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Calling Collection (page 9)

"Calling: A Symphony of Nature's Voices" In the midst of chaos and battle, the Imperial Guards make their last stand at Waterloo

Background imageCalling Collection: The telephone (chromolitho)

The telephone (chromolitho)
961465 The telephone (chromolitho) by French School, (19th century); Private Collection; (add.info.: The telephone. Chicoree Arlatte, Cambrai, trade card, late 19th century.); © Look and Learn

Background imageCalling Collection: The War in Turkey, calling the People to Arms at Adrianople (engraving)

The War in Turkey, calling the People to Arms at Adrianople (engraving)
1602417 The War in Turkey, calling the People to Arms at Adrianople (engraving) by English School, (19th century); Private Collection; (add.info.: The War in Turkey)

Background imageCalling Collection: Salad Seller (chromolitho)

Salad Seller (chromolitho)
2811701 Salad Seller (chromolitho) by English School, (19th century); Private Collection; (add.info.: Salad Seller. Illustration for a booklet called Sketches of London Life)

Background imageCalling Collection: Pippa Passes, 1854 (pen and brown ink on off-white paper)

Pippa Passes, 1854 (pen and brown ink on off-white paper)
1217845 Pippa Passes, 1854 (pen and brown ink on off-white paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62); 23.3x29.6 cm; Ashmolean Museum, University of Oxford

Background imageCalling Collection: Beadle calling the hours in Ely Place (b / w photo)

Beadle calling the hours in Ely Place (b / w photo)
3637442 Beadle calling the hours in Ely Place (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Beadle calling the hours in Ely Place)

Background imageCalling Collection: Play at Crockfords Club, 1843. Count D Orsay calling a Main (engraving)

Play at Crockfords Club, 1843. Count D Orsay calling a Main (engraving)
559240 Play at Crockfords Club, 1843. Count D Orsay calling a Main (engraving) by English School, (19th century); Private Collection; (add.info.: Play at Crockfords Club, 1843)

Background imageCalling Collection: Joan of Arc hears the voies, 1895 (engraving)

Joan of Arc hears the voies, 1895 (engraving)
CHT420090 Joan of Arc hears the voies, 1895 (engraving) by Lagarde, Pierre (1852-1910); Private Collection; (add.info.: Jeanne d Arc entendant les voix; Jeanne d Arc (c.1412-21)

Background imageCalling Collection: The Inspiration of Joan of Arc (engraving)

The Inspiration of Joan of Arc (engraving)
CHT420085 The Inspiration of Joan of Arc (engraving) by Ducis, Louis (1775-1847) (after); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright

Background imageCalling Collection: The Thames at Tower Bridge (w / c on paper)

The Thames at Tower Bridge (w / c on paper)
XPG382053 The Thames at Tower Bridge (w/c on paper) by Dixon, Charles Edward (1872-1934); Private Collection; English, out of copyright

Background imageCalling Collection: Steward and assistant at Sherrys restaurant, New York, 1902 (silver gelatin print)

Steward and assistant at Sherrys restaurant, New York, 1902 (silver gelatin print)
MNY380770 Steward and assistant at Sherrys restaurant, New York, 1902 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York

Background imageCalling Collection: The Calling of St Peter and St Andrew (engraving)

The Calling of St Peter and St Andrew (engraving)
6028678 The Calling of St Peter and St Andrew (engraving) by English School, (19th century); Private Collection; (add.info.: The Calling of St Peter and St Andrew)

Background imageCalling Collection: The South Lancashire Turn-out, calling out the Hands at Johnsons Mill, Stalybridge (engraving)

The South Lancashire Turn-out, calling out the Hands at Johnsons Mill, Stalybridge (engraving)
1612850 The South Lancashire Turn-out, calling out the Hands at Johnsons Mill, Stalybridge (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageCalling Collection: Removal of the Reptiles at the Zoological Gardens (engraving)

Removal of the Reptiles at the Zoological Gardens (engraving)
6016506 Removal of the Reptiles at the Zoological Gardens (engraving) by English School, (19th century); Private Collection; (add.info.: Removal of the Reptiles at the Zoological Gardens)

