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Audience Collection (page 8)

In the realm of human experiences, the concept of "audience" transcends time and boundaries

Background imageAudience Collection: View of a concert hall in Venice, 1735-1805. Creator: Unknown

View of a concert hall in Venice, 1735-1805. Creator: Unknown
View of a concert hall in Venice, 1735-1805

Background imageAudience Collection: View of the fire on the stage of the Schouwburg in Amsterdam on 11 May 1772, (1772-1799)

View of the fire on the stage of the Schouwburg in Amsterdam on 11 May 1772, (1772-1799). Creator: Anon
View of the fire on the stage of the Schouwburg in Amsterdam on 11 May 1772, (1772-1799). Blazing curtain on the right side of the stage. The actors, the musicians and the audience are in panic

Background imageAudience Collection: La bataille presidentielle aux etats-unis; M. Hughes discourant du haut d'une estrade... 1916

La bataille presidentielle aux etats-unis; M. Hughes discourant du haut d'une estrade... 1916
La bataille presidentielle aux etats-unis; M. Hughes discourant du haut d'une estrade dressee en pleine rue, a Parkersburg, dans l'Etat d'Ohio, en majorite favorable a M. Wilson. 1916

Background imageAudience Collection: View of a fencing school, 1700-1799. Creator: Remondini family

View of a fencing school, 1700-1799. Creator: Remondini family
View of a fencing school, 1700-1799. Representacion en perspectiva d'ana sala de esgrima'. Perspective view of (a) fencing academy

Background imageAudience Collection: The Queen and Princes of Oude and Suite at Drury-Lane Theatre, 1857. Creator: Unknown

The Queen and Princes of Oude and Suite at Drury-Lane Theatre, 1857. Creator: Unknown
The Queen and Princes of Oude and Suite at Drury-Lane Theatre, [London], 1857. Her Majesty [Queen Malika Kishwar] was accompanied by the Princes and a large suite

Background imageAudience Collection: View of the stage of the Schouwburg in Amsterdam with a performance for Willem V... 1768-1799

View of the stage of the Schouwburg in Amsterdam with a performance for Willem V... 1768-1799. Creator: Anon
View of the stage of the Schouwburg in Amsterdam with a performance for Willem V and Wilhelmina of Prussia on June 1, 1768, 1768-1799

Background imageAudience Collection: View of the royal lodge of the Schouwburg in Amsterdam with a performance for Willem V

View of the royal lodge of the Schouwburg in Amsterdam with a performance for Willem V, 1768-1799 Creator: Anon
View of the royal lodge of the Schouwburg in Amsterdam with a performance for Willem V and Wilhelmina of Prussia on June 1, 1768, 1768-1799. On stage is an actor as Apollo

Background imageAudience Collection: Theatre audience, 1840-1886. Creator: Hippolyte Michaud

Theatre audience, 1840-1886. Creator: Hippolyte Michaud
Theatre audience, 1840-1886. Couple flirting at top right

Background imageAudience Collection: Archery Feast in Antwerp in the 16th Century. Creator: Jan August Hendrik Leys

Archery Feast in Antwerp in the 16th Century. Creator: Jan August Hendrik Leys
Archery Feast in Antwerp in the 16th Century, unknown date

Background imageAudience Collection: Un loge au théâtre VENTADOUR... 19th century. Creator: Honore Daumier

Un loge au théâtre VENTADOUR... 19th century. Creator: Honore Daumier
Un loge au theatre VENTADOUR... 19th century. A box at the Ventadour theatre

Background imageAudience Collection: Ce qui nous prouve comme quoi il est... inutile... 19th century. Creator: Honore Daumier

Ce qui nous prouve comme quoi il est... inutile... 19th century. Creator: Honore Daumier
Ce qui nous prouve comme quoi il est... inutile... 19th century. which proves to us that it is perfectly useless

Background imageAudience Collection: Voyons Mr. le Baron... 19th century. Creator: Honore Daumier

Voyons Mr. le Baron... 19th century. Creator: Honore Daumier
Voyons Mr. le Baron... 19th century. Society Actors - Let's see Mr Baron

