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Bodmer Collection

"Bodmer: Capturing the Spirit of Native American Culture" Karl Bodmer, a renowned Swiss artist and explorer

Background imageBodmer Collection: BODMER: HIDATSA NATIVE AMERICAN. Pehriska-Ruhpa (Two Ravens), Hidatsa Native American

BODMER: HIDATSA NATIVE AMERICAN. Pehriska-Ruhpa (Two Ravens), Hidatsa Native American. Watercolor, 1833, by Karl Bodmer

Background imageBodmer Collection: BODMER: MANDAN CHIEF. Mah-to-toh-pa, or Four Bears. Watercolor, 1832-34, by Karl Bodmer

BODMER: MANDAN CHIEF. Mah-to-toh-pa, or Four Bears. Watercolor, 1832-34, by Karl Bodmer

Background imageBodmer Collection: BODMER: SIOUX CHIEF. Wahk-Tä-Ge-Li, or Big Soldier, a Yankton Sioux Native American chief

BODMER: SIOUX CHIEF. Wahk-Tä-Ge-Li, or Big Soldier, a Yankton Sioux Native American chief. Aquatint engraving, c1844, after a painting, 1833, by Karl Bodmer

Background imageBodmer Collection: Bison dance of the Mandan Native Americans in front of their medicine lodge

Bison dance of the Mandan Native Americans in front of their medicine lodge
MANDAN: BISON DANCE, 1844. Bison dance of the Mandan Native Americans in front of their medicine lodge. Aquatint engraving, 1844, after Karl Bodmer

Background imageBodmer Collection: BODMER: BLACKFOOT HORSEMAN. A Blackfoot Native American man riding on horseback at Fort McKenzie

BODMER: BLACKFOOT HORSEMAN. A Blackfoot Native American man riding on horseback at Fort McKenzie, Montana. Aquatint engraving, c1844, after a drawing, 1833, by Karl Bodmer

Background imageBodmer Collection: Journal of Prince Maximilian of Wied, 1832-34 (ink and w / c on paper)

Journal of Prince Maximilian of Wied, 1832-34 (ink and w / c on paper)
5054762 Journal of Prince Maximilian of Wied, 1832-34 (ink and w/c on paper) by German School, (19th century); Joslyn Museum, Omaha, Nebraska

Background imageBodmer Collection: Journal of Prince Maximilian of Wied, 1832-34 (ink and w / c on paper)

Journal of Prince Maximilian of Wied, 1832-34 (ink and w / c on paper)
5054761 Journal of Prince Maximilian of Wied, 1832-34 (ink and w/c on paper) by German School, (19th century); Joslyn Museum, Omaha, Nebraska

Background imageBodmer Collection: Pehriska-Ruhpa, Moennitarri Warrior in the Costume of the Dog Danse, 1840 (etching

Pehriska-Ruhpa, Moennitarri Warrior in the Costume of the Dog Danse, 1840 (etching
990517 Pehriska-Ruhpa, Moennitarri Warrior in the Costume of the Dog Danse, 1840 (etching, aquatint, hand-coloured, white wove paper) by Bodmer

Background imageBodmer Collection: Pehriska-Rupha: Moennitarri warrior in the costume of the Dog danse, 1839-1841 (aquatint)

Pehriska-Rupha: Moennitarri warrior in the costume of the Dog danse, 1839-1841 (aquatint)
986307 Pehriska-Rupha: Moennitarri warrior in the costume of the Dog danse, 1839-1841 (aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; (add.info.: Pehriska-Rupha)

Background imageBodmer Collection: Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint)

Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint)
986299 Mato-Tope, adorned with the Insignia of his Warlike Deeds, 1844 (hand coloured aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; (add.info.: Mato-Tope)

Background imageBodmer Collection: Deer in a Landscape, . Creator: Karl Bodmer

Deer in a Landscape, . Creator: Karl Bodmer
Deer in a Landscape

Background imageBodmer Collection: Remarkable Hills on the Upper Missouri, 1844. Artist: Friedrich Salathe

Remarkable Hills on the Upper Missouri, 1844. Artist: Friedrich Salathe
Remarkable Hills on the Upper Missouri, 1844. Plate 35 from Volume 2 of Travels in the Interior of North America by Karl Bodmer

Background imageBodmer Collection: Indian Utensils and Arms, 1843. Artist: Du Casse

Indian Utensils and Arms, 1843. Artist: Du Casse
Indian Utensils and Arms, 1843. Plate 48 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: The Interior of the Hut of a Mandan Chief, 1843. Artist: Narcisse Desmadryl

