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Caryatid Collection

Background imageCaryatid Collection: Caryatid Porch of the Erechtheion, Acropolis, Athens, Greece

Caryatid Porch of the Erechtheion, Acropolis, Athens, Greece
The Caryatid Porch of the Erechtheion on the Acropolis at Athens, Greece Date: circa 1930s

Background imageCaryatid Collection: Caryatid portico

Caryatid portico, Erechthion, Acropolis, UNESCO World Heritage Site, Athens, Greece, Europe

Background imageCaryatid Collection: Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown

Ancient Greek ornamental architecture and sculpture, (1898). Creator: Unknown
Ancient Greek ornamental architecture and sculpture, (1898). Fig. I. Doric capital from Paestum (with painted ornaments)

Background imageCaryatid Collection: Gold and bucchero (black pottery) caryatids from Vulci

Gold and bucchero (black pottery) caryatids from Vulci
DGA503818 Gold and bucchero (black pottery) caryatids from Vulci, Montalto di Castro, Viterbo Province; Staatliche Antikensammlung und Glyptothek, Munich, Germany; (add.info.: Etruscan civilization)

Background imageCaryatid Collection: Caryatid. 1st-2nd centuries AD. From Sao Miguel

Caryatid. 1st-2nd centuries AD. From Sao Miguel da Mota. Terena. Alandroal, Evora, Portugal. National Archaeology Museum. Lisbon, Portugal

Background imageCaryatid Collection: Statue of a caryatid, a sculpture representing a woman

Statue of a caryatid, a sculpture representing a woman

Background imageCaryatid Collection: Statue of a caryatid, a sculpture representing a woman

Statue of a caryatid, a sculpture representing a woman

Background imageCaryatid Collection: Statue of a caryatid, a sculpture representing a woman

Statue of a caryatid, a sculpture representing a woman

Background imageCaryatid Collection: Statue of a caryatid, a sculpture representing a woman

Statue of a caryatid, a sculpture representing a woman

Background imageCaryatid Collection: A caryatid from an unknown building in Rome

A caryatid from an unknown building in Rome
A caryatid, sculpted female figure serving as a column or pillar. Caryatis vetus marmorea

Background imageCaryatid Collection: Porch Caryatids and ruins. Temple of Erechtheion, Athens, Greece. Columns of Greek maidens

Porch Caryatids and ruins. Temple of Erechtheion, Athens, Greece. Columns of Greek maidens, Temple of Erechtheion for a former Athenian king

Background imageCaryatid Collection: Temple of Erechtheion, Acropolis, Athens, Greece

Temple of Erechtheion, Acropolis, Athens, Greece. Greek maidens columns Temple of Erechtheion for a former Athenian king. Acropolis is symbol of Athens

Background imageCaryatid Collection: Caryatids over the main facade of a colonial architecture building in San Telmo

Caryatids over the main facade of a colonial architecture building in San Telmo, Buenos Aires, Argentina

Background imageCaryatid Collection: Porch of the Caryatids, Acropolis, Athens, Greece

Porch of the Caryatids, Acropolis, Athens, Greece

Background imageCaryatid Collection: Basalt caryatids at the entrance to the National Museum of Aleppo

Basalt caryatids at the entrance to the National Museum of Aleppo, Syria, 2001

Background imageCaryatid Collection: Design for Poster, Association of Women Painters and Sculptors (ink over graphite on paper)

Design for Poster, Association of Women Painters and Sculptors (ink over graphite on paper)
TBM350491 Design for Poster, Association of Women Painters and Sculptors (ink over graphite on paper) by Brewster, Anna Richards (1870-1952); 57x37.3 cm; Brooklyn Museum, New York

Background imageCaryatid Collection: Caryatids In A Greek Temple

Caryatids In A Greek Temple
(Original Caption) Caryatids (draped female figures, usually used in place of columns) of a Greek temple. Undated Photograph. BPA2# 2281

Background imageCaryatid Collection: Caryatid depicting Hope, detail from tomb of Catherine of Austria

Caryatid depicting Hope, detail from tomb of Catherine of Austria
DGA1086251 Caryatid depicting Hope, detail from tomb of Catherine of Austria, 1323, by Tino di Camaino (ca 1285-1337), Basilica of San Lorenzo Maggiore, Naples, Campania, Italy

Background imageCaryatid Collection: Caryatid of Prudence, Ark of Saint Peter Martyr

Caryatid of Prudence, Ark of Saint Peter Martyr
DGA1086231 Caryatid of Prudence, Ark of Saint Peter Martyr, 1339, by Giovanni Balduccio (1300-after 1360), white Carrara marble, Portinari Chapel, Basilica of Sant'Eustorgio, Milan, Lombardy

