Frederic Gordon Roe Collection

St. Albans, 1809. Artist: George Sidney Shepherd
St. Albans, 1809. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Brinkburn Priory, Northumberland, c1830, (1938). Artist: JMW Turner
Brinkburn Priory, Northumberland, c1830, (1938). Painting held at the Museums Sheffield, Sheffield

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Men of War, c1720. Artist: Peter Monamy
Men of War, c1720. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Durham Cathedral from the Prebends Bridge, c1832. Artist: George Fennell Robson
Durham Cathedral from the Prebends Bridge, c1832. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Crossing the Sands, Ulverston, c1834. Artist: David Cox the elder
Crossing the Sands, Ulverston, c1834. Painting held at the Birmingham Museums and Art Gallery, Birmingham

St. Alkmunds, Shrewsbury, 1801, (1938). Artist: John Varley I
St. Alkmund s, Shrewsbury, 1801, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

A View of the Thames: Greenwich in the distance, 1820 Artist: Patrick Nasmyth
A View of the Thames: Greenwich in the distance, 1820. Painting held at The Tate, London. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Warlock Knowe, 1872. Artist: William Leighton Leitch
Warlock Knowe, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Popes Villa, Twickenham: The Outing, c1819. Artist: Thomas Rowlandson
Popes Villa, Twickenham: The Outing, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Tarr Point (Torpoint, Plymouth), c18th century. Artist: Thomas Rowlandson
Tarr Point (Torpoint, Plymouth), c18th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Lord Howard of Effingham, c1600. Artist: Thomas Cockson
Lord Howard of Effingham, c1600. Charles Howard, 1st Earl of Nottingham (1536-1624), Earl of Nottingham. The Armada and the English fleet in Cadizin is in the background

A Woodmans Cottage, 1820. Artist: Patrick Nasmyth
A Woodmans Cottage, 1820. Painting held at the National Galleries of Scotland, Scottish National Gallery, Edinburgh

St. Benets Abbey, on the Bure, c1854. Artist: Henry Bright
St. Benets Abbey, on the Bure, c1854. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford

Sidmouth, 1825-27, (1938). Artist: JMW Turner
Sidmouth, c1825-27, (1938). Painting held at the Whitworth Art Gallery, Manchester. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Artist: JMW Turner
Now for the Painter (Rope) Passengers Going on Board, 1827, (1938). Painting held at the Manchester Art Gallery

Interrupted, 1875, (1938). Artist: Joseph Wolf
Interrupted, 1875, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Treaty of marriage between Charles V and Princess Mary Tudor, c1508. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

A woodcut of a ship which is believed to be The Ark Royal, c1587. From The Connoisseur Volume XCI, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Hollars plan of Oxford, c1643. Artist: Wenceslaus Hollar
Hollars plan of Oxford, c1643. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]. (Colorised black and white print)

Mountain Road, Capel Curig, North Wales, (1938). Artist: James William Whitaker
Mountain Road, Capel Curig, North Wales, 1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Landscape with Women, Sheep and Dog, c1811, (1938). Artist: Richard Westall
Landscape with Women, Sheep and Dog, c1811, (1938). Painting held at the Birmingham Museums Trust, Birmingham

The Return from Market, 1786, (1938). Artist: Francis Wheatley
The Return from Market, 1786, (1938). Painting held by Leeds Museums and Art Galleries. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

On the Coast of Holland, 1876, (1938). Artist: James Webb
On the Coast of Holland, 1876, (1938). Painting held at the Aberdeen Art Gallery & Museums, Aberdeen

A Fishing Lugger off the Coast of Kent, c1854, (1938). Artist: Archibald Webb
A Fishing Lugger off the Coast of Kent, c1854, (1938). Painting held at the National Maritime Museum, London

Landscape, 1839, (1938). Artist: Frederick W Watts
Landscape, 1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Sheep Shearing, 1828, (1938). Artist: James Ward
Sheep Shearing, 1828, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Izaak Walton angling: A Summers day on the banks of the Colne, c1850, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Winter Woods, c1916, (1938). Artist: William Eyre Walker
Winter Woods, c1916, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Near Ashford, Kent, 1907, (1938). Artist: Robert Thorne Waite
Near Ashford, Kent, 1907, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Blackberrying, 1859, (1938). Artist: Fred Walker
Blackberrying, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

