Courtly Collection (page 2)

The First meeting of Petrarch and Laura, 1889 (w / c & bodycolour on paper)
PNH366421 The First meeting of Petrarch and Laura, 1889 (w/c & bodycolour on paper) by Stillman, Marie Spartali (1844-1927); 56x48 cm; Private Collection; (add.info)

A group of women in a garden, entertaining themselves with music and dancing
FSG324944 A group of women in a garden, entertaining themselves with music and dancing (colour & gold on paper) by Indian School, (18th century); 28.3x18.3 cm; Freer Gallery of Art

The Concert at the Fountain, Loire workshop, c. 1570-80 (tapestry) (for detail see 87758
XIR87759 The Concert at the Fountain, Loire workshop, c.1570-80 (tapestry) (for detail see 87758, 19846) by French School, (15th century); 300x380 cm; Musee des Gobelins, Paris, France; French

Garden Theatre at Herrenhausen, engraved by Joost Van Sasse (1716-36) (engraving
STC172986 Garden Theatre at Herrenhausen, engraved by Joost Van Sasse (1716-36) (engraving) (b/w photo) by German School, (18th century); Private Collection; The Stapleton Collection; German

View of the Fountain of Neptune, Versailles (engraving)
STC171909 View of the Fountain of Neptune, Versailles (engraving) by Rigaud, Jacques (1681-1754); Private Collection; (add.info)

Ms 5072 f. 71v The Garden of Love, from the Reaud de Montauban cycle (vellum)
XIR154071 Ms 5072 f.71v The Garden of Love, from the Reaud de Montauban cycle (vellum) by Liedet, Loyset (fl.1448-78); Bibliotheque de L Arsenal, Paris

Design for the Palace of Fame, from the courtly masque Britannia Triumphans
5917559 Design for the Palace of Fame, from the courtly masque Britannia Triumphans, 1637 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections

Allegory of Summer, 1595 (oil on canvas)
5917413 Allegory of Summer, 1595 (oil on canvas) by Valckenborch, Lucas van (c.1535-97); 119x194 cm; Slovenska Narodna Galeria, Bratislava, Slovakia; (add.info.: Ceres)

Page from the Album Amicorum of Philipp Hainhofer, 1596-1633
479165 Page from the Album Amicorum of Philipp Hainhofer, 1596-1633 (pen & ink and watercolour on paper) by European School; 20.8x16 cm; Private Collection; (add.info)

Second Waltz Medley - Piano solo with arrangement for piano accordion. Banks Music House, 25 County Arcade, Leeds. circa 1920s

Mirror Case, 1350-75 (ivory)
5903245 Mirror Case, 1350-75 (ivory) by French School, (14th century); 11.1x10.4x1.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Jahangir and Prince Khurram entertained by Nur Jahan, c
2956970 Jahangir and Prince Khurram entertained by Nur Jahan, c.1640-50 (w/c, ink & gold on paper) by Indian School, (17th century); 25.2x14.2 cm; Freer Gallery of Art, Smithsonian Institution

Man with gridiron and shoe horn (pen & ink on paper)
CTS407578 Man with gridiron and shoe horn (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees;

A Noble Persian Youth (pen & ink on paper)
CTS407572 A Noble Persian Youth (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Gladiator (pen & ink on paper)
CTS407565 Gladiator (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English, out of copyright

Floods: the Chorus, c. 1631 (pen & ink on paper)
CTS407561 Floods: the Chorus, c.1631 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: design for Chloridia)

A Star Masquer (w / c on paper)
CTS407539 A Star Masquer (w/c on paper) by Jones, Inigo (1573-1652); 31.5x17.7 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

A Daughter of the Morn, c. 1611 (pen & ink on paper)
CTS407538 A Daughter of the Morn, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info)

Three Fays, c. 1611 (pen & ink on paper)
CTS407534 Three Fays, c.1611 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: costume designs for Oberon)

Penthesilea, c. 1609 (pen & ink on paper)
CTS407507 Penthesilea, c.1609 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; (add.info.: Queen of the Amazons; worn by Lucy Russell)

