Aquatint Collection

Calypte anna, Annas hummingbird

The Speedy and El Gamo, c1802. Artist: Nicholas Pocock
The Speedy and El Gamo, c1802. Commanded by Lord Cochrane (1775-1860), the British brig HMS Speedy captured the much larger Spanish frigate Gamo off Barcelona on 6 May 1801

Schematic view of George Stephensons locomotive The Rocket of 1829
STEPHENSONs ROCKET, 1829. Schematic view of George Stephensons locomotive " The Rocket" of 1829

Los Caprichos by Francisco de Goya (1746-1828)
Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Lo que puede un sastre! (What can a tailor!). Number 52. Aquatint. 1799. Reproduction by M. Segui i Riera

Peche du Cachalot. Aquatint by Ambroise Louis Garneray and Frederic Martens, 1835
WHALING, 1835. Peche du Cachalot. Aquatint by Ambroise Louis Garneray and Frederic Martens, 1835

Mergus merganser, goosander
Plate 331 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

BATTLE OF NEW ORLEANS. Defeat of the British Army by American troops under Major General Andrew Jackson in the Battle of New Orleans, 8 January 1815, during the War of 1812

Pelecanus erythrorynchos, American white pelican
Plate 311 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

MOORE: RECLINING FIGURE. Draped Reclining Figure. Aquatint and engraving by Henry Moore, 1951

Christ Church, Spitalfields, London, 1815. View with figures and carts in the street. Built between 1714 and 1729, the church was designed by Nicholas Hawksmoor

Mevagissey, Cornwall, 1825. Artist: William Daniell
Mevagissey, Cornwall, 1825. From A Voyage Around Great Britain Undertaken between the Years 1814 and 1825 by William Daniell

Paddle Steamer Leith 1837
The paddle steamer Leith arriving at Grantham Pier, Edinburgh. Built by R.Menzies & Sons for the General Steam Navigation Co 1837 and used by GSNC for coastal service between Leith and London

New Lanark Mills, Scotland. Robert Owens (1771-1858) model community of cotton mills, housing, education, worlds first day nursery, evening classes, village shop (beginning of Co-operative movement)

Telfords suspension bridge across the Menai Straits
The suspension bridge across the Menai Straits, built by Thomas Telford in 1819-1826. Together with a similar bridge across the Conway River it completed the main route to Ireland via Holyhead

Picoides pubescens, downy woodpecker
Plate 112 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Accipiter gentilis, northern goshawk, Accipiter cooperii, Co
Plate 141 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Phoenicopterus ruber, greater flamingo
Plate 431 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

3rd Hussars, Infantry and Light Infantry, Kings German Legion. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths Costumes of the Army of the British Empire

Selasphorus rufus, rufous hummingbird
Plate 379 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Accipiter striatus, sharp-shinned hawk
Plate 374 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Berkeley Square, Mayfair, London, 1813. View with a coach and figures in the foreground

Death of Sir John Moore, 17 Jan 1809. Aquatint by T Sutherland, after W Heath, published by J Jenkins, 2 Jan 1815. At the Battle of Corunna, Peninsular War (1808-1814)

Colaptes auratus, northern flicker
Plate 37 from John James Audubons Birds of America, original double elephant folio (1827-30), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Falco sparverius, American kestrel
Plate 142 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Caprimulgus vociferus, whip-poor-will
Plate 82 from John James Audubons Birds of America, original double elephant folio (1827-30), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Callipepla californica, Californian quail
Plate 413 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Carduelis psaltria, Icterus galbula, I. Bullockii, Seiurus n
Plate 433 from John James Audubons Birds of America, original double elephant folio (1835-38), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Bombycilla cedrorum, cedar waxwing
Plate 43 from John James Audubons Birds of America, original double elephant folio (1827-30), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Sturnella magna, eastern meadowlark
Plate 136 from John James Audubons Birds of America, original double elephant folio (1831-34), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

Stamford Lincolnshire, from Sketches from Nature, 1822. 1822
Stamford Lincolnshire, from " Sketches from Nature", 1822

Whitehaven, Cumberland, 1814-1825. Artist: William Daniell
Whitehaven, Cumberland, 1814-1825. From A Voyage Around Great Britain Undertaken between the Years 1814 and 1825 by William Daniell

