Courtiers Collection (page 5)

Court officer of King Francis I, 16th century. 1867 (engraving)
7234951 Court officer of King Francis I, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Court officer of King Francis I, 1494-1547)

Syllable - Ki from the series Tales of Ise in Fashionable Brocade Prints, c. 1770-1773 (woodblock on paper)
6437449 Syllable - Ki from the series Tales of Ise in Fashionable Brocade Prints, c.1770-1773 (woodblock on paper) by Shunsho, Katsukawa (1726-93); 21.7x15.8 cm; Maidstone Museum and Art Gallery

An Incident on the Hunt, late 17th-early 18th century (ink on silk)
6124995 An Incident on the Hunt, late 17th-early 18th century (ink on silk) by Cheng Xiang (1628-98); 224.5x158.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: This monumental landscape)

The origin of the order of the Garter (colour litho)
3091429 The origin of the order of the Garter (colour litho) by Davie, Howard (fl.1914-44); Private Collection; (add.info.: The origin of the order of the Garter)

Canute and his Courtiers. A. D. 1020 (colour litho)
670177 Canute and his Courtiers. A.D. 1020 (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Canute and his Courtiers. A.D. 1020)

Spanish gentleman at court, 16th century. 1867 (engraving)
7234931 Spanish gentleman at court, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Spanish gentleman at court, 16th century)

They made an encampment and the swans sang to them, illustration from The High Deeds of Finn
STC323707 They made an encampment and the swans sang to them, illustration from The High Deeds of Finn, and other Bardic Romances of Ancient Ireland by T.W

Tiglath-Pileser inspecting gifts from Egypt, illustration from Hutchinsons History of the Nations (litho)
STC357957 Tiglath-Pileser inspecting gifts from Egypt, illustration from Hutchinsons History of the Nations (litho) by Dudley

Harold, returning from Normandy, presents himself to Edward the Confessor, engraved by JD Cooper (coloured engraving)
STC418703 Harold, returning from Normandy, presents himself to Edward the Confessor, engraved by JD Cooper (coloured engraving) by Maclise, Daniel (Croquis)

Mandarin in court dress, 18th century. 1822 (engraving)
7234157 Mandarin in court dress, 18th century. 1822 (engraving) by Alexander, William (1767-1816) (after); Private Collection; (add.info)

Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas)
1775082 Sir Thomas Roes Embassy to the Court of Jehangir (oil & pencil on canvas) by Rothenstein, William (1872-1945); 52.5x110.5 cm; Bradford Art Galleries and Museums, West Yorkshire

Edo Triptych, c. 1743-1812 (woodblock on paper)
6437476 Edo Triptych, c.1743-1812 (woodblock on paper) by Shunei, Katsukawa (1762-1819); 36.9x25.9 cm; Maidstone Museum and Art Gallery, Kent

Syllable - Fu from the series Tales of Ise in Fashionable Brocade Prints, c. 1770-1773 (woodblock on paper)
6437452 Syllable - Fu from the series Tales of Ise in Fashionable Brocade Prints, c.1770-1773 (woodblock on paper) by Shunsho, Katsukawa (1726-93); 21.7x15.1 cm; Maidstone Museum and Art Gallery

Javanese man in court dress
6339127 Javanese man in court dress by A.C. & Lisbet (19th century); (add.info.: Javanese man in court dress. He wears a kuluk (cap), batik chelana (pantaloons), dodot (sarong cloth)

Joseph interpreting Pharaohs dreams (oil on canvas)
5973482 Joseph interpreting Pharaohs dreams (oil on canvas) by Tengnagel, Jan (1584-1635) (circle of); 137.8x117.8 cm; Private Collection; Photo © Christies Images

Woman in the court of King Francis I, 16th century. 1867 (engraving)
7234888 Woman in the court of King Francis I, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Courtier of King Francis I)

The Sleeping Beauty, 1842 (oil on canvas)
HRT67769 The Sleeping Beauty, 1842 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 131x217 cm; Hartlepool Museum Service, UK; © Hartlepool Museum Service

Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb
STC308582 Cordelia, Cordelia, King Lear, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Shalmaneser I pours out the dust of Arina before his god Ashur, illustration from Hutchinsons History of the Nations
IL340193 Shalmaneser I pours out the dust of Arina before his god Ashur, illustration from Hutchinsons History of the Nations (litho) by Dudley

Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations
IL340188 Harun al-Rashid receiving an embassy from Charles the Great, illustration from Hutchinsons History of the Nations (litho) by Dudley

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
IL322130 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

Sir Henry Norris picks up Anne Boleyns handkerchief, illustration from Hutchinsons Story of the British Nation, c
STC373612 Sir Henry Norris picks up Anne Boleyns handkerchief, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Stewart

The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho)
STC373514 The profligate behaviour of Chares, illustration from Hutchinsons History of the Nations, 1915 (litho) by Stewart

Three court attendants, 16th - 17th century (bronze)
DBP412915 Three court attendants, 16th - 17th century (bronze) by Benin; height: 49 cm; Private Collection; Photo © Dirk Bakker

Cortigiana or courtesan of Rhodes, 16th century. 1859-1860 (engraving)
7234124 Cortigiana or courtesan of Rhodes, 16th century. 1859-1860 (engraving) by Krieger, Christoph (d.c.1590); Private Collection; (add.info.: Cortigiana or courtesan of Rhodes, 16th century)

Enid, illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton
IL274107 Enid, illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton, 1910 (colour litho) by Fortescue-Brickdale

Woman in the court of King Francis I, 16th century. 1867 (engraving)
7234886 Woman in the court of King Francis I, 16th century. 1867 (engraving) by Lechevallier-Chevignard, Edmond (1825-1902); Private Collection; (add.info.: Woman in the court of King Francis I)

The Queen who sat betwixt her best Enid and lissome Vivien... illustration from Idylls of the King by Alfred Tennyson
IL274112 The Queen who sat betwixt her best Enid and lissome Vivien... illustration from Idylls of the King by Alfred Tennyson (1809-92), published by Hodder & Stoughton

Saint Louis of France in the Wood of Vincennes, illustration from Helmet & Cowl
STC445262 Saint Louis of France in the Wood of Vincennes, illustration from Helmet & Cowl: Stories of Monastic and Military Orders W.M. Letts and M.F.S

Elizabethan England, from The Art of Perfume, pub. 1912 (pochoir print)
STC98141 Elizabethan England, from The Art of Perfume, pub. 1912 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder, 1689 (Oil on canvas mounted on panel)
3106561 Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder, 1689 (Oil on canvas mounted on panel) by Konigsmarck

Celebration of the Marriage of Louis XIV and Maria Theresa of Austria, 9th June 1660 (oil on canvas)
XIR165533 Celebration of the Marriage of Louis XIV and Maria Theresa of Austria, 9th June 1660 (oil on canvas) by Laumosnier, Jacques (c.1669-c.1744); 89x130 cm; Musee de Tesse, Le Mans

The Empress Elizveta Petrovna (1709-62) at Tsarskoe Selo, 1905 (oil on canvas)
BAL87505 The Empress Elizveta Petrovna (1709-62) at Tsarskoe Selo, 1905 (oil on canvas) by Lansere, Yevgeny Evgen evic (1875-1946); 43.5x62 cm; Tretyakov Gallery, Moscow, Russia

Meeting between Louis XIV and Philippe IV at Isle des Faisans, 7th November 1659 (oil on canvas)
XIR213925 Meeting between Louis XIV and Philippe IV at Isle des Faisans, 7th November 1659 (oil on canvas) by Laumosnier, Jacques (c.1669-c.1744); 89.1x130 cm; Musee de Tesse, Le Mans

The White Cat by J. Hickory Wood and Arthur Collins, Drury Lane pantomime poster (colour litho)
BAL15951 The White Cat by J. Hickory Wood and Arthur Collins, Drury Lane pantomime poster (colour litho) by Hassall, John (1868-1948); R. Mander & J. Mitchenson Theatre Coll. London, UK

Snowball fight outside a castle, c. 1400 (detail of 75562)
498706 Snowball fight outside a castle, c.1400 (detail of 75562) by Italian School, (15th century); Castello del Buonconsiglio, Trento

