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Early Seventeenth Century Collection

"Exploring the Early Seventeenth Century: A Glimpse into Art and History" Step back in time with these captivating artworks from the early seventeenth century

Background imageEarly Seventeenth Century Collection: The Wedding Dance, (oil on panel)

The Wedding Dance, (oil on panel)
827654 The Wedding Dance, (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 34.6x48.3 cm; Private Collection; (add.info.: The Wedding Dance. Pieter Brueghel the Younger (c. 1564-1638)

Background imageEarly Seventeenth Century Collection: A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel)

A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel)
990230 A Spilled Basket of Fruits on a Draped Table with Monkeys, (oil on panel) by Snyders or Snijders, Frans (1579-1657); 64.5x106.4 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Cinera Cum Flore, 1613 (colour engraving)

Cinera Cum Flore, 1613 (colour engraving)
986365 Cinera Cum Flore, 1613 (colour engraving) by Ziesenis, Johann Georg (1716-76); 55.5x42.3 cm; Private Collection; (add.info.: Cinera Cum Flore)

Background imageEarly Seventeenth Century Collection: A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)

A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel)
990228 A Landscape with Marauders attacking a Wagon Train and Pillaging a Village, (oil on panel) by Vrancx, Sebastian (1573-1647); 50.2x81 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)

Rustem Killing Arjang Div, c. 1630 (pen & ink, heightened with colour, on paper)
1196814 Rustem Killing Arjang Div, c.1630 (pen & ink, heightened with colour, on paper) by Mughal School, (17th century); 19.1x12 cm; Private Collection; Photo © Christies Images

Background imageEarly Seventeenth Century Collection: Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)

Saint Sebastian prepared for Martydom, c. 1622 (oil on canvas)
827727 Saint Sebastian prepared for Martydom, c.1622 (oil on canvas) by Dyck, Anthony van (1599-1641); 142x194 cm; Private Collection; (add.info.: Saint Sebastian prepared for Martydom)

Background imageEarly Seventeenth Century Collection: A Village Brawl (oil on panel)

A Village Brawl (oil on panel)
990044 A Village Brawl (oil on panel) by Vrancx, Sebastian (1573-1647); 50.8x66 cm; Private Collection; (add.info.: A Village Brawl. Circle of Sebastian Vrancx (1573-1647). Oil on panel

Background imageEarly Seventeenth Century Collection: St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of

St. James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez
986337 St.James on a White Horse Riding over the Corpses of Moors and The Coat of Arms of the Family of Gomez, 1606 (illuminated manuscript on vellum) by Spanish School

Background imageEarly Seventeenth Century Collection: Peasants Brawling, 1619 (oil on panel)

Peasants Brawling, 1619 (oil on panel)
990386 Peasants Brawling, 1619 (oil on panel) by Brueghel, Pieter the Younger (c.1564-1638); 73x103 cm; Private Collection; (add.info.: Peasants Brawling. Pieter Brueghel, the Younger (c.1564-1638)

Background imageEarly Seventeenth Century Collection: Balaam and the Ass, 1622 (oil on panel)

Balaam and the Ass, 1622 (oil on panel)
990083 Balaam and the Ass, 1622 (oil on panel) by Lastman, Pieter (1583-1633); 40.3x59.4 cm; Private Collection; (add.info.: Balaam and the Ass. Pieter Lastman (1583-1633). Oil on panel

Background imageEarly Seventeenth Century Collection: Diana and her Nymphs Hunting - a modello, (oil on panel)

Diana and her Nymphs Hunting - a modello, (oil on panel)
987173 Diana and her Nymphs Hunting - a modello, (oil on panel) by Rubens, Peter Paul (1577-1640); 26.6x57.2 cm; Private Collection; (add.info.: Diana and her Nymphs Hunting - a modello)

Background imageEarly Seventeenth Century Collection: A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk)

A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk)
827615 A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk) by Procaccini, Camillo (c.1560-1629); 15.8x10.7 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Perseus and Andromeda, (oil on lapis lazuli)

Perseus and Andromeda, (oil on lapis lazuli)
990354 Perseus and Andromeda, (oil on lapis lazuli) by Cesari, Giuseppe (Cavalier d Arpino) (1568-1640); 15.5x22.5 cm; Private Collection; (add.info.: Perseus and Andromeda)

Background imageEarly Seventeenth Century Collection: An illustrated page from the manuscript Zubdei Tarih (Cream of Genealogies), c

