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Frederic Gordon Collection

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Background imageFrederic Gordon Collection: St. Albans, 1809. Artist: George Sidney Shepherd

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederic Gordon Collection: Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield

Background imageFrederic Gordon Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Men of War, c1720. Artist: Peter Monamy

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederic Gordon Collection: Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham

Background imageFrederic Gordon Collection: A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageFrederic Gordon Collection: Warlock Knowe, 1872. Artist: William Leighton Leitch

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederic Gordon Collection: Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson

Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson
Tarr Point (Torpoint, Plymouth), c18th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Background imageFrederic Gordon Collection: Lord Howard of Effingham, c1600. Artist: Thomas Cockson

Lord Howard of Effingham, c1600. Artist: Thomas Cockson
Lord Howard of Effingham, c1600. Charles Howard, 1st Earl of Nottingham (1536-1624), Earl of Nottingham. The Armada and the English fleet in Cadizin is in the background

Background imageFrederic Gordon Collection: St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: A Woodmans Cottage, 1820. Artist: Patrick Nasmyth

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

Background imageFrederic Gordon Collection: St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

Background imageFrederic Gordon Collection: Sidmouth, 1825-27, (1938). Artist: JMW Turner

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery

Background imageFrederic Gordon Collection: Interrupted, 1875, (1938). Artist: Joseph Wolf

Interrupted, 1875, (1938). Artist: Joseph Wolf
Interrupted, 1875, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Treaty of marriage between Charles V and Princess Mary Tudor

Treaty of marriage between Charles V and Princess Mary Tudor, c1508. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Background imageFrederic Gordon Collection: A woodcut of a ship which is believed to be The Ark Royal, c1587

A woodcut of a ship which is believed to be The Ark Royal, c1587. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Background imageFrederic Gordon Collection: Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar

Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar
Hollars plan of Oxford, c1643. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Background imageFrederic Gordon Collection: Mountain Road, Capel Curig, North Wales, (1938). Artist: James William Whitaker

Mountain Road, Capel Curig, North Wales, (1938). Artist: James William Whitaker
Mountain Road, Capel Curig, North Wales, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham

Background imageFrederic Gordon Collection: The Return from Market, 1786, (1938). Artist: Francis Wheatley

The Return from Market, 1786, (1938). Artist: Francis Wheatley
The Return from Market, 1786, (1938). Painting held by Leeds Museums and Art Galleries. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: On the Coast of Holland, 1876, (1938). Artist: James Webb

On the Coast of Holland, 1876, (1938). Artist: James Webb
On the Coast of Holland, 1876, (1938). Painting held at the Aberdeen Art Gallery & Museums, Aberdeen

Background imageFrederic Gordon Collection: A Fishing Lugger off the Coast of Kent, c1854, (1938). Artist: Archibald Webb

A Fishing Lugger off the Coast of Kent, c1854, (1938). Artist: Archibald Webb
A Fishing Lugger off the Coast of Kent, c1854, (1938). Painting held at the National Maritime Museum, London

Background imageFrederic Gordon Collection: Landscape, 1839, (1938). Artist: Frederick W Watts

Landscape, 1839, (1938). Artist: Frederick W Watts
Landscape, 1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Sheep Shearing, 1828, (1938). Artist: James Ward

Sheep Shearing, 1828, (1938). Artist: James Ward
Sheep Shearing, 1828, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Izaak Walton angling: A Summers day on the banks of the Colne

Izaak Walton angling: A Summers day on the banks of the Colne, c1850, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: Winter Woods, c1916, (1938). Artist: William Eyre Walker

Winter Woods, c1916, (1938). Artist: William Eyre Walker
Winter Woods, c1916, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Near Ashford, Kent, 1907, (1938). Artist: Robert Thorne Waite

Near Ashford, Kent, 1907, (1938). Artist: Robert Thorne Waite
Near Ashford, Kent, 1907, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Blackberrying, 1859, (1938). Artist: Fred Walker

Blackberrying, 1859, (1938). Artist: Fred Walker
Blackberrying, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Alfriston Mill, c1886, (1938). Artist: Robert Thorne Waite

Alfriston Mill, c1886, (1938). Artist: Robert Thorne Waite
Alfriston Mill, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: The Travelling Tinker, c1829, (1938). Artist: George Vincent

The Travelling Tinker, c1829, (1938). Artist: George Vincent
The Travelling Tinker, c1829, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: Grove Scene, Norwich, c1827, (1938). Artist: George Vincent

