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Blind Collection (page 20)

"Exploring the Depths of Blindness: A Journey through Art, Nature, and Inspiration" In this captivating caption

Background imageBlind Collection: John Stanley, c. 1780 (engraving)

John Stanley, c. 1780 (engraving)
DEC418563 John Stanley, c.1780 (engraving) by English School, (18th century); 31.4x22.6 cm; Gerald Coke Handel Collection, Foundling Museum

Background imageBlind Collection: Stagg, c. 1920s (pen & ink wth w / c on paper)

Stagg, c. 1920s (pen & ink wth w / c on paper)
465600 Stagg, c.1920s (pen & ink wth w/c on paper) by Clarke, Joseph Clayton (Kyd) (1856-1937); 28.5x22.5 cm; Free Library of Philadelphia; (add.info)

Background imageBlind Collection: The Conversion of St. Paul (oil on canvas) (detail of 355364)

The Conversion of St. Paul (oil on canvas) (detail of 355364)
483294 The Conversion of St. Paul (oil on canvas) (detail of 355364) by Caravaggio, Michelangelo Merisi da (1571-1610); Galleria Balbi di Piovera, Genoa, Italy; Alinari

Background imageBlind Collection: The Blind Beggar, c. 1788 (oil on canvas)

The Blind Beggar, c. 1788 (oil on canvas)
450179 The Blind Beggar, c.1788 (oil on canvas) by Barker, Thomas (1769-1847); 47.5x40.2 cm; The Holburne Museum, Bath, UK; eHolburne Museum; British, out of copyright

Background imageBlind Collection: A Quiet Afternoon, 1917 (oil on canvas)

A Quiet Afternoon, 1917 (oil on canvas)
474812 A Quiet Afternoon, 1917 (oil on canvas) by Firmin-Girard, Marie Francois (1838-1921); 55.2x46.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageBlind Collection: Place Maubert from the Marche des Carmes, Paris 1858-78 (b / W photo)

Place Maubert from the Marche des Carmes, Paris 1858-78 (b / W photo)
XIR230705 Place Maubert from the Marche des Carmes, Paris 1858-78 (b/W photo) by Marville, Charles (1816-79); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageBlind Collection: Blindmans Buff (colour litho)

Blindmans Buff (colour litho)
STC255613 Blindmans Buff (colour litho) by English School; Private Collection; The Stapleton Collection; English, out of copyright

Background imageBlind Collection: A chevalier of the Legion of Honour: a wounded French captain

A chevalier of the Legion of Honour: a wounded French captain
STC312555 A chevalier of the Legion of Honour: a wounded French captain, about to undergo a perilous operation, decorated by his General in a field-hospital

Background imageBlind Collection: Odysseus (or Ulysses) blinding the cyclops Polyphemus, from '

Odysseus (or Ulysses) blinding the cyclops Polyphemus, from "
XEE3900472 Odysseus (or Ulysses) blinding the cyclops Polyphemus, from " Mythologie de la Jeunesse " by Pierre Blanchard, 1803 (hand-coloured engraving) by French School

Background imageBlind Collection: Christmas Entertainment at the Normal College for the Blind, Norwood (engraving)

Christmas Entertainment at the Normal College for the Blind, Norwood (engraving)
1050209 Christmas Entertainment at the Normal College for the Blind, Norwood (engraving) by Macquoid, Percy (1852-1925); Private Collection; (add.info)

Background imageBlind Collection: The Blind Fiddler (oil on canvas)

The Blind Fiddler (oil on canvas)
1128387 The Blind Fiddler (oil on canvas) by Wilkie, David (1785-1841); 44.5x59.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; Scottish, out of copyright

Background imageBlind Collection: Bat Catching, pub. 1803 (hand coloured engraving)

Bat Catching, pub. 1803 (hand coloured engraving)
3025916 Bat Catching, pub. 1803 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Prime Minister Henry Addington (1757-1844)

Background imageBlind Collection: Frontispiece from The Incas, or The Destruction of the Empire of Peru