An illustrated page from the manuscript Zubdei Tarih (Cream of Genealogies), c
1196626 An illustrated page from the manuscript Zubdei Tarih (Cream of Genealogies), c.1550-1600 (w/cs and gold paint on paper) by Ottoman School

Background imageEarly Seventeenth Century Collection: A needlework book binding depicting religious scenes with a seated king

A needlework book binding depicting religious scenes with a seated king
1767230 A needlework book binding depicting religious scenes with a seated king and an angel addressing a man by a river (silk, gilt) by English School

Background imageEarly Seventeenth Century Collection: A rare and important Renaissance jewelled gold and enamel dated marriage ring, c

A rare and important Renaissance jewelled gold and enamel dated marriage ring, c
1766470 A rare and important Renaissance jewelled gold and enamel dated marriage ring, c.1610 (gold, enamel) by European School

Background imageEarly Seventeenth Century Collection: A map of the Americas, 1590-1601 (engraving)

A map of the Americas, 1590-1601 (engraving)
1195461 A map of the Americas, 1590-1601 (engraving) by Bry, Theodor de (1528-98) & Bry, Johann Theodor de (1561-1623); 35x25 (folio size) cm; Private Collection; (add.info.: Bry)

Background imageEarly Seventeenth Century Collection: Column decorated with an Animal Form, 1604 (engraving)

Column decorated with an Animal Form, 1604 (engraving)
1195454 Column decorated with an Animal Form, 1604 (engraving) by Boillot, Joseph (c.1546-1603); 30.8x19.2 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageEarly Seventeenth Century Collection: Portrait of a Courtier, c. 1590-1605 (w / c & gold paint on paper)

Portrait of a Courtier, c. 1590-1605 (w / c & gold paint on paper)
1196809 Portrait of a Courtier, c.1590-1605 (w/c & gold paint on paper) by Manohar (fl.1580-1620) (attr. to); 38.9x25.3 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageEarly Seventeenth Century Collection: An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper)

An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper)
1196787 An illustration to Rasikapriya of Keshav Das, early 17th century (gouache on paper) by Indian School, (17th century); 22x16.5 cm; Private Collection; Photo eChristies Images; Indian

Background imageEarly Seventeenth Century Collection: Saint Sebastian, c. 1620 (oil on canvas)

Saint Sebastian, c. 1620 (oil on canvas)
988077 Saint Sebastian, c.1620 (oil on canvas) by Gamarra, Gregorio (fl.17th century); 145x104.1 cm; Private Collection; (add.info.: Saint Sebastian)

Background imageEarly Seventeenth Century Collection: A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)

A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving)
986188 A calligraphic design of an elephant, 1616-1617 and late 17th century (engraving) by Dutch School, (17th century); 23x36 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Moses, Aaron and the children of Israel in the wilderness gathering Manna, c

Moses, Aaron and the children of Israel in the wilderness gathering Manna, c
986167 Moses, Aaron and the children of Israel in the wilderness gathering Manna, c.1600-1630 (tempera on vellum) by Italian School

Background imageEarly Seventeenth Century Collection: A View of London, 1613 (engraving)

A View of London, 1613 (engraving)
985989 A View of London, 1613 (engraving) by Braun, Georg (1541-1622) and Hogenberg, Franz (1535-90); Private Collection; (add.info.: A View of London)

Background imageEarly Seventeenth Century Collection: A Map of America, 1612 (hand-coloured engraving)

A Map of America, 1612 (hand-coloured engraving)
985976 A Map of America, 1612 (hand-coloured engraving) by Ortelius, Abraham (1527-98) (after); Private Collection; (add.info.: A Map of America. From Theatro d el Orbe de la Tierra)

Background imageEarly Seventeenth Century Collection: Title page from Coryats Crudities hastily gobled up in five moneths travells in

Title page from Coryats Crudities hastily gobled up in five moneths travells in
985935 Title page from Coryats Crudities hastily gobled up in five moneths travells in France, Savoy, Italy, Rhetia, commonly called the Grisons Country, Helvetia alias Switzerland

Background imageEarly Seventeenth Century Collection: The Sacrifice of Isaac, (oil on canvas)

The Sacrifice of Isaac, (oil on canvas)
651228 The Sacrifice of Isaac, (oil on canvas) by Champaigne, Philippe de (1602-74); 179.8x149.5 cm; Private Collection; (add.info.: The Sacrifice of Isaac. Philippe de Champaigne (1602-1624)

Background imageEarly Seventeenth Century Collection: Adam and Eve, (oil on canvas)

