Constable Collection (page 7)

Landscape, 1911. Artist: John Constable
Landscape. After an original work by John Constable (1776-1837). From The Connoisseur Volume XXIX [Otto Limited, London, 1911]

East Bergholt Church: part of the west end seen beyond a group of elms, (1812), 1925
East Bergholt Church: part of the west end seen beyond a group of elms, 1812. Original house in the Victoria and Albert Museum. After a drawing by John Constable (1776-1837)

Nature: cloud study, c1822 (1956). In 1822, Constable produced about 50 studies of skies and clouds. From the Victoria and Albert Museum, London

A Windmill, 1802 (1899). A study in black chalk. A print from The Magazine of Art, Cassell and Company, Limited, 1899

John Constables house, Hampstead, London, 1912. Artist: Frederick Adcock
John Constables house, Hampstead, London, 1912. The home of John Constable (1776-1837) English Romantic painter. Hampstead, a village when Constable lived there, is now part of London

John Constables house, Charlotte Street, Bloomsbury, London, 1912. Artist: Frederick Adcock
John Constables house, Charlotte Street, Bloomsbury, London, 1912. The home of John Constable (1776-1837) English Romantic painter

The Right Honourable Lady Louisa Manners, c1821. Artist: John Constable
The Right Honourable Lady Louisa Manners, c1821. Louisa Manners Tollemache, 7th Countess of Dysart (1745-1840). After John Hoppner (1758-1810). From The Connoisseur Volume L. [The Connoisseur Ltd

Homes of famous painters, London, 1926-1927. Artist: Whiffin
Homes of famous painters, London, 1926-1927. Houses inhabited by Whistler (top left), and Turner (top right), in Cheyne Walk

Boat Building Near Flatford Mill, 1815, (1912). Artist: John Constable
Boat Building Near Flatford Mill, 1815, (1912). A colour print from Famous Paintings, with an introduction by Gilbert Chesterton, Cassell and Company, (London, New York, Toronto, 1912)

Weymouth Bay: Bowleaze Cove and Jordon Hill, c. 1817. Artist: Constable, John (1776-1837)
Weymouth Bay: Bowleaze Cove and Jordon Hill, c. 1817. Found in the collection of the National Gallery, London

Stratford Mill, 1820. Artist: Constable, John (1776-1837)
Stratford Mill, 1820. Found in the collection of the National Gallery, London

The Lock. Artist: Constable, John (1776-1837)
The Lock. From a private collection

The Grove, or the Admirals House in Hampstead, 1821-1822. Artist: Constable, John (1776-1837)
The Grove, or the Admirals House in Hampstead, 1821-1822. Found in the collection of the Staatliche Museen, Berlin

View of Highgate from Hampstead Heath, early 19th century. Artist: John Constable
View of Highgate from Hampstead Heath, early 19th century. Constable, John (1776-1837). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

View of the City of London from Sir Richard Steeles Cottage, 19th century (1913). Artist: John Constable
View of the City of London from Sir Richard Steeles Cottage, 19th century (1913)

Salisbury Cathedral from Lower Marsh Close, 1820. Artist: John Constable
Salisbury Cathedral from Lower Marsh Close, 1820. From the collection of the National Gallery of Art, Washington DC, USA

Hampstead Heath with Harrow in the Distance, c1821. Artist: John Constable
Hampstead Heath with Harrow in the Distance, c1821. From the collection of the Cleveland Museum of Art, Ohio, USA

John Constable, c1799. Artist: Ramsay Richard Reinagle
John Constable, c1799. From the collection of the National Portrait Gallery, London

Stonehenge, c1835. Artist: John Constable
Stonehenge, c1835. The Neolithic stone circle on Salisbury Plain is thought to have been used to observe the motions of the moon and sun, and was built about 2, 000 BC

Barges on the Stour, with Dedham Church in the Distance, 1811. Artist: John Constable
Barges on the Stour, with Dedham Church in the Distance, 1811. From the Victoria and Albert Museum, London

Dedham Village, Essex, 20th century. Artist: CM Dixon
Dedham Village, Essex, 20th century. Dedham is at the heart of Constable Country the area of England where Constable lived and painted. It contains a number of well-preserved buildings

Flatford Mill, Painted by Constable, East Bergholt, Suffolk, England, 20th century. Artist: CM Dixon
Flatford Mill, Painted by Constable, East Bergholt, Suffolk, England, 20th century. A Grade I listed watermill built in 1733 on the River Stour at Flatford in Suffolk, England

Scene from Shakespeares Much Ado about Nothing, 1856-1858. William Shakespeares comedy Much Ado about Nothing was first performed c1598

Scene from Shakespeares Much Ado about Nothing, 1870. Artist: Henry Courtney Selous
Scene from Much Ado about Nothing, 1870. William Shakespeares comedy Much Ado About Nothing was first performed c1598. In this scene Dogberry and Verges, local constables of the watch

Constable of the Watch with his dog from Much Ado About Nothing Act3 Sc3, 17th century
The Constable of the Watch with his dog. In Shakespeare Much Ado About Nothing Act 3 Sc 3 Dogberry is such a officer. Early 17th century illustration

The Police and the Public, 1874. Artist: Charles Samuel Keene
The Police and the Public, 1874. A labourer faces the court to make a complaint against the constable standing next to him

Two police officers in SPG van, Met Police, London
Two police officers, one male, one female (WPC McKay), in an SPG (Special Patrol Group) van, Met Police, London. The SPG was set up in 1961 to provide a centrally-based mobile capability for dealing

