex

Gothic-style wall hanging, circa 1900. Carved wooden pelmet, velvet lambrequin, wool and silk satin curtain, damask wall hangings. Planche 7. Croisee Gothique

Arab-style wall hanging, circa 1900. Two-tone satin valance with gold embroidery, striped wool and silk curtains, harem screen. Planche 5. Croisee Style Arabe

Renaissance-style wall hanging, circa 1900. Wooden pelmet, velvet drapes with silk embrodery, damask wall hanging. Planche 10. Croisee Style Renaissance

Military Staff and Aides-de-Camp in Queen Victoria s
Military Staff and Aides-de-Camp in Queen Victorias coronation parade. Equerry of the Crown Stable, Sir George Augustus Quentin, Queens Gentleman Rider, Deputy Adjutant General

Flowering Rush
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

Escholtzia
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

Chrysanthemum
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

Dahlia
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

Daffodil
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

Cucumber
Studies in plant form with suggestions for their application to design. Artists: A E V Lilley and W Midgley Date: 1903

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"Application: Unveiling the Artistic Tapestry of Design" Immerse yourself in a world where creativity takes center stage, as "Warpaint" by David Wright sets the tone. Snowdrop, Galanthus nivalis, delicately weaves its design motif into every masterpiece. Olive Borden gracefully applies lipstick in the mirror, embodying elegance and sophistication. Botanical illustrations of jonquil, Narcissus, add a touch of nature's beauty to these captivating creations. The Ritualistic Prosecutions engraving adds an enigmatic allure to this artistic journey. Cyclamen persicum plants emerge as motifs in designs that mesmerize and captivate all who behold them. Forceps and bandages symbolize the meticulous attention to detail required in every stroke of genius. Snowdrop, Galanthus nivalis once again graces us with its presence, reminding us of purity amidst chaos. Venturing into Niger, West Africa reveals a tender moment - a baby receiving an enema - showcasing art's ability to capture vulnerability and humanity. Painting & Decorating becomes an art form that transcends mere aesthetics. Central Australian Shield Design unearths ancient wisdom through intricate patterns that tell stories untold. Port Essington Belt Design embraces cultural diversity while celebrating unity through intertwining threads. In this realm where application is more than just practicality but rather an expression of ingenuity and passion; each brushstroke tells a tale waiting to be discovered. Let your imagination run wild as you explore the boundless possibilities within these masterpieces.