Bas Relief Gallery
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Choose from 815 pictures in our Bas Relief collection for your Wall Art or Photo Gift. All professionally made for Quick Shipping.

Roman art. Boy with horse (possible CastorI. Marble. Relief
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God Asclepius accompanied by his children before a family of devotees, votive marble relief
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Persepolis ancient columns at sunset, Iran
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Egyptian Art. Dendera. God Bes. Capital of Column. Relief. T
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Behistun Inscription, ancient relief, Kermanshah, Iran
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Goddess Hathor offers her necklace to the Pharaoh. Painted relief from a pillar of the tomb of Seth I at Thebes, detail
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Hypostyle Hall, Temple of Hathor and Nefertari, UNESCO World Heritage Site, Abu Simbel
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Relief from Pergamon Altar, published in 1881
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ALGERIA: ROMAN SARCOPHAGUS. Sarcophagus at the Roman Temple of Minerva in Tebessa
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George Scott Winslow, 1866. Creator: Edmonia Lewis
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Goddess Hathor on the left with God Horus on right, Bas Reliefs, Sanctuary of Horus
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George Scott Winslow, 1866. Creator: Edmonia Lewis
Edmonia Lewis is one of the most important American sculptors of the 19th century. The free-born child of an African American man and a Chippewa woman, Lewis was also known by her tribal name, Wildfire. After studies at Oberlin College and apprenticeships in Boston, she moved to Rome and joined a community of American expatriate artists. Portrait medallions like this one are extremely rare in her oeuvre.;The subject, George Scott Winslow, was the son of a merchant from a prominent Boston family
© Heritage Art/Heritage Images

Bas Reliefs, Sanctuary of Horus, Temple of Horus, Edfu, Egypt, North Africa, Africa
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Bas reliefs, Persepolis, Fars Province, Iran
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Turkey, Bergama, Detail of the frieze from Pergamon altar representing a giant with a lion head fighting against
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Marble sarcophagus with marble group on lid representing deceased couple and relief depicting battle between Greeks
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Marble bas-relief depicting Triad of Eleusinian Mysteries with Persephone, Demeter and Triptolemus, from Eleusis
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Greek civilization, Marble slab with relief attributed to School of Praxiteles, depicting Muses, from Mantinea, Greece
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Mesopotamian art. Neo-Babylonian. Ishtar Gate. Aurochs. Perg
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Ancient Roman vases and bas-relief. 1802 (engraving)
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Allegorical figure of Rome instructed by Time and Minerva. 1796 (engraving)
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Bas-relief from the tomb of Hincmar (806-882), Archbishop of Reims and adviser to Charles the Bald, Carolingian Emperor
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The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene
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Roman household gods or Lares in a Lararium shrine, showing two young men, genii of Augustus
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The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene
6340189 The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene by Migliavacca, Innocente (19th century); (add.info.: The apotheosis of Homer, bas-relief by Greek sculptor Archelaus of Priene. Zeus 1, Calliope 2, Clio 3, Thalia 4, Euterpe 5, Melpomene 6, Erato 7, Terpsicore 8, Urania 9, Polyhymnia 10, Apollo Citharoedus 11, Pythia 12, Oikoumene 14, Cronos 15, Homer 16, Iliad 17, Odyssey 18, Fable 19, History 20, Poetry 21, Tragedy 22, Comedy 23, Physis 24, Arete 25, Mneme 26, Pistis 27, Sophia 28. Apotteosi d'Omero. Handcoloured copperplate engraving by Migliavacca from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1826.); © Florilegius
© © Florilegius / Bridgeman Images

Bathsheba at the Pool with her Attendants, c.1600-42 (oil on panel)
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Genoa, Duomo (St Lawrence Cathedral), St St John the Baptist Chapel: "
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18th century;XVIIIth century;XVIII;C18th;eighteenth century;secolo XVIII;18 18th xviii xviiith century
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Stories of Berta, Milone and Rolandino, detail
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The Miracle of the Pregnant Woman, from the Stories of San Donnino
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Capital of the Virgin, surmounted by a bas-relief depicting Abraham
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Constructions du temps de Constantin, bas-reliefs d'un sarcophage Constantinien (engraving)
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Repose of King Asshurbanipal (coloured engraving)
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Siege of Carcassonne by Simon de Montfort, 1209 (engraving)
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Raimondinus vilis
3707906 Raimondinus vilis by Antelami, Benedetto (c.1150-c.1230) (& workshop); Duomo, Fidenza, Emilia-Romagna, Italy; (add.info.: Fidenza, Duomo (St. Donnino Cathedral), Facade, the acroterion of the right portal: the bas-relief with the figure of Raimondinus vilis.A writing identifies him as Raimondinus vilis (the humble Raimondino) on whose identity there are more doubts than certainties. Several hypotheses qualify him as: a poor pilgrim died in Borgo San Donnino; a man who became a symbol of the poor people and contributed to the church's construction; Saint Raimondino da Piacenza, a holy pilgrim. Work by Benedetto Antelami and his workshop.
Cattedrale di S. Donnino, Fidenza, Parma, Emilia Romagna, Italy
Fidenza, Duomo (Cattedrale di S. Donnino), Facciata, acroterio del portale di destra: la figura di Raimondinus vilis. Una scritta lo identifica come Raimondinus vilis (l'umile Raimondino) sulla cui identita vi sono piu dubbi che certezze. Diverse ipotesi lo qualificano come: un povero romeo morto a Borgo San Donnino; un personaggio diventato simbolo della povera gente che ha contribuito manualmente ai lavori di edificazione della chiesa; San Raimondino da Piacenza, un santo pellegrino.Bassorilievo di Benedetto Antelami e bottega.); Ghigo Roli; Italian, out of copyright
© Ghigo Roli / Bridgeman Images

Bas Relief, Mercury joining the Hands of England and France (engraving)
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Bas-relief du cippe funeraire de la comtesse d'Haro, fille du marquis de Santa-Cruz (engraving)
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Bas-relief dans l'eglise Saint-Ouen, a Pont-Audemer (engraving)
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La Musique sacree, bas-relief de la statue de Beethoven, a Bonn (engraving)
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