Background imageCalling Collection: Its no use calling the tiger to chase away the dog (colour litho)

Its no use calling the tiger to chase away the dog (colour litho)
5205410 Its no use calling the tiger to chase away the dog (colour litho) by Bull, Rene (1872-1942); Private Collection; (add.info.: Its no use calling the tiger to chase away the dog)

Background imageCalling Collection: Cat on the telephone (colour litho)

Cat on the telephone (colour litho)
5995989 Cat on the telephone (colour litho) by English School, (20th century); Private Collection; (add.info.: Cat on the telephone. Postcard, early 20th century.); © Look and Learn

Background imageCalling Collection: Marital infidelity: A man lying to his wife over the telephone about having to work late

Marital infidelity: A man lying to his wife over the telephone about having to work late (chromolitho)
5217380 Marital infidelity: A man lying to his wife over the telephone about having to work late (chromolitho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Marital infidelity)

Background imageCalling Collection: Sitting Boy, 1910 (watercolour over pencil on tan paper)

Sitting Boy, 1910 (watercolour over pencil on tan paper)
988996 Sitting Boy, 1910 (watercolour over pencil on tan paper) by Schiele, Egon (1890-1918); 44.5x28.5 cm; Private Collection; (add.info.: Sitting Boy; Sitzender Knabe. Egon Schiele (1890-1918)

Background imageCalling Collection: Homeland Calling; Het Vaderland Bezet, 1918 (oil on canvas)

Homeland Calling; Het Vaderland Bezet, 1918 (oil on canvas)
827034 Homeland Calling; Het Vaderland Bezet, 1918 (oil on canvas) by Leemputten, Jef Louis van (1865-1948); 100.7x150.8 cm; Private Collection; (add.info.: Homeland Calling; Het Vaderland Bezet)

Background imageCalling Collection: Ring the Bell (engraving)

Ring the Bell (engraving)
3625279 Ring the Bell (engraving) by English School, (19th century); Private Collection; (add.info.: Ring the Bell. Illustration for Chatterbox (1885). Digitally cleaned image.); © Look and Learn

Background imageCalling Collection: Mr Hill calling down the staircase for boys (engraving)

Mr Hill calling down the staircase for boys (engraving)
3625236 Mr Hill calling down the staircase for boys (engraving) by English School, (19th century); Private Collection; (add.info.: Mr Hill calling down the staircase for boys)

Background imageCalling Collection: Advertisement for Dr Richards Laxocomfits (chromolitho)

Advertisement for Dr Richards Laxocomfits (chromolitho)
3105636 Advertisement for Dr Richards Laxocomfits (chromolitho) by American School, (19th century); Private Collection; (add.info)

Background imageCalling Collection: Calling on Mifs Dinah, plate number 11 of 20, adapted from Life in Philadelphia

Calling on Mifs Dinah, plate number 11 of 20, adapted from Life in Philadelphia
2645234 Calling on Mifs Dinah, plate number 11 of 20, adapted from Life in Philadelphia Edward W. Clay (1799-1857) by Hunt

Background imageCalling Collection: Raising the British Flag at Pretoria, Lord Roberts calling for Cheers for the Queen (litho)

Raising the British Flag at Pretoria, Lord Roberts calling for Cheers for the Queen (litho)
1039756 Raising the British Flag at Pretoria, Lord Roberts calling for Cheers for the Queen (litho) by Charlton, John (1849-1917) (after); Private Collection; (add.info)

Background imageCalling Collection: Proclaiming the Kings Coronation at the Royal Exchange (litho)

Proclaiming the Kings Coronation at the Royal Exchange (litho)
1037180 Proclaiming the Kings Coronation at the Royal Exchange (litho) by Craig, Frank (1874-1918); Private Collection; (add.info.: Proclaiming the Kings Coronation at the Royal Exchange)

Background imageCalling Collection: Up in the Hills, Notes at Simla during the Season (engraving)

Up in the Hills, Notes at Simla during the Season (engraving)
1045626 Up in the Hills, Notes at Simla during the Season (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: Up in the Hills, Notes at Simla during the Season)

Background imageCalling Collection: The Delights of Christmas, a Serenade by Hand-Bell Players (engraving)