Ardea herodias, great blue heron
Plate 211 from John James Audubons Birds of America, original double elephant folio (1834-35), hand-coloured aquatint. Engraved, printed and coloured by R. Havell (& Son), London

RICHARD WORLEY (c1686-1719). English pirate. Worley and his crew fighting the crews of two South Carolina warships, 1719. Aquatint, English, 1820s

MOZART: MAGIC FLUTE. Set design for Wolfgang Amadeus Mozarts opera The Magic Flute ( Die Zauberfl├Âte ). Aquatint engraving, Austrian, late 18th century, by J. & P. Schaffer

Queens Bargemaster and Watermen in Queen Victoria s
The Queens Bargemaster of the Royal Household and 48 Watermen in Queen Victorias coronation parade. Handcoloured aquatint engraving from Fores Correct Representation of the State Procession

Maternal Caress, c. 1891. Creator: Mary Cassatt
Maternal Caress, c. 1891

The Loves of the Fox and The Badger, or The Coalition Wedding. January 7, 1784

Blue Jay, 1831 (coloured engraving)
XOS2644324 Blue Jay, 1831 (coloured engraving) by Audubon, John James (1785-1851) (after); National Gallery of Art, Washington DC, USA; (add.info.: Cyanocitta cristata)

BODMER: SIOUX CHIEF. Wahk-Tä-Ge-Li, or Big Soldier, a Yankton Sioux Native American chief. Aquatint engraving, c1844, after a painting, 1833, by Karl Bodmer

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Lloyds Coffee House, London, 1798, (1947). Creator: William Holland
Lloyds Coffee House, London, 1798, (1947). Interior of the Lloyds Coffee House in Lombard Street in the City of London. Lloyds became a meeting place for merchants and shipowners

Billingsgate Fish Market, 1808, (1944). Creators: Thomas Rowlandson, Augustus Charles Pugin
Billingsgate Fish Market, 1808, (1944). View of the old open-air fish market on the banks of the River Thames in the City of London. Fresh fish was landed and sold directly on the dockside

Exeter Change, Westminster
Interior view of Politos Royal Menagerie, Exeter Change, Strand, Westminster, London, 1812

South-west view of the London Orphan Asylum in Lower Clapton, Hackney, London, c1830

Highbury Place, Highbury, Islington, London, 1787. Artist: Robert Pollard
West view of Highbury Place, Highbury, London, 1787; with cattle in the foreground

Interior view of Lloyds Subscription Room in the Royal Exchange, City of London, 1809

Young Woman on the Beach, 1896. Private Collection

Collieries, c1805. Pithead scene at a coal mine. At the bottom a horse whim is raising coal from the pit and a man is breaking coal with a pick

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Aquatint: Capturing the Essence of Artistic Expression From Edvard Munch's iconic masterpiece "The Kiss" to George Stephenson's groundbreaking locomotive "The Rocket, " aquatint has played a significant role in immortalizing these remarkable creations. This printmaking technique, often combined with drypoint, allows artists to achieve stunning tonal variations and depth in their works. Nicholas Pocock's maritime scenes like "The Speedy and El Gamo" come alive through the intricate lines and delicate shading achieved by aquatint. Similarly, Francisco de Goya's darkly satirical series "Los Caprichos" showcases his mastery of this technique as he delves into the complexities of human nature. In historical depictions such as the Battle of New Orleans or Telford's suspension bridge across Menai Straits, aquatint breathes life into these monumental events. The meticulous detailing captures every nuance, transporting viewers back in time to experience these moments firsthand. Not limited to grand spectacles alone, it also finds its place in capturing everyday beauty. Ambroise Louis Garneray and Frederic Martens' enchanting piece "Peche du Cachalot" portrays the majesty of whale hunting with exquisite precision. Meanwhile, William Daniell transports us to Mevagissey in Cornwall with his evocative depiction from 1825. Even architectural wonders like Christ Church in Spitalfields or Berkeley Square in Mayfair are brought to life through aquatint. The careful etching techniques highlight every intricate detail while maintaining an ethereal quality that adds charm and character to these structures. Whether it is showcasing natural landscapes or man-made marvels like paddle steamers or pelicans soaring above tranquil waters, aquatint continues to captivate art enthusiasts worldwide. Its ability to create rich textures and evoke emotions makes it a timeless medium that stands at the intersection between technical precision and artistic expression.