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Cream Coloured Collection

"Captivating Cream Coloured Artworks: A Journey Through Time and Beauty" Immerse yourself in the enchanting world masterpieces

Background imageCream Coloured Collection: Girl Reading, 1916 (oil on canvas)

Girl Reading, 1916 (oil on canvas)
656925 Girl Reading, 1916 (oil on canvas) by Jack, Richard (1866-1952); Private Collection; (add.info.: Girl Reading. Richard Jack (1866-1952). Oil on canvas. Signed and dated 1916

Background imageCream Coloured Collection: Bird of Paradise Flower Strelitzia Painting

Bird of Paradise Flower Strelitzia Painting
Strelitzia or Bird of Paradise flower with pampas grass in background

Background imageCream Coloured Collection: Morning Mist on Water Palette Knife Oil Painting

Morning Mist on Water Palette Knife Oil Painting
Morning Mist on Water. Close-up from a larger artwork. Original oil painting on canvas, painted with a palette knife by the photographer, Judi Parkinson

Background imageCream Coloured Collection: A Young Girl Playing a Piano, 1891 (oil on canvas)

A Young Girl Playing a Piano, 1891 (oil on canvas)
989358 A Young Girl Playing a Piano, 1891 (oil on canvas) by Beaumont, Charles Edouard de (1812-88); 194.3x129.5 cm; Private Collection; (add.info.: A Young Girl Playing a Piano)

Background imageCream Coloured Collection: Kalanchoe Plant Abstract

Kalanchoe Plant Abstract
Digitally enhanced photograph of a Red Tipped Kalanchoe plant to change light and colors for an abstract effect

Background imageCream Coloured Collection: Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas)

Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas)
1772159 Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas) by Laszlo

Background imageCream Coloured Collection: Still Life, (oil on canvas)

Still Life, (oil on canvas)
822920 Still Life, (oil on canvas) by Stella, Joseph (1877-1946); 59.2x71.6 cm; Private Collection; (add.info.: Still Life. Joseph Stella (1877-1946). Oil on canvas

Background imageCream Coloured Collection: The Performer, 1927 (oil on canvas)

The Performer, 1927 (oil on canvas)
823129 The Performer, 1927 (oil on canvas) by Kuhn, Walt (1880-1949); 102.2x76.5 cm; Private Collection; (add.info.: The Performer. Walt Kuhn (1880-1949). Oil on canvas. Signed and dated 1935

Background imageCream Coloured Collection: Australian Native Flowers Oil Painting

Australian Native Flowers Oil Painting
Close-up of Australian Native Flowers from a larger Oil Painting on stretched canvas by Judi Parkinson. Pictured are Wattle, Banksia, Grevillea in red, pink and cream colours

Background imageCream Coloured Collection: A felt and applique panel with embroidered silk highlights depicting carnations

A felt and applique panel with embroidered silk highlights depicting carnations
1767209 A felt and applique panel with embroidered silk highlights depicting carnations, tulips & other flowers overflowing from a basket against an ivory wool ground, c.1730-40 (felt, wool)

Background imageCream Coloured Collection: Rosette and Nana, 1925 (oil on canvas)

Rosette and Nana, 1925 (oil on canvas)
1768241 Rosette and Nana, 1925 (oil on canvas) by Pascin, Jules (1885-1930); 80.6x99.7 cm; Private Collection; (add.info.: Rosette and Nana. Jules Pascin (1885-1930). Oil on canvas. Painted in 1925

Background imageCream Coloured Collection: Cacti, 1641 (hand-coloured engraving)

Cacti, 1641 (hand-coloured engraving)
1195467 Cacti, 1641 (hand-coloured engraving) by Bry, Johann Theodor de (1561-1623); 30.1x20 cm; Private Collection; (add.info.: Bry, Johann Theodor de (1561-1623)); Photo eChristies Images; French

Background imageCream Coloured Collection: Wiener Werkstatte, (lithograph in colours)

