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Early Nineteenth Century Collection

Step back in time to the early nineteenth century, a period of great change and innovation

Background imageEarly Nineteenth Century Collection: The Battle of Trafalgar, (oil on canvas)

The Battle of Trafalgar, (oil on canvas)
824219 The Battle of Trafalgar, (oil on canvas) by English School, (19th century); 340.5x218.5 cm; Private Collection; (add.info.: The Battle of Trafalgar. English School, 19th Century)

Background imageEarly Nineteenth Century Collection: Papaver Rhoeas (Common Poppy), 1811-1818 (hand-coloured lithograph)

Papaver Rhoeas (Common Poppy), 1811-1818 (hand-coloured lithograph)
986407 Papaver Rhoeas (Common Poppy), 1811-1818 (hand-coloured lithograph) by German School, (19th century); 48x39.5 cm; Private Collection; (add.info.: Papaver Rhoeas (Common Poppy)

Background imageEarly Nineteenth Century Collection: Iris Germanica (German Iris), 1805-1816 (stipple-engraving printed in colours

Iris Germanica (German Iris), 1805-1816 (stipple-engraving printed in colours
986196 Iris Germanica (German Iris), 1805-1816 (stipple-engraving printed in colours and finished by hand) by Redoute, Pierre Joseph (1759-1840) (after); 54.2x35.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Ghaus al- Azam, Abdul Qadir Ghilani of Baghdad, c. 1800

Ghaus al- Azam, Abdul Qadir Ghilani of Baghdad, c. 1800
1196789 Ghaus al- Azam, Abdul Qadir Ghilani of Baghdad, c. 1800 (gouache with gold paint on paper) by Indian School, (18th century); 25x16 cm; Private Collection; Photo eChristies Images; Indian

Background imageEarly Nineteenth Century Collection: Hunters in a Stable with a Groom, 1809 (oil on canvas)

Hunters in a Stable with a Groom, 1809 (oil on canvas)
990550 Hunters in a Stable with a Groom, 1809 (oil on canvas) by Weaver, Thomas (1774-1843); 68.6x89.5 cm; Private Collection; (add.info.: Hunters in a Stable with a Groom. Thomas Weaver (1774-1843)

Background imageEarly Nineteenth Century Collection: Orange Fruit, Citrus Aurantium, Fructus, 1828 (hand-coloured lithograph)

Orange Fruit, Citrus Aurantium, Fructus, 1828 (hand-coloured lithograph)
986327 Orange Fruit, Citrus Aurantium, Fructus, 1828 (hand-coloured lithograph) by Strenzl, Ignaz (fl.1828) (after); 45.8x31 cm; Private Collection; (add.info.: Orange Fruit; Citrus Aurantium)

Background imageEarly Nineteenth Century Collection: Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)

Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured)
1198423 Viaduct across the Sankey Valley, 1831 (colour aquatints, partly hand-coloured) by Bury, Thomas Talbot (1811-77) (after); 26.5x66 cm; Private Collection; Photo eChristies Images; English

Background imageEarly Nineteenth Century Collection: Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas)

Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas)
990567 Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom, 1815 (oil on canvas) by Cooper, Abraham (1787-1868); 64.8x80 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas)

Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas)
827857 Portrait of William Henry Paget Marquess of Anglesey, half length, (oil on canvas) by Beechey, William (1753-1839); 76.4x63.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway

View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway
1198425 View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway, 1832 (hand-coloured lithograph) by Hill

Background imageEarly Nineteenth Century Collection: Winchelsea from the Rye Road, (pencil and watercolour)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Background imageEarly Nineteenth Century Collection: Her Majesty Queen Victorias First Entry into Brighton Oct

Her Majesty Queen Victorias First Entry into Brighton Oct
985719 Her Majesty Queen Victorias First Entry into Brighton Oct. 4th 1837, 1837 (watercolour, pen and ink, pencil) by Cruikshank

Background imageEarly Nineteenth Century Collection: The Library of the Royal Institution, Albemarle Street, (pencil

