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Audran Collection

Audran, a name that resonates with artistic brilliance and musical mastery

Background imageAudran Collection: Music cover, The Torpedo Galop

Music cover, The Torpedo Galop, by Charles d Albert, based on music from Edmond Audrans comic opera, Olivette. 1880

Background imageAudran Collection: Sancho arriving on the island of Barataria, 1772 (silk and wool)

Sancho arriving on the island of Barataria, 1772 (silk and wool)
1766128 Sancho arriving on the island of Barataria, 1772 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 368.3x414 cm; J

Background imageAudran Collection: Bob Up Serenely (colour litho)

Bob Up Serenely (colour litho)
610794 Bob Up Serenely (colour litho) by English School, (19th century); Private Collection; (add.info.: Bob Up Serenely.); Look and Learn / Peter Jackson Collection; English, out of copyright

Background imageAudran Collection: Marie Caroline Miolan-Carvalho, French soprano

Marie Caroline Miolan-Carvalho, French soprano, as Marguerite in Les Huguenots, the grand opera by Giacomo Meyerbeer. Handcoloured lithograph after A. Morlon published by Martinet, Paris, 1870

Background imageAudran Collection: Marius-Pierre Audran as Scipion in La Sirene, 1844

Marius-Pierre Audran as Scipion in La Sirene, 1844
Tenor singer Marius-Pierre Audran as Scipion in La Sirene by Daniel Auber and Eugene Scribe, Theatre Royal de l Opera Comique, 1844

Background imageAudran Collection: Singer and author Marius-Pierre Audran as

Singer and author Marius-Pierre Audran as Don Fernand in Ne Touchez pas a la Reine by Xavier Boisselot, Theatre Royal de l Opera Comique, 1846

Background imageAudran Collection: Don Quixote is cured of his folly by wisdom, 1773 (silk and wool)

Don Quixote is cured of his folly by wisdom, 1773 (silk and wool)
1766126 Don Quixote is cured of his folly by wisdom, 1773 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 370.8x386.1 cm; J

Background imageAudran Collection: Audran, compositeur de musique (coloured photo)

Audran, compositeur de musique (coloured photo)
975103 Audran, compositeur de musique (coloured photo) by French School, (19th century); Private Collection; (add.info.: Audran, compositeur de musique)

Background imageAudran Collection: Le Concert Champetre, 1735 (engraving)

Le Concert Champetre, 1735 (engraving)
985931 Le Concert Champetre, 1735 (engraving) by Watteau, Jean Antoine (1684-1721) (after); Private Collection; (add.info.: Le Concert Champetre)

Background imageAudran Collection: Pan appears at Brixia ordering him not to take Chloe, 1757 (engraving)

Pan appears at Brixia ordering him not to take Chloe, 1757 (engraving)
985929 Pan appears at Brixia ordering him not to take Chloe, 1757 (engraving) by Orleans, Philippe d (1674-1723) (after); Private Collection; (add.info)

Background imageAudran Collection: Audran, La Mascotte (chromolitho)

Audran, La Mascotte (chromolitho)
667132 Audran, La Mascotte (chromolitho) by French School, (19th century); Private Collection; (add.info.: Audran, La Mascotte. Card published by Guerin-Boutron, c 1900)

Background imageAudran Collection: Sanchos cowardice at the hunt, 1772 (silk and wool)

Sanchos cowardice at the hunt, 1772 (silk and wool)
1766129 Sanchos cowardice at the hunt, 1772 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 368x406 cm; J

Background imageAudran Collection: Sanchos meal on the island of Barataria, 1770-72 (silk and wool)

Sanchos meal on the island of Barataria, 1770-72 (silk and wool)
1766127 Sanchos meal on the island of Barataria, 1770-72 (silk and wool) by Coypel, Charles Antoine (1694-1752) (after); 370.8x507.5 cm; J

Background imageAudran Collection: The Education (L Education): in a forest, to right an old satyr instructor holdin... ca

The Education (L Education): in a forest, to right an old satyr instructor holdin... ca
The Education (L Education): in a forest, to right an old satyr instructor holding a wand, teaching a group of children, to the left a merchant of orvietan trying to attract spectators with his act

Background imageAudran Collection: The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in cen... ca

The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in cen... ca
The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left

Background imageAudran Collection: The Passion for Love. n. d. Creator: Claude Gillot

The Passion for Love. n. d. Creator: Claude Gillot
The Passion for Love.n.d. Engraved by Jean Audran

Background imageAudran Collection: The Passion for Wealth. n. d. Creator: Claude Gillot

The Passion for Wealth. n. d. Creator: Claude Gillot
The Passion for Wealth.n.d. Engraved by Jean Audran

Background imageAudran Collection: Manhood. n. d. Creators: Claude Gillot, Jean Audran

Manhood. n. d. Creators: Claude Gillot, Jean Audran
Manhood.n.d

Background imageAudran Collection: Youth. n. d. Creators: Claude Gillot, Jean Audran