Wiener Werkstatte, (lithograph in colours)
1195098 Wiener Werkstatte, (lithograph in colours) by Peche, Dagobert (1887-1923); 95.2x49.5 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageCream Coloured Collection: An Elegant Lady, 1905 (oil on canvas)

An Elegant Lady, 1905 (oil on canvas)
651189 An Elegant Lady, 1905 (oil on canvas) by Ablett, William (1877-1937); 92x63.5 cm; Private Collection; (add.info.: An Elegant Lady. William Albert F. Ablett (1877-1937). Oil on canvas

Background imageCream Coloured Collection: Portrait of a Woman, 1755 (oil on canvas)

Portrait of a Woman, 1755 (oil on canvas)
650402 Portrait of a Woman, 1755 (oil on canvas) by Copley, John Singleton (1738-1815); 88.8x71.1 cm; Private Collection; (add.info.: Portrait of a Woman. John Singleton Copley (1758-1815)

Background imageCream Coloured Collection: A Design for a Room, c. 1901 (colour litho)

A Design for a Room, c. 1901 (colour litho)
991168 A Design for a Room, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: A Design for a Room)

Background imageCream Coloured Collection: Childs Room and Guest Room, c. 1901 (colour litho)

Childs Room and Guest Room, c. 1901 (colour litho)
991166 Childs Room and Guest Room, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: Childs Room and Guest Room)

Background imageCream Coloured Collection: The Dance, (oil on canvas)

The Dance, (oil on canvas)
659047 The Dance, (oil on canvas) by Toudouze, Edouard (1848-1907); 175x211 cm; Private Collection; (add.info.: The Dance. Edouard Toudouze (1848-1907). Oil on canvas

Background imageCream Coloured Collection: A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum

A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum
827420 A Gathering in the Drawing Room, (gouache and watercolour over traces of chalk with gum arabic on) by Lynch

Background imageCream Coloured Collection: Reverse of plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware)

Reverse of plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware)
1127871 Reverse of plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware) by English School, (18th century); Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English

Background imageCream Coloured Collection: An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk

An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk
985727 An oval portrait of Queen Elizabeth I (green levant morocco leather, cream watered silk, sapphires)

Background imageCream Coloured Collection: Count John McCormack (1884-1945), 1923 (oil on canvas)

Count John McCormack (1884-1945), 1923 (oil on canvas)
1197049 Count John McCormack (1884-1945), 1923 (oil on canvas) by Orpen, William (1878-1931); 104x86.4 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageCream Coloured Collection: Portrait of a Lady, Standing Full Length, Wearing a Cream Dress and a Red Cloak

Portrait of a Lady, Standing Full Length, Wearing a Cream Dress and a Red Cloak
658412 Portrait of a Lady, Standing Full Length, Wearing a Cream Dress and a Red Cloak, (oil on canvas) by Maillart

Background imageCream Coloured Collection: Concert; Au Concert, 1896 (lithograph printed in colours on cream wove paper)

Concert; Au Concert, 1896 (lithograph printed in colours on cream wove paper)
659465 Concert; Au Concert, 1896 (lithograph printed in colours on cream wove paper) by Toulouse-Lautrec, Henri de (1864-1901); 48.3x35.8 cm; Private Collection; (add.info.: Concert; Au Concert)

Background imageCream Coloured Collection: Dining Room, c. 1901 (coulour lithograph)

Dining Room, c. 1901 (coulour lithograph)
991165 Dining Room, c.1901 (coulour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room)

Background imageCream Coloured Collection: Entrance Hall, c. 1901 (colour lithograph)

Entrance Hall, c. 1901 (colour lithograph)
991164 Entrance Hall, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Entrance Hall)

Background imageCream Coloured Collection: A Young Girl Seated, three-quarter length, wearing an Ivory Dress

A Young Girl Seated, three-quarter length, wearing an Ivory Dress
990060 A Young Girl Seated, three-quarter length, wearing an Ivory Dress and Bonnet with a Pigeon (oil on canvas) by Lindner

Background imageCream Coloured Collection: Emperor Napoleon I, in Profile to the right - A Design for a Medal