The Delights of Christmas, a Serenade by Hand-Bell Players (engraving)
1046852 The Delights of Christmas, a Serenade by Hand-Bell Players (engraving) by English School, (19th century); Private Collection; (add.info.: The Delights of Christmas)

Background imageCalling Collection: Heimdallr blowing the Gjallar horn to summon the gods of Valhalla to combat (chromolitho)

Heimdallr blowing the Gjallar horn to summon the gods of Valhalla to combat (chromolitho)
974614 Heimdallr blowing the Gjallar horn to summon the gods of Valhalla to combat (chromolitho) by European School, (19th century); Private Collection; (add.info)

Background imageCalling Collection: Greater Bird of Paradise, Male (Paradisaea apoda), 1794 (black chalk, pen and watercolour

Greater Bird of Paradise, Male (Paradisaea apoda), 1794 (black chalk, pen and watercolour
986103 Greater Bird of Paradise, Male (Paradisaea apoda), 1794 (black chalk, pen and watercolour, watercolour and bodycolour on) by Barraband

Background imageCalling Collection: Jesus calling Peter and Andrew (chromolitho)

Jesus calling Peter and Andrew (chromolitho)
964178 Jesus calling Peter and Andrew (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus calling Peter and Andrew (Jesus appelant Pierre et Andre)

Background imageCalling Collection: Illustration for Bluebeard by Charles Perrault, c

Illustration for Bluebeard by Charles Perrault, c
BOO183491 Illustration for Bluebeard by Charles Perrault, c.1868 (pen and ink wash on paper) by Dore, Gustave (1832-83); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageCalling Collection: Christ naming Peter his successor, 16th century (pen & ink

Christ naming Peter his successor, 16th century (pen & ink
5938213 Christ naming Peter his successor, 16th century (pen & ink, squared in graphite for enlargement or transfer, on paper) by Vasari, Giorgio

Background imageCalling Collection: The Calling of Andrew and Peter (engraving)

The Calling of Andrew and Peter (engraving)
5992512 The Calling of Andrew and Peter (engraving) by English School, (19th century); Private Collection; (add.info.: The Calling of Andrew and Peter)

Background imageCalling Collection: The bakers boy, on his horse, delivering bread (chromolitho)

The bakers boy, on his horse, delivering bread (chromolitho)
5998348 The bakers boy, on his horse, delivering bread (chromolitho) by English School, (19th century); Private Collection; (add.info.: The bakers boy, on his horse, delivering bread)

Background imageCalling Collection: Calling to the Valley (oil on canvas)

Calling to the Valley (oil on canvas)
1772165 Calling to the Valley (oil on canvas) by La Thangue, Henry Herbert (1859-1929); 76.2x101.6 cm; Private Collection; (add.info.: Calling to the Valley. Henry Herbert La Thangue (1859-1929)

Background imageCalling Collection: Raven, (hand-coloured etching with aquatint engraving)

Raven, (hand-coloured etching with aquatint engraving)
985856 Raven, (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 99.6x66.7 cm; Private Collection; (add.info.: Raven; Corvus Corax)

Background imageCalling Collection: Hoisting the British Flag in New Guinea, Mr H M Chester, Queensland Magistrate, Calling for Cheers

Hoisting the British Flag in New Guinea, Mr H M Chester, Queensland Magistrate, Calling for Cheers
1107075 Hoisting the British Flag in New Guinea, Mr H M Chester, Queensland Magistrate, Calling for Cheers, March 1883(engraving) by English School

Background imageCalling Collection: Marchande de Poissons (chromolitho)

Marchande de Poissons (chromolitho)
975963 Marchande de Poissons (chromolitho) by Borgex, Louis (fl.1897); Private Collection; (add.info.: Marchande de Poissons)

Background imageCalling Collection: One a-Penny, Two a-Penny, Hot Cross Buns (engraving)

One a-Penny, Two a-Penny, Hot Cross Buns (engraving)
3626119 One a-Penny, Two a-Penny, Hot Cross Buns (engraving) by English School, (19th century); Private Collection; (add.info.: One a-Penny, Two a-Penny, Hot Cross Buns)

Background imageCalling Collection: The Toy-man (engraving)