Background imageAudience Collection: The royal family sitting under a canopy, watching dancers perform the opening ballet o... ca. 1700

The royal family sitting under a canopy, watching dancers perform the opening ballet o... ca. 1700
The royal family sitting under a canopy, watching dancers perform the opening ballet of La Costanza d'Ulisse, ca. 1700

Background imageAudience Collection: The Union of Utrecht, 1815-1830. Creator: Joseph Denis Odevaere

The Union of Utrecht, 1815-1830. Creator: Joseph Denis Odevaere
The Union of Utrecht, 1815-1830

Background imageAudience Collection: Whirling Dervishes, c.1720-c.1737. Creator: Jean Baptiste Vanmour

Whirling Dervishes, c.1720-c.1737. Creator: Jean Baptiste Vanmour
Whirling Dervishes, c.1720-c.1737

Background imageAudience Collection: Open-air theatre performance, 1670-1698. Creator: Matthys Naiveu

Open-air theatre performance, 1670-1698. Creator: Matthys Naiveu
Open-air theatre performance, 1670-1698

Background imageAudience Collection: Exuditio Musica, Air sung by Madame Colin (song by Madame Colin), (diary, November 1), 1805-1808

Exuditio Musica, Air sung by Madame Colin (song by Madame Colin), (diary, November 1), 1805-1808

Background imageAudience Collection: Fair theater, 1869. Creator: Charles Rochussen

Fair theater, 1869. Creator: Charles Rochussen
Fair theater, 1869

Background imageAudience Collection: Group of people listening to children playing music, c.1880-c.1910. Creator: Anon

Group of people listening to children playing music, c.1880-c.1910. Creator: Anon
Group of people listening to children playing music, c.1880-c.1910. A group of four women, two boys and a girl stands for a boy with an accordion and a girl with a tambourine

Background imageAudience Collection: An Ambassador's Audience with Sultan Ahmed III (Ambassador Cornelis Calkoen), 1737-1744

An Ambassador's Audience with Sultan Ahmed III (Ambassador Cornelis Calkoen), 1737-1744. Creator: Anon
An Ambassador's Audience with Sultan Ahmed III (Ambassador Cornelis Calkoen), 1737-1744

Background imageAudience Collection: An Ambassador's Audience with the Grand Vizier in his Yali on the Bosporus

An Ambassador's Audience with the Grand Vizier in his Yali on the Bosporus (Ambassador Cornelis Calk Creator: Anon)
An Ambassador's Audience with the Grand Vizier in his Yali on the Bosporus (Ambassador Cornelis Calkoen, 12 August 1727), 1700-1800

Background imageAudience Collection: Glee club singing in the stadium, Harvard University class day exercises, c1906. Creator: Unknown

Glee club singing in the stadium, Harvard University class day exercises, c1906. Creator: Unknown
Glee club singing in the stadium, Harvard University class day exercises, c1906

Background imageAudience Collection: Sunday-School Jubilee Commemoration in the Piece Hall, Halifax - from a photograph by Haigh, 1856

Sunday-School Jubilee Commemoration in the Piece Hall, Halifax - from a photograph by Haigh, 1856. Creator: Unknown
Sunday-School Jubilee Commemoration in the Piece Hall, Halifax - from a photograph by Haigh, 1856. Concert attended by...a total of 24, 787 teachers and scholars

Background imageAudience Collection: Grand Fete and Theatrical Representation at the Hotel de Ville, Paris

Grand Fete and Theatrical Representation at the Hotel de Ville, Paris, in honour of the Peace Plenip Creator: Unknown
Grand Fete and Theatrical Representation at the Hotel de Ville, Paris, in honour of the Peace Plenipotentiaries, 1856....a brilliant spectacle, from 1500 to 2000 persons being present

Background imageAudience Collection: The Royal Italian Opera, Lyceum, 1856. Creator: Unknown

The Royal Italian Opera, Lyceum, 1856. Creator: Unknown
The Royal Italian Opera, Lyceum, 1856. London stage production. The opera was the "Trovatore, "...The gipsy Azucena, the real heroine of the piece, was personated by Mdlle