Emperor Napoleon I, in Profile to the right - A Design for a Medal
989695 Emperor Napoleon I, in Profile to the right - A Design for a Medal (black lead and black chalk on paper) by Lefevre

Background imageCream Coloured Collection: Dutch yellow crocus, Crocus flavus

Dutch yellow crocus, Crocus flavus (Cream-coloured crocus, Crocus lagenaeflorus var. aureus lacteus)

Background imageCream Coloured Collection: Centaury species

Centaury species
Mountain centaury, Centaurea montana, Swiss centaury, Centaurea rhapontica, cream-coloured centaury, Centaurea ochroleuca, and balsam-scented centaury, Centaurea balsamita

Background imageCream Coloured Collection: Cream-coloured courser, Cursorius cursor

Cream-coloured courser, Cursorius cursor (Cursorius europaeus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1824

Background imageCream Coloured Collection: Cream-coloured giant squirrel, Ratufa affinis

Cream-coloured giant squirrel, Ratufa affinis (Duvaucels squirrel, Sciurus hypoleucus). From a specimen in the Prince of Wieds Museum

Background imageCream Coloured Collection: Ixia abbreviata

Ixia abbreviata (Cream-coloured spotted ixia, Ixia maculata v. ochroleuca). Handcoloured copperplate engraving by F. Sansom Jr

Background imageCream Coloured Collection: Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)

Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)
1127876 Teapot, Wedgwood Factory, Staffordshire, c.1775 (lead-glazed earthenware) by English School, (18th century); 13.8x20.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Portrait of Frances Josephine Furse, the artists Sister-In-Law wearing a Blue

Portrait of Frances Josephine Furse, the artists Sister-In-Law wearing a Blue
657240 Portrait of Frances Josephine Furse, the artists Sister-In-Law wearing a Blue Oriental Jacket, 1903 (oil on canvas) by Furse

Background imageCream Coloured Collection: Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter

Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter
659275 Portrait of Lord Chesterfield, Bust Length, Wearing the Order of the Garter, Holding a Book, in a Painted Oval, 1769 (oil on canvas) by Gainsborough

Background imageCream Coloured Collection: A Young Beauty, 1884 (oil on panel)

A Young Beauty, 1884 (oil on panel)
658352 A Young Beauty, 1884 (oil on panel) by Knoop, August (c.1856-1900); 37x21.1 cm; Private Collection; (add.info.: A Young Beauty. August Knoop (1856-1900). Oil on panel. Dated Munchen, 1884

Background imageCream Coloured Collection: Echo, 1906 (oil on canvas)

Echo, 1906 (oil on canvas)
658300 Echo, 1906 (oil on canvas) by Reid, Robert Payton (1859-1945); 61x46 cm; Private Collection; (add.info.: Echo. Robert Payton Reid (1859-1945). Oil on canvas. Signed and dated 1906

Background imageCream Coloured Collection: Akbars Sons Sultan Daniyal and Sultan Murad, c. 1600-1605 (w / c & gold paint on paper)

Akbars Sons Sultan Daniyal and Sultan Murad, c. 1600-1605 (w / c & gold paint on paper)
1196808 Akbars Sons Sultan Daniyal and Sultan Murad, c.1600-1605 (w/c & gold paint on paper) by Manohar (fl.1580-1620) (attr)

Background imageCream Coloured Collection: Untitled (two female nudes under a tree, with a peacock), (w / c on cream wove paper)

Untitled (two female nudes under a tree, with a peacock), (w / c on cream wove paper)
1195066 Untitled (two female nudes under a tree, with a peacock), (w/c on cream wove paper) by Point, Armand (1861-1932); 24.3x33.2 cm; Private Collection; Photo eChristies Images; French

Background imageCream Coloured Collection: A painted wood fire surround and inglenook designed for Glencrutchery House, Douglas

A painted wood fire surround and inglenook designed for Glencrutchery House, Douglas
985581 A painted wood fire surround and inglenook designed for Glencrutchery House, Douglas, circa 1897, c.1897 (painted wood) by Baillie Scott

