Danza Collection

Ballet Petrouschka. Vaslav Nijinsky
Ballet Petrouschka, music by Igor Stravinsky (1911). Illustration by Georges Lepape with the dancer Vaslav Nijinsky. Art Deco. Drawing

Dance of Alcinous Children, 1790-02 (plaster)
6343144 Dance of Alcinous Children, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Dance of Alcinous Children, detail, 1790-02 (plaster)
6343145 Dance of Alcinous Children, detail, 1790-02 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble)
6343001 Dancing Terpsichore (Dancer), detail of the rear part with the bare shoulders and the chignon, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona

Female dancers (pastel)
6336389 Female dancers (pastel) by Ferraguti, Arnaldo (1862-1925); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Arnaldo Ferraguti)

Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble)
6343000 Dancing Terpsichore (Dancer), detail of the hand, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Dance of Alcinous Children, detail, 1790-92 (plaster)
6343147 Dance of Alcinous Children, detail, 1790-92 (plaster) by Canova, Antonio (1757-1822); Fondazione Cariplo, Milan, Lombardy, Italy; (add.info.: Danza dei figli di Alcinoo, 1790-2)

Young Dancer, detail of the leg, before 1845 (marble)
6343003 Young Dancer, detail of the leg, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble)
6342999 Dancing Terpsichore (Dancer), detail of the feet, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

Dancing Terpsichore (Dancer), detail, 1820 (marble)
6342998 Dancing Terpsichore (Dancer), detail, 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

6365919

The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble)
6343021 The entry of Alexander the Great into Babylon, 1818-1828, Detail of the dancers scattering flowers (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Musei Civici Del Castello Visconteo

Young Dancer, before 1845 (marble)
6343002 Young Dancer, before 1845 (marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Giovane danzatrice, ante 1845)

Dancing Terpsichore (Dancer), 1820 (marble)
6342997 Dancing Terpsichore (Dancer), 1820 (marble) by Monti, Gaetano Matteo (1776-1847); Seminario Vescovile, Cremona, Italy; (add.info.: Tersicore danzante (Danzatrice), 1820

"How to dance the Alemanna"Double page of "Le Gratie d Amore"
LRI557850 " How to dance the Alemanna" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

"How to dance the capriola"Double page of "Le Gratie d Amore"
LRI557845 " How to dance the capriola" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer
LRI557838 Portrait of Cesare Negri called Il Trombone (1536-1604), an italian dancer by Italian School, (17th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Four Chinese merchants playing the game of odd or even (Tui-Tsu) in summer clothes, China, 19th century. A man uses a stick to move the cash bets on the table

Ancient Greek warriors with painted shields riding a biga or two-horse chariot. Rear view of the car showing the two tiers. Guerrieri con Carri

Sword dance by Bedouin Arabs near the valley
Sword dance by nomadic Bedouin Arabs near the valley of the kings in Thebes by Giovanni Battista Belzoni. Two women dance a traditional sword dance to musical accompaniment from a recorder

Dance of the Flyers or Pole Flying, Mexico
Dance of the Flyers (Danza de los Voladores) or Pole Flying (Palo Volador), ancient Mesoamerican ceremony. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrarios Ancient

Ancient Egypt: Music and dance before the king, 1866 (coloured engraving)
XEE702561 Ancient Egypt: Music and dance before the king, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

"Description of ballet for two"Double page of "Le Gratie d Amore"
LRI557848 " Description of ballet for two" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

The War Dance (chromolitho)
734626 The War Dance (chromolitho) by European School, (19th century); Private Collection; (add.info.: The War Dance. Liebig card)

Double page of "Le Gratie d Amore"(Le Grazie d
LRI557856 Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance by Italian School

"How to dance a ballet for two"Double page of "Le Gratie d Amore"
LRI557853 " How to dance a ballet for two" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

"How to dance the campanella"Double page of "Le Gratie d Amore"
LRI557841 " How to dance the campanella" Double page of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604)

Frontispiece of "Le Gratie d Amore"(Le Grazie d
LRI557836 Frontispiece of " Le Gratie d Amore" (Le Grazie d Amore) by italian dancer Cesare Negri called Il Trombone (1536-1604), treaty on dance by Italian School

Vaslav Nijinsky. Le Pavillon d Armide
Ballets Russes. The dancer Vaslav Nijinsky in the ballet Le Pavillon d Armide, with choreography by Mikhail Fokin and music by Nikolai Tcherepine (1911)

Ballet Symphonie. Fantastique
Ballet Symphonie Fantastique, music by Hector Berlioz and choreography by Leonide Massine (1936). Sketch for the scene in the ballroom, by Christian B鲡 rd

Ballet Les Sylphides, performed by the Diaghilevs Ballets Russes after the choreography by Mikhail Fokin. Watercolour by Ernst Oppler (1925). Watercolour

Anna Pavlova and. Vaslav Nijinsky
Ballets Russes. Anna Pavlova and Vaslav Nijinsky (1909)

Dance scene. 6th c. BC. Kylix with black figures. Archaic Greek art. Ceramics. ITALY. LAZIO. Rome. National Etruscan Museum of Villa Julia

Big ballet The Fairy Doll. Olympia theatre. Poster

La Bella Otero
BELLA OTERO, La (1868-1965). Spanish dancer, actress and courtesan

Cl鯠de M鲯de
Mɒ ODE, Cl鯠 de (1875-1966). French dancer

Picture No. 11014356
Architectural detail of the Academy of Dance (Conservatorio de Danza) Seville, Seville province, Andalusia, Spain Date:

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"Danza: A Celebration of Movement and Artistry" Step into the enchanting world of danza, where graceful movements and captivating performances transport us to a realm of beauty and expression. From the iconic Ballet Petrouschka choreographed by Vaslav Nijinsky to the vibrant Carnival of Oruro in Bolivia, dance has captivated audiences for centuries. Vaslav Nijinsky's Le Pavillon d'Armide showcases his innovative choreography that pushed boundaries and redefined ballet as an art form. The Ballet Symphonie Fantastique mesmerizes with its symphonic storytelling through dance, leaving spectators spellbound. The legendary duo Anna Pavlova and Vaslav Nijinsky have left an indelible mark on the world of danza. Their partnership brought forth unforgettable performances that continue to inspire generations of dancers. Intricate details come alive in works such as Dance of Alcinous Children, where plaster sculptures capture the essence of movement frozen in time. Delicate pastels depict female dancers exuding elegance and grace, while marble sculptures like Dancing Terpsichore reveal every intricate detail from bare shoulders to chignons. Danza is more than just physicality; it is a language spoken through bodies in motion. It transcends cultural boundaries, allowing individuals from all walks of life to connect with their emotions and tell stories without uttering a single word. Whether it be classical ballet or traditional folk dances like those seen at The Carnival of Oruro in Bolivia, danza serves as a vessel for cultural preservation and celebration. It unites communities, preserving traditions passed down through generations while embracing innovation within this timeless art form. So let us immerse ourselves in the world - where passion meets precision, creativity intertwines with tradition, and movement becomes poetry. Let us celebrate this universal language that speaks volumes without saying a word – forever captivating our hearts and souls with its ethereal beauty.