Alfriston Mill, c1886, (1938). Artist: Robert Thorne Waite
Alfriston Mill, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe. [Emrose and Sons Ltd

The Travelling Tinker, c1829, (1938). Artist: George Vincent
The Travelling Tinker, c1829, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Grove Scene, Norwich, c1827, (1938). Artist: George Vincent
Grove Scene, Norwich, c1827, (1938). Painting held at the Victoria Art Gallery, Bath. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

On the Yare, c1828, (1938). Artist: George Vincent
On the Yare, c1828, (1938). Painting held at the Museums Sheffield, Sheffield. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

A Castle by a River, c1851, (1938). Artist: Alfred Vickers
A Castle by a River, c1851, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Scene in Dovedale, Derbyshire, 1836, (1938). Artist: Alfred Vickers
Scene in Dovedale, Derbyshire, 1836, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Cattle and Figures in Wooded Valley with Stream, 1860, (1938). Artist: Alfred Vickers
Cattle and Figures in Wooded Valley with Stream, 1860, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F

A Harbour surrounded by Wooded Hills and Meadows with Cattle, 1859, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C

Banks of the Envy, near Rhuddlan, 1852, (1938). Artist: Alfred Vickers
Banks of the Envy, near Rhuddlan, 1852, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

A Castle, with Waggon and Horses, c1886, (1938). Artist: Francis Towne
A Castle, with Waggon and Horses, c1886, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Fye Bridge, Norwich, c1835, (1938). Artist: John Thirtle
Fye Bridge, Norwich, c1835, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

The Highland Ferry, 1857, (1938). Artist: John Frederick Tayler
The Highland Ferry, 1857, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

The Weir, c1875. Artist: William Stephen Coleman
The Weir, c1875. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Gipsy Encampment, c1788. Artist: William Shayer
A Gipsy Encampment, c1788. Painting held at the Nottingham City Museums and Galleries, Nottingham

Coast Scene, with Figures and Horses, c1841. Artist: William Shayer
Coast Scene, with Figures and Horses, c1841. Painting held at the Atkinson Art Gallery Collection, Southport

A Shady Corner, 1840. Artist: William Shayer
A Shady Corner, 1840. Painting held at the Southampton City Art Gallery, Southampton. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III

Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Artist: William James Muller
Dol-y-Garrog Mill near Llanrwst, Caernarvonshire, c1844. Painting held at the Williamson Art Gallery & Museum, Birkenhead

A Welsh Stream, 1843. Artist: William James Muller
A Welsh Stream, 1843. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

River Scene with Children (The Young Anglers), 1843. Artist: William James Muller
River Scene with Children (The Young Anglers), 1843. Painting held at the National Trust, Cragside House, Northumberland

Gillingham, 1842. Artist: William James Muller
Gillingham, 1842. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

Landscape with Old Cottages: Winter, 1833. Artist: William James Muller
Landscape with Old Cottages: Winter, 1833. Painting held at the National Museums Liverpool, Liverpool

Still Life Hare, c1895. Artist: William Cruikshank
Still Life Hare, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Still Life Game Birds, c1895. Artist: William Cruikshank
Still Life Game Birds, c1895. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

La Santa Salute, from San Giorgio, Venice, c1872. Artist: William Collingwood Smith
La Santa Salute, from San Giorgio, Venice, c1872. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F

Evreux, c1855. Artist: William Callow
Evreux, c1855. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Fishing Boats of the Headland, c1841. Artist: William Callow
Fishing Boats of the Headland, c1841. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Canterbury Meadows, c1879. Artist: Thomas Sidney Cooper
Canterbury Meadows, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Bull and three Cows in a Stable, c1856. Artist: Thomas Sidney Cooper
A Bull and three Cows in a Stable, c1856. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

