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Disciple Collection (page 2)

"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine

Background imageDisciple Collection: Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator

Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Creator
Jesus said, - one of you that eateth with me shall betray me, mid 19th century. Biblical scene, from Mark 14: 18: And as they sat and did eat, Jesus said, Verily I say unto you

Background imageDisciple Collection: St. Andrew, c. 1631 (oil on canvas)

St. Andrew, c. 1631 (oil on canvas)
3247703 St. Andrew, c.1631 (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (c.1590-1652); 123x95 cm; Prado, Madrid, Spain; Italian, out of copyright

Background imageDisciple Collection: St. Matthew (oil on panel)

St. Matthew (oil on panel)
WLT206726 St. Matthew (oil on panel) by Wtewael or Utewael, Joachim (c.1566-1638); 78.7x62 cm; Walters Art Museum, Baltimore, USA; Dutch, out of copyright

Background imageDisciple Collection: Buddha on his deathbed surrounded by his disciples and animals expressing their pain

Buddha on his deathbed surrounded by his disciples and animals expressing their pain. Painting, c.700, copy of an oldest original

Background imageDisciple Collection: Jesus and his disciples at the Last Supper, 1866. Artist: Gustave Dore

Jesus and his disciples at the Last Supper, 1866. Artist: Gustave Dore
Jesus and his disciples at the Last Supper, 1866. From the Bible (Mark 14:22)

Background imageDisciple Collection: Tinh Xa Ngoc Chau Buddhist temple. The Life of the Buddha, Siddhartha Gautama

Tinh Xa Ngoc Chau Buddhist temple. The Life of the Buddha, Siddhartha Gautama. Buddha with disciples, teaching. The Buddha exhorted His first sixty Arahant disciples to go forth in different

Background imageDisciple Collection: Jesus in the Garden of Gethsemane

Jesus in the Garden of Gethsemane
Jesus praying in the Garden of Gethsemane before his arrest. Hand-colored woodcut of a 19th-century illustration

Background imageDisciple Collection: Jesus Ascension to Heaven stained glass Gesu Church, Miami, Florida. Built 1920's

Jesus Ascension to Heaven stained glass Gesu Church, Miami, Florida. Built 1920's. Glass by Franz Mayer

Background imageDisciple Collection: Adoration of Virgin Mary Disciples stained glass Gesu Church, Miami, Florida. Built 1920's

Adoration of Virgin Mary Disciples stained glass Gesu Church, Miami, Florida. Built 1920's. Glass by Franz Mayer

Background imageDisciple Collection: Portrait of Mr. Forbes Robertson

Portrait of Mr. Forbes Robertson (16th January 1853- 6th November 1937), an English actor and theatre manager. He was considered the finest Hamlet of the Victorian era

Background imageDisciple Collection: The disciples are convinced the Jesus is dead. Codex of Pred

The disciples are convinced the Jesus is dead. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageDisciple Collection: Van Dyck Sir Anthony Deposition Christ Flemish

Van Dyck Sir Anthony Deposition Christ Flemish
van, dyck, sir, anthony, deposition, christ, flemish, art, descent, jesus, christianity, angel, apostle, apostles, john, baroque, disciples, lamentation, death, resurrection, disciple, golgatha

Background imageDisciple Collection: The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford

The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper)
BIR185842 The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper) by Burne-Jones

Background imageDisciple Collection: Coronation of the Virgin, or Madonna of Monteluce, c. 1525 (oil on wood)

Coronation of the Virgin, or Madonna of Monteluce, c. 1525 (oil on wood)
868048 Coronation of the Virgin, or Madonna of Monteluce, c.1525 (oil on wood) by Romano, Giulio (1492-1546) & Penni, Giovanni Francesco (il Fattore) (c.1488-1528)

Background imageDisciple Collection: The Denial of Saint Peter (oil on panel)

The Denial of Saint Peter (oil on panel)
868073 The Denial of Saint Peter (oil on panel) by Pensionante de Saraceni, (17th century); Vatican Museums and Galleries

Background imageDisciple Collection: The Last Supper (oil on canvas)

The Last Supper (oil on canvas)
471507 The Last Supper (oil on canvas) by Jordaens, Jacob (1593-1678); 296x366 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: The Judas Kiss, 1911 (oil on canvas)