Frontispiece from The Incas, or The Destruction of the Empire of Peru
617597 Frontispiece from The Incas, or The Destruction of the Empire of Peru by Jean-Francois Marmontel, 1777 (engraving) (see also 617598) by French School

Background imageBlind Collection: Blind man, who never tasted gin in his life (engraving)

Blind man, who never tasted gin in his life (engraving)
664705 Blind man, who never tasted gin in his life (engraving) by English School, (19th century); Private Collection; (add.info.: Blind man, who never tasted gin in his life)

Background imageBlind Collection: Tall blind beggar, with a long staff (engraving)

Tall blind beggar, with a long staff (engraving)
664701 Tall blind beggar, with a long staff (engraving) by English School, (19th century); Private Collection; (add.info.: Tall blind beggar, with a long staff, with which he strikes the curb-stones)

Background imageBlind Collection: Children playing blind mans buff at Christmas time (chromolitho)

Children playing blind mans buff at Christmas time (chromolitho)
668350 Children playing blind mans buff at Christmas time (chromolitho) by English School, (19th century); Private Collection; (add.info)

Background imageBlind Collection: Alms giving (engraving)

Alms giving (engraving)
666370 Alms giving (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Alms giving. Illustration from Modern Art, Second Series edited by James Dafforne (Virtue, c 1880)

Background imageBlind Collection: Nelson and the Signal at the Battle of Copenhagen, 1801 (engraving)

Nelson and the Signal at the Battle of Copenhagen, 1801 (engraving)
671115 Nelson and the Signal at the Battle of Copenhagen, 1801 (engraving) by English School, (19th century); Private Collection; (add.info.: Nelson and the Signal at the Battle of Copenhagen, 1801)

Background imageBlind Collection: Buy a lace off the poor blind mind (coloured engraving)

Buy a lace off the poor blind mind (coloured engraving)
558386 Buy a lace off the poor blind mind (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Buy a lace off the poor blind mind)

Background imageBlind Collection: Misery (oil on panel)

Misery (oil on panel)
XKH152622 Misery (oil on panel) by Venne, Adriaen Pietersz. van de (1589-1662); 37x29 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Background imageBlind Collection: Gods Fool on his Knees (oil on canvas)

Gods Fool on his Knees (oil on canvas)
SRM37743 Gods Fool on his Knees (oil on canvas) by Surikov, Vasilij Ivanovic (1848-1916); State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

Background imageBlind Collection: Tobias Receives his Fathers Blessing, 1860 (oil on canvas)

Tobias Receives his Fathers Blessing, 1860 (oil on canvas)
BOO185071 Tobias Receives his Fathers Blessing, 1860 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageBlind Collection: Blind Man on City-Road Bridge reading the Bible (engraving)

Blind Man on City-Road Bridge reading the Bible (engraving)
6003567 Blind Man on City-Road Bridge reading the Bible (engraving) by English School, (19th century); Private Collection; (add.info.: Blind Man on City-Road Bridge reading the Bible)

Background imageBlind Collection: Mechanical device presenting a series of pictures (b / w photo)

Mechanical device presenting a series of pictures (b / w photo)
6008253 Mechanical device presenting a series of pictures (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Mechanical device presenting a series of pictures)

Background imageBlind Collection: 'A man which was blind from his birth'(engraving)

"A man which was blind from his birth"(engraving)
5992243 " A man which was blind from his birth" (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageBlind Collection: Disabled flower girls at work (coloured photo)

Disabled flower girls at work (coloured photo)
5999879 Disabled flower girls at work (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: Disabled flower girls at work)

Background imageBlind Collection: Ensign Johnny Newcome buying overpriced supplies from Senor Cavigoles ride-off store in Lisbon

Ensign Johnny Newcome buying overpriced supplies from Senor Cavigoles ride-off store in Lisbon, Portugal
FLO4999357 Ensign Johnny Newcome buying overpriced supplies from Senor Cavigoles ride-off store in Lisbon, Portugal. Handcoloured copperplate engraving drawn

