Clairvoyance Collection (page 3)

The King of Swords, facsimile of a tarot card from the Visconti deck
AGD336581 The King of Swords, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The King of Cups, facsimile of a tarot card from the Visconti deck
AGD336580 The King of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Seven of Coins, facsimile of a tarot card from the Visconti deck
AGD336572 The Seven of Coins, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Four of Cups, facsimile of a tarot card from the Visconti deck
AGD336560 The Four of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Seven of Cups, facsimile of a tarot card from the Visconti deck
AGD336556 The Seven of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Ace of Swords, facsimile of a tarot card from the Visconti deck
AGD336551 The Ace of Swords, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Seven of Swords, facsimile of a tarot card from the Visconti deck
AGD336545 The Seven of Swords, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); Private Collection; (add.info)

Scene de bonne aventure (un dormeur reveille par une jeune femme
FIA5408603 Scene de bonne aventure (un dormeur reveille par une jeune femme) - Fortune Telling Scene (Sleeper Awakened by a Young Woman), by Renieri, Niccolo (Nicolas Regnier) (c. 1590-1667)

Dr Dees Shew-Stone (engraving)
1612010 Dr Dees Shew-Stone (engraving) by English School, (19th century); Private Collection; (add.info.: Dr Dees Shew-Stone. Illustration for The Illustrated London News, 9 March 1850)

The fortune teller. Painting by Francois Boucher (1703-1770) 18th century
JLJ4586781 The fortune teller. Painting by Francois Boucher (1703-1770) 18th century. by Boucher, Francois (1703-70); Louvre, Paris, France; (add.info.: The fortune teller)

The card shooters Painting of
JLJ4585833 The card shooters Painting of by Leyden, Lucas van (c.1494-1533); Louvre, Paris, France; (add.info.: The card shooters Painting of); Photo ePhoto Josse; Netherlandish, out of copyright

Theodora in Byzantine costume and Ulrica in Giuseppe Verdis opera "
DUV4199309 Theodora in Byzantine costume and Ulrica in Giuseppe Verdis opera " Le bal masque" created in 1859. Alphabet of female names on the theme: feminine costumes and operas

The house of the "Seer of Paradise"on a Parisian fair - in "
LSE4099809 The house of the " Seer of Paradise" on a Parisian fair - in " Le Figaro Illustre", 1897 by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Chiromancian at the Cour des Valois, 19th century chromolithography
GIA4816863 Chiromancian at the Cour des Valois, 19th century chromolithography. by Unknown Artist, (19th century); Private Collection; (add.info.: Chiromancian at the Cour des Valois)

Corsican custom, 1865: the shepherd auspicious. A shepherd reads
XEE4164720 Corsican custom, 1865: the shepherd auspicious. A shepherd reads and interprets the bowels of an animal around a campfire

Adventure teller. Cover of the key of dreams. Image of Epinal. 19th century
THT4305661 Adventure teller. Cover of the key of dreams. Image of Epinal. 19th century. by French School, (19th century); Photo eJacques Marthelot; French, out of copyright

Etruscan art: "Ulysses to the realm of the dead sacrificing a sheep to
LRI4639579 Etruscan art: " Ulysses to the realm of the dead sacrificing a sheep to consult the blind diviner of Thebes Tiresias" Episode of Homeres Odyssee

The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books
FLO4690387 The skeleton of Death comes for the Fortune Teller in his room decorated with planetary globes, astrology books, and crocodile. Two lady clients watch in terror

Sorcerer pulling cards to a girl of Ischia or fortune teller
JLJ4687954 Sorcerer pulling cards to a girl of Ischia or fortune teller. Painting by Claude Bonnefond (1796-1860), 1830. Oil on canvas. Compiegne

The Knight of Cups, facsimile of a tarot card from the Visconti deck
AGD336594 The Knight of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Ace of Wands, facsimile of a tarot card from the Visconti deck
AGD336576 The Ace of Wands, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Six of Cups, facsimile of a tarot card from the Visconti deck
AGD336558 The Six of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Eight of Cups, facsimile of a tarot card from the Visconti deck
AGD336555 The Eight of Cups, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Queen of Coins, facsimile of a tarot card from the Visconti deck
AGD336583 The Queen of Coins, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Queen of Swords, facsimile of a tarot card from the Visconti deck
AGD336582 The Queen of Swords, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Nine of Coins, facsimile of a tarot card from the Visconti deck
AGD336570 The Nine of Coins, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Six of Wands, facsimile of a tarot card from the Visconti deck
AGD336567 The Six of Wands, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x8.7 cm; Private Collection; (add.info)

The Two of Swords, facsimile of a tarot card from the Visconti deck
AGD336550 The Two of Swords, facsimile of a tarot card from the Visconti deck, 1441-47 (colour litho) by Bembo, Bonifacio (c.1420-82) (attr.) (after); 17.5x.8.7 cm; Private Collection; (add.info)

German edition of the Lenormand French cartomancy deck: The Flowers, The Scythe
KJN336535 German edition of the Lenormand French cartomancy deck: The Flowers, The Scythe, The Birch-rod/The Whip, The Birds, published by Dondorf, Frankfurt

