Barret Collection

Musical gathering of composers and musicians, 1853
Musical gathering of composers and musicians in London. From left to right: A. Bazzini, H. Blagrove, Goffrie, Blumenthal, H. Vieuxtemps, Lazarus, S. Phatten, Jarrett, F

French Girl
Julia Leister

Rolling Cigarette
Yavuz Pancareken

six shades of red
Jan Slotboom

Ruins Next to a Pool in a Wooded Landscape, 1783-84. Creator: Thomas Rowlandson
Ruins Next to a Pool in a Wooded Landscape, 1783-84

Landscape with Figures Storing Hay in a Barn, a Cart and Horse Lying Down at Left, 1783-84

Arcadian Landscape, 1820-42. Creator: George Barret the Younger
Arcadian Landscape, 1820-42

Cattle and Sheep at Resting at the Edge of a Forest, ca. 1840

Winnandermere - Lake, 1784. Creator: Samuel Middiman
Winnandermere - Lake, 1784. View of Lake Windermere in Cumbria. [S. Middiman, London, 1784]

Early Morning, (c1900). Creator: Unknown
Early Morning, (c1900). Shepherd by a stream, print after a painting made late 18th-early 19th century by George Barret. From English water-colour with reproductions of drawings by eminent painters

Classical Landscape, (c1900). Creator: Unknown
Classical Landscape, (c1900). Sunset with temples by water, and figures in the foreground. Print after an early 19th century painting by George Barret the Younger

Chez la couturiere Baudouin Armand Marcelin
Chez la couturiere, Baudouin, Armand, Marcelin, Emile, 1825-1887, Yves et Barret, Photomechanical process, 1885

Elizabeth Barret Browning In March 1859 English Poet 1806 1861. Engraved By G. Cook From A Portrait By Field Talfourd

The Waterfall at Powerscourt. Barret, George, Snr. 1728/32-1784

Sunset and Ruins. Barret, George, Snr. 1728/32-1784

Westminster from Vauxhall. Barret, George, Jnr. 1767 - 1842

Wooded Landscape with a Boy and his Dog, George Barret, ca. 1728 / 32-1784, British
Wooded Landscape with a Boy and his Dog, George Barret, ca. 1728/32-1784, British

Landscape with Cottagers, George Barret, ca. 1728 / 32-1784, British
Landscape with Cottagers, George Barret, ca. 1728/32-1784, British

Powerscourt, County Wicklow, Ireland A View of Powerscourt, Co. Wicklow, Ireland, George Barret, ca. 1728/32-1784, British

River Landscape Signed and dated in black paint, lower left: G Barret | 1773"
River Landscape Signed and dated in black paint, lower left: " G Barret | 1773", George Barret, ca. 1728/32-1784, British

Morning: Landscape with Mares and Sheep, George Barret, ca. 1728 / 32-1784, British
Morning: Landscape with Mares and Sheep, George Barret, ca. 1728/32-1784, British

Morning: Landscape with Cattle, George Barret, ca. 1728 / 32-1784, British
Morning: Landscape with Cattle, George Barret, ca. 1728/32-1784, British

Horses and Cattle by a River Signed and dated, lower left: G. B. | 77"
Horses and Cattle by a River Signed and dated, lower left: " G.B. | 77", George Barret, ca. 1728/32-1784, British

Racial / German Magistrate
A magistrate (left) and a knight (right) 16th century

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"Barret: A Melodic Time Capsule of Composers and Musicians, 1853" Step into a vintage lady's world as she rolls a cigarette, surrounded by the harmonious melodies of Barret. This musical gathering in 1853 transports us to an era where creativity flourished. As we delve deeper into this captivating scene, we encounter "Ruins Next to a Pool in a Wooded Landscape" painted by Thomas Rowlandson. The six shades of red evoke emotions that mirror the passionate compositions filling the air. Intriguingly, amidst the rolling hills and barns storing hay lies George Barret the Younger's "Arcadian Landscape. " Its serene beauty captivates both composers and musicians alike, providing inspiration for their symphonies. Nature intertwines with artistry as cattle and sheep find solace at the edge of a forest in an enchanting painting from around 1840. Their peaceful presence adds depth to each note played during this extraordinary gathering. The ambiance takes another turn as Samuel Middiman's masterpiece "Winnandermere - Lake" unveils itself. Its tranquil waters reflect not only nature but also the profound connection between music and its surroundings. With dawn breaking on early morning landscapes captured by unknown artists circa 1900, our journey through time continues. These classical landscapes serve as windows into an era where music was intertwined with every breath taken. Finally, Elizabeth Barrett Browning graces our presence in March 1859. An English poet whose words resonate deeply within our souls. Her portrait engraved by G. Cook captures her essence while reminding us that artistic brilliance knows no bounds or limitations. Barret stands as a testament to these moments frozen in time—a celebration of composers and musicians who shaped history through their harmonious creations. Let us embrace this melodic journey together and revel in its timeless allure.