Lucy Hay, Countess of Carlisle, English courtier to King Charles, 1769 (engraving)
7233651 Lucy Hay, Countess of Carlisle, English courtier to King Charles, 1769 (engraving) by Dyck, Anthony van (1599-1641) (after); (add.info.: Lucy Hay, Countess of Carlisle (1599-1660)

Frances Villiers, Countess of Jersey. 1769 (engraving)
7233655 Frances Villiers, Countess of Jersey. 1769 (engraving) by Gardner, Daniel (1750-1805) (after); (add.info.: Frances Villiers, Countess of Jersey (1753-1821), British Lady of the Bedchamber

View of the Palace of Naples (oil on canvas)
XJL109924 View of the Palace of Naples (oil on canvas) by Costa, Angelo Maria (18th century); Hospital Tavera, Toledo, Spain

Portrait of Francis, Viscount Newport, c. 1st Earl of Bradford (1620-1708), aged 78, c. 1698-1700 (oil on canvas)
7240666 Portrait of Francis, Viscount Newport, c.1st Earl of Bradford (1620-1708), aged 78, c.1698-1700 (oil on canvas) by Dahl, Michael (1656-1743); 73x61 cm; The Weston Park Foundation, Shropshire

Louis XIV and Jacques Cassini (colour litho)
1741731 Louis XIV and Jacques Cassini (colour litho) by Leloir, Maurice (1853-1940); Private Collection; (add.info.: Louis XIV (5 September 1638 - 1 September 1715)

Meeting between Louis XIV and Philippe IV at Isle des Faisans, 7th November 1659 (colour litho)
1729984 Meeting between Louis XIV and Philippe IV at Isle des Faisans, 7th November 1659 (colour litho) by Laumosnier, Jacques (c.1669-c.1744) (after); Private Collection; (add.info)

King Canute commanding the sea to retreat (engraving)
7149373 King Canute commanding the sea to retreat (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration from A Series of Prints of English History)

Raleigh and Queen Elizabeth (colour litho)
7181898 Raleigh and Queen Elizabeth (colour litho) by English School, (19th century); Private Collection; (add.info.: Raleigh and Queen Elizabeth)

The fairy court (engraving)
7192780 The fairy court (engraving) by English School, (19th century); Private Collection; (add.info.: The fairy court. Illustration for Keepsake for the Young)

King Canute and the Courtiers (colour litho)
7181899 King Canute and the Courtiers (colour litho) by English School, (19th century); Private Collection; (add.info.: King Canute and the Courtiers)

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Courtiers have long been an integral part of history, serving as trusted advisors and companions to royalty and nobility. From the legendary bond between Alexander the Great and his loyal steed Bucephalus to the opulent scenes depicted in Les Tres Riches Heures du Duc de Berry - January, they have played a significant role in shaping our understanding of power dynamics. In The Opening of the Great Exhibition, 1851-52 (oil on canvas), we catch a glimpse surrounding Queen Victoria during this grand event that showcased Britain's industrial prowess. Turandot Liebig 2 transports us to an exotic world where courtiers adorned in lavish attire engage in royal festivities. Music also found its place within courts, with composers like William Byrd creating enchanting melodies for their regal patrons. Meanwhile, King George V on horseback commands attention as he parades through Hyde Park, London - his loyal courtiers by his side. The intricate details captured in Detail of The Entry of Louis XIV and Maria Theresa into Arras transport us back to a time when courtly rituals were at their peak. Courtiers meticulously orchestrated every aspect of these grand entrances, ensuring they conveyed power and majesty. But not all tales involving they can steeped in grandeur; Gulliver's adventures among the tiny inhabitants of Lilliput shed light on how even diminutive societies had their own systems of hierarchy and protocol. Similarly, The Warning before Flodden reminds us that even amidst war-torn landscapes, noble figures relied on their trusted circle for counsel and protection. Religious narratives also feature courtly figures such as The Queen of Sheba Worshipping the Wood of the True Cross or King Alfred submitting his laws to the Witan. These depictions highlight how faith intertwined with political authority throughout history.