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Demonic Collection (page 3)

"Demonic: Exploring the Equilibrium of Opposites in Art and History" Delve into the enigmatic world of demons and their representation in art throughout history

Background imageDemonic Collection: Bronze head of Pazuzu, probably from Nimrud (ancient Kalhu), Neo-Assyrian, about 800-550 BC

Bronze head of Pazuzu, probably from Nimrud (ancient Kalhu), Neo-Assyrian, about 800-550 BC
Bronze head of Pazuzu, probably from Nimrud (ancient Kalhu), northern Iraq, Neo-Assyrian, about 800-550 BC. Pazuzu was an Assyrian and Babylonian demonic god of the first millennium BC

Background imageDemonic Collection: Red chalk study, c1500. Artist: Albrecht Durer

Red chalk study, c1500. Artist: Albrecht Durer
Red chalk study, c1500. Study of demonic characters. From the Museum of Fine Arts, Budapest

Background imageDemonic Collection: Water closet, 1556

Water closet, 1556
Water Closet, 1556. A man sitting on a toilet being menaced by a demonic creature. From The Metamorphosis of Ajax by Sir John Harrington

Background imageDemonic Collection: Philip Melanchthon the German Protestant reformer, c18th century

Philip Melanchthon the German Protestant reformer, c18th century. Engraving after original likeness by Durer

Background imageDemonic Collection: Philip Melanchthon (1497-1560) the German Protestant reformer

Philip Melanchthon (1497-1560) the German Protestant reformer
Philip Melanchthon the German Protestant reformer, 1497-1560. Portrait after Holbein

Background imageDemonic Collection: The Demon Rough, 1874. Artist: Joseph Swain

The Demon Rough, 1874. Artist: Joseph Swain
The Demon Rough, 1874. A bestial labourer crouches over the limp body of his wife whilst Justice stands over him, her scales and sword on her belt, and the cat o nine tails in her hand

Background imageDemonic Collection: Statue of a winged lion with human head. Nimrud

Statue of a winged lion with human head. Nimrud
Colossal statue of a winged lion with a human face. 865-860 BC. From Northwest Palace of Ashurnasirpal II. Nimrud. British Museum. London. United Kingdom

Background imageDemonic Collection: Demonic Frog

Demonic Frog
A demon, in the form of a frog, seeks to persuade a married noblewoman to exchange her chastity for his gold

Background imageDemonic Collection: The Devil corrupting a group of nuns

The Devil corrupting a group of nuns
Engraving from Thomas Glanvilles " Saducismus Triumphatos", depicting the Devil corrupting a group of nuns. The book affirmed the existence of witches with malign supernatural magical

Background imageDemonic Collection: Joden Zijn Ook Menschen Steenlandt, Brussels, 1942. Cover of Flemish language

Joden Zijn Ook Menschen Steenlandt, Brussels, 1942. Cover of Flemish language anti-Semitic publication with drawing of demonic Jew. The publication was full of photos ridiculing Jews

Background imageDemonic Collection: The Woman Who Gambles bys Buchanan Rogerson

The Woman Who Gambles bys Buchanan Rogerson
Promotional postcard for The Woman Who Gambles by S. Buchanan Rogerson. First produced at the Colosseum, Oldham, 29th January and Princes Theatre, Poplar, 2nd July 1906

Background imageDemonic Collection: A Son of Satan by Clifford Rean

A Son of Satan by Clifford Rean
Promotional postcard for A Son of Satan by Clifford Rean. First produced at Smethwick 19th February 1902. Date: 1902

Background imageDemonic Collection: Les Sept Chateaux de Diable by MM. Dennery and C Clairville

Les Sept Chateaux de Diable by MM. Dennery and C Clairville
Promotional postcard for Les Sept Chateaux de Diable (The seven castles of the devil) : fairy in three acts and eighteen paintings. Preceded from the Boudoir de satan

Background imageDemonic Collection: The Pilgrims Progress

The Pilgrims Progress
Hand coloured. Illustration of two men, one young and one old, looking down on a group of beasts and demonic beings, with the title in large letters in the centre

Background imageDemonic Collection: Pan with his Pipes

Pan with his Pipes
A rather demonic Pan, with his pipes. Date: 1930s

Background imageDemonic Collection: Johann Wier

Johann Wier
JOHANN WIER German physician, notable for his investigation of cases of supposed demonic possession, which he ascribed to sickness rather than the devils work. Date: 1515 - 1588

Background imageDemonic Collection: Exorcism of a demon from a possessed woman (oil on panel)

Exorcism of a demon from a possessed woman (oil on panel)
XIR438835 Exorcism of a demon from a possessed woman (oil on panel) by Salimbeni, Lorenzo (1374-c.1420); Museo Horne, Florence, Italy; (add.info.: Exorcisme d une possedee du demon; ); Italian

Background imageDemonic Collection: Study of Head and Shoulders (ink on paper)