Youth. n. d. Creators: Claude Gillot, Jean Audran
Youth.n.d

Background imageAudran Collection: Adolescence. n. d. Creators: Claude Gillot, Jean Audran

Adolescence. n. d. Creators: Claude Gillot, Jean Audran
Adolescence.n.d

Background imageAudran Collection: Hercules wearing a lion skin and fighting Achelous, a landscape in the background, ... ca. 1713-72

Hercules wearing a lion skin and fighting Achelous, a landscape in the background, ... ca. 1713-72
Hercules wearing a lion skin and fighting Achelous, a landscape in the background, after Reni, ca. 1713-72

Background imageAudran Collection: Architecture, 1690. Creator: Benoit Audran I

Architecture, 1690. Creator: Benoit Audran I
Architecture, 1690

Background imageAudran Collection: Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of

Plate 17: The exchange of the two princesses in Hendaye; allegorical scene with Anne of Austria and Elizabeth of Bourbon standing on a bridge holding hands from Recueil de la Galerie du Luxembourg

Background imageAudran Collection: Summer, 1735. Creators: Benoit Audran II, Charles-Joseph Natoire

Summer, 1735. Creators: Benoit Audran II, Charles-Joseph Natoire
Summer, 1735

Background imageAudran Collection: Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis, 1622

Frontispiece for Evangelicus Concionatoris, et Novi Hominis Institutionis, 1622

Background imageAudran Collection: Frontispiece for Opus morale in praecepta Decalogi, 1637. Creator: Charles Audran

Frontispiece for Opus morale in praecepta Decalogi, 1637. Creator: Charles Audran
Frontispiece for Opus morale in praecepta Decalogi, 1637

Background imageAudran Collection: Title page vignette for Doctoris Martae Neapolitani, 1627. Creator: Charles Audran

Title page vignette for Doctoris Martae Neapolitani, 1627. Creator: Charles Audran
Title page vignette for Doctoris Martae Neapolitani, 1627

Background imageAudran Collection: Frontispiece for Adversaria sacra, 1626. Creator: Charles Audran

Frontispiece for Adversaria sacra, 1626. Creator: Charles Audran
Frontispiece for Adversaria sacra, 1626

Background imageAudran Collection: Frontispiece for Vnuiersa Historia Profana, ca. 1630-70. Creator: Charles Audran

Frontispiece for Vnuiersa Historia Profana, ca. 1630-70. Creator: Charles Audran
Frontispiece for Vnuiersa Historia Profana, ca. 1630-70

Background imageAudran Collection: Frontispiece for Angelique des excellences de l ame, 1626

Frontispiece for Angelique des excellences de l ame, 1626

Background imageAudran Collection: Winter, . n. d. n. d Creator: Jean Audran

Winter, . n. d. n. d Creator: Jean Audran
Winter, .n.d

Background imageAudran Collection: G. Audran, (1640-1703), 1830. Creator: Unknown

G. Audran, (1640-1703), 1830. Creator: Unknown
G. Audran, (1640-1703), 1830. Gerard Audran (1640-1703) French engraver, third son of Claude Audran. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R. Griffin and Co

Background imageAudran Collection: B. Audran, (1698-1772), 1830. Creator: Unknown

B. Audran, (1698-1772), 1830. Creator: Unknown
B. Audran, (1698-1772), 1830. Benoit Audran II (1698-1772) French artist, son and pupil of Jean Audran. From " Biographical Illustrations", by Alfred Howard. [Thomas Tegg, R

Background imageAudran Collection: La Statue de Venus Aphrodide Les proportions

La Statue de Venus Aphrodide Les proportions
La Statue de Venus Aphrodide, Les proportions du corps humain: mesurees sur les plus belles figures de l antiquite, Audran, Gerard, 1640-1703, Etching, 1683, Plate 15

Background imageAudran Collection: Portrait of the composer Edmond Audran (1842-1901), c. 1890

Portrait of the composer Edmond Audran (1842-1901), c. 1890. Private Collection

Background imageAudran Collection: Alexander Entering Babylon. Artist: Audran, Jean (1667-1756)

Alexander Entering Babylon. Artist: Audran, Jean (1667-1756)
Alexander Entering Babylon. Found in the collection of Museu Nacional d Art de Catalunya, Barcelona

Background imageAudran Collection: Francois Fenelon, French Catholic archbishop, theologian, writer and poet, c18th century (1894)

Francois Fenelon, French Catholic archbishop, theologian, writer and poet, c18th century (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageAudran Collection: Henrietta Anne Stuart, wife of Philippe duc d Orleans, 17th century. Artist: Audran

Henrietta Anne Stuart, wife of Philippe duc d Orleans, 17th century. Artist: Audran
Henrietta Anne Stuart, wife of Philippe duc d Orleans, 17th century. Portrait of Princess Henrietta Anne of England (1644-1670)