Background imageCream Coloured Collection: A Beauty, (oil on panel)

A Beauty, (oil on panel)
658506 A Beauty, (oil on panel) by Buchner, Hans (1856-1941); 35x27 cm; Private Collection; (add.info.: A Beauty. Hans Buchner (1856-1941). Oil on panel

Background imageCream Coloured Collection: Reading, 1871

Reading, 1871
658395 Reading, 1871 () by Poynter, Edward John (1836-1919); 20x20 cm; Private Collection; (add.info.: Reading. Sir Edward John Poynter (1836-1919). Oil on panel. Dated 1871

Background imageCream Coloured Collection: Detail of a magnificent suit of brown cut velvet, comprising coat

Detail of a magnificent suit of brown cut velvet, comprising coat
1767236 Detail of a magnificent suit of brown cut velvet, comprising coat, breeches & waist of ivory satin embroidered en suite, c.1760 (velvet, satin) by French School

Background imageCream Coloured Collection: A Veracruz figure of a mother and child, Nopiloa, c. 550-950

A Veracruz figure of a mother and child, Nopiloa, c. 550-950
1767149 A Veracruz figure of a mother and child, Nopiloa, c.550-950 by Veracruz (AD 600-900); 23.5 high cm; Private Collection; (add.info.: A Veracruz figure of a mother and child, Nopiloa)

Background imageCream Coloured Collection: Gentlemens Room and Library, c. 1901 (colour litho)

Gentlemens Room and Library, c. 1901 (colour litho)
991167 Gentlemens Room and Library, c.1901 (colour litho) by Bauer, Leopold (1872-1938) (after); 40.5x53.3 cm; Private Collection; (add.info.: Gentlemens Room and Library)

Background imageCream Coloured Collection: Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware)

Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware)
1127870 Corinthian Ruins, Wedgwood Factory, Staffordshire (lead-glazed earthenware) by English School, (18th century); Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware)

Plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware)
1127869 Plate, Wedgwood Factory, Staffordshire (lead-glazed earthenware) by English School, (18th century); diam: 19.4 cm; Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)

Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)
1127873 Teapot, Wedgwood Factory, Staffordshire, c.1775 (lead-glazed earthenware) by English School, (18th century); 13.8x20.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)

Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)
1127872 Teapot, Wedgwood Factory, Staffordshire, c.1775 (lead-glazed earthenware) by English School, (18th century); 13.8x20.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Portrait of a Young Woman, three-quarter length, Holding a Carnation (oil on canvas)

Portrait of a Young Woman, three-quarter length, Holding a Carnation (oil on canvas)
827755 Portrait of a Young Woman, three-quarter length, Holding a Carnation (oil on canvas) by Cozza, Francesco (1605-82); 62.2x49.5 cm; Private Collection; (add.info.: Portrait of a Young Woman)

Background imageCream Coloured Collection: Portrait of a Woman by a Lake, (oil on canvas)

Portrait of a Woman by a Lake, (oil on canvas)
827000 Portrait of a Woman by a Lake, (oil on canvas) by Lynch, Albert (1851-1912); 100.3x76.2 cm; Private Collection; (add.info.: Portrait of a Woman by a Lake. Albert Lynch (1851-1912)

Background imageCream Coloured Collection: In Good Hands, 1909 (oil on canvas)

In Good Hands, 1909 (oil on canvas)
650618 In Good Hands, 1909 (oil on canvas) by Brown, John George (1831-1913); 63.5x75.5 cm; Private Collection; (add.info.: In Good Hands. John George Brown (1831-1913). Oil on canvas

Background imageCream Coloured Collection: Francoise Wearing a Big White Hat, (oil on canvas)

Francoise Wearing a Big White Hat, (oil on canvas)
650542 Francoise Wearing a Big White Hat, (oil on canvas) by Cassatt, Mary Stevenson (1844-1926); 62.2 50.2 cm; Private Collection; (add.info.: Francoise Wearing a Big White Hat)

