English Artist Collection (page 6)

Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed
986379 Title page, from Songs of Innocence, 1789 (hand-coloured relief-etched printed plate) by Blake, William (1757-1827); 19x13.5 cm; Private Collection; (add.info.: Title page)

Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard
986341 Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard and Her Dog, 1806 (hand-coloured engravin) by Martin

Great Eared Owl, 1841 (hand-coloured engraving)
986303 Great Eared Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 67x54 cm; Private Collection; (add.info.: Great Eared Owl. From Illustrations of British Ornithology)

A Mad Bull, 1806 (1824) (aquatint)
986259 A Mad Bull, 1806 (1824) (aquatint) by Dodd, Robert (1748-1815); 42x55.5 cm; Private Collection; (add.info.: A Mad Bull. From Authentic Memoirs of the Late George Morland)

Snowy Owl, 1832-1837 (hand-coloured lithograph)
986236 Snowy Owl, 1832-1837 (hand-coloured lithograph) by Lear, Edward (1812-88); 53x36 cm; Private Collection; (add.info.: Snowy Owl. From The Birds of Europe, by John Gould (1804-1881)

Plate from Plan of the Cities of London and Westminster the Borough of Southwark
986183 Plate from Plan of the Cities of London and Westminster the Borough of Southwark, and Parts Adjoining, c.1792-1799 (engraving) by Horwood

Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph)
986076 Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Upupa Epops (Hoopoe). From The Birds of Great Britain

Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph)
986066 Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info.: Arfak Astrapia (Astrapia Nigra)

Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph)
986065 Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info)

Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph)
986063 Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart

986059

Tawny Owl, 1841 (hand-coloured engraving)
986007 Tawny Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); Private Collection; (add.info.: Tawny Owl. Plate XXV from Illustrations of British Ornithology)

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Long-billed Cockatoo (Licmetis nasicus). From The Birds of Australia. John Gould (1804-1881). Hand-coloured lithograph. Published in 1840-1869. 54.5 x 36cm

Windsor Castle from the Deer Park, c. 1827-1829 (hand-coloured aquatint)
985992 Windsor Castle from the Deer Park, c.1827-1829 (hand-coloured aquatint) by Daniell, William (1769-1837); 30x50 cm; Private Collection; (add.info.: Windsor Castle from the Deer Park)

Epidendrum Vitellinum, c. 1837-41 (hand-coloured lithograph)
985978 Epidendrum Vitellinum, c.1837-41 (hand-coloured lithograph) by Drake, Miss (fl.1885-92) (after); 55x37 cm; Private Collection; (add.info.: Epidendrum Vitellinum)

Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)
985895 Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph) by Hart, William (1823-94); 55.2x37.3 cm; Private Collection; (add.info.: Paradisea Augustae Victoriae)

The Parrot of Paradise, 1771 (hand-coloured engraving)
985814 The Parrot of Paradise, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749) (after); 51.7x37 cm; Private Collection; (add.info.: The Parrot of Paradise)

Eights Racing at Putney, (oil on canvas)
651245 Eights Racing at Putney, (oil on canvas) by Gueldry, Ferdinand Joseph (1858-1945); 38x54 cm; Private Collection; (add.info.: Eights Racing at Putney. Ferdinand Joseph Gueldry (1858-1945)

Glasgow Docks, 1892 (oil on canvas)
3431720 Glasgow Docks, 1892 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 31.2x46.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Portrait of Miss Frances Warren, kneeling full-length in a wooded park
990204 Portrait of Miss Frances Warren, kneeling full-length in a wooded park, wearing a blue dress and holding a lamb, (oil on canvas) by Wright of Derby

Portrait of General James Stuart standing three-quarter length
990061 Portrait of General James Stuart standing three-quarter length, wearing a red uniform with gold frogging, (oil on canvas) by Lawrence

Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving
985796 Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving) by Cattermole, George (1800-68) (after); 33.7x27.9 (folio) cm; Private Collection; (add.info)

Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper)
985764 Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper) by Donovan, Edward (1768-1837) (after); 24.9x15.5 cm; Private Collection; (add.info.: Two Primates on a Tree)

Seleucides Nigricans, (Shaw), c. 1891-1898 (coloured lithograph)
985735 Seleucides Nigricans, (Shaw), c.1891-1898 (coloured lithograph) by Hart, William (1823-94); 54.1x35.4 cm; Private Collection; (add.info.: Seleucides Nigricans, (Shaw)

Mr. Hobbs, said Cedric, an Earl is sitting on this box now
985724 Mr. Hobbs, said Cedric, an Earl is sitting on this box now!, illustration for Little Lord Fauntleroy by Frances Hodgson Burnett, 1886 (black, grey, tan and white washes) by Birch

Primula Sinensis, 1821-1826 (hand-coloured engraving)
985707 Primula Sinensis, 1821-1826 (hand-coloured engraving) by Hooker, William (1779-1832); 41.8x28 cm; Private Collection; (add.info.: Primula Sinensis)

