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Closed Collection (page 7)

"Exploring the Closed Chapters: From John Martyn in Concert to Liverpool Slums and Collieries" Captivated by the soulful melodies of John Martyn in concert, St Ives

Background imageClosed Collection: A Quiet Read, c. 1912 (oil on board)

A Quiet Read, c. 1912 (oil on board)
1197244 A Quiet Read, c. 1912 (oil on board) by O Conor, Roderic (1860-1940); 75x52.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageClosed Collection: Closed Eyes, 1890 (colour litho)

Closed Eyes, 1890 (colour litho)
2972666 Closed Eyes, 1890 (colour litho) by Redon, Odilon (1840-1916); 53x37.3 cm; The Art Institute of Chicago, IL, USA; The Stickney Collection; French, out of copyright

Background imageClosed Collection: Advertising Chromolithograph, carved depicting a rural scene

Advertising Chromolithograph, carved depicting a rural scene
5909096 Advertising Chromolithograph, carved depicting a rural scene, two horses led by a farmer pulling a cart of straw (chromolithograph) by French School

Background imageClosed Collection: Dining Room, Vienna, c. 1901 (colour lithograph)

Dining Room, Vienna, c. 1901 (colour lithograph)
991160 Dining Room, Vienna, c.1901 (colour lithograph) by Bauer, Leopold (1872-1938); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room, Vienna)

Background imageClosed Collection: Cherry Ripe (colour litho)

Cherry Ripe (colour litho)
3624114 Cherry Ripe (colour litho) by English School, (19th century); Private Collection; (add.info.: Cherry Ripe. Illustration for Chatterbox (1868).); © Look and Learn

Background imageClosed Collection: How China is Made (engraving)

How China is Made (engraving)
3627762 How China is Made (engraving) by English School, (19th century); Private Collection; (add.info.: How China is Made. Illustration for The Picture Magazine, 1893)

Background imageClosed Collection: A closed shopfront in the Provinces in the early 1920s (colour litho)

A closed shopfront in the Provinces in the early 1920s (colour litho)
2811016 A closed shopfront in the Provinces in the early 1920s (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageClosed Collection: Closed sallet with grotesque face, or Schembart visor, Nuremberg, c. 1500 (painted steel)

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c. 1500 (painted steel)
490854 Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel) by German School, (16th century); 27.3x25.7x22.2 cm; Cleveland Museum of Art, OH

Background imageClosed Collection: Santa Maria della Salute, Venice, (oil on canvas)

Santa Maria della Salute, Venice, (oil on canvas)
656924 Santa Maria della Salute, Venice, (oil on canvas) by Sargent, John Singer (1856-1925); Private Collection; (add.info.: Santa Maria della Salute, Venice. John Singer Sargent (1856-1925)

Background imageClosed Collection: A Woman Lit by a Rainbow (ink & w / c on tracing paper)

A Woman Lit by a Rainbow (ink & w / c on tracing paper)
693011 A Woman Lit by a Rainbow (ink & w/c on tracing paper) by Tobeen, Felix Elie (1880-1938); 29x18 cm; Private Collection; (add.info)

Background imageClosed Collection: Gas (engraving)

Gas (engraving)
5221756 Gas (engraving) by English School, (19th century); Private Collection; (add.info.: Gas. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Background imageClosed Collection: The Position at Niuchuang (b / w photo)

The Position at Niuchuang (b / w photo)
1627885 The Position at Niuchuang (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Position at Niuchuang)

Background imageClosed Collection: The World Went Very Well Then, by Walter Besant (engraving)

The World Went Very Well Then, by Walter Besant (engraving)
1624717 The World Went Very Well Then, by Walter Besant (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The World Went Very Well Then, by Walter Besant)

Background imageClosed Collection: The Harem Guard, 1899 (watercolour on paperboard)

The Harem Guard, 1899 (watercolour on paperboard)
989479 The Harem Guard, 1899 (watercolour on paperboard) by Simonetti, Attilio (1843-1925); 68.5x52.7 cm; Private Collection; (add.info.: The Harem Guard. Attilio Simonetti (1843-1925)

Background imageClosed Collection: A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas)

A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas)
989312 A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas) by Wainwright, William John (1855-1931); 66.7x56.2 cm; Private Collection; (add.info)

