Collar Collection (page 21)

Boy with a Dead Hare (oil on wood)
3959962 Boy with a Dead Hare (oil on wood) by Hals, Frans (1582/3-1666); 65 x 50 cm; Kunstmuseum, Basel, Switzerland; Dutch, out of copyright

Portrait of a Member of the Haarlem Civic Guard, c. 1636-8 (oil on canvas)
4073425 Portrait of a Member of the Haarlem Civic Guard, c.1636-8 (oil on canvas) by Hals, Frans (1582/3-1666); 86 x 69 cm; National Gallery of Art, Washington DC

Frederick I, King of Bohemia, the Winter King (engraving)
3646791 Frederick I, King of Bohemia, the Winter King (engraving) by German School, (19th century); Private Collection; (add.info.: Frederick I, King of Bohemia (1596-1632), the Winter King

Portrait of a Man, thought to be Dr. Ephraim Bueno, 1645-47 (oil on panel)
3704045 Portrait of a Man, thought to be Dr. EphraAOm Bueno, 1645-47 (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 19x15 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Dr)

Old woman sleeping, 1633-39 (etching)
3704007 Old woman sleeping, 1633-39 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Rijksmuseum, Amsterdam, The Netherlands; (add.info)

A Sly Couple, from A Hundred Anecdotes of Animals, pub. 1924 (engraving)
3481247 A Sly Couple, from A Hundred Anecdotes of Animals, pub. 1924 (engraving) by Billingshurst, Percy J. (1871-1933); The Stapleton Collection; out of copyright

Portrait of Countess Gonzaga of Novellara
3567536 Portrait of Countess Gonzaga of Novellara by Gennari, Benedetto (1633-1715) & Cesare (1637-88); Galleria e Museo Estense, Modena, Italy; (add.info.: ARTIST: Gennari, Benedetto; Gennari)

Portrait of Alfonso Gonzaga, Count of Novellara
3567535 Portrait of Alfonso Gonzaga, Count of Novellara by Gennari, Benedetto (1633-1715) & Cesare (1637-88); Galleria e Museo Estense, Modena, Italy; (add.info.: ARTIST: Gennari, Benedetto; Gennari)

Collar of bronze, found in Sweden (engraving)
3635884 Collar of bronze, found in Sweden (engraving) by English School, (19th century); Private Collection; (add.info.: Collar of bronze, found in Sweden)

Moustache patterns (colour litho)
3641797 Moustache patterns (colour litho) by English School, (20th century); Private Collection; (add.info.: Moustache patterns. Postcard, early 20th century.); © Look and Learn

I am coming to see you tonight (colour litho)
3641738 I am coming to see you tonight (colour litho) by Anderson, Martin " Cynicus" (1854-1932); Private Collection; (add.info.: I am coming to see you tonight)

Habit of a Mechants Wife of London in 1640 (engraving)
3640608 Habit of a Mechants Wife of London in 1640 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Mechants Wife of London in 1640)

His Majesty the King entering the Abbey (colour litho)
3639665 His Majesty the King entering the Abbey (colour litho) by English School, (20th century); Private Collection; (add.info.: His Majesty the King entering the Abbey)

Antoine Perrenot, Cardinal de Granvelle, Burgundian statesman (engraving)
3638976 Antoine Perrenot, Cardinal de Granvelle, Burgundian statesman (engraving) by European School, (17th century); Private Collection; (add.info.: Antoine Perrenot)

Edwardian postcard of a cat in human clothes carrying a briefcase and holding a cane, c
3604926 Edwardian postcard of a cat in human clothes carrying a briefcase and holding a cane, c.1910 (colour litho) by English School

Relief panel of king and eunuch, c. 883-59 B. C. (gypsum alabaster)
3597306 Relief panel of king and eunuch, c.883-59 B.C. (gypsum alabaster) by Neo-Assyrian, (9th century BC); 234.3x233.7 cm; Metropolitan Museum of Art, New York

George Clarke, Esq. of Hackney (oil on canvas)
3499809 George Clarke, Esq. of Hackney (oil on canvas) by Jackson, Gilbert (fl.1621-40); Hackney Museum, London Borough of Hackney, UK; (add.info.: Portrait of of a standing man)

