Bibby Joseph Collection

Napoleon, (1769-1821), c1894-95, (1936). Creator: James Sant
Napoleon, (1769-1821), c1894-95, (1936). Last portrait of Napoleon Bonaparte (1769-1821) commissioned to James Sant (1820-1916)

Reading Aloud, 1884, (1936). Creator: Albert Joseph Moore
Reading Aloud, 1884, (1936). Women in classical dress recline while reading a book. Victorian oil on canvas by Albert Joseph Moore (1841-1893). Held at Kelvingrove Art Gallery and Museum

Our Village, c1890, (1936). Creator: Hubert von Herkomer
Our Village, c1890, (1936). Village scene by Sir Hubert von Herkomer. (1849-1914). Oil on canvas. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd. Liverpool, 1936]

St. Francis of Assisi and the Young Monk Returning from a Preaching Tour, 1936. Francis of Assisi (c1181-1226) returns to the monastery after walking the city in discussion with a young monk

Ruth and Naomi, 1886, (1936). Creator: Philip Hermogenes Calderon
Ruth and Naomi, 1886, (1936). Ruth embracing her mother-in-law Naomi with Orpah standing in the Moab desert by Philip Hermogenes Calderon, at Walker Art Gallery, first exhibited 1886. Oil on canvas

John Wesley, c1766, (1936). Creator: Nathaniel Hone
John Wesley, c1766, (1936). Portrait of John Wesley (1703-1791) English cleric, theologian and evangelist by Nathaniel Hone (1718-1784). Oil on canvas

The Pearl of Great Price, c1916, (1936). Creator: Eugene Burnand
The Pearl of Great Price, c1916, (1936). Parable of the Pearl (also the Pearl of Great Price) Matthew 13:45-46 illustrates the value of the Kingdom of Heaven

The Last Load, 1936. Creator: Unknown
The Last Load, 1936. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd. Liverpool, 1936]

The Talents, 1936. Creator: Unknown
The Talents, 1936. Illustration for Matthew 25: Parable of the Talents. A master returns to his house after entrusting his servants with property on which he hoped to see some gain

Entrance to a Shinto Temple, in the Nikko district of Japan, 1936. Creator: Unknown
Entrance to a Shinto Temple, in the Nikko district of Japan, 1936. Torii at Futarasan jinja, is one of the Shrines and Temples of Nikko, a designated UNESCO World Heritage Site

The Leaven, 1936. Creator: Unknown
The Leaven, 1936. Matthew 13:33 Parable of the Leaven. with related scripture pictures by Warren Camp Designs. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd

Narofiord, Norway, 1936. Creator: Unknown
Narofiord, Norway, 1936. Lithograph from original work of Adelsteen Normann (1848-1918). From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd. Liverpool, 1936]

The Man with the Muck-Rake, 1936. Creator: Unknown
The Man with the Muck-Rake, 1936. Illustration for Pilgrims Progress, by John Bunyan [1678] of the man who could look no way but down as he concentrates on his work

Who Is My Neighbour?, 1936. Creator: Unknown
Who Is My Neighbour?, 1936. Illustration from Lukes Gospel 10:30 Parable of the Good Samaritan. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd. Liverpool, 1936]

The City of New York as seen from the air, 1936. Creator: Unknown
The City of New York as seen from the air, 1936. Aerial view of Lower Manhattan with Battery Park and the the South Ferry Terminal on the Hudson River

One of many Temples at Nikko, Japan, a Pilgrimage site of sacred Shrines, 1936
This is one of the many Temples at Nikko, a country district in Japan, whither Pilgrims come from all parts of the country to visit the sacred shrines, 1936

A Vision of Spring, 1902, (1936). Creator: Thomas Millie Dow
A Vision of Spring, 1902, (1936). by Thomas Millie Dow (1848-1919). Oil on canvas. Held at Manchester Art Gallery. From " Bibbys Annual 1936", edited by Joseph Bibby. [J. Bibby & Sons, Ltd

Don t Ee Tipty-Toe!, c1870, (1936). Creator: Jules Breton
Don t Ee Tipty-Toe!, c1870, (1936). Measuring the height of children in ragged garments in barefeet by Jules Breton (1827-1906). From " Bibbys Annual 1936", edited by Joseph Bibby. [J

The Finding of the Saviour in the Temple (cropped), 1854-1855, (1936). Mary and Jospeh find the young Christ in dialogue with the rabbis in the Temple of Jerusalem

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"Bibby Joseph: A Glimpse into the Timeless Beauty of Art" Step back in time and immerse yourself in the captivating world of Bibby Joseph. This collection of artworks, spanning various periods and styles, offers a glimpse into the rich tapestry of human creativity. One such masterpiece is "Napoleon" by James Sant. Painted around 1894-95, this portrait captures the essence of the iconic French emperor who reshaped Europe's history. Sant's attention to detail brings Napoleon's commanding presence to life on canvas. In contrast, Albert Joseph Moore's "Reading Aloud" from 1884 transports us to a serene scene where literature takes center stage. The delicate brushstrokes and soft colors create an atmosphere that invites contemplation and introspection. Hubert von Herkomer takes us on a journey to "Our Village, " circa 1890. Through his realistic depiction, we witness everyday life in rural England during that era. The artist skillfully portrays both beauty and hardship with remarkable precision. Philip Hermogenes Calderon presents us with a touching biblical narrative in "Ruth and Naomi. " Painted in 1886, this emotional portrayal reminds us of the enduring bond between family members amidst adversity. Nathaniel Hone introduces us to John Wesley through his painting from around 1766. As one of the founders of Methodism, Wesley's influential role is captured through Hone's masterful use of light and shadow. Eugene Burnand unveils a powerful religious allegory titled "The Pearl of Great Price. " Created circa 1916, this artwork prompts reflection upon spiritual values and eternal treasures beyond material possessions. Moving away from figurative art, we encounter two anonymous works: "The Last Load" depicts laborers returning home after a hard day’s work while “The Talents” explores themes related to personal growth through investment – both pieces resonate with timeless human experiences.