Grove Scene, Norwich, c1827, (1938). Artist: George Vincent
Grove Scene, Norwich, c1827, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: On the Yare, c1828, (1938). Artist: George Vincent

On the Yare, c1828, (1938). Artist: George Vincent
On the Yare, c1828, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: A Castle by a River, c1851, (1938). Artist: Alfred Vickers

A Castle by a River, c1851, (1938). Artist: Alfred Vickers
A Castle by a River, c1851, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Scene in Dovedale, Derbyshire, 1836, (1938). Artist: Alfred Vickers

Scene in Dovedale, Derbyshire, 1836, (1938). Artist: Alfred Vickers
Scene in Dovedale, Derbyshire, 1836, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Cattle and Figures in Wooded Valley with Stream, 1860, (1938). Artist: Alfred Vickers

Cattle and Figures in Wooded Valley with Stream, 1860, (1938). Artist: Alfred Vickers
Cattle and Figures in Wooded Valley with Stream, 1860, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: A Harbour surrounded by Wooded Hills and Meadows with Cattle

A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Background imageFrederic Gordon Collection: Banks of the Envy, near Rhuddlan, 1852, (1938). Artist: Alfred Vickers

Banks of the Envy, near Rhuddlan, 1852, (1938). Artist: Alfred Vickers
Banks of the Envy, near Rhuddlan, 1852, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: A Castle, with Waggon and Horses, c1886, (1938). Artist: Francis Towne

A Castle, with Waggon and Horses, c1886, (1938). Artist: Francis Towne
A Castle, with Waggon and Horses, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Fye Bridge, Norwich, c1835, (1938). Artist: John Thirtle

Fye Bridge, Norwich, c1835, (1938). Artist: John Thirtle
Fye Bridge, Norwich, c1835, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: The Highland Ferry, 1857, (1938). Artist: John Frederick Tayler

The Highland Ferry, 1857, (1938). Artist: John Frederick Tayler
The Highland Ferry, 1857, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: The Weir, c1875. Artist: William Stephen Coleman

The Weir, c1875. Artist: William Stephen Coleman
The Weir, c1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: A Gipsy Encampment, c1788. Artist: William Shayer

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham

Background imageFrederic Gordon Collection: Coast Scene, with Figures and Horses, c1841. Artist: William Shayer

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport

Background imageFrederic Gordon Collection: A Shady Corner, 1840. Artist: William Shayer

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Background imageFrederic Gordon Collection: Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

Background imageFrederic Gordon Collection: A Welsh Stream, 1843. Artist: William James Muller

A Welsh Stream, 1843. Artist: William James Muller
A Welsh Stream, 1843. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: River Scene with Children (The Young Anglers), 1843. Artist: William James Muller

River Scene with Children (The Young Anglers), 1843. Artist: William James Muller
River Scene with Children (The Young Anglers), 1843. Painting held at the National Trust, Cragside House, Northumberland

Background imageFrederic Gordon Collection: Gillingham, 1842. Artist: William James Muller

Gillingham, 1842. Artist: William James Muller
Gillingham, 1842. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Background imageFrederic Gordon Collection: Landscape with Old Cottages: Winter, 1833. Artist: William James Muller

Landscape with Old Cottages: Winter, 1833. Artist: William James Muller
Landscape with Old Cottages: Winter, 1833. Painting held at the National Museums Liverpool, Liverpool

Background imageFrederic Gordon Collection: Still Life Hare, c1895. Artist: William Cruikshank

Still Life Hare, c1895. Artist: William Cruikshank
Still Life Hare, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Still Life Game Birds, c1895. Artist: William Cruikshank

Still Life Game Birds, c1895. Artist: William Cruikshank
Still Life Game Birds, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: Evreux, c1855. Artist: William Callow

Evreux, c1855. Artist: William Callow
Evreux, c1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Fishing Boats of the Headland, c1841. Artist: William Callow

Fishing Boats of the Headland, c1841. Artist: William Callow
Fishing Boats of the Headland, c1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: Canterbury Meadows, c1879. Artist: Thomas Sidney Cooper

Canterbury Meadows, c1879. Artist: Thomas Sidney Cooper
Canterbury Meadows, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: A Bull and three Cows in a Stable, c1856. Artist: Thomas Sidney Cooper

A Bull and three Cows in a Stable, c1856. Artist: Thomas Sidney Cooper
A Bull and three Cows in a Stable, c1856. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: L hotel de Ville, St Omer, 1867. Artist: Thomas Shotter Boys