Background imageCream Coloured Collection: A Self-Portrait of the Artist, head and shoulders at his Easel, (oil on canvas)

A Self-Portrait of the Artist, head and shoulders at his Easel, (oil on canvas)
659673 A Self-Portrait of the Artist, head and shoulders at his Easel, (oil on canvas) by Kroyer, Peder Severin (1851-1909); 51x41.3 cm; Private Collection; (add.info.: A Self-Portrait of the Artist)

Background imageCream Coloured Collection: Portrait of a Lady, Seated, with a Parasol, (oil on canvas)

Portrait of a Lady, Seated, with a Parasol, (oil on canvas)
659000 Portrait of a Lady, Seated, with a Parasol, (oil on canvas) by Boldini, Giovanni (1842-1931); 66x53 cm; Private Collection; (add.info.: Portrait of a Lady, Seated, with a Parasol)

Background imageCream Coloured Collection: A khatt-i-nakhun sketch of Nasr al-Din Shah (1831-1896), c

A khatt-i-nakhun sketch of Nasr al-Din Shah (1831-1896), c
1196801 A khatt-i-nakhun sketch of Nasr al-Din Shah (1831-1896), c.1850 (thumbnail sketch on paper) by Persian School, (19th century); 21x17 cm; Private Collection; Photo eChristies Images; Persian

Background imageCream Coloured Collection: Hunting Scene, c. 1660-80 (ink and w / c, heightened with gold on paper)

Hunting Scene, c. 1660-80 (ink and w / c, heightened with gold on paper)
1196826 Hunting Scene, c. 1660-80 (ink and w/c, heightened with gold on paper) by Mughal School, (17th century); 32.2x21.2 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageCream Coloured Collection: A raised work mirror depicting a noble couple, with animals, fruits and flowers (silk)

A raised work mirror depicting a noble couple, with animals, fruits and flowers (silk)
1767233 A raised work mirror depicting a noble couple, with animals, fruits and flowers (silk) by English School

Background imageCream Coloured Collection: A Portrait of Basil Mundy, 1908 (oil on canvas)

A Portrait of Basil Mundy, 1908 (oil on canvas)
827330 A Portrait of Basil Mundy, 1908 (oil on canvas) by Sorolla y Bastida, Joaquin (1863-1923); 100x55 cm; Private Collection; (add.info.: A Portrait of Basil Mundy)

Background imageCream Coloured Collection: Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)

Teapot, Wedgwood Factory, Staffordshire, c. 1775 (lead-glazed earthenware)
1127874 Teapot, Wedgwood Factory, Staffordshire, c.1775 (lead-glazed earthenware) by English School, (18th century); 13.8x20.5 cm; Fitzwilliam Museum, University of Cambridge

Background imageCream Coloured Collection: Her Majesty, Queen Victoria

Her Majesty, Queen Victoria
Queen Victoria (1819-1901), Queen of Great Britain and Ireland, and Empress of India. She was widowed in 1861 and wore mourning clothes thereafter

Background imageCream Coloured Collection: The Tempest

The Tempest
The characters from Shakespeares play " The Tempest" on board a ship caught in the terrible tempest which gives the play its name

Background imageCream Coloured Collection: Labrador Retriever (Canis familiaris), lying on the floor, facing forward

Labrador Retriever (Canis familiaris), lying on the floor, facing forward

Background imageCream Coloured Collection: Golden Retriever (Canis lupus familiaris) standing, side view

Golden Retriever (Canis lupus familiaris) standing, side view

Background imageCream Coloured Collection: Skye Terrier (Canis familiaris), bitch with two pups, seated together, front view

Skye Terrier (Canis familiaris), bitch with two pups, seated together, front view

Background imageCream Coloured Collection: Cream Burmese cat walking, front view

Cream Burmese cat walking, front view

Background imageCream Coloured Collection: colour, cream coloured, green, homegrown, nobody

colour, cream coloured, green, homegrown, nobody, Dorling Kindersley Prints, 1012984866