Adam and Eve, (oil on canvas)
990261 Adam and Eve, (oil on canvas) by Wtewael or Utewael, Joachim (c.1566-1638); 156x113 cm; Private Collection; (add.info.: Adam and Eve. Joachim Anthonisz Wtewael (1582-1647). Oil on canvas

Background imageEarly Seventeenth Century Collection: The Four Seasons - Summer, (oil on canvas)

The Four Seasons - Summer, (oil on canvas)
990235 The Four Seasons - Summer, (oil on canvas) by Vrancx, Sebastian (1573-1647); 51x65 cm; Private Collection; (add.info.: The Four Seasons - Summer. Oil on panel. Sebastian Vrancx (1573-1647)

Background imageEarly Seventeenth Century Collection: The Mocking of Christ (oil on canvas)

The Mocking of Christ (oil on canvas)
990182 The Mocking of Christ (oil on canvas) by Bellis, Antonio de (active c. 1636-1657/1658); 129x96.5 cm; Private Collection; (add.info.: the Mocking of Christ. Antonio de Bellis (c.1616-c.1656)

Background imageEarly Seventeenth Century Collection: Portrait of a Lady, aged 80 with a Girl, aged 6, three quarter-length, c

Portrait of a Lady, aged 80 with a Girl, aged 6, three quarter-length, c
990087 Portrait of a Lady, aged 80 with a Girl, aged 6, three quarter-length, c.1632-33 (oil on panel) by Backer, Jacob Adriensz (1608-51); 113.2x81.7 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: A Basket of Fruit on a Draped Table with Dead Game and a Monkey, (oil on canvas)

A Basket of Fruit on a Draped Table with Dead Game and a Monkey, (oil on canvas)
990079 A Basket of Fruit on a Draped Table with Dead Game and a Monkey, (oil on canvas) by Snyders or Snijders, Frans (1579-1657); 81x118 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Portrait of Philip I of Spain, bust-length, wearing the Order of the Golden Fleece

Portrait of Philip I of Spain, bust-length, wearing the Order of the Golden Fleece
990067 Portrait of Philip I of Spain, bust-length, wearing the Order of the Golden Fleece, (oil on canvas) by Vos, Cornelis de (1585-1651); 110x100 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Portolan chart of the Mediterranean and Northern Europe, c

Portolan chart of the Mediterranean and Northern Europe, c
991250 Portolan chart of the Mediterranean and Northern Europe, c.1575-1600 (Illuminated manuscript on vellum) by Italian School

Background imageEarly Seventeenth Century Collection: Carte Universelle (World Map), 1624 (ink and watercolour on vellum)

Carte Universelle (World Map), 1624 (ink and watercolour on vellum)
991249 Carte Universelle (World Map), 1624 (ink and watercolour on vellum) by French School, (17th century); 46.7x90.45 (approx.) cm; Private Collection; (add.info.: Carte Universelle (World Map)

Background imageEarly Seventeenth Century Collection: Portrait of a Girl, half length, holding a Tennis Racquet (oil on canvas)

Portrait of a Girl, half length, holding a Tennis Racquet (oil on canvas)
990409 Portrait of a Girl, half length, holding a Tennis Racquet (oil on canvas) by Vos, Cornelis de (1585-1651) (circle of); 57.7x46.3 cm; Private Collection; (add.info.: Portrait of a Girl)

Background imageEarly Seventeenth Century Collection: Christ Driving the Moneychangers from the Temple, 1621 (oil on canvas)

Christ Driving the Moneychangers from the Temple, 1621 (oil on canvas)
659303 Christ Driving the Moneychangers from the Temple, 1621 (oil on canvas) by Baburen, Theodore van, called Dirk (1570/90-1623/4); 161x199.5 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Portrait of a Gentleman, Standing Three-Quarter Length, Wearing an Elaborately

Portrait of a Gentleman, Standing Three-Quarter Length, Wearing an Elaborately
659385 Portrait of a Gentleman, Standing Three-Quarter Length, Wearing an Elaborately Embroidered Costume, Before a Window, a Landscape Beyond, (oil on canvas) by Tintoretto

Background imageEarly Seventeenth Century Collection: The Martyrdom of Saint Bartholomew, (oil on canvas)

The Martyrdom of Saint Bartholomew, (oil on canvas)
659337 The Martyrdom of Saint Bartholomew, (oil on canvas) by Badalocchio, Sisto (1581/5-1647); 119.3x155.5 cm; Private Collection; (add.info.: The Martyrdom of Saint Bartholomew)

