Fraud Blocker Skip to main content

Audience Collection (page 21)

In the realm of human experiences, the concept of "audience" transcends time and boundaries

Background imageAudience Collection: Indian sword swallower in Paris, 1816

Indian sword swallower in Paris, 1816. An assistant holds a sword to show its length (18 inches), and another takes something from a box of tricks

Background imageAudience Collection: Indian jugglers in Paris, 1816

Indian jugglers in Paris, 1816
Indian jugglers, 1816. The man in the centre balances a whip between his eyes, spins rings on his toes and fingers, and threads pearls on a rope with his tongue

Background imageAudience Collection: The Chevalier d Eon, dressed as a woman, in a fencing match (engraving)

The Chevalier d Eon, dressed as a woman, in a fencing match (engraving)
STC265082 The Chevalier d Eon, dressed as a woman, in a fencing match (engraving) by English School, (18th century); Private Collection; (add.info)

Background imageAudience Collection: Entrance to a Roman Theatre, 1866 (oil on canvas)

Entrance to a Roman Theatre, 1866 (oil on canvas)
NUL275405 Entrance to a Roman Theatre, 1866 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 70.4x98.4 cm; Private Collection; English, out of copyright

Background imageAudience Collection: The New Bedford, Camden Town (charcoal, pen & ink on paper)

The New Bedford, Camden Town (charcoal, pen & ink on paper)
423985 The New Bedford, Camden Town (charcoal, pen & ink on paper) by Sickert, Walter Richard (1860-1942); 18.7x25.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageAudience Collection: The tomb, bleechers and crowd at the dedication of Grants Tomb on Riverside Drive

The tomb, bleechers and crowd at the dedication of Grants Tomb on Riverside Drive
MNY380905 The tomb, bleechers and crowd at the dedication of Grants Tomb on Riverside Drive, presumably on April 27, 1897

Background imageAudience Collection: John L. Sullivan v. Charlie Mitchell on 10th March, 1888 at Chantilly

John L. Sullivan v. Charlie Mitchell on 10th March, 1888 at Chantilly
PNP379194 John L. Sullivan v. Charlie Mitchell on 10th March, 1888 at Chantilly, France (colour litho) by French School, (19th century); Private Collection; (add.info.: Sullivan (1858-1918)

Background imageAudience Collection: Tom Molineaux versus Tom Cribb, 28th September, 1811 at Thistleton

Tom Molineaux versus Tom Cribb, 28th September, 1811 at Thistleton
PNP379184 Tom Molineaux versus Tom Cribb, 28th September, 1811 at Thistleton, England (colour litho) by English School, (19th century); Private Collection; (add.info)

Background imageAudience Collection: John Heenan v. Tom Sayers, 17th April, 1860 (colour litho)

John Heenan v. Tom Sayers, 17th April, 1860 (colour litho)
PNP379176 John Heenan v. Tom Sayers, 17th April, 1860 (colour litho) by English School, (19th century); Private Collection; (add.info.: Heenan (1833-73) and Sayers (1826-65)

Background imageAudience Collection: Nautch, Delhi c. 1863 (b / w photo)

Nautch, Delhi c. 1863 (b / w photo)
498601 Nautch, Delhi c.1863 (b/w photo) by Shepherd & Robertson (fl.1860s); Private Collection; (add.info.: A style of popular Indian dance.); British, out of copyright

Background imageAudience Collection: The Battle of Mohacs, between the Turks and Hungarians, 1526

The Battle of Mohacs, between the Turks and Hungarians, 1526
CHT307965 The Battle of Mohacs, between the Turks and Hungarians, 1526, facsimile of a miniature conserved in the Topkapi Museum in Istanbul (colour litho) by Turkish School

Background imageAudience Collection: Poney race at Astleys Amphitheatre (engraving)

Poney race at Astleys Amphitheatre (engraving)
MBD292135 Poney race at Astleys Amphitheatre (engraving) by English School, (18th century); Collection Michael Burden; (add.info)

Background imageAudience Collection: The Ballad Singer (pen & ink and w / c on paper)

The Ballad Singer (pen & ink and w / c on paper)
AGN271136 The Ballad Singer (pen & ink and w/c on paper) by Rowlandson, Thomas (1756-1827); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageAudience Collection: The Story of the Foundation of Santa Maria Maggiore in Rome

The Story of the Foundation of Santa Maria Maggiore in Rome
SCP38725 The Story of the Foundation of Santa Maria Maggiore in Rome: The Patrician Reveals his Dream to the Pope, c.1662-65 (oil on canvas) by Murillo