Study of Head and Shoulders (ink on paper)
BAL42702 Study of Head and Shoulders (ink on paper) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; (add.info.: Inv.1895/1/15/495/ Recto (W.2); ); Italian, out of copyright

Background imageDemonic Collection: The Temptation of St. Anthony, 1631 (oil on wood)

The Temptation of St. Anthony, 1631 (oil on wood)
XIR418359 The Temptation of St. Anthony, 1631 (oil on wood) by Venne, Jan van de (1590-1651); 68x87 cm; Musee des Beaux-Arts, Dunkirk, France; (add.info.: Tentation de Saint Antoine; ); Flemish

Background imageDemonic Collection: Angel with the Key of the Abyss, 1498 (colour woodcut)

Angel with the Key of the Abyss, 1498 (colour woodcut)
XOT361704 Angel with the Key of the Abyss, 1498 (colour woodcut) by DAOErer or Duerer, Albrecht (1471-1528); Museo Correr, Venice

Background imageDemonic Collection: Fallen Angels, engraved by R. Griffith (coloured engraving)

Fallen Angels, engraved by R. Griffith (coloured engraving)
XCF272201 Fallen Angels, engraved by R. Griffith (coloured engraving) by Barrett, Francis (fl. 1800) (after); Private Collection; (add.info.: a deceiver; Apollyon; vesssels of iniquity; ); English

Background imageDemonic Collection: H. Gregory of Nyssa, church father, Jan Luyken, Zacharias Chatelain (II), Francois Halma

H. Gregory of Nyssa, church father, Jan Luyken, Zacharias Chatelain (II), Francois Halma, 1698

Background imageDemonic Collection: England, Gloucestershire, Winchcombe Church, an animal god, carved from stone

England, Gloucestershire, Winchcombe Church, an animal god, carved from stone, which represented qualities such as strength in pagan times

Background imageDemonic Collection: Witchcraft, 18th century

Witchcraft, 18th century
Witchcraft. 18th-century artwork depicting a witch mixing potions by candlelight at lower left, and witches on broomsticks departing up a chimney in the background at right as another witch incants a

Background imageDemonic Collection: Ritz, 1950s, USA

Ritz, 1950s, USA

Background imageDemonic Collection: Sculptures of Asuras (demonic monsters) at gate tower of Khmer temple, South Gate, Angkor Thom

Sculptures of Asuras (demonic monsters) at gate tower of Khmer temple, South Gate, Angkor Thom, Siem Riep, Cambodia

Background imageDemonic Collection: The suffrage debate: two extreme portraits

The suffrage debate: two extreme portraits
The anti-suffragette as seen by the suffragette, and the suffragette as seen by the anti-suffragette: a coy and slightly demonic looking young woman in evening wear simpers at the viewer

Background imageDemonic Collection: Illustration entitled Lanterne Magique

Illustration entitled Lanterne Magique
Illustration entitled " Lanterne Magique" showing many silhouetted images of magic by Michel Delaporte, 1832. HPF/5C/0"

Background imageDemonic Collection: Monk and Demon

Monk and Demon
A demonic entity appears to trouble the soul of a medieval monk



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"Demonic: Exploring the Equilibrium of Opposites in Art and History" Delve into the enigmatic world of demons and their representation in art throughout history. From Eliphas Levi's iconic depiction of Baphomet, a symbol embodying the equilibrium between opposing forces, to Francisco Goya's haunting masterpiece "The Witches Sabbath, " we are confronted with the allure and darkness surrounding these supernatural beings. In Herr's mesmerizing painting "Witches Sabbat, " we witness a gathering where witches engage in mysterious rituals, evoking both fear and fascination. Raphael's "The Transfiguration of Christ" captivates us with its portrayal of divine transformation juxtaposed against demonic figures lurking beneath. As we journey through time, we encounter epidemics that plagued humanity during the 16th century, reminding us of our vulnerability to unseen malevolent forces. In "The Vision of Faust, " an oil on canvas by an unknown artist from 1878, Faust is depicted making a pact with a demon – a cautionary tale about the consequences of unchecked desires. Even Victorian satire did not shy away from exploring themes related to demons; as seen in "Principle and Interest, " society is satirically portrayed as being driven by greed and temptation. The statue of a winged lion with a human head found at Nimrud adds another layer to our understanding of ancient beliefs surrounding hybrid creatures associated with power and mysticism. Shakespearean tragedy comes alive through Henry Fuseli’s painting inspired by Lady Macbeth’s infamous line: “Why then 'tis time to do't. ” This chilling scene captures her descent into madness under demonic influence. Amongst all these depictions lies an eerie reminder - the presence left behind by demonic handprints imprinted on surfaces throughout history. These marks serve as unsettling evidence that there may be more than meets the eye when it comes to supernatural entities. Ultimately, this collection invites contemplation on the blurred boundaries between good and evil, light and darkness.