Reverend John Lister, 1701 (oil on canvas, unglassed)
3822150 Reverend John Lister, 1701 (oil on canvas, unglassed) by Unknown artist, (18th century); 71.1x59.1 cm; Calderdale Museums Service, West Yorkshire, UK; (add.info.: Rev)

Alderman W. G. Ward, 1878 (oil on canvas)
3744101 Alderman W.G. Ward, 1878 (oil on canvas) by Warsop, Frederick (c.1835-95); 112.1x87 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info.: W.G)

Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, c. 1779 (oil on wood)
3743877 Mrs Gwynne and Mrs Bunbury as the Merry Wives of Windsor, c.1779 (oil on wood) by Gardner, Daniel (1750-1805); 24.1x27.3 cm; Nottingham City Museums and Galleries (Nottingham Castle)

6th Lord Byron, c. 1825 (oil on canvas)
3744663 6th Lord Byron, c.1825 (oil on canvas) by Westall, Richard (1765-1836) (attr. to); 26x21 cm; Nottingham City Museums and Galleries (Newstead Abbey); (add.info.: Study of the poet)

Saying Grace, c. 1650-55 (oil on panel)
3526172 Saying Grace, c.1650-55 (oil on panel) by Mieris, Frans van (1635-81); 34.3x40 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; Dutch, out of copyright

Elisabeth van Kessel (1640-1717), Wife of Willem Jacobsz Baert, 1671 (oil on canvas)
FIA5381855 Elisabeth van Kessel (1640-1717), Wife of Willem Jacobsz Baert, 1671 (oil on canvas) by Everdingen, Cesar Boetius van (c.1616/17-78); 109 x 90 cm; Rijksmuseum, Amsterdam

The Street-Seller of Dogs Collars (engraving)
6006192 The Street-Seller of Dogs Collars (engraving) by English School, (19th century); Private Collection; (add.info.: The Street-Seller of Dogs Collars)

Sebastian Andorfer, 1517 (oil on Swiss stone pine)
5667202 Sebastian Andorfer, 1517 (oil on Swiss stone pine) by Maler, Hans or Johan (fl.1510-1523); 43.2 x 35.9 cm; Metropolitan Museum of Art, New York

Portrait of the artist, before 1686 (black and red chalk on paper)
5938285 Portrait of the artist, before 1686 (black and red chalk on paper) by Dolci, Carlo (1616-86); 19x14 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

The 7th Earl of Northampton (detail), before 1787 (oil on canvas)
5938194 The 7th Earl of Northampton (detail), before 1787 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 237.7x149.2 cm; Fitzwilliam Museum, University of Cambridge

William Thomas Meyer (?), before 1802 (oil on canvas)
5938134 William Thomas Meyer (?), before 1802 (oil on canvas) by Romney, George (1734-1802); 54.0x40.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Samuel Hallifax, Bishop of Gloucester, 1788 (w / c on ivory)
5938075 Samuel Hallifax, Bishop of Gloucester, 1788 (w/c on ivory) by Edridge, Henry (1769-1821); 6.3x5.2 cm; Fitzwilliam Museum, University of Cambridge

Portrait of Marie Vignon (detail) (oil on canvas)
5905987 Portrait of Marie Vignon (detail) (oil on canvas) by French School, (17th century); Musee Dauphinois, Grenoble, France; (add.info)

Too Much and Too Little, Summer Clothing for 1556 and 1796 (litho)
5208500 Too Much and Too Little, Summer Clothing for 1556 and 1796 (litho) by Woodward, George Moutard (c.1760-1809) (after); Private Collection; (add.info.: Too Much and Too Little)

The Dog Show at the Crystal Palace (engraving)
1059321 The Dog Show at the Crystal Palace (engraving) by Dollman, John Charles (1851-1934) (after); Private Collection; (add.info.: The Dog Show at the Crystal Palace)

Portrait of Anna Wake, 1628 (oil on canvas)
5864168 Portrait of Anna Wake, 1628 (oil on canvas) by Dyck, Anthony van (1599-1641); 112.5x99.3 cm; Mauritshuis, The Hague

Frederik Hendrik and Amalia of Solms-Braunfels, c. 1637-8 (oil on canvas)
5863939 Frederik Hendrik and Amalia of Solms-Braunfels, c.1637-8 (oil on canvas) by Honthorst, Gerrit van (1590-1656); 213.2x201.7 cm; Mauritshuis, The Hague

