Da Vinci Collection (page 3)

Naked male torso seen from behind, 1645. Creator: Wenceslaus Hollar
Naked male torso seen from behind, 1645

Head of a bald, sinewy man looking downwards, 1648. Creator: Wenceslaus Hollar
Head of a bald, sinewy man looking downwards, 1648

Man with caricatured features and hair streaming behind, in half-length to left, 1648

Head of a man with protruding chin and snub nose looking upwards in profile to left, 1625-77

Bust of a deformed man with a hat and a fat, protruding lower lip in profile to left, 1625-77

Grotesque old man with flattened nose in profile to left, 1625-77

Bust of a deformed woman with curly hair in profile to the left, 1665

Bust of a deformed man wearing a bulbous hat in profile to the left, 1625-77

Two youths in profile to left with two grotesque heads facing each other below, 1625-77

Bust of a deformed old woman with one tooth, facing left, 1665

Four grotesque heads in profile to left, 1625-77. Creator: Wenceslaus Hollar
Four grotesque heads in profile to left, 1625-77

Head and shoulder of a child, in profile to right, 1645. Creator: Wenceslaus Hollar
Head and shoulder of a child, in profile to right, 1645

Bust of a woman looking downwards towards left with elaborately decorated hair, 1648

Head of a bald man in profile to left, 1644-52. Creator: Wenceslaus Hollar
Head of a bald man in profile to left, 1644-52

Head of young man with long hair in profile to the left, 1644-52

Diversae Probae, 1645. Creator: Wenceslaus Hollar
Diversae Probae, 1645

Bust of a deformed woman with conical hat and two dangling plaits in profile to left, 1665

Bust of woman with wide-open mouth and long curly hair falling over her shoulders, wearing low-cut dress with ribbon round her waist, in profile to left, 1665

Bust of woman with wide open mouth and up-turned nose, wearing large flat turban with cloth hanging down behind in profile to right, 1665

Bust of woman with protruding mouth wearing low-cut dress and cloth bound around her head, in profile to right, 1660

Bust of a woman wearing low-cut dress, with protruding lipd, growth on her forehead, prominent breast, long flowing hair down her back, in profile to left. 1660

Bust of elderly man with nose that meets his lower lip, wearing wide flat cap in profile to left, 1665

Bust of a man with hooked nose, prominent upper lip, open mouth and short curly hair
Bust of a man with hooked nose, prominent upper lip, open mouth and thick, short curly hair resembling wig in profile to left, 1665

Bust of a man with a small turned-up nose and very high upper lip, wearing hood, in profile to the left, 1666

Title Page, Divers Anticke Faces, 1677. Creator: Wenceslaus Hollar
Title Page, Divers Anticke Faces, 1677

Bust of a man with a flat nose and protruding mouth, wearing flat cap and buttoned coat in profile to right, 1660

Title Page, Diversae Effigies, 1648. Creator: Wenceslaus Hollar
Title Page, Diversae Effigies, 1648

Portrait of Leonardo da Vinci (from Characaturas by Leonardo da Vinci, from Drawings by Wincelslaus Hollar, out of the Portland Museum), 1786

L Idea della Architettura, 1615. Creator: Vincenzo Scamozzi
L Idea della Architettura, 1615

[Copy of the head of Christ from Leonardo da Vincis The Last Supper]
[Copy of the head of Christ from Leonardo da Vincis " The Last Supper" ], 1857-61

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ITALY, Tuscany, Florence, Statue of the artist and inventor Leonardo da Vinci in the Vasari Corridor outside the Uffizi

Five grotesque heads, including an elderly man with an oak leaf wreath, 1646. 1646
Five grotesque heads, including an elderly man with an oak leaf wreath, 1646

La belle Feronnaire, c1830. Creator: Francois-Seraphin Delpech
La belle Feronnaire, c1830. Portrait of a lady, usually attributed to Leonardo da Vinci, known as Portrait of an Unknown Woman, reputedly a mistress of Francis I of France

Head of a Young Woman (Study for the Angel in the Virgin of the Rocks ), c1485, (1943). Drawing in the Biblioteca Reale, Turin, Italy

Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). Creator
Landscape drawing for Santa Maria della Neve on 5th August 1473, (1943). The Arno River Valley and Montelupo Castle in Tuscany, Leonardos earliest-known drawing, made when he was 21 years old

