Freia Collection

Freya in her Chariot
In Scandinavian mythology, the Goddess of love, marriage and the dead. She was the wife of Odin, and is the counterpart of Venus, and is sometimes identified as Frigg

Freia / Rackham
Freia standing under a tree

Heimdal hands over the Brisinga jewelry to Freya, 1846. Creator: Nils Andersson
Heimdal hands over the Brisinga jewelry to Freya, 1846

Freyja Seeking her Husband, 1852. Creator: Nils Jakob Blommer
Freyja Seeking her Husband, 1852

Freyja and the Necklace, illustration from Teutonic Myths and Legends
STC323647 Freyja and the Necklace, illustration from Teutonic Myths and Legends by Donald A. Makenzie, 1890 (colour litho) by Penrose, James Doyle (1862-1932); Private Collection; (add.info.: Freyja)

Freyja and the Necklace, 1890. Artist: James Doyle Penrose
Freyja and the Necklace, 1890. Freya, goddess of love, who wore a necklace as a sign of social status. Illustration from Teutonic Myths and Legends by Donald A Mackenzie, 1890

Freya Seeking Her Husband, 1852. Found in the collection of Nationalmuseum Stockholm

Freya (Frigg) goddess of love in Scandinavian mythology, driving her chariot pulled by cats
Freya (Frigg) goddess of love in Scandinavian mythology, wife of Wotan (Odin), driving her chariot pulled by cats. Friday is named for her

Freias Garden, 1906 (colour litho)
STC323693 Freias Garden, 1906 (colour litho) by Hendrich, Hermann (1854-1931) (after); Private Collection; The Stapleton Collection; German, out of copyright

Heimdall Summons the Gods to Battle, 1828. Creator: Baade, Knud (1808-1879)
Heimdall Summons the Gods to Battle, 1828. Found in the Collection of Norsk Folkemuseum

Fafner: Hey! Come hither, And stop me this cranny!, 1910. Artist: Arthur Rackham
Fafner: Hey! Come hither, And stop me this cranny!, 1910. Illustration from The Rhinegold and the Valkyrie. Fasolt has fallen in love with Freia

Freia, the fair one, 1910. Artist: Arthur Rackham
Freia, the fair one, 1910. Illustration from The Rhinegold and the Valkyrie. Freia, Frickas sister, with her golden apple tree in the garden. From Das Rheingold. From a private collection

Freias Garden, 1906. From The Ring Cycle of operas by German composer Richard Wagner. Freia is the goddess of youth. The apples from her garden kept the gods young

Heimdall returns the Brisingamen to Freya, 1846. Artist: Blommer, Nils Jakob (1816-1853)
Heimdall returns the Brisingamen to Freya, 1846. Found in the collection of the Malmo Konstmuseum

The Gods Without Freia
Without Freia to keep them young, the gods grow wan and old

Fafner Demands the Ring

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Freia, the enchanting goddess of love in Scandinavian mythology, gracefully rides in her chariot pulled by majestic cats. In the captivating illustration "Freya in her Chariot, " Rackham brings to life Freia's beauty and power. With flowing golden locks and a radiant smile, she exudes an aura of love and desire. In another mesmerizing artwork titled "Freya Seeking Her Husband, " we witness Freia's determination as she embarks on a quest to find her beloved. Her strength and resilience shine through as she navigates through treacherous landscapes with unwavering resolve. As depicted in "Freyja and the Necklace" from Teutonic Myths and Legends, Freia possesses not only physical allure but also great wisdom. The intricate details of this illustration showcase her gracefulness while highlighting her role as a keeper of ancient knowledge. The giants' envy for Freia's beauty is evident in the vividly colored lithograph titled "The giants bore Freia away. " They cannot resist capturing such ethereal charm for themselves, leading to an epic battle between gods and giants that will determine Freia's fate. Amidst all these mythical tales lies "Freias Garden, " a place where nature flourishes under her loving care. This colorful lithograph transports us into a world filled with vibrant flowers, lush greenery, and magical creatures - a testament to Freia's nurturing spirit. Arthur Rackham once again captures our imagination with his portrayal of Fafner attempting to seize Freia in "Fafner: Hey. Come hither And stop me this cranny. " His artistry conveys both danger and suspense as we fear for our beloved goddess caught within Fafner's grasp. But fear not. For even amidst chaos, there is hope. As seen in James Doyle Penrose's illustration titled "Freyja and the Necklace, " we witness moments of triumph where good prevails over evil.