F Gordon Roe Collection

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson
Tarr Point (Torpoint, Plymouth), c18th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Lord Howard of Effingham, c1600. Artist: Thomas Cockson
Lord Howard of Effingham, c1600. Charles Howard, 1st Earl of Nottingham (1536-1624), Earl of Nottingham. The Armada and the English fleet in Cadizin is in the background

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

Treaty of marriage between Charles V and Princess Mary Tudor, c1508. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

A woodcut of a ship which is believed to be The Ark Royal, c1587. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar
Hollars plan of Oxford, c1643. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

The Travelling Tinker, c1829, (1938). Artist: George Vincent
The Travelling Tinker, c1829, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

The Weir, c1875. Artist: William Stephen Coleman
The Weir, c1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

A Welsh Stream, 1843. Artist: William James Muller
A Welsh Stream, 1843. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

River Scene with Children (The Young Anglers), 1843. Artist: William James Muller
River Scene with Children (The Young Anglers), 1843. Painting held at the National Trust, Cragside House, Northumberland

Gillingham, 1842. Artist: William James Muller
Gillingham, 1842. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Landscape with Old Cottages: Winter, 1833. Artist: William James Muller
Landscape with Old Cottages: Winter, 1833. Painting held at the National Museums Liverpool, Liverpool

Still Life Hare, c1895. Artist: William Cruikshank
Still Life Hare, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Still Life Game Birds, c1895. Artist: William Cruikshank
Still Life Game Birds, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Evreux, c1855. Artist: William Callow
Evreux, c1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Fishing Boats of the Headland, c1841. Artist: William Callow
Fishing Boats of the Headland, c1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Canterbury Meadows, c1879. Artist: Thomas Sidney Cooper
Canterbury Meadows, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Bull and three Cows in a Stable, c1856. Artist: Thomas Sidney Cooper
A Bull and three Cows in a Stable, c1856. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

L hotel de Ville, St Omer, 1867. Artist: Thomas Shotter Boys
L hotel de Ville, St Omer, 1867. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Hampton Bridge, 1800. Artist: Thomas Rowlandson
Hampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II
Looking towards Bellagio, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I
Craigmillar Castle, c1821. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Marshes, c1879. Artist: Thomas Collier
The Marshes, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

In the Weald of Kent, c1861. Artist: Thomas Creswick
In the Weald of Kent, c1861. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Windmill, c1890. Artist: Thomas Collier
The Windmill, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Path over the Fields, 1881. Artist: Thomas Collier
A Path over the Fields, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier
Stacking Peat, Festiniog, North Wales, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Arundel Park, with Deer, 1880. Artist: Thomas Collier
Arundel Park, with Deer, 1880. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Loch Awe, 1874. Artist: Thomas Collier
Loch Awe, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Arundel Park, 1874. Artist: Thomas Collier
Arundel Park, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Fishing, 1875. Artist: Sir Lawrence Alma-Tadema
Fishing, 1875. Painting held at the Auckland Art Gallery Toi o Tamaki, Auckland. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Cathedral Town on a River, c1825. Artist: Samuel Prout
Cathedral Town on a River, c1825. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View in the Forum, Rome, c1823. Artist: Samuel Prout
View in the Forum, Rome, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cottages at Glastonbury, c1819. Artist: Samuel Prout
Cottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Off Plymouth, c1827. Artist: Samuel Prout
Off Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

St. Michaels Mount, Cornwall, 1878. Artist: Samuel Phillips Jackson
St. Michaels Mount, Cornwall, 1878. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Milking in the Field, c1847. Artist: Samuel Palmer
Milking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Landscape, 1855. Artist: Samuel David Colkett
Landscape, 1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Landscape, 1847. Artist: Samuel David Colkett
Landscape, 1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Sunset, 1826. Artist: Richard Parkes Bonington
Sunset, 1826. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Boulogne Sands, 1827. Artist: Richard Parkes Bonington
Boulogne Sands, 1827. Painting held at The National Trust, Anglesey Abbey, Cambridge. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Venice: Ducal Palace with a Religious Procession, c1828. Artist: Richard Parkes Bonington
Venice: Ducal Palace with a Religious Procession, c1828. Painting held at The Tate, London

Windsor, 1785. Artist: Paul Sandby
Windsor, 1785. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Old Cottages on the Brent, looking towards Harrow, 1830. Artist: Patrick Nasmyth
Old Cottages on the Brent, looking towards Harrow, 1830. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

