Attributes Collection

Angerona Goddess
A Roman goddess of obscure attributes : depicted here with finger to lips, she is also represented with her mouth bound, so there are connotations of secrecy

MITHRAS with associated emblems and attributes

HYNEK, 1966
J ALLEN HYNEK American astronomer and UFO investigator, at a press conference regarding the 1966 Hillsdale sightings which he attributes to marsh gas

Jesus Crucifixion
Allegory of Jesus crucified, surrounded by relics and other symbolic attributes

Horus-Seth (2)
In some of his many forms, the falcon-god Horus takes on the attributes of other deities : here he is as HORUS-SETH, adding Seths formidable powers to his own

Vishnu (colour litho)
423614 Vishnu (colour litho) by Indian School; Private Collection; Photo eLuca Tettoni; Indian, out of copyright

St. John and St. Mary Magdalene, detail from Virgin and Child enthroned surrounded by saints
XIR438870 St. John and St. Mary Magdalene, detail from Virgin and Child enthroned surrounded by saints (tempera on panel) (see also 438871) by Giovanni del Biondo dal Casentino (c.1356-99)

Horsemen 1 - Centaurs
CENTAURS : these legendary creatures of Greek mythology combine the attributes of horse and man. Whether they eat human food or subsist on oats is not recorded

Reindeer 1597
A German depiction with notes on hunting - in Germany, the reindeer is a creature to be hunted, rather than bred for its attributes as in Lapland

Figures prepared by Baron von Hess for a painted window in Glasgow Cathedral: Jeremiah, 1862. Creator: Unknown
Figures prepared by Baron von Hess for a painted window in Glasgow Cathedral: Jeremiah, 1862. This great work of embellishing a national monument

Hindu Monk (colour litho)
1764428 Hindu Monk (colour litho) by Indian School; Dinodia

Allegory of the Villa of Madrid, 1810, by Francisco de Goya
Francisco de Goya y Lucientes (1746-1828). Spanish painter. Allegory of the Villa of Madrid, 1810. History Museum. Madrid. Spain

Saint Lazarus with his Sisters Martha and Mary
Master of Perea. Saint Lazarus with his Sisters Martha and Mary. Valencian School, early 16th century. Lazaro Galdiano Museum. Madrid. Spain

Saint James the Pilgrim. Circle of Pedro Berruguete. Early 16th century. Oil on board. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Date: 2019

Statuette of Osiris. Granite. Third Intermediate Period. Eg
Statuette of Osiris wearing crown and royal scepters in their hands. Granite. C. 700 B.C. 25th Dynasty. Third Intermediate Period. Carlsberg Glyptotek Museum. Copenhagen. Denmark

Painted wooden statuette of Osiris. Egypt
Painted wooden statuette of Osiris depicted as a blindfolded man, wearing crown and royal scepters in their hands. Contains the rolled Book of the Dead papyrus of a lady Anhai. 1170 BC. 20th Dynasty

Jewish woman, noble Jewish woman in noble dress and with much jewellery, from Tangier, Morocco, Jewish woman
1 person, 1900s, 19th-century, accurate, archive, attribute, attributes, black, black-and-white, black-white, characteristic, classy, cloth, contemporary, copy, costly, culture, custom, depiction

The Horsewoman, distinguished lady riding through the city gate in a lady's seat on a white horse
1900s, 19th-century, 3 people, achievements, action, actions, active, activities, activity, adult female, adult woman, animal breed, animal breeds, animal husbandries, animals, arts, athletic

Gentlewoman from Venice, Italy, in 1870, Historical, Digital Reproduction of an Original 19th century Original
1 person, 1900s, 19th-century, adult female, adult woman, attraction, attractions, attribute, attributes, black, black-and-white, black-white, characteristic, classy, contemporary, costly

Gentlewoman in traditional traditional costume from Swabia, Germany, c. 1870, Historic
1 person, 1900s, 19th-century, adult female, adult woman, attire, attribute, attributes, bayern, black, black-and-white, black-white, characteristic, classy, clothes, contemporary, costly, culture