L hotel de Ville, St Omer, 1867. Artist: Thomas Shotter Boys
L hotel de Ville, St Omer, 1867. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Hampton Bridge, 1800. Artist: Thomas Rowlandson

Hampton Bridge, 1800. Artist: Thomas Rowlandson
Hampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II

Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II
Looking towards Bellagio, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: View on Westminster Bridge, 1792. Artist: Thomas Malton II

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I

Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I
Craigmillar Castle, c1821. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: The Marshes, c1879. Artist: Thomas Collier

The Marshes, c1879. Artist: Thomas Collier
The Marshes, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: In the Weald of Kent, c1861. Artist: Thomas Creswick

In the Weald of Kent, c1861. Artist: Thomas Creswick
In the Weald of Kent, c1861. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Moel Siabod, c1886. Artist: Thomas Collier

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: The Windmill, c1890. Artist: Thomas Collier

The Windmill, c1890. Artist: Thomas Collier
The Windmill, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: A Common in August, c1890. Artist: Thomas Collier

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Lock on the Kennet, 1889. Artist: Thomas Collier

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Blythburgh Common, 1888. Artist: Thomas Collier

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: River Scene with Cottages, c1887. Artist: Thomas Collier

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: A Path over the Fields, 1881. Artist: Thomas Collier

A Path over the Fields, 1881. Artist: Thomas Collier
A Path over the Fields, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier

Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier
Stacking Peat, Festiniog, North Wales, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Background imageFrederic Gordon Collection: Arundel Park, with Deer, 1880. Artist: Thomas Collier

Arundel Park, with Deer, 1880. Artist: Thomas Collier
Arundel Park, with Deer, 1880. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Loch Awe, 1874. Artist: Thomas Collier

Loch Awe, 1874. Artist: Thomas Collier
Loch Awe, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Arundel Park, 1874. Artist: Thomas Collier

Arundel Park, 1874. Artist: Thomas Collier
Arundel Park, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Background imageFrederic Gordon Collection: Fishing, 1875. Artist: Sir Lawrence Alma-Tadema

Fishing, 1875. Artist: Sir Lawrence Alma-Tadema
Fishing, 1875. Painting held at the Auckland Art Gallery Toi o Tamaki, Auckland. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Background imageFrederic Gordon Collection: Cathedral Town on a River, c1825. Artist: Samuel Prout

Cathedral Town on a River, c1825. Artist: Samuel Prout
Cathedral Town on a River, c1825. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: View in the Forum, Rome, c1823. Artist: Samuel Prout

View in the Forum, Rome, c1823. Artist: Samuel Prout
View in the Forum, Rome, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Cottages at Glastonbury, c1819. Artist: Samuel Prout

Cottages at Glastonbury, c1819. Artist: Samuel Prout
Cottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Background imageFrederic Gordon Collection: Off Plymouth, c1827. Artist: Samuel Prout

Off Plymouth, c1827. Artist: Samuel Prout
Off Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd



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Frederic Gordon: A Journey Through Artistic Landscapes Step into the world of Frederic Gordon, a man who found solace and inspiration in the beauty of nature captured by renowned artists. From Brinkburn Priory's enchanting ruins in Northumberland, as depicted by JMW Turner in 1830, to St. Albans' picturesque streets brought to life by George Sidney Shepherd in 1809, Gordon immersed himself in these masterpieces. In Patrick Nasmyth's "A Woodmans Cottage" from 1820, we see a humble abode nestled amidst lush greenery - an idyllic retreat that resonated with Gordon's love for simplicity and tranquility. The maritime scene portrayed in Peter Monamy's "Men of War" transports us back to the early 18th century when naval battles dominated the seas. Gordon's imagination takes flight as he gazes upon David Cox the elder's "Crossing the Sands, Ulverston" from around 1834. He envisions himself traversing those sandy paths and feeling the cool breeze on his face. Thomas Rowlandson captures Tarr Point (Torpoint, Plymouth) during the 18th century - a bustling port where dreams set sail towards distant horizons. Delving into history through art becomes evident as Lord Howard of Effingham emerges before our eyes through Thomas Cockson's brushstrokes from around 1600. This glimpse into another era fuels Gordon’s curiosity about past civilizations and their impact on our present world. John Varley I invites us to admire St. Alkmunds Church standing tall against Shrewsbury’s skyline since its completion in 1801 – a testament to human craftsmanship and devotion throughout centuries gone by. JMW Turner then guides us towards Beeston Castle perched atop Cheshire hillsides circa 1839; its grandeur echoing stories untold within its ancient walls. Patrick Nasmyth's "A View of the Thames.

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