Brutish Collection

Nissan Skyline GT-R R34 Japanese

Lamborghini Countach

Captioned Marquess of Queensbury, John Sholto Douglas
Vintage 19th century photograph: captioned on the back as Marquess of Queensbury. John Sholto Douglas, 9th Marquess of Queensberry (20 July 1844 - 31 January 1900), was a Scottish nobleman

8 vignettes depicting eloquence, published by Hannah Humphrey in 1795
NCO191281 8 vignettes depicting eloquence, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797
NCO193102 Homer singing his Verses to the Greeks, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving
NCO260492 Naval Eloquence, published by Hannah Humphrey in 1795 (hand-coloured engraving) (detail of 191281) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Hussars and the Vivandiere, 1803 (w / c on paper) (b / w photo)
BMT192843 The Hussars and the Vivandiere, 1803 (w/c on paper) (b/w photo) by French School, (19th century); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts

King Henry IV: the Last Scene, published by S. W. Fores in 1788 (hand-coloured etching)
NCO193121 King Henry IV: the Last Scene, published by S.W. Fores in 1788 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching)
NCO191754 The Daily Advertiser, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Butcher, Montmartre Market, c. 1857-58 (oil on panel)
LEF219169 The Butcher, Montmartre Market, c.1857-58 (oil on panel) by Daumier, Honore (1808-79); 20.7x27.6 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching)
NCO191294 Cymon & Iphigenia, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching)
NCO191268 John Bull offering Little Boney fair play, published by Hannah Humphrey in 1803 (etching) by Gillray, James (1757-1815); 21.5x26.9 cm; Courtesy of the Warden and Scholars of New College

Wife-Beater
Brutish wife-beater confident of lenient treatment by legal system. Date: 1875

Here the brute Harpies make their nest, c1890. Creator: Gustave Doré
Here the brute Harpies make their nest, c1890. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri

MG, MGX038046
MGX038046

German Kultur by Edmund Sullivan
The Beast Breaks Loose - Kultur as it appears to Edmund J. Sullivan. The brutish, monstrous German soldier envisaged by Edmund Sullivan as a huge, hulking gorilla like monster

To Arms, Britons! First World War propaganda
" Arms, Britons! Avert These Horrors: The Triumph of Science and Efficiency." A typical propagandist reminder to the British of what they were fighting for, this brutish German soldier

MG SV and SV-R Britain

MG SV Britain British

MG SV-R Britain British

MG SV Prototype Peter Stevens

MG SV-R British English

MG SV British English

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"Unleashing the brutish power: A tale of automotive legends and artistic expressions" In the realm of automotive excellence, few names command as much respect as the Nissan Skyline GT-R R34 Japanese and the Lamborghini Countach. These iconic machines embody a brutish force that captivates enthusiasts worldwide. Just like these powerful cars, German Kultur by Edmund Sullivan stands tall as an embodiment of strength and sophistication, and is a testament to human creativity, showcasing the fusion of artistry and engineering. Speaking of eloquence, we delve into 8 vignettes depicting elegance published by Hannah Humphrey in 1795. Each scene tells a story through intricate details, capturing moments that transcend time with their refined beauty. As John Sholto Douglas once captioned himself "Marquess of Queensberry, " his presence exuded both power and grace. His influence on boxing rules forever changed the sport's landscape, leaving an indelible mark on history. Hannah Humphrey's publication also brings us Homer singing his Verses to the Greeks in 1797. Through this artwork, we witness how words can become melodies that touch our souls and inspire generations to come. But not all forms of expression are gentle; some carry a more aggressive tone. The French Invasion or John Bull Bombarding the Bum-Boats depicts a moment when conflict meets chaos head-on—a reminder that even brute force has its place in shaping history. Naval Eloquence takes us back to 1795 with its hand-colored engravings capturing maritime might in all its glory. Ships cutting through waves symbolize strength combined with strategic brilliance—a true display of dominance over vast oceans. The Hussars and Vivandiere from 1803 showcase contrasting colors on paper—black-and-white photography versus vivid watercolors—yet both convey tales of bravery amidst war-torn landscapes. They remind us that courage comes in many shades but always leaves an indelible mark. In King Henry IV.