Gentlewoman from Paris, France, in 1870, Historic, digital reproduction of an original 19th century painting
1 person, 1900s, 19th-century, adult female, adult woman, attribute, attributes, black, black-and-white, black-white, characteristic, classy, contemporary, costly, depiction, depictions, digital

Kago Travelling Chair, Japanese woman being carried in a palanquin by two men, distinguished lady with her servants, c
2, 3 people, album, albums, arts, asian, asian ethnicity, asians, asiatic, attribute, attributes, black, black-and-white, black-white, characteristic, classy, commemorating, commemoration, copy

Pierson la Hues, Drummer and Page of the Old Archers Guild (oil on wood)
3475556 Pierson la Hues, Drummer and Page of the Old Archers Guild (oil on wood) by Congnet (Coignet), Gillis (c.1535-99); 133x170 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium

Plate 24: The Lost Child of Atocha: From Portfolio "Spanish Colonial Designs of New Mexico"
Plate 24: The Lost Child of Atocha: From Portfolio " Spanish Colonial Designs of New Mexico", 1935/1942

Plate 6: Chapel Altarpiece, Santa Cruz: From Portfolio "Spanish Colonial... ", 1935 / 1942. Creator: Unknown
Plate 6: Chapel Altarpiece, Santa Cruz: From Portfolio " Spanish Colonial Designs of New Mexico", 1935/1942

Plate 21: Main Altarpiece: From Portfolio "Spanish Colonial Designs of New Mexico", 1935 / 1942
Plate 21: Main Altarpiece: From Portfolio " Spanish Colonial Designs of New Mexico", 1935/1942

Plate 7: Our Lady of Mt. Carmel: From Portfolio "Spanish Colonial Designs of New Mexico", 1935 / 1942
Plate 7: Our Lady of Mt. Carmel: From Portfolio " Spanish Colonial Designs of New Mexico", 1935/1942

Plate 41: Saint Barbara: From Portfolio "Spanish Colonial Designs of New Mexico", 1935 / 1942
Plate 41: Saint Barbara: From Portfolio " Spanish Colonial Designs of New Mexico", 1935/1942

Saints Apollonia, Barbara, and Agatha, 1490 / 1500. Creator: Master Alejo
Saints Apollonia, Barbara, and Agatha, 1490/1500

Vajrayaksha (Kongo Yasha), Kamakura period, 1185-1333. Creator: Unknown
Vajrayaksha (Kongo Yasha), Kamakura period, 1185-1333

Mithras killing a bull (marble)
3502156 Mithras killing a bull (marble) by Roman, (2nd century AD); Vatican Museums and Galleries, Vatican City; (add.info.: Mithraism, also known as the Mithraic mysteries)

The Allegory of Air, from a series on the Allegory of the Elements
GIA1763735 The Allegory of Air, from a series on the Allegory of the Elements, 1621 (oil on canvas) by Brueghel, Jan the Elder (1568-1625); Louvre, Paris, France; eGiancarlo Costa; Flemish

Table of the Principal Religions of the World (colour litho)
LSE702649 Table of the Principal Religions of the World (colour litho) by Grasset de Saint-Sauveur, Jacques (1757-1810); Private Collection; Photo eLeonard de Selva; French, out of copyright

Bishamonten (polychromed wood with crystal, cut gold-leaf & metal)
1764524 Bishamonten (polychromed wood with crystal, cut gold-leaf & metal) by Higo Busshi JAckei (13th Century); 47.8x22.9x16.7 cm; Minneapolis Institute of Arts, MN

Saint Sebastian, c. 1490 (oil on wood)
704167 Saint Sebastian, c.1490 (oil on wood) by Perugino, Pietro (c.1445-1523); 110x62 cm; Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Frame with attributes of war, early to mid-16th century (walnut)
1069479 Frame with attributes of war, early to mid-16th century (walnut) by European School, (16th century); 71.1x44.5x10.2 cm; Dallas Museum of Art, Texas

The Virgin, Christ and 17 Saints (tempera on panel)
499378 The Virgin, Christ and 17 Saints (tempera on panel) by Master of the Dominican Effigies, (14th century); Santa Maria Novella, Florence, Italy; Photo eNicol Orsi Battaglini; Italian