The Interior of the Hut of a Mandan Chief, 1843. Artist: Narcisse Desmadryl
The Interior of the Hut of a Mandan Chief, 1843. Plate 19 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Indians Hunting the Bison, 1843. Artist: Carl Vogel

Indians Hunting the Bison, 1843. Artist: Carl Vogel
Indians Hunting the Bison, 1843. Plate 31 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Winter Village of the Minatarres, 1843. Artist: Narcisse Desmadryl

Winter Village of the Minatarres, 1843. Artist: Narcisse Desmadryl
Winter Village of the Minatarres, 1843. Plate 26 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Pehriska-Ruhpa, Minatarre Warrior in the Costume of the Dog Dance, 1843. Artist

Pehriska-Ruhpa, Minatarre Warrior in the Costume of the Dog Dance, 1843. Artist
Pehriska-Ruhpa, Minatarre Warrior in the Costume of the Dog Dance, 1843. plate 23 From Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Indian Utensils and Arms, 1843. Artist: A Zschokke

Indian Utensils and Arms, 1843. Artist: A Zschokke
Indian Utensils and Arms, 1843. Plate 21 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Bison-Dance of the Mandan Indians in front of their Medicine Lodge in the Mih-Tutta-Hankush

Bison-Dance of the Mandan Indians in front of their Medicine Lodge in the Mih-Tutta-Hankush, 1843. Plate 18 from Volume 2 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Ptihn-Tak-Ochata, Dance of the Mandan Women, 1843. Artist: Charles Geoffroy

Ptihn-Tak-Ochata, Dance of the Mandan Women, 1843. Artist: Charles Geoffroy
Ptihn-Tak-Ochata, Dance of the Mandan Women, 1843. Plate 28 from volume 1 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Horse Racing of Sioux Indians near Fort Pierre, 1843. Artist: Du Casse and Doherty

Horse Racing of Sioux Indians near Fort Pierre, 1843. Artist: Du Casse and Doherty
Horse Racing of Sioux Indians near Fort Pierre, 1843. Plate 30 from volume 1 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: A Blackfoot Indian on horseback, 1843. Artist: Leopold Beyer

A Blackfoot Indian on horseback, 1843. Artist: Leopold Beyer
A Blackfoot Indian on horseback, 1843. Plate 19 from volume 1 of Travels in the Interior of North America, 1843

Background imageBodmer Collection: Johann Jakob Bodmer (1698 A?i? 1783) Swiss-German critic an

Johann Jakob Bodmer (1698 A?i? 1783) Swiss-German critic an
Johann Jakob Bodmer (1698 A?i? 1783) Swiss-German author, academic, critic and poet. Engraving by J.F Bausse (1738-1814), 1784. Colored

Background imageBodmer Collection: Johann Jakob Bodmer (1698 1783) Swiss-German critic and po

Johann Jakob Bodmer (1698 1783) Swiss-German critic and po
Johann Jakob Bodmer (1698 1783) Swiss-German author, academic, critic and poet. Engraving by J.F Bausse (1738-1814), 1784

Background imageBodmer Collection: Karl Bodmer, Etudes, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Etudes, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Oie, Heron, Swiss, 1809 - 1893, etching

Karl Bodmer, Oie, Heron, Swiss, 1809 - 1893, etching

Background imageBodmer Collection: Karl Bodmer, Le Repos, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Le Repos, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Biches au repos, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Biches au repos, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Canards, Swiss, 1809 - 1893, 1861-1866, lithograph

Karl Bodmer, Canards, Swiss, 1809 - 1893, 1861-1866, lithograph

Background imageBodmer Collection: Karl Bodmer, Un Abri (A Shelter), Swiss, 1809 - 1893, 1858, lithograph in black

Karl Bodmer, Un Abri (A Shelter), Swiss, 1809 - 1893, 1858, lithograph in black on chine colla©

Background imageBodmer Collection: Karl Bodmer, Les Ours (The Bears), Swiss, 1809 - 1893, 1858-1874, etching in black

Karl Bodmer, Les Ours (The Bears), Swiss, 1809 - 1893, 1858-1874, etching in black on chine colla©

Background imageBodmer Collection: Karl Bodmer, Canards Sauvages, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Canards Sauvages, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Retour au Bercail, Swiss, 1809 - 1893, etching

