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Embroidery Collection (page 7)

"Unraveling the Threads of History: Embroidery as a Timeless Art" Embroidery, a craft that has woven its way through centuries

Background imageEmbroidery Collection: Indian lady in sari and choli, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's '

Indian lady in sari and choli, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female
FLO4656849 Indian lady in sari and choli, 19th century. Handcoloured lithograph from Thomas Hailes Lacy's " Female Costumes Historical, National and Dramatic in 200 Plates," London

Background imageEmbroidery Collection: Portrait of Edward Prince of Wales

Portrait of Edward Prince of Wales
3568686 Portrait of Edward Prince of Wales; (add.info.: Great Britain 1886 Photographer: Downey, William & Daniel); Alinari Archives, Florence.

Background imageEmbroidery Collection: Dress (Robe) of the reign of King Richard III, 1483-1485. Blue

Dress (Robe) of the reign of King Richard III, 1483-1485. Blue and gold embroidered dress with white puff sleeves
FLO4594621 Dress (Robe) of the reign of King Richard III, 1483-1485. Blue and gold embroidered dress with white puff sleeves, jeweled necklace and belt, headdress with upright veil

Background imageEmbroidery Collection: Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled

Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled
FLO4594603 Dress of the reign of King Henry VI, 1422-1461. She wears a blue furlined mantle over a jeweled and furtrimmed bodice over a pink skirt

Background imageEmbroidery Collection: Costumes 15th century: Italian men's fashion - Chromolithography

Costumes 15th century: Italian men's fashion - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck
FLO4643959 Costumes 15th century: Italian men's fashion - Chromolithography, drawing by Jakob Heinrich von Hefner-Alteneck (1811-1903), for his book "Costumes

Background imageEmbroidery Collection: A woman's costume, early 15th century, she wears a long veil and a long-sleeved dress

A woman's costume, early 15th century, she wears a long veil and a long-sleeved dress
FLO4643823 A woman's costume, early 15th century, she wears a long veil and a long-sleeved dress, playing with a dog - From a playing card from the Royal Library of Stuttgart (Germany)

Background imageEmbroidery Collection: A man's costume at the beginning of the 15th century, he wears a large hat with wide edges

A man's costume at the beginning of the 15th century, he wears a large hat with wide edges
FLO4643772 A man's costume at the beginning of the 15th century, he wears a large hat with wide edges, a tunic with a large collar and long cuffs

Background imageEmbroidery Collection: Women's headdress in the time of Charles IX (litho)

Women's headdress in the time of Charles IX (litho)
8677411 Women's headdress in the time of Charles IX (litho) by American School, (19th century); Private Collection; (add.info.: Women's headdress in the time of Charles IX)

Background imageEmbroidery Collection: Prince Ch'un, 1888

Prince Ch'un, 1888
1574341 Prince Ch'un, 1888; (add.info.: Photographic print shows I-huan, Prince Ch'un, full-length portrait, seated in full ceremonial dress being distinct from the ordinary Mandarin costume)

Background imageEmbroidery Collection: Remembering Coquimbo, near Valparaiso in Peru

Remembering Coquimbo, near Valparaiso in Peru
3566966 Remembering Coquimbo, near Valparaiso in Peru by Unknown photographer, (19th century); (add.info.: Peru 1870 ca. Photographer: Unidentified Author); Alinari Archives, Florence.

Background imageEmbroidery Collection: An embroidered christening cushion, c.1644 (embroidery)

An embroidered christening cushion, c.1644 (embroidery)
7141195 An embroidered christening cushion, c.1644 (embroidery); 28x36 cm; Parham House, West Sussex, UK; (add.info.: Embroidery signed and sater 'M.L)

Background imageEmbroidery Collection: Royal Naval uniform: pattern 1795-1812, Nelson's Trafalgar coat, c.1805 (wool, silk, brass)

Royal Naval uniform: pattern 1795-1812, Nelson's Trafalgar coat, c.1805 (wool, silk, brass, metal thread)
7340662 Royal Naval uniform: pattern 1795-1812, Nelson's Trafalgar coat, c.1805 (wool, silk, brass, metal thread, gold alloy) by Unknown Artist, (19th century); National Maritime Museum, London

Background imageEmbroidery Collection: Elizabeth I, c.1590 (oil on panel)

Elizabeth I, c.1590 (oil on panel)
7337893 Elizabeth I, c.1590 (oil on panel) by English School, (16th century); 119.4x91.5 cm; National Maritime Museum, London, UK; © National Maritime Museum, Greenwich, London.