Background imageCream Coloured Collection: cream coloured, cutoutfacet, nobody, plain background

cream coloured, cutoutfacet, nobody, plain background, Dorling Kindersley Prints, 933046376

Background imageCream Coloured Collection: colour, cream coloured, mollusc, nobody, plain background, scaphopod, tooth shell

colour, cream coloured, mollusc, nobody, plain background, scaphopod, tooth shell
Tusk Shells partly buried in sand

Background imageCream Coloured Collection: Man in his mid-thirties, beige shirt, portrait

Man in his mid-thirties, beige shirt, portrait

Background imageCream Coloured Collection: Mans hands creating heart-shaped flower arrangement with cream roses and dried moss

Mans hands creating heart-shaped flower arrangement with cream roses and dried moss

Background imageCream Coloured Collection: American Shorthair cat hissing

American Shorthair cat hissing

Background imageCream Coloured Collection: Gerbil standing upright on mound of rocks, close-up, side view

Gerbil standing upright on mound of rocks, close-up, side view

Background imageCream Coloured Collection: Swedish Vallhund, looking at camera

Swedish Vallhund, looking at camera

Background imageCream Coloured Collection: Norwegian Buhund, side view

Norwegian Buhund, side view

Background imageCream Coloured Collection: Slovak Cuvac dog, head in profile

Slovak Cuvac dog, head in profile

Background imageCream Coloured Collection: Cream mixed-breed dog standing on lawn with a rubber toy in front

Cream mixed-breed dog standing on lawn with a rubber toy in front

Background imageCream Coloured Collection: Golden Retriever puppy (Canis familiaris) sitting up straight with front paws together

Golden Retriever puppy (Canis familiaris) sitting up straight with front paws together, front view

Background imageCream Coloured Collection: Cream and brown Persian cat, lying down

Cream and brown Persian cat, lying down

Background imageCream Coloured Collection: Mummy of a hawk, 1st-2nd century a. d

Mummy of a hawk, 1st-2nd century a. d
Egyptian civilization, 1st-2nd century A.D. Mummy of a hawk. Detail

Background imageCream Coloured Collection: British Blue and Cream Cat (Felis catus) lying on its side

British Blue and Cream Cat (Felis catus) lying on its side, facing forward, with its paws out front, side view



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"Captivating Cream Coloured Artworks: A Journey Through Time and Beauty" Immerse yourself in the enchanting world masterpieces. From the serene Girl Reading, 1916 (oil on canvas) to the ethereal Morning Mist on Water Palette Knife Oil Painting, these artworks transport you to a realm of tranquility. The Bird of Paradise Flower Strelitzia Painting bursts with vibrant hues against a cream backdrop, capturing nature's exquisite beauty. Meanwhile, the Kalanchoe Plant Abstract mesmerizes with its intricate patterns and delicate shades. In contrast, the Semi-nude girl (colour photo) exudes sensuality as she poses gracefully amidst a cream-toned setting. The Portrait of Dona Maria Mercedes de Alvear, 1921 (oil on canvas), showcases elegance and sophistication through its soft cream palette. Still Life, (oil on canvas), invites you into an intimate scene where objects come alive in creamy tones. The Performer, 1927 (oil on canvas), captures the energy and passion of an artist through bold strokes against a subtle cream background. Australian Native Flowers Oil Painting celebrates the unique flora that graces our land with gentle creams blending harmoniously with vivid blooms. Delving into textile artistry, we encounter a raised work embroidered mirror depicting a primitive hunter armed with his bow and arrow—a testament to human creativity across centuries. In contrast, a felt and applique panel adorned with embroidered silk highlights depicts carnations in all their creamy splendor. Lastly, Rosette and Nana, 1925 (oil on canvas) transports us back to an era defined by gracefulness as two figures dance amidst dreamy creams that evoke nostalgia for times gone by. These captivating cream-coloured artworks transcend time and space—each one inviting us to appreciate the subtleties within this timeless hue while immersing ourselves in their unique narratives.

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