English Artist Collection (page 7)

A Day Trip, Ramsgate, 1854 (oil on canvas)
658878 A Day Trip, Ramsgate, 1854 (oil on canvas) by Parrott, William (1813-69); 45.8x77.5 cm; Private Collection; (add.info.: A Day Trip, Ramsgate. William Parrott (1813-1869). Oil on canvas

Portrait of a Girl seated on a Rug, (oil on canvas)
658608 Portrait of a Girl seated on a Rug, (oil on canvas) by Leighton, Frederic (1830-96); Private Collection; (add.info.: Portrait of a Girl seated on a Rug. Frederic, Lord Leighton (1830-1896)

Water Pets: Goldfish, 1874 (oil on canvas)
658336 Water Pets: Goldfish, 1874 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 65.7x142.2 cm; Private Collection; (add.info.: Water Pets: Goldfish. Sir Lawrence Alma-Tadema (1836-1912)

Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink)
659142 Hercules Supporting the Sky instead of Atlas, 1922 (watercolour and pen and black ink) by Rackham, Arthur (1867-1939); 38x27.7 cm; Private Collection; (add.info)

Feeding the Chickens, (oil on panel)
658916 Feeding the Chickens, (oil on panel) by Rossi, Luigi (1853-1923); 50x36 cm; Private Collection; (add.info.: Feeding the Chickens. Luigi Rossi (1853-1932). Oil on panel

The Oxford to London Mail, (oil on canvas)
658695 The Oxford to London Mail, (oil on canvas) by Wright, George (1860-1942); 35.5x50.8 cm; Private Collection; (add.info.: The Oxford to London Mail. George Wright (1860-1942). Oil on canvas

A Courtyard in the Olden Time, (oil on panel)
658582 A Courtyard in the Olden Time, (oil on panel) by Landseer, Edwin (1802-73); 43.8x59 cm; Private Collection; (add.info.: A Courtyard in the Olden Time. Sir Edwin Henry Landseer (1802-1873)

Removing the Thorn, (oil on canvas)
658316 Removing the Thorn, (oil on canvas) by Lejeune, Henry (1819-1904); 35.5x27.3 cm; Private Collection; (add.info.: Removing the Thorn. Henry Lejeune (1820-1904). Oil on canvas

Judith and Her Attendant, 1867 (oil on canvas)
658312 Judith and Her Attendant, 1867 (oil on canvas) by Solomon, Simeon (1840-1905); 82x56.5 cm; Private Collection; (add.info.: Judith and Her Attendant. Simeon Solomon (1840-1905). Oil on canvas

At the Crossing, (oil on canvas)
658297 At the Crossing, (oil on canvas) by King, Henry John Yeend (1855-1924); 46x61 cm; Private Collection; (add.info.: At the Crossing. Henry John Yeend King (1855-1924). Oil on canvas

Family Accounts, (oil on canvas)
658284 Family Accounts, (oil on canvas) by Hicks, George Elgar (1824-1914); 30.5x25.5 cm; Private Collection; (add.info.: Family Accounts. George Elgar Hicks (1824-1914). Oil on canvas

Halt for the Hunt, (oil on canvas)
658266 Halt for the Hunt, (oil on canvas) by Wright, George (1860-1942); 35.3x50.8 cm; Private Collection; (add.info.: Halt for the Hunt. George Wright (1860-1942). Oil on canvas

The End of the 45, 1878
658258 The End of the 45, 1878 () by Hole, William Brassey (1846-1917); 86.3x125.1 cm; Private Collection; (add.info.: The End of the 45. William Brassey Hole (1846-1917). Oil on canvas

Cressida, (oil on canvas)
658237 Cressida, (oil on canvas) by Poynter, Edward John (1836-1919); 71.5x56.5 cm; Private Collection; (add.info.: Cressida emerging from a tent)

Still Life with Apples, Plums and a Jug, 1919 (oil on canvas)
657981 Still Life with Apples, Plums and a Jug, 1919 (oil on canvas) by Fry, Roger Eliot (1866-1934); 35.5x45.8 cm; Private Collection; (add.info.: Still Life with Apples, Plums and a Jug)

Interior, (oil on gessoed board)
657946 Interior, (oil on gessoed board) by Dismorr, Jessica Stewart (1885-1939); 61x47 cm; Private Collection; (add.info.: Interior. Jessica Dismorr (1885-1939). Oil on gessoed board

