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Arabian Collection (page 16)

"Unveiling the Rich Tapestry of Arabian Heritage

Background imageArabian Collection: At the Oasis (oil on canvas)

At the Oasis (oil on canvas)
1079782 At the Oasis (oil on canvas) by Portaels, Jean Francois (1818-95); 76.2x116.8 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageArabian Collection: A Moorish Interior with Two Women, c. 1840 (w / c on paper)

A Moorish Interior with Two Women, c. 1840 (w / c on paper)
CJP108738 A Moorish Interior with Two Women, c.1840 (w/c on paper) by English School, (19th century); Private Collection; eCharles Plante Fine Arts; English, out of copyright

Background imageArabian Collection: An arab by a doorway

An arab by a doorway
CH22153 An arab by a doorway by Nittis, Giuseppe or Joseph de (1846-84); Private Collection; Photo eChristies Images; French, out of copyright

Background imageArabian Collection: Portrait of the thoroughbred racehorse Otho

Portrait of the thoroughbred racehorse Otho
6337436 Portrait of the thoroughbred racehorse Otho by Stubbs, George (1724-1806) (after); (add.info.: Portrait of the thoroughbred racehorse Otho)

Background imageArabian Collection: Portrait of the champion racehorse Buzzard got by Woodpecker

Portrait of the champion racehorse Buzzard got by Woodpecker
6337435 Portrait of the champion racehorse Buzzard got by Woodpecker by English School, (18th century); (add.info.: Portrait of the champion racehorse Buzzard got by Woodpecker)

Background imageArabian Collection: If I am master, and you are master, who shall drive the asses? (colour litho)

If I am master, and you are master, who shall drive the asses? (colour litho)
5205399 If I am master, and you are master, who shall drive the asses? (colour litho) by Bull, Rene (1872-1942); Private Collection; (add.info.: If I am master, and you are master)

Background imageArabian Collection: 'All my goods are of silver and gold, 'says the boaster, 'even my copper kettles'(colour litho)

"All my goods are of silver and gold, "says the boaster, "even my copper kettles"(colour litho)
5205398 " All my goods are of silver and gold, " says the boaster, " even my copper kettles" (colour litho) by Bull

Background imageArabian Collection: Resting Bedouins near the Great Pyramid of Giza, c. 1895 (photomechanical print)

Resting Bedouins near the Great Pyramid of Giza, c. 1895 (photomechanical print)
5848216 Resting Bedouins near the Great Pyramid of Giza, c.1895 (photomechanical print) by Detroit Publishing Co. (1880-1920); Private Collection; American, out of copyright

Background imageArabian Collection: Egypt: Arabian Girls drawing Water from the Nile (b / w photo)

Egypt: Arabian Girls drawing Water from the Nile (b / w photo)
6009586 Egypt: Arabian Girls drawing Water from the Nile (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Arabian Girls drawing Water from the Nile)

Background imageArabian Collection: Sindbad (colour slide)

Sindbad (colour slide)
6032346 Sindbad (colour slide) by English School, (20th century); Private Collection; (add.info.: Sindbad. One of a set of coloured lantern slides)

Background imageArabian Collection: A Large Draught of the Coast of Arabia from Maculla to Dofar, 1703 (colour engraving)

A Large Draught of the Coast of Arabia from Maculla to Dofar, 1703 (colour engraving)
5242478 A Large Draught of the Coast of Arabia from Maculla to Dofar, 1703 (colour engraving) by Nicholls, Sutton (fl.1700-40); New York Public Library

Background imageArabian Collection: Study of a man in Oriental costume (charcoal, w / c & gouache on paper)

Study of a man in Oriental costume (charcoal, w / c & gouache on paper)
1219871 Study of a man in Oriental costume (charcoal, w/c & gouache on paper) by Pils, Isidore (1813-75); 36.8x24.1 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageArabian Collection: Army Reorganization in Morocco, 1872 (oil on canvas)

Army Reorganization in Morocco, 1872 (oil on canvas)
989487 Army Reorganization in Morocco, 1872 (oil on canvas) by Hodgson, John Evan (1831-95); 153x87 cm; Private Collection; (add.info.: Army Reorganization in Morocco. John Evan Hodgson (1831-1895)

Background imageArabian Collection: The Chestnut Arabian of Hampton Court, c. 1726 (oil on canvas)

