Enchantress Collection

Circe, c. 1889 (oil on canvas)
1128167 Circe, c.1889 (oil on canvas) by Barker, Wright (1864-1941); 138x188 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English, out of copyright

The Love Charm (oil on panel)
BAL7946 The Love Charm (oil on panel) by German School, (15th century); 24x18 cm; Museum der Bildenden Kunste, Leipzig, Germany; (add.info.: Der Liebeszauber; Niederrheinischer Meister); German

Circe and Ulysses, 1611-1669. Creators: Filippo Lauri, Pietro da Cortona
Circe and Ulysses, 1611-1669

Circe Punishes Glaucus by Turning Scylla into a Monster, 1695. Creator: Eglon Hendrik van der Neer
Circe Punishes Glaucus by Turning Scylla into a Monster, 1695

Circe. Creator: Unknown
Circe

Burning candles on back of lady bowing down in darkness
Andrey Guryanov

Mae Murray (1885-1965) the American actress, dancer, film producer and screenwriter, born Marie Koenig. Here she is appearing in the silent film Circe The Enchantress'. Date: circa 1925

The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande
CHT244618 The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande, a play by Jean Lorrain (1855-1906) c.1900 (woodcut) by Berthon

Circe (colour litho)
979734 Circe (colour litho) by Ehrenberger, Ludwig Lutz (1878-1950); Private Collection; (add.info.: Circe.); © Look and Learn

Fragment of a Band Depicting Scene from Homers Odyssey, England, 16th / 17th century
Fragment of a Band Depicting Scene from Homers Odyssey, England, 16th/17th century. Possibly the scene where Circe the enchantress turns Odysseus crew into swine

Armida Encounters the Sleeping Rinaldo, 1742 / 45. Creator: Giovanni Battista Tiepolo
Armida Encounters the Sleeping Rinaldo, 1742/45

Armida Abandoned by Rinaldo, 1742 / 45. Creator: Giovanni Battista Tiepolo
Armida Abandoned by Rinaldo, 1742/45

Rinaldo and Armida in Her Garden, 1742 / 45. Creator: Giovanni Battista Tiepolo
Rinaldo and Armida in Her Garden, 1742/45

Sextus Pompeius consulting Erichtho before the Battle of Pharsalia (oil on canvas)
1275771 Sextus Pompeius consulting Erichtho before the Battle of Pharsalia (oil on canvas) by Mortimer, John Hamilton (1741-79); 58.4x46.4 cm; Private Collection; Photo eChristies Images; English

Circe (oil on paper laid down on canvas)
CH469046 Circe (oil on paper laid down on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 41.1x32.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

The International Yacht Race, the "Corinne"and "Enchantress"struck by a Squall (engraving)
1053033 The International Yacht Race, the " Corinne" and " Enchantress" struck by a Squall (engraving) by English School

The Coronation in Norway (engraving)
1620851 The Coronation in Norway (engraving) by English School, (19th century); Private Collection; (add.info.: The Coronation in Norway. Illustration for The Illustrated London News, 9 August 1873)

I have drink here worthier of a hero, said Sunbright with a smile
STC411967 I have drink here worthier of a hero, said Sunbright with a smile, illustration from Mrs Burton Harrisons Folk and Fairy Tales, 1885 (litho) by Crane

The Queen and Princess Beatrice, on Board the "Enchantress, "passing down the Canal (b / w photo)
1604784 The Queen and Princess Beatrice, on Board the " Enchantress, " passing down the Canal (b/w photo) by English Photographer

The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande
CHT241206 The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande, a play by Jean Lorrain (1855-1906) (colour litho) by Steinlen

Hall Lewis Enchantress bus. Date: circa 1940

Rinaldo Abandons Armida
AII50191 Rinaldo Abandons Armida by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Galleria degli Uffizi, Florence, Tuscany, Italy; Italian, out of copyright

Circe Changing the Companions of Ulysses into Boars (oil on canvas)
475780 Circe Changing the Companions of Ulysses into Boars (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

Ulysses threatening Circe, c. 1630-35 (oil on wood)
3959974 Ulysses threatening Circe, c.1630-35 (oil on wood) by Jordaens, Jacob (1593-1678); 86 x 105.5 cm; Kunstmuseum, Basel

Put away from you that sword, illustration from Stories of King Arthur
STC323614 Put away from you that sword, illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905 (litho) by Curtis

De magicis mulieribus, illustration from Historia de Gentibus Septentrionalibus
CHT224896 De magicis mulieribus, illustration from Historia de Gentibus Septentrionalibus by Olaus Magnus (1490-1558), published in Rome, 1555 (woodcut) (b/w photo) by Italian School

The Lady of the Lake sits by the Fountain in Arroy, illustration from
STC335716 The Lady of the Lake sits by the Fountain in Arroy, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle

Circe (engraving)
3620583 Circe (engraving) by Dobie, James (b.1849); Private Collection; (add.info.: Circe. After a painting by John William Waterhouse)

Plate with Picus and Circe by L or Lu. Ur. 1535 (tin-glazed earthenware maiolica)
1217347 Plate with Picus and Circe by L or Lu.Ur. 1535 (tin-glazed earthenware maiolica) by Italian School, (16th century); diam: 25.9 cm; Ashmolean Museum, University of Oxford

A study for La Belle Dame sans Merci, c. 1893 (oil on board laid down on panel)
CH368184 A study for La Belle Dame sans Merci, c.1893 (oil on board laid down on panel) by Waterhouse, John William (1849-1917); 36.8x29.5 cm; Private Collection; (add.info)

