English Artist Collection (page 20)

Gertrude Jekylls Garden, Munstead Wood (pencil w / c with touches of white
3431717 Gertrude Jekylls Garden, Munstead Wood (pencil & w/c with touches of white & scratching out on paper) by Allingham

The Basket of Primroses, (oil on canvas)
652201 The Basket of Primroses, (oil on canvas) by Burgess, John-Bagnold (1830-97); 91.5x71 cm; Private Collection; (add.info.: The Basket of Primroses. John Bagnold Burgess (1830-1897)

The Reconciliation, (oil on canvas)
652200 The Reconciliation, (oil on canvas) by Leighton, Edmund Blair (1853-1922); 50.8x96.5 cm; Private Collection; (add.info.: The Reconciliation. Edmund Blair Leighton (1853-1922). Oil on canvas

Portrait of Miss Bentley, Seated Full Length, Wearing a White Dress
652196 Portrait of Miss Bentley, Seated Full Length, Wearing a White Dress, Holding a Rabbit in a Landscape, c.1781 (oil on canvas) by Wright of Derby

Portrait of John Gainsborough, the Artists Brother, Bust Length
652159 Portrait of John Gainsborough, the Artists Brother, Bust Length, in a Brown Jacket and Waistcoat and White Stock, (oil on canvas) by Gainsborough

A Wooded Landscape with a Shepherd Boy Listening to a Magpie, and Three Sheep
652133 A Wooded Landscape with a Shepherd Boy Listening to a Magpie, and Three Sheep, (oil on canvas) by Dupont, Gainsborough (1754-97); 190.5x137.2 cm; Private Collection; (add.info)

Portrait of William Augustus, Duke of Cumberland, standing three-quarter length
652122 Portrait of William Augustus, Duke of Cumberland, standing three-quarter length, in Garter Robes, (oil on canvas) by Reynolds

Portrait of a Lady, Seated Half Length, in a Dark Blue Dress
652113 Portrait of a Lady, Seated Half Length, in a Dark Blue Dress and a White Lace Bonnet with a Blue Bow, Holding Needlework, (oil on canvas) by Carpenter

The Church of Santa Maria del Rosario or of the Gesuati, Venice
652109 The Church of Santa Maria del Rosario or of the Gesuati, Venice, (pencil and watercolour heightened with white) by Foster

Draw Bridge from St. Augustines Bank, Bristol, (pencil
652053 Draw Bridge from St. Augustines Bank, Bristol, (pencil, pen and brown ink and watercolour) by Johnson, James (1803-34); 21.6x32.4 cm; Private Collection; (add.info.: Draw Bridge from St)

The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with
652047 The Port of Sollo, Majorca, (pencil, pen and ink and watercolour heightened with bodycolour o) by Goodwin, Albert (1845-1932); 25.4x36.8 cm; Private Collection; (add.info.: The Port of Sollo)

A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour)
651992 A Peep at the Hounds: Here They Come, (pencil, watercolour and bodycolour) by Foster, Myles Birket (1825-99); 24x36.7 cm; Private Collection; (add.info.: A Peep at the Hounds: Here They Come)

Scene on the Virginia Water, 1827 (pencil and watercolour)
651987 Scene on the Virginia Water, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: Scene on the Virginia Water)

Farnley Hall From Above Otley, (pencil and watercolour)
651937 Farnley Hall From Above Otley, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 28.3x39.7 cm; Private Collection; (add.info.: Farnley Hall From Above Otley)

Durham Cathedral and Castle from the River Wear, 1811 (pencil
651881 Durham Cathedral and Castle from the River Wear, 1811 (pencil, pen and grey ink and watercolour on two joined sheets) by Towne

Portrait of a Lady, standing full length in a White Dress by a Piano
651879 Portrait of a Lady, standing full length in a White Dress by a Piano, 1801 (pencil and watercolour heightened with white) by Buck

