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Geometrical Collection (page 16)

"Exploring the Geometrical Wonders: From Mandelbrot Fractals to Art Deco Bathrooms" Step into a world where geometry reigns supreme

Background imageGeometrical Collection: The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)

The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink)
1766782 The Portico and Facade of an Elaborate Neo-Classical Building (pen and brown ink) by Piranesi, Giovanni Battista (1720-78); 24.6x29.1 cm; Private Collection; (add.info)

Background imageGeometrical Collection: Cover for the March-April 1923 issue of the magazine Het Overzicht

Cover for the March-April 1923 issue of the magazine Het Overzicht
1197755 Cover for the March-April 1923 issue of the magazine Het Overzicht, 1923 (lithograph) by Belgian School, (20th century); 33.5x25 (approx)

Background imageGeometrical Collection: Two gold, copper and silver inlaid brass circular trays

Two gold, copper and silver inlaid brass circular trays
1196989 Two gold, copper and silver inlaid brass circular trays, decorated with arabesques and inscriptions, late 19th century (gold, copper and silver inlaid brass) by Arabic School

Background imageGeometrical Collection: A Cuban longcase clock (mahogany, brass and stained glass)

A Cuban longcase clock (mahogany, brass and stained glass)
1194932 A Cuban longcase clock (mahogany, brass and stained glass) by Serrurier-Bovy, Gustave (1858-1910); 233x54.5x28.5 cm; Private Collection; (add.info.: Serrurier-Bovy)

Background imageGeometrical Collection: A fire place, c. 1904 (cast iron)

A fire place, c. 1904 (cast iron)
1194896 A fire place, c.1904 (cast iron) by Guimard, Hector (1867-1942); 91x99.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageGeometrical Collection: A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view)

A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view)
1196756 A Mesopotamian silver inlaid brass casket, with dials for a combination lock (side view), 13th century (silver inlaid brass) by Mesopotamian

Background imageGeometrical Collection: Composition, 1917-1918 (oil on board)

Composition, 1917-1918 (oil on board)
1769013 Composition, 1917-1918 (oil on board) by Doesburg, Theo van (1883-1931); 31.1x31.1 cm; Private Collection; (add.info.: Composition. Theo van Doesburg (1883-1931). Oil on board

Background imageGeometrical Collection: Cover for the December 1922 issue of the magazine Het Overzicht

Cover for the December 1922 issue of the magazine Het Overzicht
1197752 Cover for the December 1922 issue of the magazine Het Overzicht, 1922 (lithograph in colours) by Belgian School, (20th century); 33.5x25 (approx)

Background imageGeometrical Collection: Dining Room, c. 1901 (coulour lithograph)

Dining Room, c. 1901 (coulour lithograph)
991165 Dining Room, c.1901 (coulour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room)

Background imageGeometrical Collection: Nursery, c. 1901 (colour lithograph)

Nursery, c. 1901 (colour lithograph)
991163 Nursery, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Nursery)

Background imageGeometrical Collection: Female anatomical woodcut from Hierinn sind begriffen vier bucher von menschlicher

Female anatomical woodcut from Hierinn sind begriffen vier bucher von menschlicher
5668968 Female anatomical woodcut from Hierinn sind begriffen vier bAocher von menschlicher Proportion, 1528 by DAorer or Duerer

Background imageGeometrical Collection: Christmas card with geometrical designs

Christmas card with geometrical designs and verse in gothic script. circa 1880

Background imageGeometrical Collection: Prayer II, c. 1913 (lithograph)

Prayer II, c. 1913 (lithograph)
3959982 Prayer II, c.1913 (lithograph) by Malevich, Kazimir Severinovich (1878-1935); 17.5 x 11.7 cm; Kunstmuseum, Basel, Switzerland; Russian, out of copyright

Background imageGeometrical Collection: Pl 28 Persian Lustred wall-tiles, 19th century (colour litho)

Pl 28 Persian Lustred wall-tiles, 19th century (colour litho)
STC423851 Pl 28 Persian Lustred wall-tiles, 19th century (colour litho) by Wallis, Henry (1830-1916); Private Collection; (add.info.: From: The Godman Collection)

Background imageGeometrical Collection: A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House

A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House, London (engraving)
585048 A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House, London (engraving) by English School

Background imageGeometrical Collection: Architectonic Composition, 1918 (oil on board)

Architectonic Composition, 1918 (oil on board)
FFA151391 Architectonic Composition, 1918 (oil on board) by Popova, Lyubov Sergeevna (1889-1924); 59.7x39.5 cm; Private Collection; Russian, out of copyright

Background imageGeometrical Collection: Printing blocks used at floor cloth factory, SW London

Printing blocks used at floor cloth factory, SW London
Six printing blocks used to create one pattern at the Smith and Baber floor cloth factory, Knightsbridge, SW London. Date: 1842

Background imageGeometrical Collection: I Saw the Figure 5 in Gold, 1928 (oil, graphite, ink, and gold leaf on paperboard)

I Saw the Figure 5 in Gold, 1928 (oil, graphite, ink, and gold leaf on paperboard)
3493148 I Saw the Figure 5 in Gold, 1928 (oil, graphite, ink, and gold leaf on paperboard) by Demuth, Charles (1883-1935); 90.2x76.2 cm; Metropolitan Museum of Art, New York

Background imageGeometrical Collection: Geometry (colour litho)

Geometry (colour litho)
2795448 Geometry (colour litho) by French School, (19th century); Private Collection; (add.info.: Geometry. Double page illustration contained in one of the series of Les Recreations Instructives)