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night
824266 The Flight into Egypt - When He Arose, He Took the Young Child and His Mother by Night, and Departed into Egypt.-Matthew II, 14, 1842 (oil on canvas) by Martin

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog
824261 Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond, c.1817-1824 (oil on canvas) by Lawrence

A View of Richmond Bridge with Boats on the River and Figures Promenading
824260 A View of Richmond Bridge with Boats on the River and Figures Promenading, (oil on canvas) by Turner, William (Turner of Oxford) (1789-1862); 67.3x87.6 cm; Private Collection; (add.info)

A Still-Life; with a Lobster and Bread on Salvers, a Decanter of Wine
824258 A Still-Life; with a Lobster and Bread on Salvers, a Decanter of Wine and other Items on a Partly Draped Marble Ledge, (oil on canvas) by Collins

Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace
824207 Portrait of a Little Boy, standing full length wearing a Red Dress within a White Lace Collar, holding a Black Hat, (oil on canvas) by Peake, Robert

A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses
824203 A Group Portrait of the Misses Sloper, both standing nearly full length in White Dresses with Blue Sashes, (oil on canvas) by Gainsborough

Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape
824175 Tulips in a Vase, with a Caterpillar, a Snail, and a Fly, on a Plinth in a Landscape, 1826 (oil on panel) by Sillett, James (1764-1840); 54x43.8

Portsmouth Harbour from Gosport, (pencil and watercolour)
824126 Portsmouth Harbour from Gosport, (pencil and watercolour) by Shepherd, George Sidney (1784-1862); 17.3x26.2 cm; Private Collection; (add.info.: Portsmouth Harbour from Gosport)

The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount)
824097 The Butchers Stall, Leadenhall Market, (pencil, pen and ink on mount) by Rowlandson, Thomas (1756-1827); 22.9x29.5 cm; Private Collection; (add.info.: The Butchers Stall, Leadenhall Market)

At the Levee, (oil on panel)
823090 At the Levee, (oil on panel) by Walker, William Aiken (1838-1921); 15.9x30.7 cm; Private Collection; (add.info.: At the Levee. William Aiken Walker (1838-1921). Oil on panel

Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury
652185 Henry III Replying to the Archbishop of Canterbury and the Bishops of Salisbury, Winchester and Carlisle, Who Were Demanding a Reformation in the State

The Mordaunt Family, (oil on canvas)
652135 The Mordaunt Family, (oil on canvas) by Vaslet, Lewis (1770-1808); 62.2x74.9 cm; Private Collection; (add.info.: The Mordaunt Family. Lewis Vaslet (1742-1808). Oil on canvas

Belshazzars Feast, 1820 (oil on canvas)
652134 Belshazzars Feast, 1820 (oil on canvas) by Martin, John (1789-1854); 160x249 cm; Private Collection; (add.info.: Belshazzars Feast. John Martin (1789-1854). Oil on canvas. Dated 1820

Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas)
652130 Portrait of the Artist and Thomas Jervais as Adoring Shepherds, (oil on canvas) by Reynolds, Joshua (1723-92); 105.4x89.3 cm; Private Collection; (add.info)

Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress
652121 Portrait of Anne, Countess Winterton, Standing three-quarter length, Wearing a Blue Dress, and Lace-Trimmed Shawl, Holding a Fan, in a Landscape, (oil on canvas) by Reynolds

Old Northumberland House, Charing Cross, (oil on canvas)
652116 Old Northumberland House, Charing Cross, (oil on canvas) by Paul, John Dean (1775-1852); 123.2x187 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Woolpack Inn: Arrival of The Flying Waggon, (pencil
652083 The Woolpack Inn: Arrival of The Flying Waggon, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.4x38.1 cm; Private Collection; (add.info.: The Woolpack Inn)

The South West Portico of St, (pencil and brown wash heightened with white
652043 The South West Portico of St, (pencil and brown wash heightened with white, on an etched base) by Ruskin, John (1819-1900); 43.2x26.7 cm; Private Collection; (add.info)

Figures on a Road Near Galle, Ceylon, (watercolour heightened with white)
652040 Figures on a Road Near Galle, Ceylon, (watercolour heightened with white) by Lear, Edward (1812-88); 40.6x26.3 cm; Private Collection; (add.info.: Figures on a Road Near Galle, Ceylon)