The Library of the Royal Institution, Albemarle Street, (pencil
651805 The Library of the Royal Institution, Albemarle Street, (pencil, pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 19.7x27.7 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Corpus Christi College, Oxford, (pencil and watercolour)

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Background imageEarly Nineteenth Century Collection: A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)

A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas)
990551 A Hawking Party Setting Out from the Steps of a Country House, 1828 (oil on canvas) by Turner, Francis Calcraft (1782-1846); 66x97.2 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: A Shepherd Weeping on a Tomb Erected to a Gnat, 1808 (oil on canvas)

A Shepherd Weeping on a Tomb Erected to a Gnat, 1808 (oil on canvas)
1195488 A Shepherd Weeping on a Tomb Erected to a Gnat, 1808 (oil on canvas) by Boisselier, Felix (1776-1811); 178.1x146.7 cm; Private Collection; (add.info.: Boisselier)

Background imageEarly Nineteenth Century Collection: A Scene from the Trojan Wars (oil on canvas)

A Scene from the Trojan Wars (oil on canvas)
990285 A Scene from the Trojan Wars (oil on canvas) by Calliano, Rafaelle (1785-1824); 75x135.6 cm; Private Collection; (add.info.: A Scene from the Trojan Wars)

Background imageEarly Nineteenth Century Collection: Martha Hess as Silence (recto), (pencil and white chalk on buff paper)

Martha Hess as Silence (recto), (pencil and white chalk on buff paper)
824148 Martha Hess as Silence (recto), (pencil and white chalk on buff paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 54.5x33 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: A Wedgwood composite creamware crested part dinner-dervice (ceramic)

A Wedgwood composite creamware crested part dinner-dervice (ceramic)
1766842 A Wedgwood composite creamware crested part dinner-dervice (ceramic) by English School, (19th century); Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: The greater portion of the longest length of wall of an Atrium of Pompei, 1796-1808

The greater portion of the longest length of wall of an Atrium of Pompei, 1796-1808
986222 The greater portion of the longest length of wall of an Atrium of Pompei, 1796-1808 (hand-coloured engraving in watercolour and gouache) by Chiantarelli

Background imageEarly Nineteenth Century Collection: The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)

The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint)
1196715 The Dead Tiger; Mort du tigre, 1807 (hand-coloured aquatint) by Howitt, Samuel (1756-1822) (after); 46x58.5 cm; Private Collection; Photo © Christies Images

Background imageEarly Nineteenth Century Collection: A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

Background imageEarly Nineteenth Century Collection: The Night Blowing Cereus, 1800 (coloured engraving)

The Night Blowing Cereus, 1800 (coloured engraving)
985827 The Night Blowing Cereus, 1800 (coloured engraving) by Reinagle, Philip (1749-1833) (attr. to); 57.5x46 (folio) cm; Private Collection; (add.info.: The Night Blowing Cereus)

Background imageEarly Nineteenth Century Collection: A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil)

A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour)
651940 A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour) by Wilkie

Background imageEarly Nineteenth Century Collection: Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)

Battle between the Georgians and the Mountain Tribes, 1826 (lithograph)
1195833 Battle between the Georgians and the Mountain Tribes, 1826 (lithograph) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832)

Background imageEarly Nineteenth Century Collection: A South View of the Wesleyan Mission House, Colombo on the Island of Ceylon

A South View of the Wesleyan Mission House, Colombo on the Island of Ceylon, Erected Anno Domini 1816, c
828339 A South View of the Wesleyan Mission House, Colombo on the Island of Ceylon, Erected Anno Domini 1816, c.1816 (watercolour) by Houten, P

Background imageEarly Nineteenth Century Collection: Red Amaryllis, 1839 (watercolour drawing)

Red Amaryllis, 1839 (watercolour drawing)
986035 Red Amaryllis, 1839 (watercolour drawing) by Rosenberg, Mary Elizabeth (1820-1914); 44.5x34.5 cm; Private Collection; (add.info.: Plate 6, (Red Amaryllis)

Background imageEarly Nineteenth Century Collection: (Amaryllis) Vittata Formosa, 1839 (watercolour drawing)