Satan Exulting, (pencil and watercolour)
651873 Satan Exulting, (pencil and watercolour) by Westall, Richard (1765-1836); 56.5x38.7 cm; Private Collection; (add.info.: Satan Exulting. Richard Westall (1765-1836). Pencil and watercolour

The Education of the Children of Clovis (School of Vengeance;Training of Clotilde
659908 The Education of the Children of Clovis (School of Vengeance; Training of Clotildes Sons), 1861 (oil on canvas) by Alma-Tadema

The Beautiful Period; La Belle Epoque, 1888 (oil on canvas)
659849 The Beautiful Period; La Belle Epoque, 1888 (oil on canvas) by Raven-Hill, Leonard (1867-1942); 33x43.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Morning Paper, 1869 (oil on canvas)
659848 The Morning Paper, 1869 (oil on canvas) by King, Haynes (1831-1904); 45x35.5 cm; Private Collection; (add.info.: The Morning Paper. Haynes King (1831-1904). Oil on canvas

Head of a Girl, (oil on panel)
657964 Head of a Girl, (oil on panel) by Tonks, Henry (1862-1937); 34x24 cm; Private Collection; (add.info.: Head of a Girl. Henry Tonks (1862-1937). Oil on panel

The Four Seasons: Winter, c. 1919 (oil on canvas)
657923 The Four Seasons: Winter, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Winter)

The Four Seasons: Autumn, c. 1919 (oil on canvas)
657922 The Four Seasons: Autumn, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Autumn)

The Four Seasons: Spring, c. 1919 (oil on canvas)
657920 The Four Seasons: Spring, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Spring)

Frost and Mist, Summerleaze, East Knoyle, 1917 (oil on canvas)
657681 Frost and Mist, Summerleaze, East Knoyle, 1917 (oil on canvas) by Pissarro, Lucien (1863-1944); 64.7x53.3 cm; Private Collection; (add.info.: Summerleaze, East Knoyle, near Salisbury)

In the Trenches, 1917 (oil on canvas)
657630 In the Trenches, 1917 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: In the Trenches. Christopher Richard Wynne Nevinson (1889-1946)

A Schoolmaster with His Pupils, 1801 (oil on canvas)
659286 A Schoolmaster with His Pupils, 1801 (oil on canvas) by Halle, Noel (1711-81); 53.3x64.8 cm; Private Collection; (add.info.: A Schoolmaster with His Pupils. Noel Halle (1711-1781)

Three Children with a Dog in a Landscape, (oil on canvas)
659283 Three Children with a Dog in a Landscape, (oil on canvas) by Beechey, William (1753-1839); 186.7x136.5 cm; Private Collection; (add.info.: Three Children with a Dog in a Landscape)

Portrait of a Gentleman, Standing half length, Wearing a Red Velvet Jacket
659272 Portrait of a Gentleman, Standing half length, Wearing a Red Velvet Jacket and a Brown Cloak in a Park, (oil on canvas) by Kneller

The Church at East Knoyle, Thaw, 1917 (oil on canvas)
657367 The Church at East Knoyle, Thaw, 1917 (oil on canvas) by Pissarro, Lucien (1863-1944); 63.5x51 cm; Private Collection; (add.info.: The Church at East Knoyle, Thaw. Lucien Pissarro (1863-1944)

The Daily Bread, 1886 (oil on canvas)
657272 The Daily Bread, 1886 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); Private Collection; (add.info.: The Daily Bread. Stanhope Alexander Forbes (1857-1947). Oil on canvas

A Cornish Village, 1925 (oil on canvas)
657237 A Cornish Village, 1925 (oil on canvas) by Forbes, Stanhope Alexander (1857-1947); 60x75 cm; Private Collection; (add.info.: A Cornish Village. Stanhope Alexander Forbes (1857-1947)

For Always, (oil on canvas)
658983 For Always, (oil on canvas) by Sadler, Walter Dendy (1854-1923); 127x96.5 cm; Private Collection; (add.info.: For Always. Walter Dendy Sadler (1854-1923). Oil on canvas. 50 x 38in