The Judas Kiss, 1911 (oil on canvas)
471405 The Judas Kiss, 1911 (oil on canvas) by Smits, Jacobs (1856-1928); 81x111 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: Central panel of the Triptych of Adriaan Reins, 1480 (oil on panel)

Central panel of the Triptych of Adriaan Reins, 1480 (oil on panel)
490184 Central panel of the Triptych of Adriaan Reins, 1480 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: The principal theme of this triptych)

Background imageDisciple Collection: The Calling of Peter and the Healing of Hemorroissa (oil on panel)

The Calling of Peter and the Healing of Hemorroissa (oil on panel)
489964 The Calling of Peter and the Healing of Hemorroissa (oil on panel) by Blondeel, Lancelot (c.1495-c.1561) (school of); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageDisciple Collection: The Supper at Emmaus (w/c on paper)

The Supper at Emmaus (w/c on paper)
471399 The Supper at Emmaus (w/c on paper) by Smits, Jacobs (1856-1928); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: Altaarstuk van het bontwerkerambacht, 1574 (oil on panel)

Altaarstuk van het bontwerkerambacht, 1574 (oil on panel)
6336925 Altaarstuk van het bontwerkerambacht, 1574 (oil on panel) by Vos, Maarten de (1532-1603); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: Last Supper (oil on panel)

Last Supper (oil on panel)
6336924 Last Supper (oil on panel) by Key, Adriaen Thomasz (1544-90); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: Last Supper (oil on panel)

Last Supper (oil on panel)
6336923 Last Supper (oil on panel) by Key, Adriaen Thomasz (1544-90); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDisciple Collection: The Last Supper, 1548 (oil on panel)

The Last Supper, 1548 (oil on panel)
489970 The Last Supper, 1548 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 46.5x63 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageDisciple Collection: Triptych of Adriaan Reins, 1480 (oil on panel)

Triptych of Adriaan Reins, 1480 (oil on panel)
490183 Triptych of Adriaan Reins, 1480 (oil on panel) by Memling, Hans (c.1433-94); Groeningemuseum, Bruges, Belgium; (add.info.: The principal theme of this triptych, commissioned by Adriaan Reins)

Background imageDisciple Collection: The Last Supper, 1927 (oil on canvas)

The Last Supper, 1927 (oil on canvas)
490037 The Last Supper, 1927 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 395x300 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageDisciple Collection: The Last Supper, detail of St. Peter pouring wine (oil on panel)

The Last Supper, detail of St. Peter pouring wine (oil on panel)
IND41452 The Last Supper, detail of St. Peter pouring wine (oil on panel) by Ferrer II, Jaime (fl.1436-60); Museo Diocesano de Solsona, Lleida, Spain; Index Fototeca

Background imageDisciple Collection: The Incredulity of Saint Thomas, c. 1620 (oil on canvas)

The Incredulity of Saint Thomas, c. 1620 (oil on canvas)
IND380374 The Incredulity of Saint Thomas, c.1620 (oil on canvas) by Honthorst, Gerrit van (1590-1656); Prado, Madrid, Spain; Index Fototeca

Background imageDisciple Collection: Fol. 134v Jesus at the Tiberian Lake with the Disciples (vellum)

Fol. 134v Jesus at the Tiberian Lake with the Disciples (vellum)
ALI142388 Fol.134v Jesus at the Tiberian Lake with the Disciples (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageDisciple Collection: Fol. 103v After the Transfiguration Christ tells the apostles not to reveal this until after

Fol. 103v After the Transfiguration Christ tells the apostles not to reveal this until after the Resurrection (vellum)
ALI142186 Fol.103v After the Transfiguration Christ tells the apostles not to reveal this until after the Resurrection (vellum) (detail) by Italian School, (15th century); Biblioteca Reale, Turin

Background imageDisciple Collection: Fol. 97v Christ advises the disciples about the selling of the ointment (vellum)

Fol. 97v Christ advises the disciples about the selling of the ointment (vellum)
ALI142334 Fol.97v Christ advises the disciples about the selling of the ointment (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum)

Fol. 70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum)
ALI142380 Fol.70v Jesus, in Jerusalem it is Said that They Intent to Kill the Prophets (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 72v The Pharisees in Amazement Present to Jesus Various Invalids (vellum)

