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Arthurian Collection

"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny

Background imageArthurian Collection: I am half sick of shadows, c1911. Artist: John William Waterhouse

I am half sick of shadows, c1911. Artist: John William Waterhouse
I am half sick of shadows, c1911. Illustration of Tennysons poem of the Arthurian legend, showing the Lady of Shalott bored with her weaving

Background imageArthurian Collection: Merlin & Vivien & Tree

Merlin & Vivien & Tree
Merlin and Vivien rest under a massive tree

Background imageArthurian Collection: The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival

The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival
BIR68247 The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival, from the series The Quest for the Holy Grail, 1895-96 (wool, silk)

Background imageArthurian Collection: Isolde, c1895, (1896). Artist: Aubrey Beardsley

Isolde, c1895, (1896). Artist: Aubrey Beardsley
Isolde, c1895, (1896). From The Studio Volume 6. [London Offices of the Studio, London, 1896]

Background imageArthurian Collection: The Lady of Shalott, 1862 (oil on canvas)

The Lady of Shalott, 1862 (oil on canvas)
XYC152742 The Lady of Shalott, 1862 (oil on canvas) by Crane, Walter (1845-1915); 24.1x29.2 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Background imageArthurian Collection: Arthur Weds Guinevere

Arthur Weds Guinevere
The marriage of Arthur and Guinevere

Background imageArthurian Collection: Lancelot Saves Arthur

Lancelot Saves Arthur
King Arthur is spared by Sir Bors at the intervention of Sir Lancelot

Background imageArthurian Collection: Now King Arthur saw the Questing Beast and thereof had great marvel, from Le

Now King Arthur saw the Questing Beast and thereof had great marvel, from Le
XJF362934 Now King Arthur saw the Questing Beast and thereof had great marvel, from Le Morte d Arthur by Sir Thomas Malory (d.1471) published 1893-94 (black ink and graphite) by Beardsley

Background imageArthurian Collection: Die Gralburg

Die Gralburg
Die Gralsburg - the castle of the Grail

Background imageArthurian Collection: Galahad & Round Table

Galahad & Round Table
Sir Galahad is introduced to the Round Table

Background imageArthurian Collection: Excalibur / Beardsley

Excalibur / Beardsley
Arthur learns of the sword Excalibur from the Lady of the Lake

Background imageArthurian Collection: MERLIN

MERLIN
Merlin the Enchanter, one of Aubrey Beardsleys illustrations to Morte d Arthur

Background imageArthurian Collection: Tristran & Isolde

Tristran & Isolde
Tristran carries Isolde away to be his uncles wife

Background imageArthurian Collection: Arthur Draws the Sword

Arthur Draws the Sword
Arthur draws the sword from the stone

Background imageArthurian Collection: Parzival prays for guidance, from Myths and Legends of the Middle Ages by H. A

Parzival prays for guidance, from Myths and Legends of the Middle Ages by H. A. Guerber, 1909 (colour litho)
STC323939 Parzival prays for guidance, from Myths and Legends of the Middle Ages by H.A. Guerber, 1909 (colour litho) by Paul, Evelyn (1870-1945); Private Collection; The Stapleton Collection

Background imageArthurian Collection: Arthur Draws the Sword from the Stone, 1911. Artist: Walter Crane

Arthur Draws the Sword from the Stone, 1911. Artist: Walter Crane
Arthur Draws the Sword form the Stone, 1911. The young Arthur pulls the sword from the stone to become King of England. Frontispiece of Stories of the Knights of the Round Table by Henry Gilbert

Background imageArthurian Collection: The Lady of Shalott setting out on her boat for Camelot

The Lady of Shalott setting out on her boat for Camelot
Colour illustration of the Lady of Shalott setting out on her boat for Camelot

Background imageArthurian Collection: PMYT2A-00017

PMYT2A-00017
King Arthur receiving his magic sword from the Lady of the Lake. Hand-colored woodcut of a 19th-century illustration

Background imageArthurian Collection: Tennyson, Shalott, W hse

Tennyson, Shalott, W hse
The curse is come upon me, cried the Lady of Shalott

Background imageArthurian Collection: Lancelot & Guinevere

Lancelot & Guinevere
Lancelot and Guinevere together for the last time

Background imageArthurian Collection: Vivien and Merlin, 1874. Creator: Julia Margaret Cameron