Karl Bodmer, Retour au Bercail, Swiss, 1809 - 1893, etching

Background imageBodmer Collection: Karl Bodmer, Cerf Dix-Cors, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Cerf Dix-Cors, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Biche et Faon, Swiss, 1809 - 1893, lithograph

Karl Bodmer, Biche et Faon, Swiss, 1809 - 1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Le Matin, Cerf et Biches, Swiss, 1809 - 1893, chiaroscuro lithograph

Karl Bodmer, Le Matin, Cerf et Biches, Swiss, 1809 - 1893, chiaroscuro lithograph

Background imageBodmer Collection: Karl Bodmer, Faisans, Swiss, 1809-1893, chiaroscuro lithograph

Karl Bodmer, Faisans, Swiss, 1809-1893, chiaroscuro lithograph

Background imageBodmer Collection: Karl Bodmer, Canards Sauvages, Swiss, 1809-1893, chiaroscuro lithograph

Karl Bodmer, Canards Sauvages, Swiss, 1809-1893, chiaroscuro lithograph

Background imageBodmer Collection: Karl Bodmer, Le Soir. Cerf et Herons, Swiss, 1809-1893, chiaroscuro lithograph

Karl Bodmer, Le Soir. Cerf et Herons, Swiss, 1809-1893, chiaroscuro lithograph

Background imageBodmer Collection: Karl Bodmer, Les ours, Swiss, 1809-1893, etching

Karl Bodmer, Les ours, Swiss, 1809-1893, etching

Background imageBodmer Collection: Karl Bodmer, A l abri du givre, Swiss, 1809-1893, lithograph

Karl Bodmer, A l abri du givre, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Ein Monitari Indianer, Swiss, 1809-1893, 1839, lithograph

Karl Bodmer, Ein Monitari Indianer, Swiss, 1809-1893, 1839, lithograph

Background imageBodmer Collection: Karl Bodmer, Renard a l affut, Swiss, 1809-1893, lithograph

Karl Bodmer, Renard a l affut, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Les Faisans, Swiss, 1809-1893, lithograph

Karl Bodmer, Les Faisans, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Foret de Fontainebleau, Swiss, 1809-1893, etching

Karl Bodmer, Foret de Fontainebleau, Swiss, 1809-1893, etching

Background imageBodmer Collection: Karl Bodmer, Etudes, Swiss, 1809-1893, lithograph

Karl Bodmer, Etudes, Swiss, 1809-1893, lithograph

Background imageBodmer Collection: Karl Bodmer, Oies bernacles, Swiss, 1809-1893, etching

Karl Bodmer, Oies bernacles, Swiss, 1809-1893, etching

Background imageBodmer Collection: Eugene Cuvelier (French, 1837-1900), Pres du Bodmer, 1860s, albumen print

Eugene Cuvelier (French, 1837-1900), Pres du Bodmer, 1860s, albumen print



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"Bodmer: Capturing the Spirit of Native American Culture" Karl Bodmer, a renowned Swiss artist and explorer, ventured into the heartland of America in the early 19th century. His encounters with various Native American tribes left an indelible mark on his artistic journey. Through his vivid depictions, he immortalized the rich heritage and traditions of these indigenous communities. One such encounter was with Pehriska-Ruhpa, also known as Two Ravens, a Hidatsa Native American. Bodmer's portrayal beautifully captures this warrior's strength and resilience, showcasing the pride that emanates from within. In another masterpiece by Bodmer, we witness Mah-to-toh-pa or Four Bears - a Mandan Chief adorned in regal attire. The watercolor painting exudes authority and dignity as it transports us back to a time when tribal leaders commanded respect and admiration. Bodmer's talent extended beyond individual portraits; he also documented significant cultural events like the Bison dance performed by Mandan natives outside their sacred medicine lodge. This aquatint engraving allows us to witness firsthand their spiritual connection with nature and their profound reverence for these majestic creatures. The Sioux Chief Wahk-T├ñ-Ge-Li or Big Soldier is yet another subject that captivated Bodmer's artistic eye. Through intricate details in his aquatint engraving based on an earlier painting, we are transported to an era where bravery on horseback defined warriors' valor. Bodmer not only captured human subjects but also found inspiration in nature itself. In "Deer in a Landscape, " he skillfully portrays the gracefulness of these animals against a backdrop of serene beauty – reminding us of our interconnectedness with all living beings. His work was greatly influenced by Prince Maximilian of Wied's journal entries during their joint expedition across America. These ink and watercolor illustrations provided invaluable insights into native cultures while fueling Bodmer's artistic vision.