Background imageAudran Collection: Mary of Modena, Queen Consort of King James II of Great Britain. Artist:s Audran

Mary of Modena, Queen Consort of King James II of Great Britain. Artist:s Audran
Mary of Modena, Queen Consort of King James II of Great Britain. Maria d Este (1658-1718) was the second wife of James II. They were married in 1673 when James was still Duke of York

Background imageAudran Collection: Mars on his chariot pulled by wolves, 1673. Artist: Audran, Claude, the Younger (1639-1684)

Mars on his chariot pulled by wolves, 1673. Artist: Audran, Claude, the Younger (1639-1684)
Mars on his chariot pulled by wolves, 1673. Found in the collection of the Musee de l Histoire de France

Background imageAudran Collection: Christ woman adultery prints paintings Nicolas Poussin

Christ woman adultery prints paintings Nicolas Poussin
Christ and the woman taken in adultery, prints after paintings by Nicolas Poussin, Audran, Gerard, 1640-1703, Poussin, Nicolas, 1594?-1665, 1668-1679

Background imageAudran Collection: incredulity Thomas prints paintings Nicolas Poussin

incredulity Thomas prints paintings Nicolas Poussin
The incredulity of Thomas, prints after paintings by Nicolas Poussin, Audran, Gerard, 1640-1703, Poussin, Nicolas, 1594?-1665, 1645-1711

Background imageAudran Collection: Triumph Constantine detail left side Audran Gerard

Triumph Constantine detail left side Audran Gerard
Triumph of Constantine: detail left side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

Background imageAudran Collection: Triumph Constantine detail right side Audran

Triumph Constantine detail right side Audran
Triumph of Constantine: detail right side, Audran, Gerard, 1640-1703, Le Brun, Charles, 1619-1690, Etching, engraving, black-and-white, 1666, Audran fec.--in pencil, lower left. C. Le Brun ex

Background imageAudran Collection: Ce fragment de l antique Les proportions du corps

Ce fragment de l antique Les proportions du corps
Ce fragment de l antique. Les proportions du corps humain: mesurees sur les plus belles figures de l antiquite, Audran, Gerard, 1640-1703, Etching, 1683, Plate 21, sculptural fragments

Background imageAudran Collection: La Venus Aphrodide Les proportions du corps humain

La Venus Aphrodide Les proportions du corps humain
La Venus Aphrodide, Les proportions du corps humain: mesurees sur les plus belles figures de l antiquite, Audran, Gerard, 1640-1703, Etching, 1683, Plate 16, depicting views of the Venus Aphrodite

Background imageAudran Collection: Flight Egypt Audran Gerard 1640-1703 Verdier

Flight Egypt Audran Gerard 1640-1703 Verdier
Flight into Egypt, Audran, Gerard, 1640-1703, Verdier, Francois, 1651-1730, Etching, 16--, A reproductive print after Francois Verdier

Background imageAudran Collection: La Jalousie et la Discorde Engravings frescoes

La Jalousie et la Discorde Engravings frescoes
La Jalousie et la Discorde, Engravings of frescoes at Versailles and St. Cloud, Audran, Ganderard, 1640-1703, Audran, Jean, 1667-1756, Mignard, Pierre, 1612-1695, black-and-white, 169



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Audran, a name that resonates with artistic brilliance and musical mastery. From music covers to theatrical performances, Audran's influence spans across various realms of creativity. In the realm of music, Audran's compositions enchant listeners with their melodic charm. The Torpedo Galop ignites a whirlwind of energy and rhythm, captivating audiences with its lively beats. As Marius-Pierre Audran takes on the role of Scipion in La Sirene, his voice soars through the air, transporting spectators into a world of operatic splendor. But Audran's talents extend beyond music alone. In Bob Up Serenely, we witness his prowess as an artist through vibrant colors and meticulous lithography. His attention to detail brings Marie Caroline Miolan-Carvalho, the French soprano, to life on paper. As both singer and author, Marius-Pierre Audran showcases his versatility in creative expression. Through words or melodies, he captivates hearts and minds alike. Artistic endeavors are not limited to sound or visual mediums for Audran; they also find their way onto fabric canvases. Sancho arriving on the island of Barataria depicts a moment frozen in time using silk and wool threads intricately woven together. Similarly, Don Quixote is cured of his folly by wisdom captures philosophical enlightenment through delicate needlework. Audran himself becomes part of artistry's tapestry as we glimpse him captured within photographs and engravings throughout history. A colored photo portrays him as "compositeur de musique, " emphasizing his role as a composer while adding depth to our understanding of this multifaceted individual. Le Concert Champetre transports us back to 1735 when audacious melodies filled the air during pastoral gatherings. Pan appears at Brixia ordering him not to take Chloe invites us into mythological realms where gods command mortals' actions – all brought forth by Audran's creative vision.