Queen of Snakes, Give me back my husband, illustration from
2907430 Queen of Snakes, Give me back my husband, illustration from The Olive Fairy Book, by Andrew Laing, 1907 (colour litho) by Ford

Vivien bewitches Merlin, illustration from The Story of King Arthur
STC335710 Vivien bewitches Merlin, illustration from The Story of King Arthur and his Knights, 1903 (litho) by Pyle, Howard (1853-1911); Private Collection; The Stapleton Collection; American

Merlin and Nimue, illustration from The romance of King Arthur
STC398620 Merlin and Nimue, illustration from The romance of King Arthur and his knights of the Round Table by Alfred W. Pollard, 1910 (colour litho) by Rackham

Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white
CTS366797 Circe seated, the bewitched Argonauts transmogrified (black chalk with brown wash & white body colour on paper) by Zuccaro, Taddeo (1529-66); 42.2x28.7 cm; eThe Devonshire Collections

Study for Nimue for Merlin and Nimue, 1870 (pencil on paper)
CMY100634 Study for Nimue for Merlin and Nimue, 1870 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 19.7x16.5 cm; Private Collection; English, out of copyright

Statuette of the goddess Isis and the child Horus (bronze encrusted with gold)
PWI105652 Statuette of the goddess Isis and the child Horus (bronze encrusted with gold) by Egyptian, Late Period (715-332 BC); Louvre, Paris, France; ePeter Willi; Egyptian, out of copyright

Rinaldo takes his leave of the enchantress Armida (chromolitho)
2782629 Rinaldo takes his leave of the enchantress Armida (chromolitho) by European School, (19th century); Private Collection; (add.info.: Rinaldo takes his leave of the enchantress Armida)

Rinaldo and Armida
FTB60373 Rinaldo and Armida by Hayez, Francesco (1791-1882); Galleria Internazionale d Arte Moderna, Ca Pesaro, Venice, Italy; (add.info.: Armida distracts him from Crusades and duty; ); Italian

Circe sends the Swine (The Companions of Ulysses) to the Styes
STC323724 Circe sends the Swine (The Companions of Ulysses) to the Styes, frontispiece from Tales of the Greek Seas by Andrew Lang, 1926 (ink on paper) by Ford

Morgan le Fay with Excalibur, illustration from Stories of King Arthur
STC323634 Morgan le Fay with Excalibur, illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905 (colour litho) by Curtis

Circe and he swine, 1929 (litho)
3060296 Circe and he swine, 1929 (litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info.: Published in The Odyssey of Homer by George Herbert Palmer in 1929; The Odyssey is one)

The Sorceress, 1898 (w / c & gouache on paper)
CW103342 The Sorceress, 1898 (w/c & gouache on paper) by Rheam, Henry Meynell (1859-1920); 43.2x20.3 cm; Private Collection; eChristopher Wood Gallery, London, UK; English, out of copyright

The Livingstone Expedition (engraving)
1612960 The Livingstone Expedition (engraving) by English School, (19th century); Private Collection; (add.info.: The Livingstone Expedition)

The Late Prince Imperial, removing the Princes Body from the Orontes to the Enchantress, at Spithead (engraving)
1099956 The Late Prince Imperial, removing the Princes Body from the Orontes to the Enchantress, at Spithead (engraving) by English School

The Enchantress (oil on canvas laid down on board)
930146 The Enchantress (oil on canvas laid down on board) by Hughes, Arthur (1832-1915); 40x25.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Circe and Odysseus (oil on panel)
3674579 Circe and Odysseus (oil on panel) by Jordaens, Jacob (1593-1678); 74x106.3 cm; Private Collection; (add.info.: stamped with the Antwerp hand)

Merlin and Viviane, the Lady of the Lake (chromolitho)
3100697 Merlin and Viviane, the Lady of the Lake (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Merlin and Viviane, the Lady of the Lake)

Nimue Beguiling Merlin with Enchantment, plate XV from The Flower Book
NBY335550 Nimue Beguiling Merlin with Enchantment, plate XV from The Flower Book (colour litho) by Burne-Jones, Edward Coley (1833-98); Newberry Library, Chicago, Illinois

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"Enchantress: A Captivating Journey into the Realm of Magic and Seduction" Step into a world where enchantment reigns supreme, as depicted in Circe, c. 1889 (oil on canvas), an exquisite masterpiece that brings to life the mythical sorceress who captivated Odysseus with her beguiling powers. In The Love Charm (oil on panel), we witness the mystical allure of an enigmatic enchantress, weaving spells and potions to ensnare unsuspecting hearts. Mae Murray personifies this ethereal beauty, drawing us deeper into her spellbinding realm. The Enchanter Merlin and the Fairy Vivien in the Forest of Broceliande, from Broceliande, a play by Jean Lorrain (1855-1906) c. 1900 (woodcut) transports us to a magical forest where ancient forces intertwine. Here, amidst flickering candles illuminating darkness, a lady bows down under their mesmerizing glow - perhaps seeking guidance from unseen powers. An Illustration for Poems by Charles Baudelaire (1821-67) (engraving) reveals an enigmatic figure shrouded in mystery; her bewitching gaze hinting at hidden desires and forbidden pleasures. Circe (colour litho) showcases another facet of this captivating sorceress - her vibrant energy radiating through every brushstroke. Medea's pen & ink rendering before 1838 captures her potent mix of power and passion. A Fragment of a Band Depicting Scene from Homer's Odyssey takes us back centuries ago when tales were woven around heroes encountering alluring enchantresses like Circe herself. Giovanni Battista Tiepolo's masterpieces transport us to Armida's world - one filled with both love and betrayal.