Woman police officer riding horse, London
Woman police officer (Marion Hatton) riding her horse in a park. Women were appointed to the Mounted Branch in 1970. Date: circa 1977

Woman police officer in white shirt and bowler hat, London
Woman police officer in the short-sleeved white shirt and dark trousers from the mix and match uniform introduced in 1977, together with the reinforced bowler hat introduced in 1985. Date: circa 1985

Two women police officers in new bowler hat, London
Two women police officers (Deborah Barnes on right) in the mix and match uniform introduced in 1977, wearing the reinforced bowler hat introduced in 1985. Date: circa 1985

Eight women police officers in new Surrey uniform
Eight women police officers posing in the new Surrey uniform introduced in 1973. The jacket was single-breasted with four buttons, trousers were introduced as an option

Woman police officer in a London street, sticking a yellow label on a car windscreen, with a Metropolitan Police Vehicle Removal Unit lorry behind her

Male and female police officers on duty in London, walking along a pavement with traffic on the road in the background. The WPC (Siobhan Clark)

Two women police officers in updated uniform, London
Two women police officers posing in the updated uniform introduced in 1977, with a range of mix and match options. The checkered cravat replaced the bow tie, though here the cravat is not patterned

Two women police officers outside a police station. On the left is a sergeant, on the right WPC Daphne Acton in the new style Norman Hartnell uniform, introduced in 1968. Date: circa late 1960s

Male and female police officers in a London street, with a building called Benson Court behind them (probably in N19). The WPC is wearing the reinforced bowler hat introduced in 1985

Woman police officer Shirley Jennings, London
Woman police officer Shirley Jennings (joined May 1941, later Becke), standing in a park on a sunny day. Date: circa 1940s

T. Roosevelt Cartoon
T. ROOSEVELT CARTOON. Worlds Constable. Cartoon by Louis Dalrymple, 1905, depicting President Theodore Roosevelt using his New Diplomacy to police the world

John Talbot, 1st Earl of Shrewsbury and 1st Earl of Waterford KG, 1384 / 1387 - 1453
John Talbot, 1st Earl of Shrewsbury and 1st Earl of Waterford KG, 1384/1387 - 1453. English military commander during Hundred Years War, Lord Lieutenant of Ireland, Constable of France

Ivar Arosenius Servant-Girl Policeman Maid Constable
Ivar Arosenius, Servant-Girl and Policeman, Maid and Constable, painting, 1905, Watercolor and gouache, Height, 23.5 cm (9.2 inches), Width, 28 cm (11 inches), Signed, .IA 05

Portrait Inacho Melchior Ferdinand de Velasco
Portrait of Inacho Melchior Ferdinand de Velasco, constable of Velasco and Tovar, governor of Belgium and Burgundy. In the margin the family crest of the person portrayed

John Constable, 1776 A

Marmaduke Francis Constable-Maxwell, 11Th Lord Herries Of Terregles, 1837

John Constable, 1776 To 1837. English Romantic Painter. From The Book In Constables Country Published 1906

John Stuart Or Stewart 3Rd Earl Of Buchan Constable Of France Scottish Noble From Iconographia Scotica Or Portraits Of Illustrious Persons Of Scotland By John Pinkerton Published London 1797 Engraved

Anne De Montmorency, First Duke Of Montmorency, 1493-1567. Soldier And Marshal Of France, 1522. Constable Of France 1538. Photo-Etching From The Painting By Chasselat

Anne De Montmorency, First Duke Of Montmorency 1493 - 1567 Soldier And Marshal Of France 1522. Constable Of France 1538. From The Book Crabbs Historical Dictionary Published 1825

Mill Near Brighton, 1829. Creator: David Lucas
Mill Near Brighton, 1829

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"Capturing the Essence of Constable: From Salisbury to Stratford St Mary" Step into the world of renowned artist John Constable as we explore the various facets of a constable's role throughout history. In his famous painting, "Stratford St Mary from the Coombs, " Constable beautifully depicts the idyllic English countryside where these dedicated officers once patrolled. Transporting us to bustling London, we encounter a symbol synonymous with law enforcement - the iconic Police Public Call Box. These blue boxes served as beacons of safety and assistance for both officers and citizens alike. A glimpse inside reveals a scene that reassures us with its sign proclaiming "Police Box in Use. " But it's not just about maintaining order on foot; our constables were known for their versatility. An intriguing image captures an officer skillfully maneuvering on a unicycle, showcasing their adaptability in unexpected situations. Venturing further into rural landscapes, Parham Mill at Gillingham, Dorset stands tall as a testament to constables' dedication in safeguarding local communities. This historic mill reminds us that their duty extended beyond urban boundaries. During times of adversity like World War II, women stepped up to serve alongside their male counterparts. Two brave female police officers don gas masks while patrolling war-torn streets in London, highlighting their unwavering commitment even amidst chaos. Accidents happen unexpectedly, but our they are always there to lend support and maintain order. A woman police officer attends diligently to an accident scene – her presence providing comfort during moments of distress. The evolution of uniforms reflects changing times and societal norms. We witness the transformation through images capturing women police officers sporting different attire – from Surrey uniform to Hartnell uniform designed by Norman Hartnell himself. In bustling city stations or parade rooms filled with camaraderie and shared experiences, policemen gather before heading out onto the streets they protect day after day.