Background imageEmbroidery Collection: Detail of the socks, which were not regulatory in the British Navy, c.1805 (cotton and wool)

Detail of the socks, which were not regulatory in the British Navy, c.1805 (cotton and wool)
MMM5475206 Detail of the socks, which were not regulatory in the British Navy, c.1805 (cotton and wool); National Maritime Museum, London, UK; (add.info.: Detail of the socks)

Background imageEmbroidery Collection: Young girl of Bayeux

Young girl of Bayeux
5855709 Young girl of Bayeux; (add.info.: Young girl of Bayeux. No woman of high society would wear such a low-cut neckline in Paris as this floozy)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701699 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701695 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701669 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701665 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Jon Arason's Chasuble, 16th century (textile)

Jon Arason's Chasuble, 16th century (textile)
5304955 Jon Arason's Chasuble, 16th century (textile); (add.info.: Jon Arason's Chasuble, an ornate sleeveless outer vestment worn by a Catholic or High Anglican priest when celebrating Mass)

Background imageEmbroidery Collection: 18th Century traditional Icelandic formal clothing

18th Century traditional Icelandic formal clothing
5304715 18th Century traditional Icelandic formal clothing.; (add.info.: Icelandic, 18th century, traditional, ladies, formal clothing. made of imported fabrics embroidered in gold or silver thread)

Background imageEmbroidery Collection: Mullah Persian - Persian mullah or priest in turban, embroidered cape, furlined coat, slippers

Mullah Persian - Persian mullah or priest in turban, embroidered cape, furlined coat, slippers
FLO4723797 Mullah Persian - Persian mullah or priest in turban, embroidered cape, furlined coat, slippers, carrying a stick - Handcoloured woodcut by S.T. after an illustration by S.B

Background imageEmbroidery Collection: Living of Lahore (India) - Man of Lahore (Punjab) in black suit, turban and cape

Living of Lahore (India) - Man of Lahore (Punjab) in black suit, turban and cape
FLO4723606 Living of Lahore (India) - Man of Lahore (Punjab) in black suit, turban and cape, carrying a bow - Handcoloured woodcut by SB from " Habits

Background imageEmbroidery Collection: Femme iakoute (yakoute) - Yakut woman wearing earrings, furlined coat decorated with beads

Femme iakoute (yakoute) - Yakut woman wearing earrings, furlined coat decorated with beads - Handcoloured woodcut by A
FLO4724064 Femme iakoute (yakoute) - Yakut woman wearing earrings, furlined coat decorated with beads - Handcoloured woodcut by A

Background imageEmbroidery Collection: Noble Burmese (Myanmar) - Burmese nobleman in embroidered robes, hat, and slippers

Noble Burmese (Myanmar) - Burmese nobleman in embroidered robes, hat, and slippers
FLO4723550 Noble Burmese (Myanmar) - Burmese nobleman in embroidered robes, hat, and slippers. Handcoloured woodcut from " Moeurs, Uses et Costumes de tous les Peuples du Monde

Background imageEmbroidery Collection: Chinese Mandarin - Chinese mandarin in heavily embroidered tabard

Chinese Mandarin - Chinese mandarin in heavily embroidered tabard and hat with peacock feather - Handcoloured woodcut
FLO4723337 Chinese Mandarin - Chinese mandarin in heavily embroidered tabard and hat with peacock feather - Handcoloured woodcut by Pannemaker after an illustration by H

Background imageEmbroidery Collection: Portrait of Josue Heilmann (1796-1848), manufacturer and inventor of systems for improving weaving

Portrait of Josue Heilmann (1796-1848), manufacturer and inventor of systems for improving weaving machines
ELD4951138 Portrait of Josue Heilmann (1796-1848), manufacturer and inventor of systems for improving weaving machines (Josue Heilmann (1796-1848), inventor

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701691 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701688 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701685 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701684 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701662 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageEmbroidery Collection: Adoration of the Magis, 15th century (tapestry)

Adoration of the Magis, 15th century (tapestry)
CUL4934665 Adoration of the Magis, 15th century (tapestry); (add.info.: Embroidered altar frontal Vic Episcopal Museum GERONA. Sant Joan de les Abadesses); AIC.

Background imageEmbroidery Collection: Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar

Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar
FLO4594692 Dress during the Protectorate, 1653-1659. She wears five ribbons in her hair, a tall lace collar, a black dress with green sleeves and scarlet shoulders over embroidered petticoats

Background imageEmbroidery Collection: Dress (Dress) of the reign of King Edward VI, 1547-1553. She wears a velvet hat

Dress (Dress) of the reign of King Edward VI, 1547-1553. She wears a velvet hat
FLO4594660 Dress (Dress) of the reign of King Edward VI, 1547-1553. She wears a velvet hat, round-collared dress decorated with pearls, open puff sleeves, and a jeweled belt

Background imageEmbroidery Collection: Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs

Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs
FLO4594667 Dress (Dress) of the reign of Queen Elizabeth I, 1558-1603. She wears a high lace ruff and cuffs, elaborately jeweled bodice, belt and headdress