Background imageAudience Collection: Christian VIII og Caroline Amalies salving i Frederiksborg Slotskirke den 28. juni 1840, 1840-1843

Christian VIII og Caroline Amalies salving i Frederiksborg Slotskirke den 28. juni 1840, 1840-1843

Background imageAudience Collection: Pour la septième fois voulez-vous me rendre... 19th century. Creator: Honore Daumier

Pour la septième fois voulez-vous me rendre... 19th century. Creator: Honore Daumier
Pour la septieme fois voulez-vous me rendre... 19th century. Life's Difficult Times - For the seventh time do you want to give me back my place?

Background imageAudience Collection: Un soir de première représentation, 19th century. Creator: Honore Daumier

Un soir de première représentation, 19th century. Creator: Honore Daumier
Un soir de premiere representation, 19th century. First night performance

Background imageAudience Collection: De l'utilité d'une famille pour une cantatrice, 19th century. Creator: Honore Daumier

De l'utilité d'une famille pour une cantatrice, 19th century. Creator: Honore Daumier
De l'utilite d'une famille pour une cantatrice, 19th century. Parisian Sketches - The usefulness of a family for a singer

Background imageAudience Collection: Le bouquet, 19th century. Creator: Honore Daumier

Le bouquet, 19th century. Creator: Honore Daumier
Le bouquet, 19th century

Background imageAudience Collection: Village with a Puppeteer Entertaining a Small Crowd, c.1650-c.1660. Creator: Peeter Gysels

Village with a Puppeteer Entertaining a Small Crowd, c.1650-c.1660. Creator: Peeter Gysels
Village with a Puppeteer Entertaining a Small Crowd, c.1650-c.1660

Background imageAudience Collection: Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe

Travel views of Europe, between 1904 and 1938. Creator: Arnold Genthe
Travel views of Europe, between 1904 and 1938

Background imageAudience Collection: La loge grillée, 19th century. Creator: Honore Daumier

La loge grillée, 19th century. Creator: Honore Daumier
La loge grillee, 19th century

Background imageAudience Collection: Séances musicales, 19th century. Creator: Honore Daumier

Séances musicales, 19th century. Creator: Honore Daumier
Seances musicales, 19th century. Spirits by Daumier - Musical sessions

Background imageAudience Collection: Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911

Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911. Creator: Arnold Genthe
Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911. Crowds at an attraction featuring Native Americans

Background imageAudience Collection: Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911

Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911. Creator: Arnold Genthe
Sidewalk performance or carnival performance, Cliff Dwellers, between 1896 and 1911. An attraction featuring Native Americans

Background imageAudience Collection: La princesse, 19th century. Creator: Honore Daumier

La princesse, 19th century. Creator: Honore Daumier
La princesse, 19th century. Dramatic sketches - The Princess

Background imageAudience Collection: Le spectacle est une chose bonne pour le peuple de Paris... 19th century. Creator: Honore Daumier

Le spectacle est une chose bonne pour le peuple de Paris... 19th century. Creator: Honore Daumier
Le spectacle est une chose bonne pour le peuple de Paris... 19th century. Whatever you want - The show is a good thing for the people of Paris

Background imageAudience Collection: Un victime de la politesse, 19th century. Creator: Honore Daumier

Un victime de la politesse, 19th century. Creator: Honore Daumier
Un victime de la politesse, 19th century. Musical sketches - A victim of politeness

Background imageAudience Collection: Le quatrième acte d'un drame intéressant, 19th century. Creator: Honore Daumier

Le quatrième acte d'un drame intéressant, 19th century. Creator: Honore Daumier
Le quatrieme acte d'un drame interessant, 19th century. The fourth act of an interesting drama

Background imageAudience Collection: Ayant éprouvé le besoin de se rafraichir avec... 19th century. Creator: Honore Daumier

Ayant éprouvé le besoin de se rafraichir avec... 19th century. Creator: Honore Daumier
Ayant eprouve le besoin de se rafraichir avec... 19th century. Summer sketch - having felt the need to refresh themselves with a little tragedy