Background imageClosed Collection: La rue Quincampoix (engraving)

La rue Quincampoix (engraving)
965930 La rue Quincampoix (engraving) by French School, (19th century); Private Collection; (add.info.: La rue Quincampoix)

Background imageClosed Collection: The Stock Exchange Closed, 31 July 1914, at 10: 00am (b / w photo)

The Stock Exchange Closed, 31 July 1914, at 10: 00am (b / w photo)
3641903 The Stock Exchange Closed, 31 July 1914, at 10:00am (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Stock Exchange Closed, 31 July 1914, at 10:00am)

Background imageClosed Collection: Paris Shut (colour litho)

Paris Shut (colour litho)
3620549 Paris Shut (colour litho) by French School, (19th century); Private Collection; (add.info.: Paris Shut.); © Look and Learn

Background imageClosed Collection: An Interruption, (pencil and watercolour)

An Interruption, (pencil and watercolour)
652019 An Interruption, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.4x17.8 cm; Private Collection; (add.info.: An Interruption. Charles Edward Wilson (1854-1941)

Background imageClosed Collection: Irises in a Tall Vase, 1928 (oil on canvas)

Irises in a Tall Vase, 1928 (oil on canvas)
657179 Irises in a Tall Vase, 1928 (oil on canvas) by Wood, Christopher (1901-30); 60x51 cm; Private Collection; (add.info.: Irises in a Tall Vase. Christopher Wood (1901-1930). Oil on canvas

Background imageClosed Collection: Feeding the Chickens, (oil on canvas)

Feeding the Chickens, (oil on canvas)
658463 Feeding the Chickens, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 45.1x58.4 cm; Private Collection; (add.info.: Feeding the Chickens. Jose Benlliure y Gil (1855-1937). Oil on canvas

Background imageClosed Collection: Gustave Dores Don Quixote: 'They found that his eyes were closed

Gustave Dores Don Quixote: "They found that his eyes were closed, as if he had been fast asleep"(engraving)
6008393 Gustave Dores Don Quixote: " They found that his eyes were closed, as if he had been fast asleep" (engraving) by Dore

Background imageClosed Collection: Closed shop front with outside display (photo)

Closed shop front with outside display (photo)
6007699 Closed shop front with outside display (photo) by English Photographer, (20th century); Private Collection; (add.info.: Closed shop front with outside display)

Background imageClosed Collection: Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned

Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard
6015589 Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard, 1931 (b/w photo) by English Photographer

Background imageClosed Collection: Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving)

Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving)
1617442 Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving) by English School

Background imageClosed Collection: Roses, late 1920s (oil on panel)

Roses, late 1920s (oil on panel)
1197292 Roses, late 1920s (oil on panel) by Cadell, Francis Campbell Boileau (1883-1937); 45.7x38.8 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Background imageClosed Collection: Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas)

Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas)
1196576 Reading in the Garden; or Woman in Red Hat, c. 1880-1882 (pastel and charcoal on canvas) by Gonzales, Eva (1849-83); 38.5x55.5 cm; Private Collection; Photo eChristies Images; French

Background imageClosed Collection: Volier dans Castellazo, 1743 (hand coloured engraving)

Volier dans Castellazo, 1743 (hand coloured engraving)
985953 Volier dans Castellazo, 1743 (hand coloured engraving) by Re, Marc Antonio dal (1697-1766); 36.5x23.6 cm; Private Collection; (add.info.: Volier dans Castellazo)

Background imageClosed Collection: Delmonico s, Twenty-Sixth Street and Fifth Avenue (b / w photo)

Delmonico s, Twenty-Sixth Street and Fifth Avenue (b / w photo)
5215406 Delmonico s, Twenty-Sixth Street and Fifth Avenue (b/w photo) by American Photographer, (19th century); Private Collection; (add.info.: Delmonico s, Twenty-Sixth Street and Fifth Avenue)

Background imageClosed Collection: A Serenade in Cairo; Eine Serenata in Cairo, 1893 (watercolour)

A Serenade in Cairo; Eine Serenata in Cairo, 1893 (watercolour)
827536 A Serenade in Cairo; Eine Serenata in Cairo, 1893 (watercolour) by Haag, Carl (1820-1915); 101.6x48.5 cm; Private Collection; (add.info.: A Serenade in Cairo; Eine Serenata in Cairo)