(Amaryllis) Vittata Formosa, 1839 (watercolour drawing)
986034 (Amaryllis) Vittata Formosa, 1839 (watercolour drawing) by Rosenberg, Mary Elizabeth (1820-1914); 44.5x34.5 cm; Private Collection; (add.info.: Plate 2, A)

Background imageEarly Nineteenth Century Collection: A Giant with Midgets (colour woodblock prrint)

A Giant with Midgets (colour woodblock prrint)
1766569 A Giant with Midgets (colour woodblock prrint) by Yoshitora, Utagawa (fl.c.1836-87); 37.1x24.5 cm; Private Collection; (add.info.: A Giant with Midgets. Utagawa Yoshitora (fl.1840-1880)

Background imageEarly Nineteenth Century Collection: The Winter of 1914 in Flanders; L Hiver de 1914 en Flandre, 1914 (oil on canvas)

The Winter of 1914 in Flanders; L Hiver de 1914 en Flandre, 1914 (oil on canvas)
653549 The Winter of 1914 in Flanders; L Hiver de 1914 en Flandre, 1914 (oil on canvas) by Woestyne, Gustave van de (1881-1947); 29.5x34.3 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: A Fishmarket on the Beach, c. 1802-04 (oil on canvas)

A Fishmarket on the Beach, c. 1802-04 (oil on canvas)
1765066 A Fishmarket on the Beach, c.1802-04 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 44.5x59 cm; Private Collection; (add.info.: A Fishmarket on the Beach)

Background imageEarly Nineteenth Century Collection: Portrait of Mrs White (nee Watford), full length in a White Silk Dress

Portrait of Mrs White (nee Watford), full length in a White Silk Dress
1765049 Portrait of Mrs White (nee Watford), full length in a White Silk Dress, 1809 (oil on canvas) by Dawe, George (1781-1829); 223.5x138.5 cm; Private Collection; (add.info)

Background imageEarly Nineteenth Century Collection: Panoramic View of the City of Benares, 1827 (litho)

Panoramic View of the City of Benares, 1827 (litho)
1196713 Panoramic View of the City of Benares, 1827 (litho) by Dalrymple, John (fl.1796-1844) (after); 24x3.1 cm; Private Collection; (add.info.: Dalrymple)

Background imageEarly Nineteenth Century Collection: 1195878

1195878; out of copyright

Background imageEarly Nineteenth Century Collection: Tower of Belem, c. 1825-6 (w / c)

Tower of Belem, c. 1825-6 (w / c)
1199469 Tower of Belem, c. 1825-6 (w/c) by Landseer, Charles (1799-1879); 30.5x39.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageEarly Nineteenth Century Collection: Corderie, c. 1820-35 (porcelain)

Corderie, c. 1820-35 (porcelain)
1766897 Corderie, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Corderie. A Sevres Plate from the Service des Art Industriel depicting men making ropes)

Background imageEarly Nineteenth Century Collection: Bucherons Fagoteurs, c. 1820-35 (porcelain)

Bucherons Fagoteurs, c. 1820-35 (porcelain)
1766896 Bucherons Fagoteurs, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Bucherons Fagoteurs)

Background imageEarly Nineteenth Century Collection: Brodeuse, c. 1820-35 (porcelain)

Brodeuse, c. 1820-35 (porcelain)
1766895 Brodeuse, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Brodeuse. A Sevres plate from the Service des Art Industriel depicting an embroidery)

Background imageEarly Nineteenth Century Collection: Composition, c. 1820-35 (porcelain)

Composition, c. 1820-35 (porcelain)
1766893 Composition, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Typographie / Composition)

Background imageEarly Nineteenth Century Collection: Papiers Peints, Laboratoire, Magasin, c. 1820-35 (porcelain)

Papiers Peints, Laboratoire, Magasin, c. 1820-35 (porcelain)
1766892 Papiers Peints, Laboratoire, Magasin, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papiers Peints, Laboratoire, Magasin)

Background imageEarly Nineteenth Century Collection: Dessert, c. 1820-35 (porcelain)

Dessert, c. 1820-35 (porcelain)
1766888 Dessert, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Patissier / Dessert)