Russian custom: the horoscope of molten lead silhouettes
XEE4175989 Russian custom: the horoscope of molten lead silhouettes. On New Years Eve, molten lead is dropped into a water basin

Monsieur Babient decided to go and turn off the sun himself so as not to make his
LSE4403350 Monsieur Babient decided to go and turn off the sun himself so as not to make his prediction lie, caricature about Honore Daumiers comet of 1857 (1808-1879)

A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey
LSE4328702 A fortune teller in the streets of Edo (now Tokyo). Engraving to illustrate the journey to Japan, by Aime Humbert, minister of the Swiss Confederation, in 1863-1864

Maese Pedro and the fortune-telling ape - from "Don Quixote de la Mancha"
XEE4157513 Maese Pedro and the fortune-telling ape - from " Don Quixote de la Mancha" by Miguel Cervantes (1547-1616) (Don Quixote) - Woodcut after drawing by Gustave Dore by Dore

Tschutkis man consulting the auspures (Asia)
LSE4087693 Tschutkis man consulting the auspures (Asia). by Unknown Artist, (19th century); Private Collection; (add.info)

Occult sciences: the hand with its lines to read the future
JLJ4567273 Occult sciences: the hand with its lines to read the future. Plate drawn from a palmistry, 1466. Private collection by Unknown Artist

The fortune teller Detail representing the hand of the client stretched out in that of
JLJ4607720 The fortune teller Detail representing the hand of the client stretched out in that of the woman who reads the lines of his palm

The fortune teller Painting by Jacob Van Velsen (after 1625-c. 1656) 1631 Sun
LRI4622814 The fortune teller Painting by Jacob Van Velsen (after 1625-c. 1656) 1631 Sun. 26x23 cm Paris, musee du Louvre - The Fortune teller, by Jacob Van Velsen (after 1625-c.1656)

Chiromancy and divinatory prediction: representation of the different lines of the hand
GIA4703517 Chiromancy and divinatory prediction: representation of the different lines of the hand allowing the interpretation of the personalite

CLAIRVOYANCE
A satirical and sceptical comment by Cruikshank. Date: 1845

Frederick Marion, Czech telepathic entertainer
Frederick Marion (real name Josef Kraus, 1892-?), Czech entertainer who used telepathy and clairvoyance. His last public activities seem to have taken place in 1946

John Hector Cutten, psychical researcher and writer with a special interest in telepathy and clairvoyance. He served as secretary of the Society for Psychical Research

Mrs. Violet Parent Clairvoyent. Victorian Lady sitting in chair Date: 1939

Landscape with Gypsy Fortune-Tellers (pen and w / c on paper)
XKH145204 Landscape with Gypsy Fortune-Tellers (pen and w/c on paper) by Avercamp, Hendrik (1585-1634); 17.8x26 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

The Fortune Teller, 1631 (oil on copper)
XIR215173 The Fortune Teller, 1631 (oil on copper) by Velsen, Jacob van (fl.1625 - d.1626); 26x23 cm; Louvre, Paris, France; (add.info.: La Diseuse de Bonne Aventure; ); Dutch, out of copyright

Glass ball in a shaft of orange light

Diagram used in palmistry, 16th century
Palmistry. 16th century woodcut illustration showing cardinal lines and points for palmistry. Palmistry, or chiromency, is the alleged ability to foresee the future of an individual from the crease

Attempting Clairvoyance
Frederick Marion - real name Josef Kraus - Czech stage magician, attempts clairvoyance on the contents of a tin under the direction of Harry Price

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Clairvoyance, the mystical ability to see beyond the veil of reality, has captivated human imagination throughout history. From ancient Greece to modern times, individuals have sought answers from those gifted with this extraordinary power. In the 19th century, clairvoyants like Barhams Servant and Frederick Marion mesmerized audiences with their uncanny abilities. Czech telepathic entertainer John Hector Cutten delved into the depths of the mind, leaving spectators in awe. Legends also surround revered figures such as The Oracle at Delphi, whose prophetic visions guided countless seekers on their quests for truth. La Corallaia's haunting painting captures a moment frozen in time when destiny intertwines with mysticism. The enchanting artwork "The Fortune Teller" by Kamal-ol-Molk transports us to Tehran's Sa'd Abad museum complex. Its vivid colors and intricate details evoke a sense of wonder and anticipation. Gustave Dore's masterpiece "Les Saltimbanks" depicts a world where clairvoyance meets street performers - an intriguing fusion of magic and reality that leaves viewers spellbound. Even literature has embraced clairvoyance; Shakespeare immortalized it in Macbeth when Banquo encounters three witches who foretell his fate. This engraving brings that pivotal scene to life once more. Artistic portrayals aside, real-life encounters with fortune tellers have left indelible impressions on many souls seeking guidance. Gipsy's oil painting on copper captures both mystery and vulnerability within its brushstrokes. Ancient Greece witnessed the Pythia's presence as she communed with Apollo at his temple. Louis Figuier's engraving from "The Mysteres of Science" allows us glimpses into this sacred connection between mortals and gods. Lastly, "The Fortune-Telling Fool, " rendered delicately in brush and Indian ink on paper during the 17th century, reminds us that they are be both a gift and a curse.