Dalila Collection

Samson et dalila (Samson and Delilah). Le heros biblique assailli dans sa chambre par les soldats philistins qui
FIA5365248 Samson et dalila (Samson and Delilah). Le heros biblique assailli dans sa chambre par les soldats philistins qui tentent de le lier avec la corde de ses cheveux dont une partie git sur le

Samson and Delilah, 1887 (oil on canvas)
FIA5392484 Samson and Delilah, 1887 (oil on canvas) by Echenagusia-Errazquin, Jose (1844-1912); 183.7x201 cm; Museo de Bellas Artes, Bilbao, Spain; Photo © Fine Art Images

Samson and Delilah (pen & ink on paper)
AGN284349 Samson and Delilah (pen & ink on paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666); Private Collection; Photo eAgnew s, London; Italian, out of copyright

Samson and Delilah
CP10021 Samson and Delilah by Guercino (Giovanni Francesco Barbieri) (1591-1666); Private Collection; eLady Inglewood; Italian, out of copyright

Samson and Delilah, lunette, 1531-32 (fresco)
ALI79361 Samson and Delilah, lunette, 1531-32 (fresco) by Romanino, Girolamo (c.1485-c.1566); Castello del Buonconsiglio, Trento, Italy; Alinari

Delilah, illustration from Women of the Bible
IL281094 Delilah, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright

Samson trahi par Dalila (engraving)
3625836 Samson trahi par Dalila (engraving) by French School, (19th century); Private Collection; (add.info.: Samson trahi par Dalila)

Samsons Revenge on Dalila (chromolitho)
735360 Samsons Revenge on Dalila (chromolitho) by European School, (19th century); Private Collection; (add.info.: Samsons Revenge on Dalila)

The Philistines Attack Aided by Dalila (chromolitho)
735358 The Philistines Attack Aided by Dalila (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Philistines Attack Aided by Dalila)

Dalila Declares her Love for Samson (chromolitho)
735356 Dalila Declares her Love for Samson (chromolitho) by European School, (19th century); Private Collection; (add.info.: Dalila Declares her Love for Samson)

Samson and Delilah, from the Luther Bible, c. 1530 (coloured woodcut)
BAL12731 Samson and Delilah, from the Luther Bible, c.1530 (coloured woodcut) by German School, (16th century); Bible Society, London, UK; German, out of copyright

The Imprisonment of Samson, after a painting by Rubens, 1848 (oil on canvas)
XKH146487 The Imprisonment of Samson, after a painting by Rubens, 1848 (oil on canvas) by Feuerbach, Anselm (1829-80); 52x63 cm; Hamburger Kunsthalle, Hamburg

Samsons Fall (engraving)
5204391 Samsons Fall (engraving) by English School, (19th century); Private Collection; (add.info.: Samsons Fall. Illustration for The Bible Album (Ward and Lock, c 1870)

Dish depicting Samson and the Philistines, Pesaro Workshop (ceramic)
XIR211792 Dish depicting Samson and the Philistines, Pesaro Workshop (ceramic) by Italian School, (16th century); Musee National de Ceramique, Sevres

Saint-Saens, Samson et Dalila (chromolitho)
667113 Saint-Saens, Samson et Dalila (chromolitho) by French School, (19th century); Private Collection; (add.info.: Saint-Saens, Samson et Dalila. Card published by Guerin-Boutron, c 1900)

Samson and Delilah (oil on canvas)
AII135310 Samson and Delilah (oil on canvas) by Stomer, (Stom) Matthias (c.1600-p.1650); Palazzo Barberini, Gallerie Nazionali Barberini Corsini, Rome, Italy; Dutch, out of copyright

Marianne Flahaut in the role of Dalila (coloured photo)
978037 Marianne Flahaut in the role of Dalila (coloured photo) by Reutlinger Studio (1850-1937) (after); Private Collection; (add.info.: Marianne Flahaut, Belgian opera singer, in the role of Dalila)

Camille Saint-Saens (chromolitho)
734780 Camille Saint-Saens (chromolitho) by European School, (19th century); Private Collection; (add.info.: Camille Saint-Saens)

Samson and Dalila Walk in the Gardens (chromolitho)
735357 Samson and Dalila Walk in the Gardens (chromolitho) by European School, (19th century); Private Collection; (add.info.: Samson and Dalila Walk in the Gardens)

Samson and Delilah (w / c)
PWI82610 Samson and Delilah (w/c) by Moreau, Gustave (1826-98); Musee Gustave Moreau, Paris, France; ePeter Willi; French, out of copyright