Background imageAudience Collection: Audience with the Sultan of Bornu, Kanem-Bornu

Audience with the Sultan of Bornu, Kanem-Bornu
Audience with the Sultan of Bornu, 19th century. Visitors sit 100 paces away from the sultan who views them from inside a bamboo cage

Background imageAudience Collection: Royal court room decorated with parasols

Royal court room decorated with parasols, Kingdom of Siam, Thailand, circa 1800. Handcoloured copperplate drawn and engraved by Andrea Bernieri from Giulio Ferrarios Ancient

Background imageAudience Collection: Courtyard of the audience room in the Imperial

Courtyard of the audience room in the Imperial Palace, Peking. Handcoloured illustration and copperplate engraving by Andrea Bernieri from Giulio Ferrrarios Costumes Antique

Background imageAudience Collection: The Chinese in California - The stage of the Theatre Royal (engraving)

The Chinese in California - The stage of the Theatre Royal (engraving)
729454 The Chinese in California - The stage of the Theatre Royal (engraving) by European School, (19th century); Private Collection; (add.info)

Background imageAudience Collection: Uncle Sam Making Speech at World Fair (chromolitho)

Uncle Sam Making Speech at World Fair (chromolitho)
733306 Uncle Sam Making Speech at World Fair (chromolitho) by American School, (19th century); Private Collection; (add.info)

Background imageAudience Collection: Audience of the Dutch with Garcia II of Kongo, 1642

Audience of the Dutch with Garcia II of Kongo, 1642. The large red velvet throne was embroidered with Don Alvaro King of Kongo

Background imageAudience Collection: The Theatre in Pompeii (chromolitho)

The Theatre in Pompeii (chromolitho)
735371 The Theatre in Pompeii (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Theatre in Pompeii)

Background imageAudience Collection: The Easter Passion Play at Oberammergau (chromolitho)

The Easter Passion Play at Oberammergau (chromolitho)
735287 The Easter Passion Play at Oberammergau (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Easter Passion Play at Oberammergau)

Background imageAudience Collection: Plays in Ancient Greece (chromolitho)

Plays in Ancient Greece (chromolitho)
735283 Plays in Ancient Greece (chromolitho) by European School, (19th century); Private Collection; (add.info.: Plays in Ancient Greece)

Background imageAudience Collection: Troubadours in Minnehof (chromolitho)

Troubadours in Minnehof (chromolitho)
735094 Troubadours in Minnehof (chromolitho) by European School, (19th century); Private Collection; (add.info.: Troubadours in Minnehof)

Background imageAudience Collection: The Blue Danube (chromolitho)

The Blue Danube (chromolitho)
735093 The Blue Danube (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Blue Danube. Liebig card)

Background imageAudience Collection: Native American bison dance in Missouri (chromolitho)

Native American bison dance in Missouri (chromolitho)
735802 Native American bison dance in Missouri (chromolitho) by European School, (19th century); Private Collection; (add.info.: Native American bison dance in Missouri)

Background imageAudience Collection: Dance of the dancing-girls in Hindustan (chromolitho)

Dance of the dancing-girls in Hindustan (chromolitho)
735801 Dance of the dancing-girls in Hindustan (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dance of the dancing-girls in Hindustan)

Background imageAudience Collection: National dance in Georgia and the Caucasus (chromolitho)

National dance in Georgia and the Caucasus (chromolitho)
735800 National dance in Georgia and the Caucasus (chromolitho) by European School, (19th century); Private Collection; (add.info.: National dance in Georgia and the Caucasus)

Background imageAudience Collection: Minstrels (chromolitho)

Minstrels (chromolitho)
735765 Minstrels (chromolitho) by European School, (19th century); Private Collection; (add.info.: Minstrels. Liebig card)

Background imageAudience Collection: Rembrandt Paints Night Watch (chromolitho)

Rembrandt Paints Night Watch (chromolitho)
735374 Rembrandt Paints Night Watch (chromolitho) by European School, (19th century); Private Collection; (add.info.: Rembrandt Paints Night Watch)

Background imageAudience Collection: Plays in King Louis XIVs France (chromolitho)

Plays in King Louis XIVs France (chromolitho)
735286 Plays in King Louis XIVs France (chromolitho) by European School, (19th century); Private Collection; (add.info.: Plays in King Louis XIVs France)

Background imageAudience Collection: Popular Games in India (chromolitho)

Popular Games in India (chromolitho)
735187 Popular Games in India (chromolitho) by European School, (19th century); Private Collection; (add.info.: Popular Games in India)