View of Prince Alberts Swiss Cottage, 1847 (pencil
652000 View of Prince Alberts Swiss Cottage, 1847 (pencil and watercolour with touches of white heightening) by Swarbreck

The Royal Lodge, Windsor Park, (pencil and watercolour)
651988 The Royal Lodge, Windsor Park, (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.1 cm; Private Collection; (add.info.: The Royal Lodge, Windsor Park)

View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour)
651986 View from the Round Tower, Windsor Castle, 1827 (pencil and watercolour) by Daniell, William (1769-1837); 30.1x50.4 cm; Private Collection; (add.info.: View from the Round Tower)

Fishing Boats Off Yarmouth, 1832 (pencil and watercolour)
651980 Fishing Boats Off Yarmouth, 1832 (pencil and watercolour) by Cotman, John Sell (1782-1842); 36.1x53.9 cm; Private Collection; (add.info.: Fishing Boats Off Yarmouth)

An Arab Wedding Procession Through Cairo, (watercolour and bodycolour)
651963 An Arab Wedding Procession Through Cairo, (watercolour and bodycolour) by Crompton, James Shaw (1853-1916); 74.9x57.1 cm; Private Collection; (add.info)

The Pied Piper and the Children, (pen and black ink and watercolour, laid on card)
651962 The Pied Piper and the Children, (pen and black ink and watercolour, laid on card) by Rackham, Arthur (1867-1939); 21.5x13.8 cm; Private Collection; (add.info)

The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white)
651955 The Sierra Nevada from the Alhambra, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 25.4x38.4 cm; Private Collection; (add.info)

Melrose Abbey: An Illustration to Sir Walter Scotts
651946 Melrose Abbey: An Illustration to Sir Walter Scotts The Lay of the Last Minstrel, (pencil and watercolour) by Turner

The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour)
651941 The Sermon (Durham Cathedral), (pencil, pen and black ink and watercolour) by Goodwin, Albert (1845-1932); 26.7x36.8 cm; Private Collection; (add.info.: The Sermon (Durham Cathedral)

Street Musicians, 1823 (pen and ink and watercolour)
651936 Street Musicians, 1823 (pen and ink and watercolour) by Rowlandson, Thomas (1756-1827); 15.2x25.4 cm; Private Collection; (add.info.: Street Musicians. Thomas Rowlandson (1756-1827)

Age and Youth, (pencil, pen and brown ink and watercolour)
651922 Age and Youth, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 12.3x19.9 cm; Private Collection; (add.info.: Age and Youth. Thomas Rowlandson (1756-1827)

Hastings: Fish Market on the Sands, Early Morning, 1822
651901 Hastings: Fish Market on the Sands, Early Morning, 1822 (pencil and watercolour heightened with bodycolour) by Turner

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English artist, known for their diverse range of works capturing the beauty and essence of various subjects. From the serene landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster promoting Ramsgate in 1939, this artist's talent shines through. Their ability to capture emotion is evident in Children on the Beach, St. Ives, an oil painting from 1886 that portrays youthful joy and innocence against a backdrop of crashing waves. Equally captivating is A Lady Walking in a Garden, where the artist skillfully depicts a mother's love as she holds her small child by the hand. Not limited to human subjects, this talented individual also showcased their mastery with animals. Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom is an exquisite oil painting from 1815 that captures both strength and elegance within its equine subjects. The artist's versatility extends beyond traditional mediums as seen in Laurel Tree, a meticulously hand-colored etching dating back to 1731-1743. This attention to detail can also be observed in Teatime, where pencil and watercolor are expertly combined with white highlights on card to create an inviting scene. Exploring different themes and styles further reveals their artistic prowess. At Aphrodites Cradle (The Ever-New Horizon) showcases their command over oils on panel as they transport viewers into an ethereal realm filled with beauty and mystery. In addition to these stunning artworks, this it has ventured into creating visually striking maps such as A Map of the Union of South Africa from 1931. Their use of color lithography brings life and vibrancy to what could otherwise be considered purely functional pieces. Finally, Viaduct across the Sankey Valley stands out among their works due to its unique blend of color aquatints and partial hand-coloring techniques employed during its creation in 1831.