Background imageBlind Collection: The blind one par Laermans, Eugene (1864-1940), 1898 - Oil on canvas

The blind one par Laermans, Eugene (1864-1940), 1898 - Oil on canvas
FIA5400785 The blind one par Laermans, Eugene (1864-1940), 1898 - Oil on canvas, 134x174 - Royal Museum of Fine Arts, Antwerp by Laermans, Eugene (1864-1940); Koninklijk Museum voor Schone Kunsten

Background imageBlind Collection: Portrait of the Poet Homer par Mola, Pier Francesco (1612-1666)

Portrait of the Poet Homer par Mola, Pier Francesco (1612-1666)
FIA5405239 Portrait of the Poet Homer par Mola, Pier Francesco (1612-1666). Oil on wood, size : D 38, 7, , Private Collection by Mola

Background imageBlind Collection: Letter on the Blind, illustration from La Dioptrique, by Descartes (engraving)

Letter on the Blind, illustration from La Dioptrique, by Descartes (engraving)
1144496 Letter on the Blind, illustration from La Dioptrique, by Descartes (engraving) by French School, (17th century); Private Collection; (add.info.: La dioptrique (in English Dioptrique, Optics)

Background imageBlind Collection: People of Alexandria (engraving)

People of Alexandria (engraving)
1622055 People of Alexandria (engraving) by Loye, Charles Auguste (Montbard) (1841-1905); Private Collection; (add.info.: People of Alexandria)

Background imageBlind Collection: Study for Samson and Delilah, c. 1858 (black chalk on paper)

Study for Samson and Delilah, c. 1858 (black chalk on paper)
1631769 Study for Samson and Delilah, c.1858 (black chalk on paper) by Leighton, Frederic (1830-96); Leighton House Museum, Kensington & Chelsea, London, UK; eLeighton House; English, out of copyright

Background imageBlind Collection: Tea, 1872 (oil on wood)

Tea, 1872 (oil on wood)
3927993 Tea, 1872 (oil on wood) by Tissot, James Jacques Joseph (1836-1902); 66x47.9 cm; Metropolitan Museum of Art, New York, USA; (add.info.: This is a repetition of part of Bad News)

Background imageBlind Collection: The parable of the blind - Painting, 1568

The parable of the blind - Painting, 1568
LRI4571124 The parable of the blind - Painting, 1568 by Bruegel, Pieter the Elder (c.1525-69); Museo di Capodimonte, Naples, Campania, Italy; Luisa Ricciarini; Flemish, out of copyright

Background imageBlind Collection: The Wheel of Fortune An ascending and descending movement of Fortune which

The Wheel of Fortune An ascending and descending movement of Fortune which
JLJ4593428 The Wheel of Fortune An ascending and descending movement of Fortune which, in the life of men, has the power to make them kings or to make them fall into misfortune

Background imageBlind Collection: Homere, Greek poet of the 9th century BC. Detail of painting by Jean-Baptiste Auguste

Homere, Greek poet of the 9th century BC. Detail of painting by Jean-Baptiste Auguste
JLJ4574090 Homere, Greek poet of the 9th century BC. Detail of painting by Jean-Baptiste Auguste Leloir (1809-1892) Musee du Louvre

Background imageBlind Collection: Finis (colour litho)

Finis (colour litho)
1218902 Finis (colour litho) by Corbould, Walton (1859-1919); Private Collection; (add.info.: The Three Blind Mice published by Frederick Warne & Co Ltd circa 1950 Walton Corbould); out of copyright

Background imageBlind Collection: Three blind mice, three blind mice, see how they run (colour litho)

Three blind mice, three blind mice, see how they run (colour litho)
1218898 Three blind mice, three blind mice, see how they run (colour litho) by Corbould, Walton (1859-1919); Private Collection; (add.info)

Background imageBlind Collection: Three bold mice, three bold mice, come to an inn (colour litho)

Three bold mice, three bold mice, come to an inn (colour litho)
1218890 Three bold mice, three bold mice, come to an inn (colour litho) by Corbould, Walton (1859-1919); Private Collection; (add.info)