Background imageEmbroidery Collection: COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548495 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

Background imageEmbroidery Collection: COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548494 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

Background imageEmbroidery Collection: Photographic print of Breton women

Photographic print of Breton women
3077680 Photographic print of Breton women; (add.info.: Photographic print of Breton women, sat stitching. The Bretons are an ethnic group located in the region of Brittany in France)

Background imageEmbroidery Collection: American Civil War, Shoulder Strap of Major General US Grant

American Civil War, Shoulder Strap of Major General US Grant
3028673 American Civil War, Shoulder Strap of Major General US Grant; West Point Museum, New York, USA; (add.info.: Shoulder Strap of Major General US Grant); © Don Troiani

Background imageEmbroidery Collection: Eleonore d'Aquitaine (1122-1204), wearing a long golden embroidered dress, a blue coat

Eleonore d'Aquitaine (1122-1204), wearing a long golden embroidered dress, a blue coat, white veil and headdress
FLO4672010 Eleonore d'Aquitaine (1122-1204), wearing a long golden embroidered dress, a blue coat, white veil and headdress

Background imageEmbroidery Collection: Outfit of King Edward VI (1537-1553), representing age 13 in 1550

Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves
FLO4672243 Outfit of King Edward VI (1537-1553), representing age 13 in 1550, wearing a velvet cape with short sleeves, on an embroidered tunic, velvet trousers and stockings

Background imageEmbroidery Collection: Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants

Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants
FLO4672080 Isabelle d'Angouleme (1188-1246), wearing a blue dress, embroidered with golden moon croissants, a long coat and long pointed shoes. From the lying of the abbey of Fontevraud (France)

Background imageEmbroidery Collection: A Mexican weaver woman at work, 1905 (print on double-weight paper)

A Mexican weaver woman at work, 1905 (print on double-weight paper)
3562952 A Mexican weaver woman at work, 1905 (print on double-weight paper); (add.info.: Mexico 1905 ca. Photographer: Waite, Photo); Alinari Archives, Florence.

Background imageEmbroidery Collection: Letter Z: Zampa, in 'Zampa or La fiancee de marble', opera (created in 1831)

Letter Z: Zampa, in "Zampa or La fiancee de marble", opera (created in 1831) by Ferdinand Herold (1791-1833)
DUV4208637 Letter Z: Zampa, in "Zampa or La fiancee de marble", opera (created in 1831) by Ferdinand Herold (1791-1833). Men's Alphabet (Liebig) Serie S0369

Background imageEmbroidery Collection: Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's ' Historical Picture of

Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of
FLO4706568 Czar of Russia. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Peoples of Antiquity

Background imageEmbroidery Collection: Mary Stuart, Queen of Scotland, 1570. Handcolored copperplate engraving from Robert von Spalart's

Mary Stuart, Queen of Scotland, 1570. Handcolored copperplate engraving from Robert von Spalart's " Historical
FLO4706411 Mary Stuart, Queen of Scotland, 1570. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Peoples of Antiquity

Background imageEmbroidery Collection: Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's '

Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's " Historical
FLO4706378 Portuguese man and woman, 1660. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Peoples of Antiquity



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"Unraveling the Threads of History: Embroidery as a Timeless Art" Embroidery, a craft that has woven its way through centuries, holds within it stories of valor and culture. Just like King Harold's foot soldiers with their spears and battle axes depicted in the Bayeux Tapestry, embroidery serves as a visual narrative of our past. From Central America to Panama, Cristobal to Kuna Indian traditional molas, embroidery showcases the rich tapestry of diverse cultures. It transcends borders and continents, connecting us all through intricate stitches and vibrant threads. In Normandy, France, Europe stands The Bayeux Tapestry - an iconic masterpiece that depicts pivotal moments in history. A feast for the eyes captured on fabric; it transports us back to late 11th century battles and reveals unknown creators who left their mark for eternity. Costa Rican art from Central America adds another layer to this artistic journey. Its vibrant colors mirror the lush landscapes while telling tales unique to Costa Rica's heritage. Frans Hals' "The Laughing Cavalier, " created in 1624 but still resonating today (1943), reminds us that embroidery is not confined solely to fabric and can be found even in oil paintings where every brushstroke weaves together a story worth cherishing. As ships were built in preparation for war according to the Bayeux Tapestry's depiction at Bayeux, Normandy, France; we see how embroidery captures not only beauty but also historical events etched into our collective memory. The death of King Harold portrayed with an arrow piercing his eye symbolizes both tragedy and bravery. This scene immortalized by needlework speaks volumes about human resilience amidst conflict. Just as Norman cavalry clashed with Harold's foot soldiers forming shield walls on embroidered cloth; so too do different elements collide harmoniously within this ancient art form – creating something truly remarkable.