Background imageAudience Collection: Festival Scene (chromolitho)

Festival Scene (chromolitho)
734787 Festival Scene (chromolitho) by European School, (19th century); Private Collection; (add.info.: Festival Scene. Liebig card)

Background imageAudience Collection: Smiling Clown (chromolitho)

Smiling Clown (chromolitho)
732889 Smiling Clown (chromolitho) by French School, (19th century); Private Collection; (add.info.: Smiling Clown.); Look and Learn / Barbara Loe Collection

Background imageAudience Collection: Hannibal makes defeated Romans fight each other, illustration from Venationes

Hannibal makes defeated Romans fight each other, illustration from Venationes
746957 Hannibal makes defeated Romans fight each other, illustration from Venationes, Ferarum, Avium, Piscium (Of Hunting: Wild Beasts, Birds, Fish), engraved by Jan Collaert (1566-1628), pub

Background imageAudience Collection: Drury Lane Theatre, from Microcosm of London, by R Ackermann

Drury Lane Theatre, from Microcosm of London, by R Ackermann
810330 Drury Lane Theatre, from Microcosm of London, by R Ackermann, 1808 (hand-coloured aquatint) by Rowlandson, T.(1756-1827) & Pugin

Background imageAudience Collection: New Covent Garden Theatre, from Microcosm of London, 1810 by R Ackermann

New Covent Garden Theatre, from Microcosm of London, 1810 by R Ackermann
810304 New Covent Garden Theatre, from Microcosm of London, 1810 by R Ackermann (hand-coloured aquatint) by Rowlandson, T.(1756-1827) & Pugin

Background imageAudience Collection: King Alfred at Athelney, Somerset, with his followers, c. 1880 (w / c on paper)

King Alfred at Athelney, Somerset, with his followers, c. 1880 (w / c on paper)
478407 King Alfred at Athelney, Somerset, with his followers, c.1880 (w/c on paper) by Scott, William Bell (1811-90) & Boyd

Background imageAudience Collection: Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine

Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine
473391 Court Fte in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine de Medici and Henri III (tapestry) by Quesnel, Francois (1543-1619) (after); Galleria degli Uffizi

Background imageAudience Collection: Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine

Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine
473390 Court Fte in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine de Medici and Henri III (tapestry) by Quesnel, Francois (1543-1619) (after); Galleria degli Uffizi

Background imageAudience Collection: The Teatro Reale in Turin (oil on canvas)

The Teatro Reale in Turin (oil on canvas)
FTB165460 The Teatro Reale in Turin (oil on canvas) by Oliviero, Pietro Domenico (c.1672-1754); Museo Civico, Turin, Italy; Italian, out of copyright

Background imageAudience Collection: The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas)

The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas)
FTB165440 The Doge Ziani Meets Pope Alexander III (1105-81) at the Carita in 1172 (oil on canvas) by Italian School, (16th century); 185x234 cm; Gallerie dell Accademia, Venice

Background imageAudience Collection: Sir Robert Ball lecturing to children at the Royal Institution (litho)

Sir Robert Ball lecturing to children at the Royal Institution (litho)
3620647 Sir Robert Ball lecturing to children at the Royal Institution (litho) by Pegram, Frederick (1870-1937); Private Collection; (add.info)

Background imageAudience Collection: Popular gala hosted by Paul Deschanel, President of the French Chamber of Deputies (colour litho)

Popular gala hosted by Paul Deschanel, President of the French Chamber of Deputies (colour litho)
2807801 Popular gala hosted by Paul Deschanel, President of the French Chamber of Deputies (colour litho) by Tofani, Oswaldo (1849-1915) (after); Private Collection; (add.info)

Background imageAudience Collection: Cicero addressing the people of Rome from the Rostra, 1st Century BC (engraving)

Cicero addressing the people of Rome from the Rostra, 1st Century BC (engraving)
3647088 Cicero addressing the people of Rome from the Rostra, 1st Century BC (engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Background imageAudience Collection: Pit Boxes and Gallery, pub. 1836 (hand coloured engraving)

Pit Boxes and Gallery, pub. 1836 (hand coloured engraving)
2909750 Pit Boxes and Gallery, pub. 1836 (hand coloured engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

Background imageAudience Collection: Shah of Persia visit to London Hippodrome 1902

Shah of Persia visit to London Hippodrome 1902
Shaw of Persia visit to the London Hippodrome, witnessing the catastrophe in The Bandits. A prettily-arranged box draped with white, had been constructed facing the stage



All Professionally Made to Order for Quick Shipping

In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.