Background imageCaryatid Collection: Plan and elevation of the Erechtheion, Athens

Plan and elevation of the Erechtheion, Athens
Plan and elevation of the Erechtheion or Erechtheum A, Temple of Neptune B, Temple of Minerva Polias with Porch of the Caryatids C, and Temple of Pandrosus or Pandrosion D. Athens, Greece

Background imageCaryatid Collection: Nude Caryatid, 1913, by Amedeo Modigliani (1884-1920), gouache, chalk on paper, 60x455 cm

Nude Caryatid, 1913, by Amedeo Modigliani (1884-1920), gouache, chalk on paper, 60x455 cm
DGA3241391 Nude Caryatid, 1913, by Amedeo Modigliani (1884-1920), gouache, chalk on paper, 60x455 cm by Modigliani, Amedeo (1884-1920); 60x455 cm; (add.info.: Nude Caryatid, 1913)

Background imageCaryatid Collection: French Renaissance ornaments in stone and wood, (1898). Creator: Unknown

French Renaissance ornaments in stone and wood, (1898). Creator: Unknown
French Renaissance ornaments in stone and wood, (1898). Fig 1: Pilaster-capital from a chimney in the Hotel Lasbordes at Toulouse (Francois I), [16th century]

Background imageCaryatid Collection: Portico of the Carytides on the Erechtheum, Acropolis, Athenaai (Athens), Greece, c1930s

Portico of the Carytides on the Erechtheum, Acropolis, Athenaai (Athens), Greece, c1930s. Caryatids on the 5th century BC Erechtheum temple at the Acropolis of Athens in Greece

Background imageCaryatid Collection: Caryatides of St. Peter Engraving

Caryatides of St. Peter Engraving
Engraved illustrations of Renaissance Sculpture from Iconographic Encyclopedia of Science, Literature and Art, Published in 1851. Copyright has expired on this artwork. Digitally restored

Background imageCaryatid Collection: Two Caryatid Figures Framing A Cartouche With Two Cupids (Deux Figures De Cariatides)

Two Caryatid Figures Framing A Cartouche With Two Cupids (Deux Figures De Cariatides)
Two Caryatid Figures Framing A Cartouche With Two Cupids (Deux Figures De Cariatides Encadrant Une Cartouche Surmontee De Deux Amours), late 1770s

Background imageCaryatid Collection: Still Life with Quinces, Medlars and a Glass, 1669-1719. Creator: Martinus Nellius

Still Life with Quinces, Medlars and a Glass, 1669-1719. Creator: Martinus Nellius
Still Life with Quinces, Medlars and a Glass, 1669-1719

Background imageCaryatid Collection: Three sketches of sculptures in the Museum of Decorative Arts in Paris

Three sketches of sculptures in the Museum of Decorative Arts in Paris, 1872-1904

Background imageCaryatid Collection: Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston

Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston
Villa Farnese, Caprarola, Lazio, Italy, 1925. House Architecture: Giacomo (Jacopo) Barozzi de Vignola, seventeenth century

Background imageCaryatid Collection: Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston

Villa Farnese, Caprarola, Lazio, Italy, 1925. Creator: Frances Benjamin Johnston
Villa Farnese, Caprarola, Lazio, Italy, 1925. House Architecture: Giacomo (Jacopo) Barozzi de Vignola, seventeenth century

Background imageCaryatid Collection: Florence Noyes dancers, between 1915 and 1918. Creator: Arnold Genthe

Florence Noyes dancers, between 1915 and 1918. Creator: Arnold Genthe
Florence Noyes dancers, between 1915 and 1918

Background imageCaryatid Collection: Three Caryatids Supporting a Basket, n

Three Caryatids Supporting a Basket, n.d

Background imageCaryatid Collection: Caryatid (r); Three Sketches: Two Caryatids

Caryatid (r); Three Sketches: Two Caryatids
Caryatid (recto); Three Sketches: Two Caryatids, Pair of Putti Standing on Globe (verso), 17th century

Background imageCaryatid Collection: The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown

The International Exhibition: Mr. Harry Emanuel's Trophy, 1862. Creator: Unknown
The International Exhibition: Mr. Harry Emanuel's Trophy, 1862....the trophy...was composed of wood stained to look like ebony, inlaid with marble and enriched with bronze

Background imageCaryatid Collection: The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews

The International Exhibition: Group of porcelain articles by Sir James Duke and Nephews, 1862

Background imageCaryatid Collection: The International Exhibition: articles in Parian by W. H. Goss, 1862. Creator: Unknown

The International Exhibition: articles in Parian by W. H. Goss, 1862. Creator: Unknown
The International Exhibition: articles in Parian by W. H. Goss, 1862. The Octagon Vase, Dessert-dish, Globe Vase