The Chestnut Arabian of Hampton Court, c. 1726 (oil on canvas)
990568 The Chestnut Arabian of Hampton Court, c.1726 (oil on canvas) by Wootton, John (c.1682-1765); 148x172.2 cm; Private Collection; (add.info.: The Chestnut Arabian of Hampton Court)

Background imageArabian Collection: Persian alchemist Rhazes in his laboratory (engraving)

Persian alchemist Rhazes in his laboratory (engraving)
1127306 Persian alchemist Rhazes in his laboratory (engraving) by French School, (19th century); Private Collection; (add.info.: Muhammad ibn Zakariyu RuzA (854-925), was a Persian polymath

Background imageArabian Collection: An Arabian Red Fox looks over the shoulder of keeper F. Shelley

An Arabian Red Fox looks over the shoulder of keeper F. Shelley
3043060 An Arabian Red Fox looks over the shoulder of keeper F. Shelley, while standing on his back, as he bends over, London Zoo, 1925 (b/w photo) by Bond

Background imageArabian Collection: Portrait of an Arab Man, (watercolour with gum arabic over pencil)

Portrait of an Arab Man, (watercolour with gum arabic over pencil)
827355 Portrait of an Arab Man, (watercolour with gum arabic over pencil) by Bartolini, Filipo or Frederico (19th century); 34.5x25.4 cm; Private Collection; (add.info.: Portrait of an Arab Man)

Background imageArabian Collection: Habit of Moorish Pilgrims returning from Mecca in 1586 (engraving)

Habit of Moorish Pilgrims returning from Mecca in 1586 (engraving)
3640504 Habit of Moorish Pilgrims returning from Mecca in 1586 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of Moorish Pilgrims returning from Mecca in 1586)

Background imageArabian Collection: Arabian mare and foal (engraving)

Arabian mare and foal (engraving)
3635065 Arabian mare and foal (engraving) by English School, (19th century); Private Collection; (add.info.: Arabian mare and foal. Illustration for Cassells Pictorial Scrap Book (1889)

Background imageArabian Collection: Arabian Horses, 19th century (oil on panel)

Arabian Horses, 19th century (oil on panel)
2970796 Arabian Horses, 19th century (oil on panel) by Fromentin, Eugene (1820-76); 33x45.8 cm; The Art Institute of Chicago, IL, USA; George F. Harding Collection; French, out of copyright

Background imageArabian Collection: Fairytale castle in the desert at Sejun (chromolitho)

Fairytale castle in the desert at Sejun (chromolitho)
2782969 Fairytale castle in the desert at Sejun (chromolitho) by European School, (19th century); Private Collection; (add.info.: Fairytale castle in the desert at Sejun)

Background imageArabian Collection: Cairo: Interior of the domestic house of Sidi Youssef Adami

Cairo: Interior of the domestic house of Sidi Youssef Adami
STC423863 Cairo: Interior of the domestic house of Sidi Youssef Adami: a woman standing in a room of rich mosaic and marble decoration, 19th century (colour litho) by Prisse d Avennes

Background imageArabian Collection: Stucco decoration: various geometric patterns, 19th century (print)

Stucco decoration: various geometric patterns, 19th century (print)
STC423857 Stucco decoration: various geometric patterns, 19th century (print) by Prisse d Avennes, Emile (1807-79); Private Collection; (add.info.: From)

Background imageArabian Collection: Pl 22 Architectural Decoration, prob mosaic work, inc border, 19th century (folio)

Pl 22 Architectural Decoration, prob mosaic work, inc border, 19th century (folio)
STC423842 Pl 22 Architectural Decoration, prob mosaic work, inc border, 19th century (folio) by N. Simakoff (fl.1880); Private Collection; (add.info.: From)

Background imageArabian Collection: A hairs breadth at the bow is a mile beside the butt, 1932 (colour litho)

A hairs breadth at the bow is a mile beside the butt, 1932 (colour litho)
473430 A hairs breadth at the bow is a mile beside the butt, 1932 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info)

Background imageArabian Collection: The Camel Driver has his plans, and the Camel has his, 1932 (colour litho)

The Camel Driver has his plans, and the Camel has his, 1932 (colour litho)
473419 The Camel Driver has his plans, and the Camel has his, 1932 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info)