Gathering Apples, 1881 (oil on canvas)
658743 Gathering Apples, 1881 (oil on canvas) by Rooke, Thomas Matthews (1842-1942); 76.2x59.7 cm; Private Collection; (add.info.: Gathering Apples. Thomas Matthews Rooke (1842-1942). Oil on canvas

Unloading the Catch, (oil on panel)
656951 Unloading the Catch, (oil on panel) by Williams, Terrick (1860-1936); 58.5x40.5 cm; Private Collection; (add.info.: Unloading the Catch. Terrick Williams (1860-1937). Oil on panel

Portrait of Mrs Ody holding a Book, (oil on board)
656868 Portrait of Mrs Ody holding a Book, (oil on board) by Dismorr, Jessica Stewart (1885-1939); 62.2x47 cm; Private Collection; (add.info.: Portrait of Mrs Ody holding a Book)

An Allegorical Female Figure, (oil on panel)
658334 An Allegorical Female Figure, (oil on panel) by Richmond, William Blake (1842-1921); 183.5x104.2 cm; Private Collection; (add.info.: An Allegorical Female Figure)

Una Carita, 1883 (oil on panel)
658329 Una Carita, 1883 (oil on panel) by Alma-Tadema, Lawrence (1836-1912); 10.5x8 cm; Private Collection; (add.info.: Una Carita. Sir Lawrence Alma-Tadema (1836-1912). Oil on panel

The Letter, 1910 (oil on panel)
658275 The Letter, 1910 (oil on panel) by Dadd, Frank (1851-1929); 35.5x28 cm; Private Collection; (add.info.: The Letter. Frank Dadd (1851-1929). Oil on panel. Dated 1910

Old Maid, 1886 (oil on canvas)
658244 Old Maid, 1886 (oil on canvas) by Goodall, Frederick (1822-1904); 110.5x97.8 cm; Private Collection; (add.info.: Old Maid. Frederick Goodall (1822-1904). Oil on canvas. Signed and dated 1886

A Mallard and a Woodpigeon with a Basket of Apples and Grapes on a Wooden Ledge
659880 A Mallard and a Woodpigeon with a Basket of Apples and Grapes on a Wooden Ledge, (oil on canvas) by Bale, Charles Thomas (fl.1868-75); 51x61 cm; Private Collection; (add.info)

Miss Evelyn Otway, 1880 (oil on canvas)
659806 Miss Evelyn Otway, 1880 (oil on canvas) by Millais, John Everett (1829-96); 123.2x78.7 cm; Private Collection; (add.info.: Miss Evelyn Otway. Sir John Everett Millais (1829-1896)

The Red Cape, 1883 (watercolour heightened with bodycolour)
659794 The Red Cape, 1883 (watercolour heightened with bodycolour) by Johnson, Edward Killingworth (1825-1923); 26x17.5 cm; Private Collection; (add.info.: The Red Cape)

Head of a Woman, 1890 (coloured chalks on terracotta coloured paper)
659768 Head of a Woman, 1890 (coloured chalks on terracotta coloured paper) by Burne-Jones, Edward Coley (1833-98); 31.4x23.5 cm; Private Collection; (add.info.: Head of a Woman)

The Song of the Shirt, 1854 (oil on canvas)
659749 The Song of the Shirt, 1854 (oil on canvas) by Blunden, Anna E. (1830-1915); 47x39.5 cm; Private Collection; (add.info.: The Song of the Shirt. Anna Elizabeth Blunden (1830-1915)

Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes
659746 Prometheus Consoled by the Spirits of the Earth How Fair These Air-Borne Shapes! And Yet I Feel Most Vain All Hope But Love... -Shelley

Venice, (pencil and watercolour with scratching out)
659726 Venice, (pencil and watercolour with scratching out) by Goodall, Edward Angelo (1819-1908); 47.6x82.5 cm; Private Collection; (add.info.: Venice. Edward Angelo Goodall (1819-1908)

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.