The Toy-man (engraving)
2792770 The Toy-man (engraving) by English School, (19th century); Private Collection; (add.info.: The Toy-man. Illustration for Chatterbox (1885). Digitally cleaned image.); © Look and Learn

Background imageCalling Collection: Milk vendor (chromolitho)

Milk vendor (chromolitho)
2811705 Milk vendor (chromolitho) by English School, (19th century); Private Collection; (add.info.: Milk vendor. Illustration for a booklet called Sketches of London Life)

Background imageCalling Collection: Vegetable Vendor (chromolitho)

Vegetable Vendor (chromolitho)
2811700 Vegetable Vendor (chromolitho) by English School, (19th century); Private Collection; (add.info.: Vegetable Vendor)

Background imageCalling Collection: Newspaper Vendor (chromolitho)

Newspaper Vendor (chromolitho)
2811697 Newspaper Vendor (chromolitho) by English School, (19th century); Private Collection; (add.info.: Newspaper Vendor)

Background imageCalling Collection: Golden Eagles at Their Eyrie, 1900 (pencil and watercolour heightened with white

Golden Eagles at Their Eyrie, 1900 (pencil and watercolour heightened with white
651851 Golden Eagles at Their Eyrie, 1900 (pencil and watercolour heightened with white, on brown paper) by Thorburn, Archibald (1860-1935); 22.2x14.6 cm; Private Collection; (add.info)

Background imageCalling Collection: The Calling of St Matthew (engraving)

The Calling of St Matthew (engraving)
2787322 The Calling of St Matthew (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: The Calling of St Matthew)

Background imageCalling Collection: The Calling of James and John (engraving)

The Calling of James and John (engraving)
2787318 The Calling of James and John (engraving) by Robida, Albert (1848-1926) (after); Private Collection; (add.info.: The Calling of James and John)

Background imageCalling Collection: Echo, (oil on canvas)

Echo, (oil on canvas)
659844 Echo, (oil on canvas) by Stott, William Edward (1859-1918); 63.3x97.7 cm; Private Collection; (add.info.: Echo. Edward Stott (1859-1918). Oil on canvas

Background imageCalling Collection: The Stewards Cup, designed by Harrison Weir, Goodwood, 1865 (silver)

The Stewards Cup, designed by Harrison Weir, Goodwood, 1865 (silver)
CH451403 The Stewards Cup, designed by Harrison Weir, Goodwood, 1865 (silver) by Garrard, Robert, II (1793-1881); height: 55.8 cm; Private Collection; (add.info)



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"Calling: A Symphony of Nature's Voices" In the midst of chaos and battle, the Imperial Guards make their last stand at Waterloo. Their resounding calls echo through history, a testament to bravery and unwavering loyalty. Behold the majestic Harpy Eagle, its fierce gaze piercing through the dense foliage of Soberania National Park in Panama. Its haunting call resonates with power and dominance, marking its territory in this untamed wilderness. Amidst serene snow-covered landscapes of Hokkaido, Japan, a pair of Red-crowned Cranes engage in an enchanting display. With necks intertwined and hearts united, their melodious calls celebrate love amidst nature's icy embrace. Transported back to 1891 by Henry Stacy Marks' artistry, we witness a Select Committee deep in discussion. The air is filled with passionate arguments and fervent appeals as voices unite for progress. In Cleveland, England, a tiny Wren unleashes its vibrant song upon the world. Its voice may be small but carries immense joy and vitality that uplifts spirits on even the gloomiest days. The blue-and-yellow macaw Ara ararauna graces us with its striking presence. With every vocalization it makes known its vivid existence within lush rainforests - an embodiment of vibrancy itself. Within ancient Caledonian pine forests in Scotland UK stands a proud male Capercaillie displaying his prowess to attract his mate. His booming calls reverberate through time as he stakes his claim on this ancestral land. A Common Buzzard soars gracefully over Powys Wales while emitting powerful cries that pierce through the wind. It proclaims freedom from above as it surveys vast territories below with keen eyesight. Witness the Sumatran Tiger baring its fearsome teeth wide open; an intimidating roar escapes from within those jaws - a chilling reminder of nature's raw power that demands respect from all who hear it.