Disciple Collection (page 7)

The Last Supper, with a Spaniel, ca. 1500. Creator: Giovan Pietro Birago
The Last Supper, with a Spaniel, ca. 1500. [Amen dico vobis quia un vestrum me traditurus e - Verily I say unto you, that one among you will betray me]. Attributed to Giovanni Pietro da Birago

Christ seated preaching, 1766?. Creator: Giuseppe Cades
Christ seated preaching, 1766?

Head of the disciple Ananda, Northern Qi dynasty, 550-577. Creator: Unknown
Head of the disciple Ananda, Northern Qi dynasty, 550-577

Christ Speaking to the Disciples, from The Story of Christ, 1534-35. Creator: Georg Pencz
Christ Speaking to the Disciples, from The Story of Christ, 1534-35

Christ Sleeping During the Storm on Lake Tiberias, from The Story of Christ, 1534-35

The Last Supper, the interior of a classical building with Christ and his apostles seated at a table, 1660-81

St. Peter and St. Andrew, from The Apostles. Creator: Israhel van Meckenem
St. Peter and St. Andrew, from The Apostles

St. James the Greater and St. John, from The Apostles. Creator: Israhel van Meckenem
St. James the Greater and St. John, from The Apostles

St. Bartholomew and St. Philip, from The Apostles, 1435-1503

Saints Thomas and James the Lesser, from The Apostles, . n. d. Creator: Israhel van Meckenem
Saints Thomas and James the Lesser, from The Apostles, .n.d

Saints Matthias and Judas Thaddaeus, from The Apostles, . n. d
Saints Matthias and Judas Thaddaeus, from The Apostles, .n.d

The Stoning of St. Stephen, from the Triptych of St. Stephen (oil on panel)
XAV222781 The Stoning of St. Stephen, from the Triptych of St. Stephen (oil on panel) by Rubens, Peter Paul (1577-1640); 427x280 cm; Musee des Beaux-Arts, Valenciennes, France; Flemish

The Transportation of the Body of St John the Baptist, nineteenth panel of the South
BEN130924 The Transportation of the Body of St John the Baptist, nineteenth panel of the South Doors of the Baptistery of San Giovanni, 1336 (bronze) by Pisano

St. Mark, c. 1870 (stained glass)
BAL1638 St. Mark, c.1870 (stained glass) by Morris, William and Company (fl.19th-20th century); Christchurch, Southgate, Enfield, Greater London

Jesus healing two blind men, Patriarchate of Pec (fresco)
6199325 Jesus healing two blind men, Patriarchate of Pec (fresco) by Serbian School (14th century); Patriarchate of Pec, Serbia; Serbian, out of copyright

St. John the Evangelist (oil on canvas)
1073453 St. John the Evangelist (oil on canvas) by Dolci, Carlo (1616-86); Private Collection; Photo eChristies Images; Italian, out of copyright

Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum)
986340 Folio 55: The Feeding of the Five Thousand, 1551 (illuminated manuscript on vellum) by German School, (16th century); 15.2x10.2 (approx.) cm; Private Collection; (add.info.: Folio 55)

The Penitent St. Peter (oil on panel)
CH376999 The Penitent St. Peter (oil on panel) by Jordaens, Jacob (1593-1678); 64.2x49.5 cm; Private Collection; Photo eChristies Images; Flemish, out of copyright

Two Apostles (oil on panel)
CH376150 Two Apostles (oil on panel) by Rubens, Peter Paul (1577-1640); Private Collection; Photo eChristies Images; Flemish, out of copyright

Figure of an Apostle, c. 1495 (pen & ink and metalpoint on paper)
3696955 Figure of an Apostle, c.1495 (pen & ink and metalpoint on paper) by Vinci, Leonardo da (1452-1519); Graphische Sammlung Albertina, Vienna

Jesus and the twelve apostles - Bible
3779810 Jesus and the twelve apostles - Bible by Hole, William Brassey (1846-1917); (add.info.: Jesus and the twelve apostles)

Philip and Nathaneal become Jesuss disciples - Bible
3779793 Philip and Nathaneal become Jesuss disciples - Bible by Hole, William Brassey (1846-1917); (add.info.: Philip and Nathaneal become Jesuss disciples)

The Holy Family And St John, 1501 (oil on panel)
3822364 The Holy Family And St John, 1501 (oil on panel) by Italian School, (16th century); 117x88 cm; Calderdale Museums Service, West Yorkshire, UK; eCalderdale Borough Council; Italian

The raising of Dorcas (engraving)
5197912 The raising of Dorcas (engraving) by English School, (19th century); Private Collection; (add.info.: The raising of Dorcas. Illustration for Sunday at Home, 1870/71.); © Look and Learn

