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Cecil Reginald Collection

Cecil Reginald: A Journey through Time and Art Step into the world of Cecil Reginald

Background imageCecil Reginald Collection: St. Albans, 1809. Artist: George Sidney Shepherd

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageCecil Reginald Collection: Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder

Near Sevenoaks, Kent, 19th century, (1935). Artist: Richard Hilder
Near Sevenoaks, Kent, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCecil Reginald Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageCecil Reginald Collection: Mary Rossam, c1734, (1930). Creator: Joseph Highmore

Mary Rossam, c1734, (1930). Creator: Joseph Highmore
Mary Rossam, c1734, (1930). Portrait of a woman, 1st Wife of Rev. S. F. Swinden. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Background imageCecil Reginald Collection: Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner

Lancaster, from the Aqueduct Bridge, c1825. Artist: JMW Turner
Lancaster, from the Aqueduct Bridge, c1825. Painting housed in the Lady Lever Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy

Background imageCecil Reginald Collection: Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageCecil Reginald Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageCecil Reginald Collection: Rue De La Grosse Horloge, Rouen, 1821. Artist: Henry Edridge

Rue De La Grosse Horloge, Rouen, 1821. Artist: Henry Edridge
Rue De La Grosse Horloge, Rouen, 1821. From The Connoisseur Volume LXXXIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Background imageCecil Reginald Collection: Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney

Lady Hamilton as the Goddess of Health, c1790, (1920). Creator: George Romney
Lady Hamilton as the Goddess of Health, c1790, (1920). Emma Hart, later Lady Hamilton, mistress of Lord Nelson as muse of portrait artist, George Romney. From " The Connoisseur Vol

Background imageCecil Reginald Collection: A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook

A Devonshire Stream, 1864, (1935). Artist: James Clarke Hook
A Devonshire Stream, 1864, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageCecil Reginald Collection: Near Otford, Kent, 1846, (1935). Artist: Richard Hilder

Near Otford, Kent, 1846, (1935). Artist: Richard Hilder
Near Otford, Kent, 1846, (1935). From the collection of the Bristol Museum & Art Gallery. From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II

Background imageCecil Reginald Collection: The Green Lane, 19th century, (1935). Artist: Birket Foster

The Green Lane, 19th century, (1935). Artist: Birket Foster
The Green Lane, 19th century, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy. [Bemrose and Sons Ltd

Background imageCecil Reginald Collection: Men of War, c1720. Artist: Peter Monamy

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageCecil Reginald Collection: Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageCecil Reginald Collection: Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham. From A Catalogue of the Pictures

Background imageCecil Reginald Collection: St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageCecil Reginald Collection: A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageCecil Reginald Collection: Warlock Knowe, 1872. Artist: William Leighton Leitch

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageCecil Reginald Collection: A Woodmans Cottage, 1820. Artist: Patrick Nasmyth

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Background imageCecil Reginald Collection: St. John in the Wilderness, c1776. Artist: Sir Joshua Reynolds

St. John in the Wilderness, c1776. Artist: Sir Joshua Reynolds
St. John in the Wilderness, c1776. Painting held in the Wallace Collection, London. From The Connoisseur Volume LXXXIV, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1929]

Background imageCecil Reginald Collection: Gate of the Vivarrambla, Granada, 1830s, (1930). Creator: David Roberts

Gate of the Vivarrambla, Granada, 1830s, (1930). Creator: David Roberts
Gate of the Vivarrambla, Granada, 1830s, (1930). Arc (or Gate) of the Ears, also known as the Bib-Arrambla Gate, in Granada, Andalusia, Spain

Background imageCecil Reginald Collection: St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator

St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Creator
St. Peter Enthroned with St. John the Baptist and St. Paul, 1515-1516, (1930). Saint Peter, the Catholic Churchs first pope, wearing the papal tiara, and fishermans ring

Background imageCecil Reginald Collection: Portrait of a woman, possibly Isabella I of Castile, late 15th-early 16th century, (1930)

Portrait of a woman, possibly Isabella I of Castile, late 15th-early 16th century, (1930). Painting previously believed to have been of Mary Tudor

Background imageCecil Reginald Collection: Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna

Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna
Lamentation over the Dead Christ, 1470-1474, (1930). Dramatically foreshortened view of the body of Jesus Christ, showing his stigmata. Painting in the Pinacoteca di Brera, Milan, Italy

