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Early 17th Century Collection

Step back in time to the early 17th century, where art and history intertwine

Background imageEarly 17th Century Collection: A Four Year Old with a Cat and a Fish, 1647 (oil on canvas)

A Four Year Old with a Cat and a Fish, 1647 (oil on canvas)
7300633 A Four Year Old with a Cat and a Fish, 1647 (oil on canvas) by Cuyp, Jacob Gerritsz (1594-1651); 108x80 cm; Private Collection; (add.info)

Background imageEarly 17th Century Collection: Charles I (chromolitho)

Charles I (chromolitho)
820904 Charles I (chromolitho) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Charles I (1600-1649). 1649)

Background imageEarly 17th Century Collection: The Continence of Scipio, c. 1706 (oil on canvas)

The Continence of Scipio, c. 1706 (oil on canvas)
5860855 The Continence of Scipio, c.1706 (oil on canvas) by Ricci, Sebastiano (1658-1734); 140--182 cm; The Art Institute of Chicago, IL

Background imageEarly 17th Century Collection: Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho)

Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho)
7153969 Royalist cavalry, Battle of Naseby, English Civil War, 1645 (colour litho) by Stewart, J. A. (19th Century); Private Collection; (add.info.: Royalist cavalry, Battle of Naseby)

Background imageEarly 17th Century Collection: Hall of Mirrors, Palace of Versailles (photo)

Hall of Mirrors, Palace of Versailles (photo)
7423007 Hall of Mirrors, Palace of Versailles (photo) by Mansart, Jules Hardouin (1646-1708); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Hall of Mirrors)

Background imageEarly 17th Century Collection: The Wedding Dance, (oil on panel)

The Wedding Dance, (oil on panel)
827654 The Wedding Dance, (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 34.6x48.3 cm; Private Collection; (add.info.: The Wedding Dance. Pieter Brueghel the Younger (c. 1564-1638)

Background imageEarly 17th Century Collection: A Man in Armour, 1655 (oil on canvas)

A Man in Armour, 1655 (oil on canvas)
GLS2946 A Man in Armour, 1655 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 137.5x104.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Background imageEarly 17th Century Collection: The Laying in the Tomb ( The Deposition / The Entombment ), 1602-16044

The Laying in the Tomb ( The Deposition / The Entombment ), 1602-16044. Artist: Michelangelo Caravaggio
The Laying in the Tomb ( The Deposition / The Entombment ), 1602-1604. Mary of Clopas with her arms raised; Mary Magdalene with bowed head; Nicodemus grasps the legs of the dead Christ

Background imageEarly 17th Century Collection: Le Coup de Lance, 1620. Artist: Peter Paul Rubens

Le Coup de Lance, 1620. Artist: Peter Paul Rubens
Le Coup de Lance, 1620. At the Crucifixion the soldier pierces Christs side to make sure he is dead. At bottom right, the Virgin Mary and St John the Apostle turn aside in despair

Background imageEarly 17th Century Collection: The Temptation of Saint Anthony (Oil on canvas)

The Temptation of Saint Anthony (Oil on canvas)
7393515 The Temptation of Saint Anthony (Oil on canvas) by Callot, Jacques (1592-1635) (after); 47 x 72 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageEarly 17th Century Collection: The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c

The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c. 1660 (oil on canvas)
5974049 The Queens of Persia at the feet of Alexander, also called The Tent of Darius, c.1660 (oil on canvas) by Le Brun, Charles (1619-90); 117.3x453 cm; Chateau de Versailles

Background imageEarly 17th Century Collection: Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco)

Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco)
3914266 Sant Ignazio di Loyola Church, Rome, Italy, 17th century (fresco) by Pozzo, Andrea (1642-1709); Sant Ignazio, Rome

Background imageEarly 17th Century Collection: Saint Luke healing the hydropic child, 17th century (painting)

Saint Luke healing the hydropic child, 17th century (painting)
7129357 Saint Luke healing the hydropic child, 17th century (painting) by Lanfranco, Giovanni (1582-1647); Galleria Nazionale d'Arte Antica, Rome

Background imageEarly 17th Century Collection: Penitent Magdalen, (oil on canvas)

Penitent Magdalen, (oil on canvas)
7129325 Penitent Magdalen, (oil on canvas) by Fetti or Feti, Domenico (1589-1624); Galleria Doria Pamphilj, Rome, Italy; (add.info.: Penitent Magdalen, Domenico Fetti, oil on canvas)

Background imageEarly 17th Century Collection: Saint Mary Magdalene penitent, 1625-27 (oil on canvas)

Saint Mary Magdalene penitent, 1625-27 (oil on canvas)
7062918 Saint Mary Magdalene penitent, 1625-27 (oil on canvas) by Cagnacci, Guido (1601-63); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageEarly 17th Century Collection: Christ Displaying His Wounds, 1615-20 (oil on canvas)