Fol. 72v The Pharisees in Amazement Present to Jesus Various Invalids (vellum)
ALI142377 Fol.72v The Pharisees in Amazement Present to Jesus Various Invalids (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 103r A light appears during the Transfiguration of Christ (vellum)

Fol. 103r A light appears during the Transfiguration of Christ (vellum)
ALI142180 Fol.103r A light appears during the Transfiguration of Christ (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageDisciple Collection: Fol. 58v Nicodemus Visits Christ (vellum)

Fol. 58v Nicodemus Visits Christ (vellum)
ALI142341 Fol.58v Nicodemus Visits Christ (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageDisciple Collection: Fol. 129vb Mary Magdalene gives the news of the resurrection to Simon Peter (vellum)

Fol. 129vb Mary Magdalene gives the news of the resurrection to Simon Peter (vellum)
ALI142192 Fol.129vb Mary Magdalene gives the news of the resurrection to Simon Peter (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 130v Christ accompanies two disciples to Emmaus without their realising it is Him (vellum)

Fol. 130v Christ accompanies two disciples to Emmaus without their realising it is Him (vellum)
ALI142191 Fol.130v Christ accompanies two disciples to Emmaus without their realising it is Him (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 133v The disciples fish in the Lake of Tiberius without success (vellum)

Fol. 133v The disciples fish in the Lake of Tiberius without success (vellum)
ALI142894 Fol.133v The disciples fish in the Lake of Tiberius without success (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 105v Simon Peter defends Christ and wounds a soldier with a sword (vellum)

Fol. 105v Simon Peter defends Christ and wounds a soldier with a sword (vellum)
ALI142177 Fol.105v Simon Peter defends Christ and wounds a soldier with a sword (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum)

Fol. 104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum)
ALI142896 Fol.104r Having prayed on the Mount of Olives an angel arrives to comfort Christ (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

Background imageDisciple Collection: Fol. 99r Christ goes with the disciples to the Last Supper (vellum)

Fol. 99r Christ goes with the disciples to the Last Supper (vellum)
ALI142188 Fol.99r Christ goes with the disciples to the Last Supper (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageDisciple Collection: Fol. 101v Christ goes to pray on the Mount of Olives (vellum)

Fol. 101v Christ goes to pray on the Mount of Olives (vellum)
ALI142183 Fol.101v Christ goes to pray on the Mount of Olives (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Background imageDisciple Collection: Fol. 80r Jesus Tells the Paralysed Man to Rise (vellum)

Fol. 80r Jesus Tells the Paralysed Man to Rise (vellum)
ALI142368 Fol.80r Jesus Tells the Paralysed Man to Rise (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari



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"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine, disciples emerge as beacons of spiritual enlightenment. As we delve into this captivating theme, let us embark on a visual odyssey that traverses continents and centuries. Our expedition commences in India, where the divine figures of Laksman, Rama, Sita, and Hanuman grace our presence. These Hindu gods epitomize unwavering loyalty and dedication to their higher purpose—a testament to the essence of being a disciple. Turning our gaze towards Europe, we encounter an enchanting illustration from the Book of Kells depicting St. Matthew. This intricate artwork captures the profound commitment required to follow in the footsteps of Christ—an embodiment of true discipleship. Venturing further into biblical narratives, we find solace in Jesus calming the storm on the Sea of Galilee. Here lies an eternal lesson for all disciples—to trust in their faith even amidst life's tempestuous trials. The Supper at Emmaus by Rembrandt van Rijn transports us to another epoch—depicting disciples sharing a meal with their resurrected Lord. The painting exudes both awe and humility as it encapsulates how genuine followers are nourished by divine encounters. A magnificent statue stands tall within Basilica di San Giovanni in Laterano—the figure is none other than St Peter himself. A symbol revered by countless devotees worldwide who seek inspiration from his unwavering commitment as one of Jesus' closest confidants—a paragon for aspiring disciples. Moving forward through time's tapestry brings us face-to-face with The Disciples Peter and John Running to the Sepulchre on the Morning of Resurrection—an evocative portrayal capturing fervent devotion amidst hopelessness turned jubilation. Raphael Morghen and Teodoro Matteini's rendition titled The Last Supper invites contemplation upon the disciples' unwavering loyalty to their master, Jesus Christ.