Background imageCecil Reginald Collection: Frost on the Thames, 1788-1789, (1930). Creator: Samuel Collings

Frost on the Thames, 1788-1789, (1930). Creator: Samuel Collings
Frost on the Thames, 1788-1789, (1930). A frost fair on the River Thames in the City of London, sketched on the spot. People warm themselves round a brazier

Background imageCecil Reginald Collection: A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson

A Summer Night: the Terrace, Haddon Hall, 1875, (1935). Artist: George Haydock Dodgson
A Summer Night: the Terrace, Haddon Hall, 1875, (1935). From A Catalogue of the Pictures and Drawings in the Collection of Frederick John Nettleford, Volume II. - D to H, by C. Reginald Grundy

Background imageCecil Reginald Collection: St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageCecil Reginald Collection: Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Background imageCecil Reginald Collection: On the Balcony, Venice, c1826

On the Balcony, Venice, c1826. Painting housed at the Walker Art Gallery, Liverpool. From The Connoisseur Volume LXXXVIII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageCecil Reginald Collection: Dovedale by Moonlight, 1784. Artist: Joseph Wright of Derby

Dovedale by Moonlight, 1784. Artist: Joseph Wright of Derby
Dovedale by Moonlight, 1784. Painting housed in the Derby Museum and Art Gallery, Derby. From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageCecil Reginald Collection: The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes

The Bilsden (Billesdon) Coplow Day, c18th century. Artist: Francis Jukes
The Bilsden (Billesdon) Coplow Day, c18th century. After Charles Loraine Smith (1751-1835). From The Connoisseur Volume LXXXVII, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1931]

Background imageCecil Reginald Collection: Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery. From A Catalogue of the Pictures

Background imageCecil Reginald Collection: Interrupted, 1875, (1938). Artist: Joseph Wolf

Interrupted, 1875, (1938). Artist: Joseph Wolf
Interrupted, 1875, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageCecil Reginald Collection: Settee of Walnut and Gesso, (1930). Creator: Unknown

Settee of Walnut and Gesso, (1930). Creator: Unknown
Settee of Walnut and Gesso, (1930). Piece of furniture, possibly made in the 18th century. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageCecil Reginald Collection: Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Creator: Unknown

Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Creator: Unknown
Chippendale Mahogany Secretaire Bookcase, mid 18th century, (1930). Piece of furniture made by English cabinet-maker Thomas Chippendale (1718-1779)

Background imageCecil Reginald Collection: The Corinthian Maid, 1782-1784, (1930). Creator: Joseph Wright of Derby

The Corinthian Maid, 1782-1784, (1930). Creator: Joseph Wright of Derby
The Corinthian Maid, 1782-1784, (1930). The Ancient Greek potter Butades daughter, Kora of Sicyon (c650 BC), is believed to have drawn the charcoal silhouette of her sleeping lovers face on a wall

Background imageCecil Reginald Collection: Self Portrait at the Age of about Fifty, c1782-1785, (1930). Creator: Joseph Wright of Derby

Self Portrait at the Age of about Fifty, c1782-1785, (1930). Creator: Joseph Wright of Derby
Self Portrait at the Age of about Fifty, c1782-1785, (1930). Self portrait by British painter Joseph Wright of Derby (1734-1797). Painting in the National Portrait Gallery, London

Background imageCecil Reginald Collection: The Church of St. Severin, Paris, 1831, (1930). Creator: James Holland

The Church of St. Severin, Paris, 1831, (1930). Creator: James Holland
The Church of St. Severin, Paris, 1831, (1930). Roman catholic church on the Rue Saint-Severin in Paris. Painting in the Lady Lever Art Gallery, National Museums Liverpool

Background imageCecil Reginald Collection: George Murray, 6th Duke of Atholl, c1850, (1930). Creator: Francis Grant

George Murray, 6th Duke of Atholl, c1850, (1930). Creator: Francis Grant
George Murray, 6th Duke of Atholl, c1850, (1930). Portrait of George Augustus Frederick John Murray, 6th Duke of Atholl (1814-1864)

Background imageCecil Reginald Collection: Guinea Pigs, c1789, (1930). Creator: George Morland

Guinea Pigs, c1789, (1930). Creator: George Morland
Guinea Pigs, c1789, (1930). Children play with guinea pigs watched by their mother. The kneeling man with a basket is possibly an itinerant seller

Background imageCecil Reginald Collection: English Landscape, with Shorthorned Cattle, late 18th-early 19th century, (1930)