Christ Displaying His Wounds, 1615-20 (oil on canvas)
7333494 Christ Displaying His Wounds, 1615-20 (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 148.7x114 (framed) cm; Perth Museum & Art Gallery

Background imageEarly 17th Century Collection: The Temptation of St. Anthony, 17th century (engraving) (b / w photo)

The Temptation of St. Anthony, 17th century (engraving) (b / w photo)
XIR163461 The Temptation of St. Anthony, 17th century (engraving) (b/w photo) by Callot, Jacques (1592-1635); Musee Historique Lorrain, Nancy, France

Background imageEarly 17th Century Collection: Portrait of King Charles I of England (oil on canvas)

Portrait of King Charles I of England (oil on canvas)
3524225 Portrait of King Charles I of England (oil on canvas) by Dyck, Anthony van (1599-1641); (add.info.: Portrait of King Charles I, King of England, King of Scotland and King of Ireland)

Background imageEarly 17th Century Collection: Westwood House, near Droitwich, Worcestershire (colour litho)

Westwood House, near Droitwich, Worcestershire (colour litho)
7193525 Westwood House, near Droitwich, Worcestershire (colour litho) by Twopeny, William (1797-1873); Private Collection; (add.info.: Westwood House, near Droitwich, Worcestershire)

Background imageEarly 17th Century Collection: Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving)

Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving)
7172445 Jesus Christ anointed by a sinful woman at the house of Simon the Pharisee (engraving) by European School, (17th century); Private Collection; (add.info)

Background imageEarly 17th Century Collection: University of Leiden, Netherlands, 1614 (engraving)

University of Leiden, Netherlands, 1614 (engraving)
7185766 University of Leiden, Netherlands, 1614 (engraving) by Dutch School, (17th century) (after); Private Collection; (add.info.: University of Leiden, founded in 1575 by William)

Background imageEarly 17th Century Collection: Portrait of Three Girls, c. 1620 (oil on panel)

Portrait of Three Girls, c. 1620 (oil on panel)
SGS66600 Portrait of Three Girls, c.1620 (oil on panel) by Larkin, William (fl. 1608-20) (follower of); 82.6x112.7 cm; The Berger Collection at the Denver Art Museum

Background imageEarly 17th Century Collection: Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras

Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c
XIR205466 Detail of The Entry of Louis XIV (1638-1715) and Maria Theresa (1638-83) into Arras, 30th July 1667, c.1685 (oil on canvas) by Meulen

Background imageEarly 17th Century Collection: Jesus Christ driving the money-changers out of the Temple (engraving)

Jesus Christ driving the money-changers out of the Temple (engraving)
7149704 Jesus Christ driving the money-changers out of the Temple (engraving) by English School, (17th century) (after); Private Collection; (add.info)

Background imageEarly 17th Century Collection: Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)

Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas)
6448694 Saint Matthew and the Angel (destroyed artwork), 1602 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 223x183 cm; (add.info.: Destroyed in 1945)

Background imageEarly 17th Century Collection: A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel)

A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel)
990230 A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel) by Snyders or Snijders, Frans (1579-1657); 64.5x106.4 cm; Private Collection; (add.info)

Background imageEarly 17th Century Collection: Portrait of King Charles I (engraving)

Portrait of King Charles I (engraving)
820141 Portrait of King Charles I (engraving) by Dyck, Anthony van (1599-1641) (after); Private Collection; (add.info.: Charles I, King of England, King of Scotland, and King of Ireland)

Background imageEarly 17th Century Collection: The Monument to the Great Fire, London (colour photo)

The Monument to the Great Fire, London (colour photo)
3091262 The Monument to the Great Fire, London (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: The Monument to the Great Fire, London)

Background imageEarly 17th Century Collection: King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619

King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619
7221396 King David playing the harp (detail), Domenico Zampieri, known as the Dominican, 1619, Palace of Versailles (oil on canvas) by Domenichino (Domenico Zampieri) (1581-1641)

Background imageEarly 17th Century Collection: Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or)

Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608)
BEN5479881 Venus Wiping Herself Marble Sculpture by Giambologna (Giovanni da Bologna or Jean de Bologna or Boulogne, 1529-1608), Museo del Bargello, Florence by Giambologna (Giovanni da Bologna)

Background imageEarly 17th Century Collection: Detail from San Bernardino da Siena, 1603 (oil on canvas)

Detail from San Bernardino da Siena, 1603 (oil on canvas)
3527203 Detail from San Bernardino da Siena, 1603 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614)

Background imageEarly 17th Century Collection: Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)

Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e)
5859851 Procession of a Daimyo, c.1681-84 (hand-coloured woodblock print; oban yoko-e, sumizuri-e) by Moronobu, Hishikawa (c.1618-1694); 27.2 x 38.1 cm; The Art Institute of Chicago, IL

Background imageEarly 17th Century Collection: Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)

Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool)
XOS5886558 Aeneas says Farewell to Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 403x394 cm; Cleveland Museum of Art, OH

Background imageEarly 17th Century Collection: Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

Background imageEarly 17th Century Collection: Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)

Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot)
XOS5885321 Classical Turkish Carpet with the Lotto Pattern, 1600-50 (wool: symmetrical rug knot) by Turkish School, (17th century); 172.1x104.1 cm; Cleveland Museum of Art, OH

Background imageEarly 17th Century Collection: Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)

Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint)
1068455 Kero: Inca Noble, Woman Holding Branch, 1630-1780 (wood, lacquer-like paint) by Incan; 19.69 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageEarly 17th Century Collection: The Monument to the Great Fire of London, aka The Monument, London, England

The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century
8618000 The Monument to the Great Fire of London, aka The Monument, London, England, seen here in the 19th century, 1890 (print) by Unknown Artist

Background imageEarly 17th Century Collection: The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)

The Cheapside Cross, demolished in May 1643, London, England, 1890 (print)
8617984 The Cheapside Cross, demolished in May 1643, London, England, 1890 (print) by Unknown Artist, (19th century); Private Collection; (add.info.: The Cheapside Cross, demolished in May 1643)

Background imageEarly 17th Century Collection: Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670

Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670
8608254 Former abbey church (Abbatiale Saint-Volusien de Foix). Interior. The choir seating. Ca 1670. Origin Saint-Sernin church, Toulouse

Background imageEarly 17th Century Collection: Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

Background imageEarly 17th Century Collection: Our Lady of Good Counsel, c.1680 (oil on copper)

Our Lady of Good Counsel, c.1680 (oil on copper)
XOS5884700 Our Lady of Good Counsel, c.1680 (oil on copper) by Perez, Bartolomeo (1634-93); 50x40 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting Bartolome Perez)

Background imageEarly 17th Century Collection: Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)

Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint)
1068462 Pedestal Kero with procession including horses, 1630-1780 (wood, lacquer-like paint) by Incan; 14.76x6.67x13.34 cm; Dallas Museum of Art, Texas, USA; (add.info.: Post-Conquest Inca)

Background imageEarly 17th Century Collection: Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)

Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber)
1068377 Poncho with central medallion and double-headed birds, 17th-18th century (cotton and camelid fiber) by South American School; 190.5x154.94x cm; Dallas Museum of Art, Texas

Background imageEarly 17th Century Collection: Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)

Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint)
1068356 Kero: Human Head Effigy, late 17th-early 18th century (wood, lacquer-like paint) by Incan; 20.8x16.67x18.49 cm; Dallas Museum of Art, Texas

Background imageEarly 17th Century Collection: Hall of Mirrors in versailles, 1910 (photo)

Hall of Mirrors in versailles, 1910 (photo)
2910429 Hall of Mirrors in versailles, 1910 (photo) by Le Brun, Charles (1619-90) & Le Vau, Louis (1612-70); (add.info.: Hall of Mirrors, Versailles, France 1910.); Universal History Archive/UIG

Background imageEarly 17th Century Collection: The fame that came from a cobbler's shop (litho)

The fame that came from a cobbler's shop (litho)
976608 The fame that came from a cobbler's shop (litho) by Skinner, Edward Frederick (1865-1924); Private Collection; (add.info.: The fame that came from a cobbler's shop)

Background imageEarly 17th Century Collection: Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)

Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper)
5862014 Study of Santa Rosalia of Palermo, 1659-64 (black chalk with smudging on ivory laid paper) by Ferri, Ciro (1634-89); 20.4x18.5 cm; The Art Institute of Chicago, IL



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Step back in time to the early 17th century, where art and history intertwine. Marvel at masterpieces like "The Continence of Scipio, " a captivating oil on canvas painting from around 1706 that tells the tale of ancient Rome's noble general. Immerse yourself in the chaos of war with "Royalist cavalry, Battle of Naseby, " a vivid color lithograph depicting a pivotal moment during the English Civil War in 1645. Gaze upon the regal visage of Charles I captured in chromolitho form, showcasing his power and influence during this tumultuous period. Experience the joyous celebration depicted in "The Wedding Dance, " an enchanting oil painting on panel that transports you to a lively scene filled with music and merriment. Delve into religious themes with "The Temptation of Saint Anthony, " an evocative oil on canvas artwork that explores temptation and spirituality. Witness the grandeur and opulence displayed in "The Queens of Persia at the feet of Alexander" (also known as The Tent of Darius), an exquisite oil painting from around 1660 that showcases both beauty and submission. Discover miracles through art with "Saint Luke healing the hydropic child, " a touching painting from the 17th century that portrays faith's ability to overcome illness. Contemplate redemption with powerful depictions such as "Penitent Magdalen" or "Saint Mary Magdalene penitent, " both striking oil paintings capturing moments of repentance and spiritual transformation. Explore academia through engravings like those found at the University of Leiden in Netherlands, established back in 1614—a testament to knowledge-seeking during this era. Finally, witness Michelangelo Caravaggio's mastery firsthand through his profound work titled "The Laying in the Tomb. " This hauntingly beautiful depiction captures Christ's descent into death with unparalleled realism.