Background imageCaryatid Collection: The International Exhibition: chimneypiece by Jackson and Sons, 1862. Creator: Unknown

The International Exhibition: chimneypiece by Jackson and Sons, 1862. Creator: Unknown
The International Exhibition: chimneypiece by Jackson and Sons, 1862. Our engraving sets forth a chimneypiece by Messrs

Background imageCaryatid Collection: The International Exhibition - marble chimneypiece

The International Exhibition - marble chimneypiece, by Leclercq, in the Belgian Court - from a photograph by the London Stereoscopic Company, 1862

Background imageCaryatid Collection: Temple of Jain, Calcutta, state of Bengal

Temple of Jain, Calcutta, state of Bengal India State of Bengal, Calcutt, Temple of Jain Temple Buddhist Art, India, Asia, First and Second Millennium A.D.. Date of Photograph:1965

Background imageCaryatid Collection: The Erecteon in the Acropolis of Athens

The Erecteon in the Acropolis of Athens Greece Athens, Acropolis Temple Classical, Greek Art, Greece, Europe, Ancient Civilization. Date of Photograph:1900ca.. Date of Artwork:421 - 406 a.C

Background imageCaryatid Collection: Cathedral of Pisa: Marble group of caryatids, from the pulpit by Giovanni Pisano

Cathedral of Pisa: Marble group of caryatids, from the pulpit by Giovanni Pisano. Pisa Cathedral Sculptural Group Gothic, Middle Ages, Europe, First and Second Millennium A.D

Background imageCaryatid Collection: Building of the Banca d'Italia in Milan work by the architect Luigi Broggi and the engineer Cesare Nava

Building of the Banca d'Italia in Milan work by the architect Luigi Broggi and the engineer Cesare Nava

Background imageCaryatid Collection: Partial view of Atlas Fountain and the garden of the Aldobrandini Villa in Frascati

Partial view of Atlas Fountain and the garden of the Aldobrandini Villa in Frascati. Frascati Aldobrandini Villa, Garden. Date of Photograph:1915-1920 ca

Background imageCaryatid Collection: Atlas Fountain in the garden of the Albobrandini Villa in Frascati

Atlas Fountain in the garden of the Albobrandini Villa in Frascati. Frascati Albobrandini Villa, Garden. Date of Photograph:1915-1920 ca

Background imageCaryatid Collection: Eighteenth century reconstructions of the small Italo-Etruscan temple of Alatri

Eighteenth century reconstructions of the small Italo-Etruscan temple of Alatri. Garden of Villa Giulia, Rome

Background imageCaryatid Collection: Detail of a group of caryatids from Giovanni Pisano's Pulpit in Pisa's Cathedral

Detail of a group of caryatids from Giovanni Pisano's Pulpit in Pisa's Cathedral. Pisa Cathedral Sculptural Group Gothic, Middle Ages, Europe, First and Second Millennium A.D

Background imageCaryatid Collection: Tomb of Agnese and Clemenza di Durazzo by Antonio Baboccio

Tomb of Agnese and Clemenza di Durazzo by Antonio Baboccio, inside the Church of Saint Clare in Naples. Naples Church of Saint Clare Tomb Middle Ages, Europe, First and Second Millennium A.D

Background imageCaryatid Collection: Tomb of Antonia Gaudino realized by Giovanni da Nola

Tomb of Antonia Gaudino realized by Giovanni da Nola, inside the Chuch of Saint Clare in Naples

Background imageCaryatid Collection: Detail of the caryatids on the faade of the Cathedral of Milan

Detail of the caryatids on the faade of the Cathedral of Milan. Milan Piazza Duomo Church Gothic, Middle Ages, Europe, First and Second Millennium A.D.. Date of Photograph:1900 ca

Background imageCaryatid Collection: The Caryatid Hall in Milan's Royal Palace

The Caryatid Hall in Milan's Royal Palace Milan Royal Palace Hall Eighteenth Century, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D

Background imageCaryatid Collection: A sixteenth century cupboard located in a room of the Villa Medicea in Poggio a Caiano

A sixteenth century cupboard located in a room of the Villa Medicea in Poggio a Caiano, near Prato. Poggio a Caiano Villa Medicea

Background imageCaryatid Collection: Ark of St. Peter Martyr by Giovanni di Balduccio containing the remains of the Dominican inquisitor

Ark of St. Peter Martyr by Giovanni di Balduccio containing the remains of the Dominican inquisitor. Church of S. Eustorgio, Milan

Background imageCaryatid Collection: The Atlas fountain in the garden of Villa Aldobrandini, Frascati

The Atlas fountain in the garden of Villa Aldobrandini, Frascati Frascati Villa Aldobrandini, garden. Date of Photograph:1920-1930 ca