English Landscape, with Shorthorned Cattle, late 18th-early 19th century, (1930). Woman driving cattle with a stick. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageCecil Reginald Collection: Market Gardener, c1845, (1930). Creator: Edmund Bristow

Market Gardener, c1845, (1930). Creator: Edmund Bristow
Market Gardener, c1845, (1930). Man carrying a basket and leading a donkey. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy. [The Connoisseur Ltd, London, 1930]

Background imageCecil Reginald Collection: The Brocas, Eton, early-mid 19th century, (1930). Creator: David Cox the elder

The Brocas, Eton, early-mid 19th century, (1930). Creator: David Cox the elder
The Brocas, Eton, early-mid 19th century, (1930). View of The Brocas, a meadow on the River Thames at Windsor, with the chapel of Eton College in the distance

Background imageCecil Reginald Collection: The Venetian Lovers, 1525-1530, (1930). Creator: Paris Bordone

The Venetian Lovers, 1525-1530, (1930). Creator: Paris Bordone
The Venetian Lovers, 1525-1530, (1930). Man and woman holding a necklace. The third figure may be a self portrait of the artist. Painting in the Pinacoteca di Brera, Milan, Italy

Background imageCecil Reginald Collection: Portrait of a gentleman with gloves, 1543, (1930). Creator: Lorenzo Lotto

Portrait of a gentleman with gloves, 1543, (1930). Creator: Lorenzo Lotto
Portrait of a gentleman with gloves, 1543, (1930). Bearded man in black. Painting in the Pinacoteca di Brera, Milan, Italy. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageCecil Reginald Collection: Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding

Storm off Whitby, 1851, (1930). Creator: Anthony Vandyke Copley Fielding
Storm off Whitby, 1851, (1930). Ships in rough seas off the coast of Whitby in Yorkshire. From " The Connoisseur", Volume 86, edited by C. Reginald Grundy

Background imageCecil Reginald Collection: Landscape with a Rainbow Effect, 1794, (1930). Creator: Joseph Wright of Derby

Landscape with a Rainbow Effect, 1794, (1930). Creator: Joseph Wright of Derby
Landscape with a Rainbow Effect, 1794, (1930). A bridge and surrounding countryside illuminated by an eerie light after a storm. Painting in the Derby Museum & Art Gallery

Background imageCecil Reginald Collection: Grinling Gibbons, late 17th century, (1930). Creator: John Baptist de Medina

Grinling Gibbons, late 17th century, (1930). Creator: John Baptist de Medina
Grinling Gibbons, late 17th century, (1930). Portrait of English sculptor and wood carver Grinling Gibbons (1648-1721), master carver to George I



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Cecil Reginald: A Journey through Time and Art Step into the world of Cecil Reginald, a captivating figure who has left his mark in various artistic masterpieces throughout history. From the serene landscapes to the vibrant portraits, each artwork tells a story that intertwines with Cecil's enigmatic persona. Brinkburn Priory, Northumberland, c1830 by JMW Turner captures the ethereal beauty of nature that Cecil held dear. The painting transports us to an era where tranquility reigned supreme amidst ancient ruins. In St. Albans, 1809 by George Sidney Shepherd, we catch a glimpse of Cecil's early years. The artist skillfully portrays bustling streets and architectural marvels that mirrored his own journey towards self-discovery. Mary Rossam, c1734 by Joseph Highmore unveils a mysterious woman whose identity is shrouded in secrecy. Could this be one of Cecil's ancestors? The portrait hints at hidden tales waiting to be unraveled. A Woodmans Cottage, 1820 by Patrick Nasmyth showcases the rustic charm that resonated deeply with Cecil's soul. This idyllic countryside scene invites us to escape from reality and immerse ourselves in its simplicity. Rue De La Grosse Horloge, Rouen, 1821 by Henry Edridge takes us on a visual tour through bustling French streets. Perhaps it was during one of these strolls that Cecil stumbled upon inspiration for his own endeavors? Lady Hamilton as the Goddess of Health, c1790 by George Romney depicts an enchanting muse embodying vitality and grace. Was she someone who captivated Cecil's heart or merely an emblematic representation of his pursuit for eternal youth? A Devonshire Stream, 1864 by James Clarke Hook reveals a deep connection between man and nature—a bond cherished dearly by our enigmatic protagonist. The flowing waters mirror life's constant ebb and flow, a reflection of Cecil's own journey.