Background imageClosed Collection: The House of Roses; Les Maison aux Roses, 1936 (oil on canvas)

The House of Roses; Les Maison aux Roses, 1936 (oil on canvas)
825229 The House of Roses; Les Maison aux Roses, 1936 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 65x81.3 cm; Private Collection; (add.info)

Background imageClosed Collection: The Arctic Expedition, Apparatus, etc, to be used by the Explorers (engraving)

The Arctic Expedition, Apparatus, etc, to be used by the Explorers (engraving)
1053565 The Arctic Expedition, Apparatus, etc, to be used by the Explorers (engraving) by Atkins, William Edward (1842-1910); Private Collection; (add.info.: The Arctic Expedition, Apparatus, etc)

Background imageClosed Collection: Reredos-Mission San Juan Bautista, 1938. Creator: Ethel Dougan

Reredos-Mission San Juan Bautista, 1938. Creator: Ethel Dougan
Reredos-Mission San Juan Bautista, 1938

Background imageClosed Collection: Doors to Confessional, 1937. Creator: Ethel Dougan

Doors to Confessional, 1937. Creator: Ethel Dougan
Doors to Confessional, 1937

Background imageClosed Collection: Doors to Baptistry - Mission San Juan Bautista, 1938. Creator: Ethel Dougan

Doors to Baptistry - Mission San Juan Bautista, 1938. Creator: Ethel Dougan
Doors to Baptistry - Mission San Juan Bautista, 1938

Background imageClosed Collection: Cast Iron Gate and Fence, c. 1936. Creator: Al Curry

Cast Iron Gate and Fence, c. 1936. Creator: Al Curry
Cast Iron Gate and Fence, c. 1936

Background imageClosed Collection: Sacristy Door at Mission San Juan Bautista, 1938. Creator: Ethel Dougan

Sacristy Door at Mission San Juan Bautista, 1938. Creator: Ethel Dougan
Sacristy Door at Mission San Juan Bautista, 1938

Background imageClosed Collection: Forsaken House II

Forsaken House II
Igor Shrayer

Background imageClosed Collection: Colorful Windows

Colorful Windows
Alfonso Novillo

Background imageClosed Collection: Haken

Haken
Anders Ludvigson

Background imageClosed Collection: Gaz Bar

Gaz Bar
David Senechal Photographie (polydactyle)

Background imageClosed Collection: Scavengers 1

Scavengers 1
Massimo Della Latta

Background imageClosed Collection: Sidewalk, a daily life perspective

Sidewalk, a daily life perspective
Alejandro Marcos



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"Exploring the Closed Chapters: From John Martyn in Concert to Liverpool Slums and Collieries" Captivated by the soulful melodies of John Martyn in concert, St Ives, Cornwall takes a momentary pause. Connel Ferry Bridge stands silently, its closed path leaving travelers longing for connection across the waters. Peering into history's lens, we witness the hardships of Liverpool Slum dwellers in 1912 - their stories forever closed but not forgotten. A Woman Reading, after Pieter Janssens Elinga, captures a serene moment frozen in time; an intimate narrative sealed within brushstrokes. Tower Bridge jams amidst scorching summer heat as bustling city life momentarily halts - a reminder that even grand structures can be closed off from progress. WW2 Memorabilia at a damaged café serves as an eerie message to suppliers about closure during times of war - remnants of resilience etched on fragile artifacts. Goodwick Railway Station once echoed with laughter and farewells; now its platforms stand empty and silent, memories locked away behind closed doors. Bestwood Colliery near Bestwood Village whispers tales of laborious miners whose sweat and sacrifice remain hidden beneath layers of earth - their underground world now sealed shut forevermore. New Tredegar Colliery nestled in Rhymney Valley bears witness to generations who toiled tirelessly below ground until economic forces forced its gates permanently shut. Tower Bridge battles congestion under sweltering summer rays yet again; traffic grinds to a halt as Londoners yearn for open roads and cool breezes amid stifling conditions. Penrhiwceibr Colliery guards secrets deep within Glamorgan's heartland; dark tunnels hold untold stories waiting patiently behind impenetrable walls.