Background imageArabian Collection: At the narrow passage there is no brother and no friend

At the narrow passage there is no brother and no friend
498216 At the narrow passage there is no brother and no friend, 1931 (colour litho) (see also 498217) by Bull, Rene(1872-1942); Private Collection; (add.info)

Background imageArabian Collection: An Arabian Camp, 1873 (oil on panel)

An Arabian Camp, 1873 (oil on panel)
488156 An Arabian Camp, 1873 (oil on panel) by Fromentin, Eugene (1820-76); 27.9x45.7 cm; Minneapolis Institute of Arts, MN

Background imageArabian Collection: An Arab Caravan in the Desert (oil on canvas)

An Arab Caravan in the Desert (oil on canvas)
476568 An Arab Caravan in the Desert (oil on canvas) by Ankarcrona, Henrik (1831-1917); 47x86.3 cm; Private Collection; Photo eChristies Images; Swedish, out of copyright

Background imageArabian Collection: If you buy meat cheap, when it boils you smell what you have saved, 1932 (colour litho)

If you buy meat cheap, when it boils you smell what you have saved, 1932 (colour litho)
473436 If you buy meat cheap, when it boils you smell what you have saved, 1932 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info)

Background imageArabian Collection: Portrait of the celebrated thoroughbred racer Escape with jockey and trainer

Portrait of the celebrated thoroughbred racer Escape with jockey and trainer
6337423 Portrait of the celebrated thoroughbred racer Escape with jockey and trainer by English School, (18th century); (add.info)

Background imageArabian Collection: The Lion Spring (chromolitho)

The Lion Spring (chromolitho)
735086 The Lion Spring (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Lion Spring. Liebig card)

Background imageArabian Collection: The Poor Fisherman and the Favourite of the Caliph (chromolitho)

The Poor Fisherman and the Favourite of the Caliph (chromolitho)
735050 The Poor Fisherman and the Favourite of the Caliph (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Poor Fisherman and the Favourite of the Caliph)

Background imageArabian Collection: The Three Tickets (chromolitho)

The Three Tickets (chromolitho)
735049 The Three Tickets (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Three Tickets)

Background imageArabian Collection: Arabian (colour litho)

Arabian (colour litho)
736560 Arabian (colour litho) by English School, (19th century); Private Collection; (add.info.: Arabian. Illustration for The Grammar of Ornament by Owen Jones (Day and Son)

Background imageArabian Collection: Sindbad (colour slide)

Sindbad (colour slide)
6032347 Sindbad (colour slide) by English School, (20th century); Private Collection; (add.info.: Sindbad. One of a set of coloured lantern slides)

Background imageArabian Collection: Ibex, c. 1st century AD (alabaster) (detail of 247946)

Ibex, c. 1st century AD (alabaster) (detail of 247946)
HSC328371 Ibex, c.1st century AD (alabaster) (detail of 247946) by Sabaean (950 BC-3rd century AD); height: 14.6 cm; Private Collection; Photo eHeini Schneebeli; Sabaean, out of copyright

Background imageArabian Collection: Portrait of Warren Hastings on his Arabian, 1791 (enamel on Wedgwood biscuit earthenware)

Portrait of Warren Hastings on his Arabian, 1791 (enamel on Wedgwood biscuit earthenware)
BAL17807 Portrait of Warren Hastings on his Arabian, 1791 (enamel on Wedgwood biscuit earthenware) by Stubbs, George (1724-1806); 92.1x71.1 cm; Private Collection; (add.info)

Background imageArabian Collection: Arab Horsemen by a Fountain (oil on canvas)

Arab Horsemen by a Fountain (oil on canvas)
CH402503 Arab Horsemen by a Fountain (oil on canvas) by Schreyer, Adolf (1828-99); Private Collection; Photo eChristies Images; German, out of copyright

Background imageArabian Collection: Napoleon and his General Staff (oil on panel)

Napoleon and his General Staff (oil on panel)
CH402324 Napoleon and his General Staff (oil on panel) by Gerome, Jean Leon (1824-1904); 58.4x88.1 cm; Private Collection; (add.info)

Background imageArabian Collection: The Harem Guard (oil on canvas)

The Harem Guard (oil on canvas)
CH402284 The Harem Guard (oil on canvas) by Deutsch, Ludwig (1855-1935); Private Collection; Photo eChristies Images; French, out of copyright

