Clement De Jonghe Collection

Clement de Jonghe, printseller, 1651. Creator: Rembrandt Harmensz van Rijn
Clement de Jonghe, printseller, 1651

Eight landscapes. Plate 6. Mountainous landscape with tall cliffs, 1640-51. Creator: Herman Naiwincx
Eight landscapes. Plate 6. Mountainous landscape with tall cliffs, 1640-51

Drunkeness of Bacchus, 1630-77. Creators: Jonas Suyderhoef, Pieter Soutman, Clement De Jonghe
Drunkeness of Bacchus, 1630-77

View of the Louvre and the Tuileries, from Views of Paris and Neighborhoods, plate 1, 17th century

Joseph and Potiphars Wife (copy), 17th century. Creator: Unknown
Joseph and Potiphars Wife (copy), 17th century

Joseph Telling His Dreams to Jacob (copy), 1640-70. Creator: Unknown
Joseph Telling His Dreams to Jacob (copy), 1640-70. After Lucas van Leyden

Joseph Interpreting Pharoahs Dreams (copy), 1640-70. Creator: Unknown
Joseph Interpreting Pharoahs Dreams (copy), 1640-70. After Lucas van Leyden

Joseph in Prison (copy), 17th century. Creator: Unknown
Joseph in Prison (copy), 17th century. After Lucas van Leyden

View of Venice, mid-17th century. Creator: Unknown
View of Venice, mid-17th century. Poem by Arnoldus Montanus

Clement de Jonghe Printseller 1651 Rembrandt van Rijn
Clement de Jonghe, Printseller, 1651. Rembrandt van Rijn (Dutch, 1606-1669). Etching, drypoint, and engraving; sheet: 21.2 x 16.7 cm (8 3/8 x 6 9/16 in.); platemark

Clement De Jonghe: First State, (1651), 1903
Clement De Jonghe: First State, 1651. After an original work by Rembrandt Harmenszoon van Rijn (1606-1669). From The Connoisseur Vol. V by [Otto Limited, London, 1903]

Drawings Prints, Albums, Prints, Ornament, &, Architecture, Veelderhande Niewe Compartimente
Drawings and Prints, Albums Prints Ornament & Architecture, Veelderhande Niewe Compartimente (Titlepage in Dutch), Artist, Publisher, Engraver, After, Gerbrand van den Eeckhout, Clement de Jonghe

Copy Bernt Knipperdolling 1536 Engraving Sheet
Artokoloro

Archer, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with a lance, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with turban in profile, print maker: Gillis van Scheyndel I, Clement de Jonghe, 1649 - 1653

Man with bow and arrow, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with turban near a city, print maker: Gillis van Scheyndel I, Clement de Jonghe, 1649 - 1653

Man with gun and feathered hat, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with turban, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with gun, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with turban seen from behind, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653

Man with walking stick, print maker: Gillis van Scheyndel I, Clement de Jonghe, 1649 - 1653

Collines with a crumbling wall and a gate, Gillis van Scheyndel (I), Clement de Jonghe, 1640 - 1670

Portrait of Louise Francoise de La Baume Le Blanc de la Valliere, print maker: Hendrik Bary, Clement de Jonghe, 1667 - 1707

Cartouche with lobe ornament held up by two men, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament consisting of a large and a small compartment, Michiel Mosijn, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament on both sides a female torso, Michiel Mosijn, Clement de Jonghe, 1640 - 1655

Both the lower right and left under a sea god blowing on a sea shell, print maker: Michiel Mosijn, Dating 1640 - 1655

Cartouche with lobe ornament, a top shell shape, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament, above and below a mask, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with two putti and four angels, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with two putti, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament, overhead mask with open mouth, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament, down two sea gods, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with hunting trophies, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament, the top two samples, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament whose edges curl inwards, Michael Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 to 1655

Cartouche with lobe ornament, above and below a mask with gaping mouth, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament, a top shell flanked by dolphins, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with wapentrofeeen, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with four children and two angels, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with two satyrs, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with big ears, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with two animals, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with animals, print maker: Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Cartouche with lobe ornament with two children, Michiel Mosijn, Gerbrand van den Eeckhout, Clement de Jonghe, 1640 - 1655

Girl from Zijpe, The Netherlands, Gillis van Scheyndel (I), Clement de Jonghe, 1620 - 1624

Girl from Edam, on the back, The Netherlands

Girl from Hoorn, sideways, The Netherlands, Gillis van Scheyndel (I), Clement de Jonghe, 1645 - 1670

Joseph, his dreams, Anonymous, Lucas van Leyden, Clement de Jonghe, 1667

View of Hedikhuizen, The Netherlands, Roelant Roghman, Clement de Jonghe, 1637 - 1677

View of Locks, The Netherlands, Roelant Roghman, Clement de Jonghe, 1637 - 1677

Oreaden removing a thorn from the foot of a satyr, Jan Harmensz. Muller, Clement de Jonghe, Harmen Jansz Muller, 1640 - 1670

Venus Honored by Nymphs and a Faun, Jan Harmensz. Muller, Clement de Jonghe, Harmen Jansz Muller, 1640 - 1670

Eating horse, Jan van Aken, Clement de Jonghe, 1624 - 1661

Judith, Jan Saenredam, Lucas van Leyden, Clement de Jonghe, 1575 - 1607

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Clement de Jonghe: A Master of Prints and Engravings Step into the world of Clement de Jonghe, a renowned printseller and engraver from the 17th century. Known for his exceptional craftsmanship, he left an indelible mark on the art world with his intricate works. One of his notable creations is "Drunkenness of Bacchus, " a masterpiece collaboration with Jonas Suyderhoef and Pieter Soutman. This captivating piece depicts the wild revelry associated with Bacchus, the Roman god of wine. De Jonghe's attention to detail brings this scene to life, capturing every expression and movement in stunning clarity. In another work titled "View of the Louvre and the Tuileries, " part of his series "Views of Paris and Neighborhoods, " plate 1 transports us to the heart of France's capital city. With meticulous precision, De Jonghe captures every architectural detail, allowing us to immerse ourselves in this iconic landscape. De Jonghe also delved into biblical themes through copies such as "Joseph and Potiphar's Wife. " While its original creator remains unknown, De Jonghe's skillful reproduction preserves its essence beautifully. Similarly, he recreated scenes like "Joseph Telling His Dreams to Jacob" and "Joseph Interpreting Pharaoh's Dreams, " showcasing his ability to breathe new life into ancient stories. The artist's versatility shines through in pieces like "View of Venice. " Although its creator remains anonymous too, De Jonghe masterfully captures Venice's unique charm during the mid-17th century. Through delicate strokes and impeccable composition choices, he transports viewers straight into this enchanting Italian cityscape. Not only was De Jonghe an accomplished artist himself but also a successful printseller. One example is his first state print from 1651 featuring Rembrandt van Rijn—a testament to their artistic partnership that flourished during that era.