L hotel de Ville, St Omer, 1867. Artist: Thomas Shotter Boys
L hotel de Ville, St Omer, 1867. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Hampton Bridge, 1800. Artist: Thomas Rowlandson
Hampton Bridge, 1800. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Looking towards Bellagio, c1845. Artist: Thomas Miles Richardson II
Looking towards Bellagio, c1845. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Craigmillar Castle, c1821. Artist: Thomas Miles Richardson I
Craigmillar Castle, c1821. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

The Marshes, c1879. Artist: Thomas Collier
The Marshes, c1879. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

In the Weald of Kent, c1861. Artist: Thomas Creswick
In the Weald of Kent, c1861. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Moel Siabod, c1886. Artist: Thomas Collier
Moel Siabod, c1886. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Windmill, c1890. Artist: Thomas Collier
The Windmill, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

The Downs near Lewes (Seaford Cliff in the distance), c1887. Artist: Thomas Collier
The Downs near Lewes (Seaford Cliff in the distance), c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

A Common in August, c1890. Artist: Thomas Collier
A Common in August, c1890. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Lock on the Kennet, 1889. Artist: Thomas Collier
Lock on the Kennet, 1889. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Blythburgh Common, 1888. Artist: Thomas Collier
Blythburgh Common, 1888. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

River Scene with Cottages, c1887. Artist: Thomas Collier
River Scene with Cottages, c1887. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

A Path over the Fields, 1881. Artist: Thomas Collier
A Path over the Fields, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Stacking Peat, Festiniog, North Wales, 1881. Artist: Thomas Collier
Stacking Peat, Festiniog, North Wales, 1881. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F

Arundel Park, with Deer, 1880. Artist: Thomas Collier
Arundel Park, with Deer, 1880. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Loch Awe, 1874. Artist: Thomas Collier
Loch Awe, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Arundel Park, 1874. Artist: Thomas Collier
Arundel Park, 1874. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C. Reginald Grundy and F. Gordon Roe [Emrose and Sons Ltd

Fishing, 1875. Artist: Sir Lawrence Alma-Tadema
Fishing, 1875. Painting held at the Auckland Art Gallery Toi o Tamaki, Auckland. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume I, by C

Cathedral Town on a River, c1825. Artist: Samuel Prout
Cathedral Town on a River, c1825. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

View in the Forum, Rome, c1823. Artist: Samuel Prout
View in the Forum, Rome, c1823. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Cottages at Glastonbury, c1819. Artist: Samuel Prout
Cottages at Glastonbury, c1819. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Off Plymouth, c1827. Artist: Samuel Prout
Off Plymouth, c1827. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe. [Bemrose and Sons Ltd

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Frederic Gordon Roe was a passionate art collector and connoisseur of British landscape paintings. His extensive collection spanned various periods and styles, showcasing the beauty of different regions in England. One of his prized possessions was "Brinkburn Priory, Northumberland, " painted around 1830 by JMW Turner. This stunning artwork captured the ethereal ruins of the priory against a dramatic sky, highlighting Turner's mastery of light and atmosphere. Another gem in Roe's collection was George Sidney Shepherd's "St. Albans" from 1809, which depicted the picturesque town with its charming architecture and idyllic countryside. Roe also had an appreciation for rustic scenes, as seen in Patrick Nasmyth's "A Woodmans Cottage" from 1820. The painting showcased a quaint cottage nestled amidst lush greenery, evoking a sense of tranquility and simplicity. His love for maritime themes led him to acquire Peter Monamy's "Men of War, " a captivating depiction of naval vessels during the early 18th century. The painting exuded power and grandeur while capturing the essence of naval warfare at that time. David Cox the elder's "Crossing the Sands, Ulverston" transported viewers to an atmospheric coastal scene where figures traversed treacherous sands under moody skies. It demonstrated Cox's ability to capture nature’s transient beauty. Thomas Rowlandson’s c18th-century masterpiece titled "Tarr Point (Torpoint, Plymouth)" offered a humorous glimpse into daily life near Plymouth Harbor through lively characters engaging in various activities along the shorelines. Roe appreciated historical portraits too; Thomas Cockson’s portrayal of Lord Howard Effingham from around 1600 showcased his regal presence and noble demeanor with intricate attention to detail. John Varley I captured St Alkmunds Church in Shrewsbury beautifully in his work from 1801 - displaying architectural elegance against serene surroundings.