The Edge of the Wood, c1824. Artist: Patrick Nasmyth
The Edge of the Wood, c1824. Painting held at the Glasgow Museums Resource Centre, Glasgow. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

A Rough Road, 1826. Artist: Patrick Nasmyth
A Rough Road, 1826. Painting held at the Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

The Valley of the Tweed, c1803. Artist: Patrick Nasmyth
The Valley of the Tweed, c1803. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

In the Bristol Channel, 1787. Artist: Nicholas Pocock
In the Bristol Channel, 1787. Painting held at the Government Art Collection, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

West Gate, Winchester, 1779. Artist: Michael Angelo Rooker
West Gate, Winchester, 1779. Manchester Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Cottage Scenery with Cattle, at Ambleside, 1803. Artist: Julius Caesar Ibbetson
Cottage Scenery with Cattle, at Ambleside, 1803. Painting held at the Ferens Art Gallery, Kingston upon Hull

An Unmarried Sailors Return, c1800. Artist: Julius Caesar Ibbetson
An Unmarried Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

A Married Sailors Return, c1800. Artist: Julius Caesar Ibbetson
A Married Sailors Return, c1800. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Gipsy Beggars, c1795. Artist: Julius Caesar Ibbetson
Gipsy Beggars, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Cottage, c1852. Artist: Joseph William Allen
A Cottage, c1852. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Women Washing Clothes in a Welsh Stream, 1790. Artist: Julius Caesar Ibbetson
Women Washing Clothes in a Welsh Stream, 1790. Painting held at the Glasgow Museums Resource Centre, Glasgow

The Gamekeepers Cottage, Somerset, 1904. Artist: John William North
The Gamekeepers Cottage, Somerset, 1904. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Near Rickmansworth, c1896. Artist: John William Buxton Knight
Near Rickmansworth, c1896. Painting held at the Bury Art Museum, Bury. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

Old Houses, with Figures, c1836. Artist: John Sell Cotman
Old Houses, with Figures, c1836. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Bangor Is-y-Coed, Denbighshire, c1795. Artist: John Warwick Smith
Bangor Is-y-Coed, Denbighshire, c1795. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cader Idris, from Barmouth Sands, c1833. Artist: John Sell Cotman
Cader Idris, from Barmouth Sands, c1833. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

View from Yarmouth Bridge, Norfolk, Looking towards Breydon, Just after Sunset, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Fisherfolk at St. Ives, 1893. Artist: John Robertson Reid
Fisherfolk at St. Ives, 1893. Aberdeen Art Gallery & Museums, Aberdeen. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C

The Lake and Town of Nemi, 1778. Artist: John Robert Cozens
The Lake and Town of Nemi, 1778. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

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"F Gordon Roe: A Journey Through Art and History" Step back in time to St. Albans, 1809, as captured by the talented artist George Sidney Shepherd. The quaint town comes alive with its charming streets and bustling market square. Travel further into the past to 1820, where Patrick Nasmyth's masterpiece "A Woodman's Cottage" transports us to a serene countryside scene. The rustic cottage nestled amidst lush greenery invites us to imagine a simpler way of life. The roaring seas beckon in Peter Monamy's "Men of War, " painted around 1720. Sailors brave treacherous waters aboard majestic ships, reminding us of the bravery and adventure that awaited them on their maritime journeys. David Cox the elder takes us on an enchanting stroll through Ulverston in his painting "Crossing the Sands. " We can almost feel the sand beneath our feet as we traverse this picturesque landscape. Thomas Rowlandson captures Torpoint's Tarr Point in Plymouth during the 18th century. His artwork allows us a glimpse into daily life at this historic location, showcasing its unique charm and character. Lord Howard of Effingham stands tall in Thomas Cockson's portrait from around 1600. This noble figure reminds us of England's rich history and influential individuals who shaped it. Patrick Nasmyth returns with his brushstrokes depicting Greenwich from afar in 1820. The Thames river flows gracefully under a stunning sky, creating a breathtaking view that has captivated many throughout centuries. William Leighton Leitch brings mystical allure to life with "Warlock Knowe" from 1872. This enchanting landscape transports viewers into a world filled with magic and wonderment. George Fennell Robson showcases Durham Cathedral from Prebends Bridge circa 1832, capturing its grandeur against an idyllic backdrop, and is impossible not to be awestruck by this architectural marvel. Henry Bright's "St.