Perseus and the dragon (tapestry)
704161 Perseus and the dragon (tapestry) by Italian School; Palazzo del Quirinale, Rome, Italy; Italian, out of copyright

The Death of Roland, from a Venetian Codex (vellum)
XIR192467 The Death of Roland, from a Venetian Codex (vellum) by Italian School, (14th century); Biblioteca Nazionale Marciana, Venice

King Henry VI (1421-71) presenting a sword to John Talbot (c
STC225707 King Henry VI (1421-71) presenting a sword to John Talbot (c.1388-1453) Earl of Shrewsbury, illustration from The Complete View of the Dress and Habits of the People of England Volume II

View of the topiary garden beside the grotto, Geibach, engraved by Johann August Corvinus
STC171937 View of the topiary garden beside the grotto, Geibach, engraved by Johann August Corvinus (1683-1738), published 1728 (engraving) by Kleiner

Ms Hunter 208 f. 48v Feminine Vanities, from The Fall of Princes
GUL174562 Ms Hunter 208 f.48v Feminine Vanities, from The Fall of Princes, by Giovanni Boccaccio (1313-75) 1472 (vellum) by French School, (15th century); Glasgow University Library

Ms 2617 Emilia in her garden, Plate 22, from La Teseida
STC174235 Ms 2617 Emilia in her garden, Plate 22, from La Teseida, by Giovanni Boccaccio (1313-75), 1340-41 (vellum) by French School, (15th century); Osterreichische Nationalbibliothek, Vienna

Laure de Noves, la Belle Laure, muse of Francesco
Laure de Noves, la Belle Laure, Laure de Sade, wife of Count Hugues de Sade, and muse of Francesco Petrarch, 1308-1348. She wears a shell hat called a coquille or cale

Laure de Noves, muse of Francesco Petrarch, 1308-1348
Laure de Noves or Laure de Sade, wife of Count Hugues de Sade, and muse of Francesco Petrarch, 1308-1348. She wears a long blue surtout with laced bodice and slashed sleeves, crakows or poulaines

The Assembly at Windsor, 1126, illustration from Hutchinson
STC293129 The Assembly at Windsor, 1126, illustration from Hutchinsons Story of the British Nation, c.1923 (litho) by Woodville

Trophies from Charlemagne presented to Offa of Mercia, 786 BC
STC292403 Trophies from Charlemagne presented to Offa of Mercia, 786 BC, illustration from Hutchinsons Story of the British Nation, c.1920 (litho) by Brock

La Vie Seigneuriale: Embroidery, c. 1500 (tapestry)
XIR28040 La Vie Seigneuriale: Embroidery, c.1500 (tapestry) by French School, (16th century); 260x224 cm; Musee National du Moyen Age et des Thermes de Cluny, Paris; French, out of copyright

The Meal, c. 1790 (hand-coloured engraving)
708894 The Meal, c.1790 (hand-coloured engraving) by Lasinio, Carlo (1759-1838); Private Collection; (add.info.: From a series of prints satirising marriage.); The Stapleton Collection; Italian

Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine
473391 Court Fte in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine de Medici and Henri III (tapestry) by Quesnel, Francois (1543-1619) (after); Galleria degli Uffizi

Court Fete in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine
473390 Court Fte in Paris in 1573 to honour the Polish Ambassadors in the Presence of Catherine de Medici and Henri III (tapestry) by Quesnel, Francois (1543-1619) (after); Galleria degli Uffizi

Jacques de Lalaing, c. 1530-40 (tempera, gold leaf and ink on parchment)
3545811 Jacques de Lalaing, c.1530-40 (tempera, gold leaf and ink on parchment) by Bening, Simon (c.1483-1561); J. Paul Getty Museum, Los Angeles

Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633
479166 Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633 (pen & ink and watercolour on paper) by European School; 20.8x16 cm; Private Collection; (add.info)

Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633
479161 Pages from the Album Amicorum of Philipp Hainhofer, 1596-1633 (pen & ink and watercolour on paper) by European School; 20.8x16 cm; Private Collection; (add.info)