Background imageCaryatid Collection: Bucchero vase with caryatids preserved in the Gregorian Etruscan Museum, Vatican City

Bucchero vase with caryatids preserved in the Gregorian Etruscan Museum, Vatican City State of the Vatican City Vatican Museums, Gregorian Etruscan Museum Vase Etruscan Art and Civilization, Italy

Background imageCaryatid Collection: Cinerary Roman urn with a Bacchic scene depicting two men crushing grapes under a shelter; the work is preserved in

Cinerary Roman urn with a Bacchic scene depicting two men crushing grapes under a shelter; the work is preserved in the Vatican Museums

Background imageCaryatid Collection: Faade of the Palazzo Giangiacomo from the Renaissance era, in Via Monserrato in Rome

Faade of the Palazzo Giangiacomo from the Renaissance era, in Via Monserrato in Rome Rome Via Monserrato Building - Facade Renaissance, Renaissance-Baroque styles and periods, Europe

Background imageCaryatid Collection: View of the Garden of Caryatids, Farnese Palace, Caprarola

View of the Garden of Caryatids, Farnese Palace, Caprarola Caprarola Villa Farnese, Garden of the Caryatids Garden, Building Mannerism, Renaissance-Baroque styles and periods, Europe

Background imageCaryatid Collection: View of the Garden of Caryatids with a small fountain in the center

View of the Garden of Caryatids with a small fountain in the center, Farnese Palace, Caprarola Caprarola Villa Farnese, Garden of the Caryatids Garden, Building Mannerism

Background imageCaryatid Collection: Stairway of the Garden of Caryatids, Farnese Palace, Caprarola

Stairway of the Garden of Caryatids, Farnese Palace, Caprarola Caprarola Villa Farnese, Garden of the Caryatids Garden, Building Mannerism, Renaissance-Baroque styles and periods, Europe

Background imageCaryatid Collection: Decorative detail of the Garden of Caryatids, Farnese Palace, Caprarola

Decorative detail of the Garden of Caryatids, Farnese Palace, Caprarola Caprarola Villa Farnese, Garden of the Caryatids Garden, Building Mannerism, Renaissance-Baroque styles and periods, Europe

Background imageCaryatid Collection: Garden of Caryatids and view of the Pleasure Palace, Farnese Palace, Caprarola

Garden of Caryatids and view of the Pleasure Palace, Farnese Palace, Caprarola Caprarola Villa Farnese, Garden of the Caryatids Garden, Building Mannerism, Renaissance-Baroque styles and periods

Background imageCaryatid Collection: Close-up of the Fountain of Rivers with the Pleasure Palace in the background

Close-up of the Fountain of Rivers with the Pleasure Palace in the background, located in the park of Farnese Palace, Caprarola Caprarola Villa Farnese Monumental Fountain, Building

Background imageCaryatid Collection: Two statuettes-caryatids in an allegory of Justice

Two statuettes-caryatids in an allegory of Justice. Detail of the tomb of Francesco Paz in S. Croce. Florence Basilica of St



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EDITORS COMMENTS

The caryatid, an iconic element of ancient Greek ornamental architecture and sculpture, has captivated artists and architects throughout history. Dating back to 1898, a mysterious creator crafted a stunning chimneypiece in the Stone Hall of Houghton Hall, Norfolk. This black-and-white photograph from "The English Country House" showcases the grandeur and elegance that these sculptures bring to any space. In 1883, renowned sculptor Auguste Rodin immortalized the caryatid with urn in his masterpiece. The delicate curves and intricate details evoke a sense of grace and strength simultaneously. Little Moreton Hall in Cheshire also boasts a remarkable fireplace adorned with this captivating figure; another testament to its enduring appeal. Traveling all the way to Athens, Greece, we find ourselves standing before the majestic Temple of Erechtheion on Acropolis Hill. Its porch adorned with caryatids stands as a symbol of architectural brilliance from ancient times. These sculpted female figures seem frozen in time yet exude an aura of eternal beauty. Vienna's historic center surprises visitors with its own collection of caryatids adorning buildings steeped in history. As we wander through this enchanting cityscape, we can't help but marvel at how these statues seamlessly blend into their surroundings while adding an air of sophistication. Moving forward through time brings us to French Renaissance ornaments captured in stone and wood during 1898 by another unknown artist. Their inclusion highlights how the influence of classical art transcends borders and eras. Returning once again to Athens' Acropolis reveals more wonders—the Porch Caryatids stand tall amidst ruins at the Temple of Erechtheion. These columns formed by Greek maidens transport us back centuries ago when such craftsmanship was revered for its artistic prowess. Even St Peter's Engraving pays homage to these magnificent figures as they grace its walls alongside six gents sitting beside the Porch of the Caryatids on Acropolis.

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