Samson and Delilah, c. 1500 (glue size on linen)
XCF30011 Samson and Delilah, c.1500 (glue size on linen) by Mantegna, Andrea (1431-1506); 47x36.8 cm; National Gallery, London, UK; Italian, out of copyright

Costume design for Delilah from the opera Samson and Delilah by Charles
XZO76998 Costume design for Delilah from the opera Samson and Delilah by Charles Camille Saint-Saens (1835-1921) (w/c) by French School, (19th century); Bibliotheque de l Opera Garnier, Paris

Samson and Delilah
XJL61192 Samson and Delilah by Caravaggio, Michelangelo (1571-1610) (follower of); Hospital de Tavera, Toledo, Spain; Italian, out of copyright

Samson and Delilah, c. 1609 (oil on panel) (detail of 15815)
XCF263517 Samson and Delilah, c.1609 (oil on panel) (detail of 15815) by Rubens, Peter Paul (1577-1640); 185x205 cm; National Gallery, London, UK; Flemish, out of copyright

Samson and Delilah (oil on canvas)
XIR222729 Samson and Delilah (oil on canvas) by Nuvolone, Giuseppe (1619-1703); 187x242 cm; Musee des Beaux-Arts, Caen, France; Italian, out of copyright

Samson and Delilah (colour litho)
XJL211260 Samson and Delilah (colour litho) by German School, (19th century); Civica Raccolta Stampe Bertarelli, Milan, Italy; (add.info)

Samson and Delilah and the destruction of the Temple (colour litho)
XJL211230 Samson and Delilah and the destruction of the Temple (colour litho) by German School, (19th century); Civica Raccolta Stampe Bertarelli, Milan, Italy; German, out of copyright

Samson and Delilah, c. 1609 (oil on panel)
XCF15815 Samson and Delilah, c.1609 (oil on panel) by Rubens, Peter Paul (1577-1640); 185x205 cm; National Gallery, London, UK; Flemish, out of copyright

Samson and Delilah (woodcut) (b / w photo)
XJF115891 Samson and Delilah (woodcut) (b/w photo) by Jewish School; Private Collection; out of copyright

Delilah (w / c on paper)
XIR208579 Delilah (w/c on paper) by Moreau, Gustave (1826-98); 25x17.5 cm; Musee Gustave Moreau, Paris, France; French, out of copyright

Saint Saens / Samson / Lieb4
Act 2 scene 3 : Samson has revealed the secret of his strength, Dalila has cut his hair and now calls the Philistine warriors to take him captive

Saint Saens / Samson / Lieb3
Act 2 scene 3 : Dalila tries to get Samson to reveal to her the secret of his strength

Saint Saens / Samson / Lieb2
Act 1 scene 6 : Samson is struck by the beauty of the Philistine Dalila

Saint Saens / Samson 3
Meyriame Heglon as Dalila in a production at the Paris Opera

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"Delilah: The Enigmatic Temptress and Samson's Downfall" Delilah, a name that echoes through the ages as a symbol of betrayal and seduction. In the Queen Mary Psalter, we witness her infamous act of cutting Samson's hair, stripping him of his strength and rendering him vulnerable to his enemies. Rembrandt van Rhijn masterfully captures the aftermath in "Samson aveugle, " where we see a blind Samson grinding corn in prison. His once mighty physique reduced to servitude, reminding us of the consequences of succumbing to temptation. The chromolitho prints depict different facets of this biblical tale. In "Samson in Chains, " we feel the weight of his captivity while he urges the Israelites to free themselves from their oppressors in another print. Meanwhile, soldiers attempt to bind Samson with his own hair as depicted in "Samson et dalila. " Artists like Rubens and Degas immortalize this tragic story on canvas with their oil paintings capturing moments filled with tension and emotion. Their brushstrokes bring Delilah's treachery into vivid focus while showcasing Samson's vulnerability. In contrast, pen & ink drawings illustrate delicate scenes between these ill-fated lovers. We can almost hear their whispered conversations amidst intricate lines on paper. A fresco lunette from 1531-32 portrays an intense encounter between Samson and Delilah, emphasizing her role as both captor and temptress. And an engraving shows Dalila betraying Samson for personal gain—a reminder that even love can be corrupted by greed. But it is not just about betrayal; it is also about redemption. Chromolitho prints show us how vengeance consumes Samsons' heart as he seeks retribution against Delilah for her deceitful actions. Through these various artistic interpretations spanning centuries, we are reminded of human frailty when faced with temptation.