Jesus Christ enlisting his Fishers Of Men (chromolitho)
5238986 Jesus Christ enlisting his Fishers Of Men (chromolitho) by French School, (19th century); Private Collection; (add.info.: Jesus Christ enlisting his Fishers Of Men)

Jesus And Judas (colour litho)
6020211 Jesus And Judas (colour litho) by English School, (20th century); Private Collection; (add.info.: Jesus And Judas. St Matthew 26, 14-25, 47-50; 27, 3-10)

The Assumption of the Virgin (oil on wood panel)
704119 The Assumption of the Virgin (oil on wood panel) by Pinturicchio, Bernardino di Betto (c.1452-1513) (School of); Santa Maria del Popolo, Rome, Italy; Italian, out of copyright

Portable altar of St. Mauritius, 1160 (oak, copper, bronze, gold & enamel)
701832 Portable altar of St. Mauritius, 1160 (oak, copper, bronze, gold & enamel) by Eilbertus of Cologne (Deckel) (fl.1129-60); St

The Entombment of Christ (fresco)
938053 The Entombment of Christ (fresco) by Giotto, Ambrogio Bondone (c.1266-1337) (school of); Monastero di Sant Antonio, Polesine, Italy; eGiuliano Valsecchi; Italian, out of copyright

The kiss of Judas (chromolitho)
971993 The kiss of Judas (chromolitho) by French School, (19th century); Private Collection; (add.info.: The kiss of Judas. Educational card.); © Look and Learn

The Tribute Money, early 1740s (oil on canvas)
873417 The Tribute Money, early 1740s (oil on canvas) by Bazzani, Giuseppe (c.1690-1769); 126.68 x91.76 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Gift of Anne R

Saint Jude, 1591-92 (engraving)
880686 Saint Jude, 1591-92 (engraving) by Dolendo, Zacharias (1561-c.1604); 15.2x15.2 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; The David M

The Transfiguration, 1485 (oil on panel)
886686 The Transfiguration, 1485 (oil on panel) by Bellini, Giovanni (c.1430-1516); 115x151.5 cm; Museo di Capodimonte, Naples, Campania

"Sir, what must I do?"
909019 " Sir, what must I do?" by Copping, Harold (1863-1932); Private Collection; (add.info.: New Testament Pictures Royal Tract Society circa 1920 s); English, out of copyright

Study for the Entombment, c. 1617-18 (pen & ink over chalks with wash & gouache on paper)
449368 Study for the Entombment, c.1617-18 (pen & ink over chalks with wash & gouache on paper) by Dyck, Anthony van (1599-1641); 25.2x21.7 cm; eThe Devonshire Collections

Leonardo da Vincis Last Supper (red & black chalks on paper)
449302 Leonardo da Vincis Last Supper (red & black chalks on paper) by Soutman, Pieter Claesz (c.1580-1657); 26x50.6 cm; eThe Devonshire Collections

Group of Roman soldiers with their leader pointing towards to Saint Peter on the cross
495806 Group of Roman soldiers with their leader pointing towards to Saint Peter on the cross, detail of the Crucifixion of St

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"Journeying through Faith: Exploring the Essence of Discipleship" In a world where devotion and guidance intertwine, disciples emerge as beacons of spiritual enlightenment. As we delve into this captivating theme, let us embark on a visual odyssey that traverses continents and centuries. Our expedition commences in India, where the divine figures of Laksman, Rama, Sita, and Hanuman grace our presence. These Hindu gods epitomize unwavering loyalty and dedication to their higher purpose—a testament to the essence of being a disciple. Turning our gaze towards Europe, we encounter an enchanting illustration from the Book of Kells depicting St. Matthew. This intricate artwork captures the profound commitment required to follow in the footsteps of Christ—an embodiment of true discipleship. Venturing further into biblical narratives, we find solace in Jesus calming the storm on the Sea of Galilee. Here lies an eternal lesson for all disciples—to trust in their faith even amidst life's tempestuous trials. The Supper at Emmaus by Rembrandt van Rijn transports us to another epoch—depicting disciples sharing a meal with their resurrected Lord. The painting exudes both awe and humility as it encapsulates how genuine followers are nourished by divine encounters. A magnificent statue stands tall within Basilica di San Giovanni in Laterano—the figure is none other than St Peter himself. A symbol revered by countless devotees worldwide who seek inspiration from his unwavering commitment as one of Jesus' closest confidants—a paragon for aspiring disciples. Moving forward through time's tapestry brings us face-to-face with The Disciples Peter and John Running to the Sepulchre on the Morning of Resurrection—an evocative portrayal capturing fervent devotion amidst hopelessness turned jubilation. Raphael Morghen and Teodoro Matteini's rendition titled The Last Supper invites contemplation upon the disciples' unwavering loyalty to their master, Jesus Christ.