Background imageAudience Collection: Un nouveau théatre modèle, 19th century. Creator: Honore Daumier

Un nouveau théatre modèle, 19th century. Creator: Honore Daumier
Un nouveau theatre modele, 19th century. A new model theatre

Background imageAudience Collection: Le mère de la débutante, 19th century. Creator: Honore Daumier

Le mère de la débutante, 19th century. Creator: Honore Daumier
Le mere de la debutante, 19th century. Dramatic sketches by Daumier - The debutante's mother

Background imageAudience Collection: Monsieur Colimard si vous continuez... 19th century. Creator: Honore Daumier

Monsieur Colimard si vous continuez... 19th century. Creator: Honore Daumier
Monsieur Colimard si vous continuez... 19th century. Sketch taken at the theatre by Daumier - Mr. Colimard if you continue

Background imageAudience Collection: Se posant en appréciateur, 19th century. Creator: Honore Daumier

Se posant en appréciateur, 19th century. Creator: Honore Daumier
Se posant en appreciateur, 19th century. Parisians in 1852 - Posing as an appreciator

Background imageAudience Collection: 'H.R.H. The Prince of Wales; A Visit to Pope Pius IX. At Rome, 1891. Creator: Unknown

'H.R.H. The Prince of Wales; A Visit to Pope Pius IX. At Rome, 1891. Creator: Unknown
'H.R.H. The Prince of Wales; A Visit to Pope Pius IX. At Rome, 1891. From "The Graphic. An Illustrated Weekly Newspaper", Volume 44. July to December, 1891

Background imageAudience Collection: The Presentation to Sir Eyre Massey Shaw, on the Occasion of his Retirement, by the... 1891

The Presentation to Sir Eyre Massey Shaw, on the Occasion of his Retirement, by the... 1891. Creator: Unknown
'The Presentation to Sir Eyre Massey Shaw, on the Occasion of his Retirement, by the Officers and Men of the Metropolitan Fire Brigade, 1891. From "The Graphic

Background imageAudience Collection: Les personnes de l'aimable société qui voudraient en faire autant... 19th century

Les personnes de l'aimable société qui voudraient en faire autant... 19th century. Creator: Honore Daumier
Les personnes de l'aimable societe qui voudraient en faire autant... 19th century. Those who would like to, of whichever sex, are cordially invited to come on stage



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In the realm of human experiences, the concept of "audience" transcends time and boundaries. From the iconic Hippy Bus at the Woodstock Music Festival in 1969 to Amitabha, the Buddha of Sukhavati, we witness how diverse audiences have shaped history. Vasco da Gama's arrival in India drew a curious crowd eager to embrace new cultures and ideas. Sports enthusiasts unite as they cheer on their teams during thrilling Test cricket matches at Sydney Cricket Ground and Melbourne Cricket Ground in Australia. The rhythmic movements of Irish Dancers captivate an audience with their mesmerizing performances. Judy Garland's enchanting voice resonates through The Talk of the Town concert hall, leaving her adoring fans spellbound. In a world where individuality reigns supreme, some artists perform for an Audience Of One - pouring their hearts out to connect with that singular soul who understands them completely. The grandeur of Teatro San Carlo in Naples sets the stage for captivating dramas that transport audiences into different eras and realities. Centuries ago, actors performed on wooden stages during Shakespearean times, captivating crowds with tales that still resonate today. Beyond entertainment lies another facet: National Sporting Clubs bring together passionate supporters who create an electric atmosphere as they rally behind their favorite athletes or teams. Music knows no bounds; it unites people across continents. The Count Basie Orchestra's performance at London's Royal Festival Hall in 1980 showcased this universal language that can move even those who don't share a common tongue. Audiences throughout history have witnessed moments both profound and mundane; they have laughed together, cried together, celebrated victories and mourned losses side by side, and are not mere spectators but active participants shaping our collective narrative - reminding us that regardless of time or place, we are all connected through shared experiences as partakers in this grand theater called life.