Vivien and Merlin, 1874. Creator: Julia Margaret Cameron
Vivien and Merlin, 1874

Background imageArthurian Collection: Lancelot Mourns Legend

Lancelot Mourns Legend
Lancelot mourns for Elaine, the lily-maid of Astolat, otherwise known as The Lady of Shalott, who has died of love for him

Background imageArthurian Collection: Arthurian Tournament

Arthurian Tournament
Lancelot defeats Sir Mador de la Porte in the battle to uphold the honour of Guinevere

Background imageArthurian Collection: Morgan Le Fay / Tristram

Morgan Le Fay / Tristram
Morgan le Fay gives a shield to Sir Tristram

Background imageArthurian Collection: Arthur with Owain

Arthur with Owain
Owain, son of Morgan Le Fay, appeals to his uncle, King Arthur

Background imageArthurian Collection: Excalibur Restored

Excalibur Restored
Sir Bedivere, with considerable reluctance, restores the magic sword Excalibur to the Lady of the Lake

Background imageArthurian Collection: Sir Lancelot And Queen Guinevere. Coloured Illustration From The Book The Gateway To Tennyson

Sir Lancelot And Queen Guinevere. Coloured Illustration From The Book The Gateway To Tennyson Published 1910

Background imageArthurian Collection: Arthurian / Guinevere

Arthurian / Guinevere
Guinevere rides a-Maying in the woods

Background imageArthurian Collection: Concepts / Sangrael

Concepts / Sangrael
The Grail is kept in the Palace of Adventurous, part of the Castle of Carbonek; a maiden bears it in to show it to Sir Bors, one of the few knights to actually see it

Background imageArthurian Collection: Arthur Uses Excalibur

Arthur Uses Excalibur
He draws the magic sword Excalibur under battle conditions for the first time, fighting King Lot

Background imageArthurian Collection: Perceval & Owen

Perceval & Owen
Young Perceval questions Sir Owen about chivalry

Background imageArthurian Collection: Romance of Arthur Ms

Romance of Arthur Ms
Page from the Romance of Roi Artus (= King Arthur)

Background imageArthurian Collection: Lancelot approaches the Castle at Astolat, illustration from Idylls of the King

Lancelot approaches the Castle at Astolat, illustration from Idylls of the King
XJF359076 Lancelot approaches the Castle at Astolat, illustration from Idylls of the King by Alfred Tennyson (litho) by Dore

Background imageArthurian Collection: Sir Galahad is brought to the Court of King Arthur, 1911. Artist: Walter Crane

Sir Galahad is brought to the Court of King Arthur, 1911. Artist: Walter Crane
Sir Galahad is brought to the Court of King Arthur, 1911. How the three good knights achieved the Holy Grail. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Background imageArthurian Collection: King Arthur asks the Lady of the Lake for the sword Excalibur, 1911. Artist: Walter Crane

King Arthur asks the Lady of the Lake for the sword Excalibur, 1911. Artist: Walter Crane
King Arthur asks the Lady of the Lake for the sword Excalibur, 1911. Sir Baldwin and the stroke Dolorous. The sword Excalibur given by the Lady of the Lake promises to keep Arthur safe

Background imageArthurian Collection: Merlin and Arthur (bronze)

Merlin and Arthur (bronze)
NGW186865 Merlin and Arthur (bronze) by John, William Goscombe (1860-1952); 61x25 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageArthurian Collection: Gareth and Lynette, 1874. Creator: Julia Margaret Cameron

Gareth and Lynette, 1874. Creator: Julia Margaret Cameron
Gareth and Lynette, 1874. A bearded man (Andrew Hichens) poses as Gareth reclining with head cast down and eyes closed. A woman (May Prinsep Hichens), poses as Lynette

Background imageArthurian Collection: Sir Galahad and the Pale Nun, 1874. Creator: Julia Margaret Cameron

Sir Galahad and the Pale Nun, 1874. Creator: Julia Margaret Cameron
Sir Galahad and the Pale Nun, 1874. A photographic illustration to Alfred Tennysons " Idylls of the King" ; a series of narrative poems based on the legends of King Arthur