Dante and Beatrice, 1915 (oil on canvas)
CH402038 Dante and Beatrice, 1915 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info)

Le Tournoi (colour litho)
2802051 Le Tournoi (colour litho) by French School, (19th century); Private Collection; (add.info.: Le Tournoi. Illustration for Le Livre D Amour (Boulanger, c 1890).); © Look and Learn

Le Troubadour (colour litho)
2802049 Le Troubadour (colour litho) by French School, (19th century); Private Collection; (add.info.: Le Troubadour. Illustration for Le Livre D Amour (Boulanger, c 1890).); © Look and Learn

The First Approach, c. 1790 (hand-coloured engraving)
708893 The First Approach, c.1790 (hand-coloured engraving) by Lasinio, Carlo (1759-1838); Private Collection; (add.info)

A court scene (fresco)
LIT240269 A court scene (fresco) by Burmese School, (17th century); Ananda Temple, Pagan (Bagan), Burma; Photo eLuca Tettoni; Burmese, out of copyright

A Carole, c. 1380-90 (fresco)
XIR232869 A Carole, c.1380-90 (fresco) by French School, (14th century); Musee du Petit Palais, Avignon, France; French, out of copyright

Ceremonial costume, 1821 (textile)
FMB329178 Ceremonial costume, 1821 (textile) by English School, (19th century); Fashion Museum Bath; (add.info.: this outfit was worn at the coronation of King George IV by William)

Two women seated on a terrace, surrounded by attendants and musicians, c
FSG324942 Two women seated on a terrace, surrounded by attendants and musicians, c.1650 (opaque w/c & gold on paper) by Indian School, (17th century); 23.2x17.8 cm; Freer Gallery of Art

Ms 149 t. 3 fol. 82 A Tournament Scene, from the Histoire des Nobles Princes de
XIR218228 Ms 149 t.3 fol.82 A Tournament Scene, from the Histoire des Nobles Princes de Hainaut, by Jacques de Guise (vellum) by French School, (15th century); Bibliotheque Municipale

Don Juan de Calabazas, after Velazquez, 1879 (oil on canvas)
AGN217453 Don Juan de Calabazas, after Velazquez, 1879 (oil on canvas) by Sargent, John Singer (1856-1925); 106.6x82.5 cm; Private Collection; (add.info)

A druid, c. 1638 (pen & ink on paper)
CTS407587 A druid, c.1638 (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

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"Courtly Delights: A Glimpse into the World of Elegance and Romance" Step back in time to witness enchanting courtly scenes that have captivated hearts throughout history. Dante Alighieri, the renowned Italian poet, finds himself spellbound as he catches a glimpse of his beloved Beatrice, their love immortalized in words that transcend time. Grana Uile is introduced to none other than Queen Elizabeth herself, an illustration from Anthologia Hibernica vol. , showcasing the grandeur and sophistication of royal courts. Intriguingly, Hanways Umbrella takes center stage anonymously, symbolizing both practicality and elegance amidst courtly affairs. It reminds us that even in refined settings, everyday objects can become iconic symbols. Queen Artemisia graces our presence through a delicate pen and ink drawing from 1609. Her regal poise emanates power and grace as she rules over her realm with dignity. "The Forest Lovers" by Hewlet transports us into a world where courtship blossoms amidst nature's embrace. Love knows no boundaries when two souls find solace within each other's arms. An ethereal spirit captured on paper enchants us with its mystical allure. Its delicate strokes remind us of the unseen forces that often shape courtly tales filled with magic and wonder. As we delve deeper into this captivating world, "Sing a Song of Sixpence" echoes through opulent halls; melodies fill the air as troubadours serenade noble guests with their musical prowess. Exquisite mirror cases crafted from ivory reflect not only one's physical beauty but also serve as tokens of status within these esteemed circles. Each case whispers secrets shared among trusted confidantes behind closed doors adorned with intricate designs. Bernger Von Horheim emerges from history's shadows—a loyal member of Henry's court—his story reminding us that loyalty was highly valued amongst those who served kings and queens.