Characters and Caricaturas, 1807, (1827). Creator: Thomas Cook
Characters and Caricaturas, 1807, (1827). Hogarths response to the criticism that his characters were caricatures: above are characters with exaggerated features

Leonardo Da Vinci, (1933). Creator: Unknown
Leonardo Da Vinci, (1933). Portrait of Italian Renaissance artist, sculptor, engineer and inventor Leonardo da Vinci (1452-1519)

The Virgin of the Rocks, c1508, (c1950). Creator: Leonardo da Vinci
The Virgin of the Rocks, c1508, (c1950). Mary bringing the infant St John to be blessed by the Christ Child. Painting in the National Gallery, London

Variety of expressions, 1743. Artist: William Hogarth
Variety of expressions, 1743. Over 100 faces, illustrating the infinite variety of expression. Final state of plate

Head of an Old Man, c15th century, (1932). Artist: Leonardo da Vinci
Head of an Old Man, c15th century, (1932). From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519. [The Studio Limited, William Edwin Rudge, London & New York, 1932]

Head of the Redeemer, c15th century, (1932). Artist: Leonardo da Vinci
Head of the Redeemer, c15th century, (1932). From the collection of the Pinacoteca of Brera, Milan. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Head of a Virgin, c15th century, (1932). Artist: Leonardo da Vinci
Head of a Virgin, c15th century, (1932). Part of the Royal Collection, Windsor Castle. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Head of a Woman, c15th century, (1932). Artist: Leonardo da Vinci
Head of a Woman, c15th century, (1932). From the collection of the Galleria dell Accademia, Florence. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Study of a Childs Head, 1482-1483, (1932). Artist: Leonardo da Vinci
Study of a Childs Head, 1482-1483, (1932). From the collection of the Musee du Louvre, Paris. From Master Draughtsmen No. 2 - Leonardo Da Vinci 1452-1519

Leonardo da Vinci 1452-1519. - Selbstbildnis, 1934
Leonardo da Vinci 1452-1519. 1934. Leonardo di ser Piero da Vinci (1452-1519), more commonly Leonardo da Vinci or simply Leonardo, was an Italian polymath

Aristotle and Phyllis, c1480 (1945). Artist: Leonardo da Vinci
Aristotle and Phyllis, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

St. John the Baptist as a Youth, 1928. Artist: Leonardo da Vinci
St. John the Baptist as a Youth, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

Portrait of a Young Princess, 1928. Artist: Leonardo da Vinci
Portrait of a Young Princess, 1928. From The Mind of Leonardo Da Vinci, by Edward McCurdy. [Jonathan Cape, London, 1928]

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"Unveiling the Genius: Leonardo da Vinci's Masterpieces and Unparalleled Curiosity" Step into the captivating world of Leonardo da Vinci, a visionary artist, inventor, and scientist whose brilliance continues to inspire generations. From his intriguing studies to his iconic artworks, da Vinci's multifaceted genius knows no bounds. In "Head of a Bear, " created around 1480, da Vinci showcases his mastery in capturing intricate details with precision and finesse. The intensity in the bear's gaze draws us into its wild spirit. Leonardo da Vinci himself remains an enigma as we explore his self-portrait from 1490. This rare glimpse allows us to witness the face behind countless masterpieces – a man driven by insatiable curiosity and boundless creativity. Delving deeper into his scientific pursuits, we encounter "Studies of an ox heart. " Through pen and ink drawings dating back to 1512, da Vinci unravels the mysteries of anatomy with meticulous accuracy that still astounds modern scholars. "The Last Supper, " immortalized through Raphael Morghen and Teodoro Matteini's interpretation in 1800, pays homage to one of da Vinci's most renowned works. Its profound symbolism resonates across time as it captures both human emotion and divine presence. Amongst portraits that grace history is "Portrait of Cecilia Gallerani. " Painted circa 1490, this masterpiece reveals not only her elegance but also Lady with an Ermine symbolizes purity amidst power - a testament to Leonardo's ability to capture inner essence on canvas, not limited by earthly constraints; he dared to dream beyond imagination. His design for a flying machine wing operated by springs demonstrates his relentless pursuit of innovation even centuries ahead of its time. Peering into another realm altogether are pen-and-ink studies from c1510 depicting human fetuses. These anatomical explorations reveal Leonardo Da Vinci’s deep fascination with life's beginnings and his desire to unravel the mysteries of creation.