Background imageBlind Collection: School for the Indigent Blind, Examination of the Pupils (engraving)

School for the Indigent Blind, Examination of the Pupils (engraving)
1625709 School for the Indigent Blind, Examination of the Pupils (engraving) by English School, (19th century); Private Collection; (add.info.: School for the Indigent Blind)

Background imageBlind Collection: Sketches at the Royal Agricultural Societys Meeting at Norwich (engraving)

Sketches at the Royal Agricultural Societys Meeting at Norwich (engraving)
1624953 Sketches at the Royal Agricultural Societys Meeting at Norwich (engraving) by Carter, Samuel John (1835-92); Private Collection; (add.info)

Background imageBlind Collection: The Heir of the Ages, by James Payn (engraving)

The Heir of the Ages, by James Payn (engraving)
1623066 The Heir of the Ages, by James Payn (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: The Heir of the Ages, by James Payn)

Background imageBlind Collection: The Man Blind from his Birth (engraving)

The Man Blind from his Birth (engraving)
2787231 The Man Blind from his Birth (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: The Man Blind from his Birth)

Background imageBlind Collection: Oedipus at Colonus, 1788 (oil on canvas)

Oedipus at Colonus, 1788 (oil on canvas)
1070624 Oedipus at Colonus, 1788 (oil on canvas) by Giroust, Jean-Antoine-Theodore (1753-1817); 164x194 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, Mrs. John B

Background imageBlind Collection: Elymas the Sorcerer struck blind (engraving)

Elymas the Sorcerer struck blind (engraving)
822501 Elymas the Sorcerer struck blind (engraving) by English School, (19th century); Private Collection; (add.info.: Elymas the Sorcerer struck blind)

Background imageBlind Collection: Blind letters (engraving)

Blind letters (engraving)
820373 Blind letters (engraving) by Furniss, Harry (1854-1925) (after); Private Collection; (add.info.: Blind letters; from a drawing by Harry Furniss)

Background imageBlind Collection: Portrait of Professor Henry Fawcett (b / w photo)

Portrait of Professor Henry Fawcett (b / w photo)
984205 Portrait of Professor Henry Fawcett (b/w photo) by Lock and Whitfield (19th century); Private Collection; (add.info.: Professor Henry Fawcett, blind British academic, statesman and economist)

Background imageBlind Collection: The Prince of Wales at York (engraving)

The Prince of Wales at York (engraving)
1107114 The Prince of Wales at York (engraving) by English School, (19th century); Private Collection; (add.info.: The Prince of Wales at York)



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"Exploring the Depths of Blindness: A Journey through Art, Nature, and Inspiration" In this captivating caption, we delve into the concept of blindness from various perspectives. From ancient Japanese wisdom to renowned artworks and remarkable individuals, blind is not just a physical condition but a profound metaphor for life's complexities. The three wise monkeys embody the essence of "blind, " reminding us to see no evil, hear no evil, and speak no evil. In Katsushika Hokusai's woodblock print "The Blind Men and the Elephant, " we witness how limited perception can hinder understanding. Rembrandt's masterpiece "Simeon in the Temple" portrays a man who may be physically sighted but spiritually blind. Similarly, on Shirland Road in Maida Vale, London, one might pass by without truly seeing what lies beneath its surface. Venturing underground reveals fascinating creatures like the naked mole rat that digs tirelessly with its incisor teeth despite being visually impaired. The common mole exemplifies another facet of blindness as it navigates darkness while hunting worms. Reflecting on humanity's resilience is the movie poster for "MAN UP (2015), " where characters overcome their emotional blindness to find love. Jesus' miraculous healing of Bartimaeus emphasizes compassion towards those who are visually impaired. Louis Braille revolutionized communication for blind individuals through his eponymous tactile writing system. Helen Keller's extraordinary bond with her Great Dane showcases how companionship transcends visual limitations. Ultimately, this exploration reminds us that true vision extends beyond our eyesight; it resides within our hearts and minds. Let us embrace empathy and understanding as we navigate life together – even when faced with moments of blindness along our journey.