Poetry, The Four Arts, Peduccio, Camera della Fama, 1542 (fresco)
780504 Poetry, The Four Arts, Peduccio, Camera della Fama, 1542 (fresco) by Vasari, Giorgio (1511-74); Museo di Casa Vasari, Arezzo, Tuscany, Italy; Photo eRaffaello Bencini; Italian, out of copyright

Humility, plate 7 from The Vicissitude of Human Things, 1564 (engraving)
BCC393578 Humility, plate 7 from The Vicissitude of Human Things, 1564 (engraving) by Heemskerck, Maarten van (1498-1574) (after); 22.2x29.5 cm; Private Collection; (add.info)

Wrens Custom House, London (litho)
2962666 Wrens Custom House, London (litho) by English School, (19th century); London Metropolitan Archives, City of London; (add.info.: The Custom House)

The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766 (oil on canvas)
487803 The Attributes of the Arts and the Rewards Which Are Accorded Them, 1766 (oil on canvas) by Chardin, Jean-Baptiste Simeon (1699-1779); 113x145 cm; Minneapolis Institute of Arts, MN

The Virgin Mary presents Jesus to St. Dominic (oil on board) (detail of 308141)
DGC308142 The Virgin Mary presents Jesus to St. Dominic (oil on board) (detail of 308141) by Spanish School, (17th century); Sanctuary of As Ermidas, Galicia, Spain; (add.info.: St)

An aspect of Shiva, from Voyage aux Indes et a la Chine by Pierre Sonnerat
STC196036 An aspect of Shiva, from Voyage aux Indes et a la Chine by Pierre Sonnerat, engraved by Poisson, published 1782 (coloured engraving) by Sonnerat

Apollo with a dogs head, 1589 (engraving)
STC88759 Apollo with a dogs head, 1589 (engraving) by Italian School, (16th century); Private Collection; The Stapleton Collection; Italian, out of copyright

Saint Veronica, Crucifixion Triptych, c. 1445 (oil on oak panel)
LRI3081834 Saint Veronica, Crucifixion Triptych, c.1445 (oil on oak panel) by Weyden, Rogier van der (1399-1464); 101x35 cm; Kunsthistorisches Museum, Vienna

Figure of Ganesha, Uttar Pradesh (sandstone) (see also 834326)
834327 Figure of Ganesha, Uttar Pradesh (sandstone) (see also 834326) by Indian School, (10th century); Private Collection; (add.info)

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"Unveiling the Divine: Exploring the Multifaceted Attributes of Deities and Icons" In ancient mythology, Angerona Goddess personified silence and secrecy, reminding us of the power in stillness. Meanwhile, MITHRAS symbolized strength and courage, embodying the triumph over adversity. The eternal struggle between Horus-Seth depicted a duality within ourselves - light battling darkness. Drawing from HYNEK's groundbreaking research in 1966, we delve into the enigmatic phenomenon surrounding extraterrestrial encounters – a testament to our insatiable curiosity about the unknown. The crucifixion of Jesus stands as an enduring symbol of sacrifice and redemption that transcends time and culture. Vishnu's vibrant litho reminds us of his divine presence through various hues that represent different aspects of existence. Studying St. John and St. Mary Magdalene amidst saints reveals their unwavering devotion to faith and compassion for humanity. Horsemen 1 - Centaurs epitomize untamed freedom while Reindeer (1597) evokes a sense of enchantment in nature's wonders. Francisco de Goya's Allegory of the Villa Madrid (1810) invites contemplation on society's complexities through symbolism, urging us to reflect upon our own roles within it. Saint Lazarus with Martha and Mary teaches us about love’s transformative power even in times of despair. Lastly, Saint James the Pilgrim beckons wanderers towards self-discovery along life's pilgrimage path—a reminder that growth lies beyond comfort zones—attributing courage to those who embark on such journeys. Through these diverse attributes embodied by gods, icons, mythological creatures, or historical figures across cultures and eras; we are reminded that human experience is multifaceted like a prism reflecting myriad colors—an ever-evolving tapestry woven together by stories passed down through generations.