Why We Enjoy going to Dances in the Navy (engraving)
1055700 Why We Enjoy going to Dances in the Navy (engraving) by English School, (19th century); Private Collection; (add.info.: Why We Enjoy going to Dances in the Navy)

Frontispiece and Titlepage from Instauratio Magna by Francis Bacon
XJF384028 Frontispiece and Titlepage from Instauratio Magna by Francis Bacon, 1640 (engraving) by Marshall, William (fl.1617-49); Private Collection; (add.info)

The Maid Servant, 1881 (oil on canvas)
613889 The Maid Servant, 1881 (oil on canvas) by Breakspeare, William A. (1855-1914); 39x28.5 cm; Astley Cheetham Art Gallery, Stalybridge, Greater Manchester; eAstely Cheetham Art Gallery; English

Francesco Morosini, called Peloponnesiaco, General Captain of the Fleets of Venice (engraving)
957970 Francesco Morosini, called Peloponnesiaco, General Captain of the Fleets of Venice (engraving) by Jacquemin, Raphael (1821-81); Private Collection; (add.info.: Francesco Morosini)

Henry IX (chromolitho)
961382 Henry IX (chromolitho) by French School, (19th century); Private Collection; (add.info.: Henry IX, called the Black, Duke of Bavaria (1075-1126)

Good health, Papa (engraving)
961446 Good health, Papa (engraving) by English School, (19th century); Private Collection; (add.info.: Good health, Papa. Engraving by R Bong after an original painting by A Schroeder)

Benjamin Franklin Butler, c. 1833 (oil on canvas)
1067888 Benjamin Franklin Butler, c.1833 (oil on canvas) by Harding, Chester (1792-1866); 68.6x55.2 cm; Dallas Museum of Art, Texas

Mary Sidney, Countess of Pembroke, from James I and VI
997133 Mary Sidney, Countess of Pembroke, from James I and VI, printed by Manzi Joyant & Co. Paris, 1904 (collotype) by Gheeraerts, Marcus

Sir Edward Coke, from James I and VI, printed by Manzi Joyant & Co
997132 Sir Edward Coke, from James I and VI, printed by Manzi Joyant & Co. Paris, 1904 (collotype) by Janssen van Ceulen, Cornelius (1593-1661) (after); Private Collection; (add.info)

King James I of England and VI of Scotland as a boy, from James I and VI
997118 King James I of England and VI of Scotland as a boy, from James I and VI, printed by Manzi Joyant & Co. Paris, 1904 (collotype) by Zuccari or Zuccaro

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"From Ploughs to Paintings: Exploring the Versatility of Collars" Horses pulling the plough: A timeless image of strength and determination, as these majestic creatures work together with collars guiding their every step. "The Thief" by Antonio Maria Fabres y Costa: In this captivating painting, a mysterious figure dons a collar, symbolizing both disguise and intrigue. Paul Dirac - Nobel 1933: The brilliant physicist who revolutionized quantum mechanics wore his intellectual prowess like a collar, forever pushing the boundaries of scientific understanding. Gypsy Caravans: Amidst vibrant colors and swirling skirts, gypsies adorned themselves with intricate collars that mirrored their nomadic spirit and free-spirited lifestyle. Shire horse team during Ploughing Match: These powerful horses wear sturdy collars while showcasing their incredible teamwork in agricultural competitions. Bulldog on skateboard Digital Manipulation: From blue to red scarf, this playful manipulation highlights how even our furry friends can sport fashionable collars for added style. Art Deco lady with lipstick: A glamorous woman exudes elegance as she accessorizes her outfit with an exquisite collar, embodying the sophistication of the Art Deco era. A pair of working Shire Horses & Farmer: Witnessing the harmonious bond between man and beast is awe-inspiring; here we see trust built through shared experiences underlined by matching collars. Jersey cow in St Helier, Channel Islands: Amongst lush pastures lies a gentle Jersey cow wearing a simple yet functional collar – an essential tool for identification and management purposes in farming communities across Europe. German Kaiser Wilhelm II with signature : An iconic leader known for his distinctive style wears his regal presence like a finely crafted collar – commanding attention wherever he goes. West Highland Terrier & Scottish Terrier - in heather.