Sobralia Macrantha, c. 1837-43 (hand-coloured litho)
985683 Sobralia Macrantha, c.1837-43 (hand-coloured litho) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 (folio) cm; Private Collection; (add.info)

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

A Motion Study of a Hand, c. 1872-1885 (collotype plate)
991518 A Motion Study of a Hand, c.1872-1885 (collotype plate) by Muybridge, Eadweard (1830-1904); Private Collection; (add.info.: A Motion Study of a Hand)

Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas)
990393 Portrait of a Lady as the Cumaean Sibyl, 1778-1789 (oil on canvas) by Home, Robert (1752-1834); 76.2x63.5 cm; Private Collection; (add.info.: Portrait of a Lady as the Cumaean Sibyl)

Memphis, by the Nile, 1882 (oil on canvas)
659925 Memphis, by the Nile, 1882 (oil on canvas) by Goodall, Frederick (1822-1904); 114.6x304.8 cm; Private Collection; (add.info.: Memphis, by the Nile. Frederick Goodall (1822-1904)

John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour)
659829 John Knoxs House, Edinburgh, (pencil, watercolour and bodycolour) by Rayner, Louise Ingram (1832-1924); 31.8x47.2 cm; Private Collection; (add.info.: John Knoxs House, Edinburgh)

The London to York Stagecoaches, (oil on canvas)
659827 The London to York Stagecoaches, (oil on canvas) by Wright, George (1860-1942); 40.6x61 cm; Private Collection; (add.info.: The London to York Stagecoaches. George Wright (1860-1942)

Lancaster, 1852 (pencil, watercolour and gum arabic)
659821 Lancaster, 1852 (pencil, watercolour and gum arabic) by Fripp, George Arthur (1813-96); 46.4x69.3 cm; Private Collection; (add.info.: Lancaster. George Arthur Fripp (1813-1896)

Donations Thankfully Received, 1862 (oil on board)
659789 Donations Thankfully Received, 1862 (oil on board) by Claxton, Marshall (1811-81); 30.5x25.4 cm; Private Collection; (add.info.: Donations Thankfully Received. Marshall Claxton (1812-1881)

The Young School Mistress and Her Assistant (pencil & w / c on paper)
659755 The Young School Mistress and Her Assistant (pencil & w/c on paper) by Jones, Harry E. (fl.c.1882-1916); 28x31.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

The Deserter, 1884 (pencil and watercolour with scratching out)
659730 The Deserter, 1884 (pencil and watercolour with scratching out) by Gregory, Charles (1810-96); 71.1x107 cm; Private Collection; (add.info.: The Deserter. Charles Gregory (1849-1920)

Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas)
659915 Lady Edith Amelia Ward, Daughter of the 1st Earl of Dudley, 1883 (oil on canvas) by Hicks, George Elgar (1824-1914); 208.3x120 cm; Private Collection; (add.info.: Lady Edith Amelia Ward)

On the Sands, Morecombe, (oil on canvas)
659775 On the Sands, Morecombe, (oil on canvas) by Woodhouse, William (1857-1935); 71.1x91.5 cm; Private Collection; (add.info.: On the Sands, Morecombe. William Woodhouse (1857-1939). Oil on canvas

A Study for - The Birth of Love, (red chalk)
659766 A Study for - The Birth of Love, (red chalk) by Solomon, Solomon Joseph (1860-1927); 45.5x26.3 cm; Private Collection; (add.info.: A Study for - The Birth of Love)

Superposed Forms, (oil on gesso prepared board)
657549 Superposed Forms, (oil on gesso prepared board) by Dismorr, Jessica Stewart (1885-1939); 46x61 cm; Private Collection; (add.info.: Superposed Forms. Jessica Dismorr (1885-1939)

Conversation at Cagnes, c. 1931 (oil on gessoboard)
657465 Conversation at Cagnes, c. 1931 (oil on gessoboard) by Dismorr, Jessica Stewart (1885-1939); Private Collection; (add.info.: Conversation at Cagnes. Jessica Dismorr (1885-1939)

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

Idle Moments, (watercolour)
656964 Idle Moments, (watercolour) by Forbes, Elizabeth Adela Stanhope (1859-1912); Private Collection; (add.info.: Idle Moments. Elizabeth Adela Stanhope Forbes (1859-1912). Watercolour

First World War 1918, 1918 (oil on canvas)
656948 First World War 1918, 1918 (oil on canvas) by Hughes-Stanton, Herbert (1870-1937); 147.5x198 cm; Private Collection; (add.info.: First World War 1918. Sir Herbert Hughes-Stanton (1870-1937)

A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas)
659135 A Liverpool to Manchester Race with a Hunt Beyond, 1880 (oil on canvas) by Maggs, J.C. (1819-96); 51.4x94 cm; Private Collection; (add.info.: A Liverpool to Manchester Race with a Hunt Beyond)

Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table
658952 Portrait of Mrs. Joseph Chamberlain, seated three-quarter length at a tea-table, wearing a grey and white dress, 1891 (oil on canvas) by Millais

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.