Bust Length Collection

Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink)
985820 Abraham Lincoln, signed carte-de-visite, 1864 (vignette, mount, gold-ruled border, ink) by Berger, Anthony (fl.1861-65); 10.1x6.1 cm; Private Collection; (add.info.: Abraham Lincoln)

Letter from Abraham Lincoln to Mrs. Bixby, with bust-length portrait of Lincoln. Print showing a portrait of Lincoln with a letter that he is thought to have written to Mrs

A Mediterranean Beauty, (oil on canvas)
1197464 A Mediterranean Beauty, (oil on canvas) by Bls, Eugen von (1843-1931); 57.8x44.7 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Summer, 1929 (oil on canvas)
1195333 Summer, 1929 (oil on canvas) by Benigni, Leon (1892-1948); 59.1 x 43.8 cm; Private Collection; Photo © Christies Images

Portrait of James Madison, 1816 (oil on canvas)
2630119 Portrait of James Madison, 1816 (oil on canvas) by American School, (19th century); White House, Washington D.C. USA; (add.info.: From the White House collection)

William Mairis Vicar of Market Lavington (oil on canvas)
2655510 William Mairis Vicar of Market Lavington (oil on canvas) by English School; 75.3x62.5 cm; Gloucester City Museum and Art Gallery, Gloucestershire

Study of a Head for The Bower Meadow, 1872 (black chalk)
659777 Study of a Head for The Bower Meadow, 1872 (black chalk) by Rossetti, Dante Gabriel Charles (1828-82); 39.2x31.5 cm; Private Collection; (add.info.: Study of a Head for The Bower Meadow)

General Joseph Joffre (colour litho)
870212 General Joseph Joffre (colour litho) by French School, (20th century); Private Collection; (add.info.: General Joseph Joffre (1852-1931)

Martha Hess as Silence (recto), (pencil and white chalk on buff paper)
824148 Martha Hess as Silence (recto), (pencil and white chalk on buff paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 54.5x33 cm; Private Collection; (add.info)

Portrait of an elderly man (oil on canvas)
XIR391413 Portrait of an elderly man (oil on canvas) by Raeburn, Henry (1756-1823); 67.5x50.5 cm; Musee Bonnat, Bayonne, France; (add.info.: Portrait of man age; ); Scottish, out of copyright

Carte-de-visite portrait of Mileva Maric, Zurich, c. 1896 (b/w photo, mount)
985874 Carte-de-visite portrait of Mileva Maric, Zurich, c.1896 (b/w photo, mount) by Emil Loges & Co. (fl.19th century) (studio of)

Saint John the Baptist (oil on canvas)
868070 Saint John the Baptist (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Head of a tonsured, bearded saint, c. 1440-44 (tempera on wood)
930334 Head of a tonsured, bearded saint, c.1440-44 (tempera on wood) by Veneziano, Domenico (c.1400-61); National Gallery, London, UK; Photo © Stefano Baldini

The Chinese Chef (Portrait of Hing), 1932 (oil on panel)
1199513 The Chinese Chef (Portrait of Hing), 1932 (oil on panel) by Steegman, Philip (1903-52); 37x29 cm; Private Collection; Photo © Christie's Images

Mowakiu-Tswatenok, 1914 (toned gelatin silver screen print)
1766831 Mowakiu-Tswatenok, 1914 (toned gelatin silver screen print) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Mowakiu-Tswatenok. Edward S. Curtis (1868-1952)

Qahatika Girl, c. 1907 (large format photogravure)
1766832 Qahatika Girl, c.1907 (large format photogravure) by Curtis, Edward Sheriff (1868-1952) ; Private Collection; (add.info.: Qahatika Girl. Edward S. Curtis (1868-1952)

Mother and Child (Mme Valtat and her son, jean); Mere et Enfant (Mme Valtat et son fils Jean), 1897 (oil on burlap)
652265 Mother and Child (Mme Valtat and her son, jean); Mere et Enfant (Mme Valtat et son fils Jean), 1897 (oil on burlap) by Valtat

The Looking Glass, (oil on canvas)
823109 The Looking Glass, (oil on canvas) by Blenner, Carle J. (1884-1952); 61x50.5 cm; Private Collection; (add.info.: The Looking Glass. Carle John Blenner (1864-1952). Oil on canvas

Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper)
1766828 Tapa (Antelope Water), Taos, 1905 (toned platinum print on heavy textured paper) by Curtis, Edward Sheriff (1868-1952) ; 39.4x29.1 cm; Private Collection; (add.info.: Tapa (Antelope Water)

Lefthand-Comanche, 1907 (photogravure)
985769 Lefthand-Comanche, 1907 (photogravure) by Curtis, Edward Sheriff (1868-1952) (after); Private Collection; (add.info.: Lefthand-Comanche)

Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper)
1766838 Chief of the Desert, Navaho, 1904 (platinum or toned gelatin silver print on porous paper) by Curtis, Edward Sheriff (1868-1952) ; 41.3x31.7 cm; Private Collection; (add.info)

Casual Meeting, 1928 (oil on canvas)
1767764 Casual Meeting, 1928 (oil on canvas) by Miller, Kenneth Hayes (1876-1952); 51.4x61.6 cm; Private Collection; (add.info.: Casual Meeting. Kenneth Hayes Miller (1876-1952). Oil on canvas

Albert, Archduke of Austria (etching)
471324 Albert, Archduke of Austria (etching) by Rubens, Peter Paul (1577-1640); 42x 28.8 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

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"Bust Length: A Glimpse into Artistic Portrayals and Historical Significance" In the world of art and history, the concept of "bust length" holds a captivating allure. It encompasses various mediums, from oil on canvas to black chalk sketches, showcasing the skillful hands that have immortalized countless individuals throughout time. One such example is the renowned letter from Abraham Lincoln to Mrs. Bixby, accompanied by a bust-length portrait. This poignant correspondence captures Lincoln's empathy during a tumultuous period in American history, offering solace through his heartfelt words and an intimate depiction of himself. Moving across continents, we encounter "A Mediterranean Beauty, " an exquisite oil painting on canvas that transports us to sun-kissed shores. The artist masterfully captures the essence of this mysterious figure with their attention focused solely on her enchanting face at bust length. Delving further into historical significance, we stumble upon an intriguing carte-de-visite portrait of Abraham Lincoln himself from 1864. Encased in a vignette mount adorned with gold-ruled borders and ink inscriptions, this image provides us with a glimpse into the revered president's visage during a pivotal moment in his presidency. Stepping away from political figures but remaining within portraiture lies William Mairis Vicar's portrayal in oil on canvas. His dignified presence emanates through every brushstroke as he gazes out at us from his bust-length representation—a testament to both artistic talent and clerical devotion. Shifting gears towards more contemporary works brings us to "Summer 1929, " another mesmerizing creation rendered in oils on canvas. Through vibrant colors and meticulous detail at bust length, we are transported back to carefree days filled with warmth and joy—an evocative masterpiece capturing fleeting moments frozen forever. The power of portraiture extends beyond politicians or idyllic scenes; it also includes influential figures like James Madison.