Background imageArthurian Collection: The Passing of King Arthur, 1874. Creator: Julia Margaret Cameron

The Passing of King Arthur, 1874. Creator: Julia Margaret Cameron
The Passing of King Arthur, 1874. A melodramatic depiction of Arthurs death scene. A bearded man (William Warder) in profile

Background imageArthurian Collection: King Arthur, September 1874. Creator: Julia Margaret Cameron

King Arthur, September 1874. Creator: Julia Margaret Cameron
King Arthur, September 1874. A photograph of the torso and head in profile of a bearded and long-haired knight (William Warder) with helmet and chainmail gripping a sword

Background imageArthurian Collection: Queen Guinevere consort of King Arthur, 1937. Artist: Alexander K MacDonald

Queen Guinevere consort of King Arthur, 1937. Artist: Alexander K MacDonald
Queen Guinevere consort of King Arthur. Guinevere is the Queen consort of King Arthur in the Arthurian Legend. From an original drawing by A. K. Macdonald

Background imageArthurian Collection: Merlin and Vivian in Arthurian legend

Merlin and Vivian in Arthurian legend
Merlin and Vivian in the forest, from legends of King Arthur. Hand-colored halftone of a Dore painting

Background imageArthurian Collection: Guenevere

Guenevere
A portrait design which depicts the lady Guenevere, a Queen of Great Britain in Arthurian legend, wife of King Arthur. The design was made for embroidery in Red House, the home of William Morris

Background imageArthurian Collection: Le Morte D'Arthur

Le Morte D'Arthur
A scene from Le Morte D'Arthur, possibly either Igraine (Arthur's mother) or Merlin's mother who both died in childbirth Date: 1498

Background imageArthurian Collection: Guinevere Dead

Guinevere Dead
Sir Lancelot with Guinevere's body at Almesbury

Background imageArthurian Collection: Sir Lamorack is Slain

Sir Lamorack is Slain
Sir Lamorak de Galis is attacked by Sir Gawaine & his kin Sir Agravaine, Sir Gaheris & Sir Mordred. Lamorak, being a mighty knight, fights for 3 hours before he is slain

Background imageArthurian Collection: Lancelot and Tarquin

Lancelot and Tarquin
Sir Lancelot challenges Sir Tarquin (Tarquine) who has imprisoned 64 of King Arthur's knights. Sir Tarquin is slain

Background imageArthurian Collection: Lancelot Driven Mad

Lancelot Driven Mad
Lancelot is driven mad by Guinevere's anger (the result of an enchantment to make her believe that he was a traitor) & lives in a wild wood surviving on fruit



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"Unveiling the Enchanting World Legends: From Shadows to Glory" Step into a realm where shadows intertwine with destiny, as depicted in John William Waterhouse's masterpiece "I am half sick of shadows, c1911. " The ethereal painting captures the essence tales, where magic and mystery reign supreme. In one corner, we find Merlin and Vivien standing beneath an ancient tree. Their enigmatic connection hints at the intricate web of fate that binds them together. Meanwhile, "The Attainment; The Vision of the Holy Grail to Sir Galahad, Sir Bors and Sir Percival" transports us to a sacred moment when these noble knights glimpse their ultimate quest. Waterhouse's enchantment continues with "The Lady of Shalott, " her haunting beauty encapsulating the tragic tale that unfolds within Camelot's walls. Yet hope prevails as Lancelot emerges to save Arthur from perilous situations time and again. The bravery showcased in this act echoes throughout history. As we venture further into this mythical world, we encounter "Die Gralburg, " a testament to the enduring allure surrounding the Holy Grail. Its power captivates all who seek it but remains elusive for most. However, amidst trials and tribulations, Arthur weds Guinevere—a union that symbolizes love's triumph over adversity. Galahad takes his rightful place among legendary knights at King Arthur's Round Table—an assembly embodying chivalry and honor beyond measure. Excalibur gleams under Beardsley's skilled hand—its significance resonating far beyond its physical form. No retelling is complete without paying homage to Merlin—the wise sorcerer whose guidance shapes destinies across generations. Tristran & Isolde epitomize forbidden love entangled in tragedy—a poignant reminder that even heroes are not immune to heartache.