Background imageEarly Nineteenth Century Collection: Teinture, c. 1820-35 (porcelain)

Teinture, c. 1820-35 (porcelain)
1766887 Teinture, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Tapisseries des Gobelin / Teinture)

Background imageEarly Nineteenth Century Collection: An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852)

An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852)
1766877 An unrecorded Sevres dated oval portrait plaque of the Duke of Wellington (1769-1852), in full dress uniform, Wearing the Order of the Golden Fleece and the Star

Background imageEarly Nineteenth Century Collection: Detail of Wellington and his officers from a Berlin gold-ground slender campana vase

Detail of Wellington and his officers from a Berlin gold-ground slender campana vase
1766863 Detail of Wellington and his officers from a Berlin gold-ground slender campana vase and plinth of Wellington service type, painted with a scene of the Battle of Vittoria

Background imageEarly Nineteenth Century Collection: An earthenware group of Politos Menagerie of Wonderful Burds

An earthenware group of Politos Menagerie of Wonderful Burds
1766841 An earthenware group of Politos Menagerie of Wonderful Burds and Beasts from Most Parts of the World, c.1830 (earthenware) by Sherratt

Background imageEarly Nineteenth Century Collection: The Sea off Satta in Suruga Province, from the series The Thirty-Six Views of Mt

The Sea off Satta in Suruga Province, from the series The Thirty-Six Views of Mt. Fuji (colour woodblock print)
1766593 The Sea off Satta in Suruga Province, from the series The Thirty-Six Views of Mt. Fuji (colour woodblock print) by Hiroshige

Background imageEarly Nineteenth Century Collection: Fireworks at Ryogoku, from the Series, One Hundred Famous Views of Edo (woodblock print)

Fireworks at Ryogoku, from the Series, One Hundred Famous Views of Edo (woodblock print)
1766588 Fireworks at Ryogoku, from the Series, One Hundred Famous Views of Edo (woodblock print) by Hiroshige, Ando or Utagawa (1797-1858); Private Collection; (add.info.: Fireworks at Ryogoku)

Background imageEarly Nineteenth Century Collection: Nekozane at Horikiri, from the series One Hundred Views of Famous Places in Edo

Nekozane at Horikiri, from the series One Hundred Views of Famous Places in Edo (colour woodblock print)
1766566 Nekozane at Horikiri, from the series One Hundred Views of Famous Places in Edo (colour woodblock print) by Hiroshige



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Step back in time to the early nineteenth century, a period of great change and innovation. The Battle of Trafalgar, depicted in an awe-inspiring oil on canvas painting, captures the intensity and heroism of this historic naval conflict. In contrast to the grandeur of war, a delicate hand-coloured lithograph showcases the beauty of nature's bounty - Orange Fruit, Citrus Aurantium, Fructus. Its vibrant hues bring life to this 1828 artwork. Moving from fruits to fauna, Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom transports us into the world of horse racing. Painted with meticulous detail on canvas in 1815, it immortalizes both the elegance and power found within these majestic creatures. Artistic expression extends beyond traditional mediums as seen in Iris Germanica (German Iris), a stunning stipple-engraving printed in colors between 1805-1816. This intricate work highlights botanical wonders through its carefully crafted lines and shades. Shifting our focus from art to engineering marvels is Viaduct across the Sankey Valley. Created in 1831 using color aquatints that were partly hand-colored, this print captures not only technical prowess but also showcases man's ability to conquer nature through construction. History comes alive with Her Majesty Queen Victoria's First Entry into Brighton Oct captured for eternity on canvas. This momentous occasion symbolizes not only royal presence but also societal changes occurring during this era. Portraits hold their own significance during this time as evidenced by Portrait of William Henry Paget Marquess of Anglesey. Painted half-length on canvas with expert skill, it immortalizes an influential figure who played a role in shaping history. Transportation takes center stage once again with View at St. Rollox Looking South East; Opening of the Glasgow and Garnkirk Railway. Through detailed pencil strokes and hints of watercolor, this artwork invites us to witness the birth of a new era in transportation.