Background imageArabian Collection: The Brass Beaker (pencil & w / c on paper)

The Brass Beaker (pencil & w / c on paper)
CH402280 The Brass Beaker (pencil & w/c on paper) by Rosati, Giulio (1858-1917); 38.1x55.5 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageArabian Collection: The Lion Hunter, 1833 (oil on canvas)

The Lion Hunter, 1833 (oil on canvas)
CH402270 The Lion Hunter, 1833 (oil on canvas) by Vernet, Emile Jean Horace (1789-1863); Private Collection; Photo eChristies Images; French, out of copyright

Background imageArabian Collection: A Secret Admirer, 1873 (oil on canvas)

A Secret Admirer, 1873 (oil on canvas)
CH405682 A Secret Admirer, 1873 (oil on canvas) by Brun, Guillaume Charles (1825-1908); 52.7x35.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageArabian Collection: The Queen viewing the Arabian horses presented to her Majestry

The Queen viewing the Arabian horses presented to her Majestry, in the riding house at Pimlico (engraving)
582511 The Queen viewing the Arabian horses presented to her Majestry, in the riding house at Pimlico (engraving) by English School

Background imageArabian Collection: Map from De La Situation du Paradis Terrestre, 1691 (engraving)

Map from De La Situation du Paradis Terrestre, 1691 (engraving)
CHT274912 Map from De La Situation du Paradis Terrestre, 1691 (engraving) by French School, (17th century); Bibliotheque Sainte-Genevieve, Paris

Background imageArabian Collection: Bethlehem in Palestine, View of the Principal Part of The City with the Arabia Petraea

Bethlehem in Palestine, View of the Principal Part of The City with the Arabia Petraea
STC132694 Bethlehem in Palestine, View of the Principal Part of The City with the Arabia Petraea Mountains, from Views in the Ottoman Dominions, 1810 (coloured aquatint) by Mayer

Background imageArabian Collection: Two Bedouin with a Bay Arab Stallion in the Desert, 1860 (oil on canvas)

Two Bedouin with a Bay Arab Stallion in the Desert, 1860 (oil on canvas)
BSA101085 Two Bedouin with a Bay Arab Stallion in the Desert, 1860 (oil on canvas) by Cooper, Abraham (1787-1868); Private Collection; eThe British Sporting Art Trust; English, out of copyright



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"Unveiling the Rich Tapestry of Arabian Heritage: From Ancient Empires to Enchanting Tales" Step into a world steeped in history and mystique as we embark on a captivating journey through Arabian culture. The map of the Ancient Persian Empire reveals the grandeur and influence that once emanated from this land, while the Map of Ancient Egypt unveils its close ties with this vibrant region. Delving deeper, we encounter The Darley Arabian, an iconic steed whose bloodline shaped the realm of horse racing. Its legacy echoes even today, reminding us of the indomitable spirit that runs through Arabians. In cinema, The Adventures of Prince Achmed takes us on a mesmerizing animated odyssey inspired by ancient tales. This groundbreaking film showcases how Arabian folklore continues to captivate audiences worldwide. Artistry finds expression in George Stubbs' masterpiece Whistlejacket—a majestic portrait capturing both power and grace. Such artistic endeavors celebrate the enduring beauty associated with these noble creatures. Turning our gaze towards Emir Faisal at Wejh, we witness a pivotal moment in Saudi Arabia's history—an emblematic figure who played a crucial role in shaping his nation's destiny. The silver screen immortalizes Rudolph Valentino and Vilma Banky in Son of the Sheik—an enchanting tale that transports viewers into an exotic world filled with romance and adventure. These cinematic gems shed light on how Arabian aesthetics have influenced global pop culture throughout time. Portrait of Avicenna (Ibn Sina) Reading depicts one of history's most influential scholars engrossed in knowledge—a testament to Arab intellectual contributions spanning centuries. Their thirst for wisdom has left an indelible mark on various fields, including medicine and philosophy. Lastly, Scheherazade by T Mackenzie encapsulates the allure and intrigue surrounding One Thousand and One Nights—the timeless collection where storytelling reigns supreme. Through these narratives woven by Scheherazade, the Arabian heritage continues to enchant and inspire generations.