Background imageEarly Seventeenth Century Collection: Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace

Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace
824207 Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace Collar, holding a Black Hat, (oil on canvas) by Peake, Robert

Background imageEarly Seventeenth Century Collection: Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York

Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York
822694 Landing of Henry Hudson, 1608 at Verplanck Point, Near Peekskill, New York, (oil on canvas) by Weir, Robert Walter (1803-89); 84x122 cm; Private Collection; (add.info)

Background imageEarly Seventeenth Century Collection: Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap

Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap
652136 Portrait of a Gentleman, Possibly the Artist, half-length, in a Brown Cloak and Blue Wrap, Beside a Marble Bust, in a Rocky Landscape, (oil on canvas) by Dobson

Background imageEarly Seventeenth Century Collection: Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume

Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume
827972 Portrait of a Lady, standing three quarter length, wearing an Elaborate Black Costume, a White Ruff, and Lace Cuffs, holding a Gold Chain and a Pair of Gloves, 1633 (oil on panel) by Eliasz

Background imageEarly Seventeenth Century Collection: The Feast of Saint (oil on panel)

The Feast of Saint (oil on panel)
827875 The Feast of Saint (oil on panel) by Cleve, Maerten van (1527-81) (after); 76.5x107 cm; Private Collection; (add.info.: The Feast of Saint. Martin)

Background imageEarly Seventeenth Century Collection: A Church at Night with a Priest celebrating Mass in a side Chapel, (oil on panel)

A Church at Night with a Priest celebrating Mass in a side Chapel, (oil on panel)
827871 A Church at Night with a Priest celebrating Mass in a side Chapel, (oil on panel) by Neeffs, Pieter (1578-1656) & Francken

Background imageEarly Seventeenth Century Collection: Portrait of a Gentleman, aged twenty-five, three- quarter length

Portrait of a Gentleman, aged twenty-five, three- quarter length
827806 Portrait of a Gentleman, aged twenty-five, three- quarter length, in a black doublet with turquoise and gold sleeves and a white ruff, by a draped table, (oil on panel) by Wedig

Background imageEarly Seventeenth Century Collection: A Lion Hunt, (oil on panel)

A Lion Hunt, (oil on panel)
827782 A Lion Hunt, (oil on panel) by Rubens, Peter Paul (1577-1640); 50x44 cm; Private Collection; (add.info.: A Lion Hunt. Peter Paul Rubens (1577-1640). Oil on panel

Background imageEarly Seventeenth Century Collection: Portrait of Princess Elizabeth II van de Palts as a Shepherdess, bust length

Portrait of Princess Elizabeth II van de Palts as a Shepherdess, bust length
827772 Portrait of Princess Elizabeth II van de Palts as a Shepherdess, bust length, holding a Rose, (oil on canvas) by Honthorst



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"Exploring the Early Seventeenth Century: A Glimpse into Art and History" Step back in time with these captivating artworks from the early seventeenth century. From lively scenes of celebration to gruesome depictions of violence, each painting tells a unique story that reflects the tumultuous times. "The Wedding Dance" portrays joyous festivities, where couples twirl and sway to lively music. The vibrant colors and intricate details on this oil panel capture the spirit of merriment during this era. In contrast, "A Spilled Basket of Fruits on a Draped Table with Monkeys" offers a glimpse into daily life. This still-life composition showcases wealth and abundance while reminding us of our mortal existence through symbols like spilled fruits. One cannot ignore the power dynamics depicted in "Judith holding the Head of Holofernes. " Painted on canvas, this piece captures Judith's bravery as she holds her enemy's severed head alongside her loyal maidservant, symbolizing triumph over oppression. "The Massacre of the Innocents, " an emotionally charged oil painting on canvas, depicts a tragic event from biblical times. It serves as a reminder that violence knows no boundaries or eras—a haunting image that resonates even today. Moving beyond paintings, "A Landscape with Marauders attacking a Wagon Train and Pillaging a Village" transports us to an unsettling scene filled with chaos and destruction. The artist skillfully conveys tension through his use of light and shadow on panel. In stark contrast is "The Executioner holding the Head of Saint John the Baptist, " rendered in pen and brown ink on light brown paper. This detailed drawing captures both horror and fascination surrounding martyrdom during those times. Another depiction of tragedy unfolds in "Massacre of the Innocents; Le Massacre des Innocents. " Painted meticulously onto board, it narrates one more heart-wrenching tale from history—an artwork that demands contemplation.