Background imageGeometrical Collection: Victorian Christmas card

Victorian Christmas card with verse in gothic lettering. 19th century

Background imageGeometrical Collection: Swahili women dressing each others hair, East Africa

Swahili women dressing each others hair, East Africa
Swahili women of East Africa (then part of the British Empire), dressing each others hair. Date: 1922

Background imageGeometrical Collection: Christmas card in the shape of a sewing box

Christmas card in the shape of a sewing box, open to reveal items inside and a greeting under the lid. (2 of 2) Date: circa 1890s

Background imageGeometrical Collection: Dining Room, Hotel Francia, Seville, Spain

Dining Room, Hotel Francia, Seville, Spain
View of the Dining Room, Hotel Francia, Mendez Nunez, Seville, Spain. Date: circa 1910

Background imageGeometrical Collection: Little girl doing some DIY

Little girl doing some DIY -- If you just can t get them to get it done, then do it yourself ole dear! Date: circa 1960s

Background imageGeometrical Collection: A geometrical view of St Stephens Chapel as it appeared before the alterations in 1806 etc

A geometrical view of St Stephens Chapel as it appeared before the alterations in 1806 etc (engraving)
602737 A geometrical view of St Stephens Chapel as it appeared before the alterations in 1806 etc (engraving) by English School

Background imageGeometrical Collection: The geometrical ascent to the galleries in the Coloseum, Regents Park (engraving)

The geometrical ascent to the galleries in the Coloseum, Regents Park (engraving)
558231 The geometrical ascent to the galleries in the Coloseum, Regents Park (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageGeometrical Collection: Plate 10 from Relais, published in 1930 (colour litho)

Plate 10 from Relais, published in 1930 (colour litho)
BCC88048 Plate 10 from Relais, published in 1930 (colour litho) by Benedictus, Edouard (1878-1930); Calmann & King, London, UK; French, out of copyright

Background imageGeometrical Collection: Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph)

Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph)
1197925 Poster advertising Saint-Jean-de-Luz, 1928 (colour lithograph) by Mallet-Stevens, Robert (1886-1945); 158x119 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageGeometrical Collection: Cover for Volume 3, number 2, of the art magazine Broom, c

Cover for Volume 3, number 2, of the art magazine Broom, c
1197747 Cover for Volume 3, number 2, of the art magazine Broom, c. 1921-1924 (lithograph) by American School, (20th century); 27.3x20.2 cm; Private Collection; Photo eChristies Images; American

Background imageGeometrical Collection: The Pink Door; La porte rose, 1927 (oil on canvas)

The Pink Door; La porte rose, 1927 (oil on canvas)
1769254 The Pink Door; La porte rose, 1927 (oil on canvas) by Valmier, Georges (1885-1937); 114x146 cm; Private Collection; (add.info.: The Pink Door; La porte rose. Georges Valmier (1885-1937)

Background imageGeometrical Collection: Still Life with Teapot; Nature morte a la theiere, 1916

Still Life with Teapot; Nature morte a la theiere, 1916
1768148 Still Life with Teapot; Nature morte a la theiere, 1916 (pencil on paper laid down on paper) by Gris, Juan (1887-1927); 39x28.2 cm; Private Collection; (add.info)

Background imageGeometrical Collection: The Washerwoman, 1911 (gouache on paper)

The Washerwoman, 1911 (gouache on paper)
3959984 The Washerwoman, 1911 (gouache on paper) by Malevich, Kazimir Severinovich (1878-1935); 100 x 105.9 cm; Kunstmuseum, Basel, Switzerland; Russian, out of copyright

Background imageGeometrical Collection: A Favrile glass tile panel, molded with flowers and geometric designs

A Favrile glass tile panel, molded with flowers and geometric designs
991195 A Favrile glass tile panel, molded with flowers and geometric designs, 20th century (Favrile glass tiles) by Tiffany Studios (1902-32); 68.5x162.7 cm; Private Collection; (add.info)

Background imageGeometrical Collection: Reception and Music Room, c. 1901 (colour lithograph)

Reception and Music Room, c. 1901 (colour lithograph)
991162 Reception and Music Room, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Reception and Music Room)

Background imageGeometrical Collection: Dining Room, Vienna, c. 1901 (colour lithograph)

Dining Room, Vienna, c. 1901 (colour lithograph)
991160 Dining Room, Vienna, c.1901 (colour lithograph) by Bauer, Leopold (1872-1938); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room, Vienna)

Background imageGeometrical Collection: Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour)

Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour)
991022 Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 36.3x27.5 cm; Private Collection; (add.info.: Certosa di Pavia)

Background imageGeometrical Collection: The Lamp, 1916 (watercolour, pencil and charcoal on board)

The Lamp, 1916 (watercolour, pencil and charcoal on board)
990834 The Lamp, 1916 (watercolour, pencil and charcoal on board) by Gris, Juan (1887-1927); 27.3x21.6 cm; Private Collection; (add.info.: The Lamp; La Lampe. Juan Gris (1887-1927)

Background imageGeometrical Collection: Archaic Volute-krater, early 6th century B. C. (terracotta)

Archaic Volute-krater, early 6th century B. C. (terracotta)
3613988 Archaic Volute-krater, early 6th century B.C. (terracotta) by Greek, (6th century BC); 49.2x55.4x45.4 cm; Metropolitan Museum of Art, New York

Background imageGeometrical Collection: Machinery, 1920 (gouache and graphite on paperboard)

Machinery, 1920 (gouache and graphite on paperboard)
3493147 Machinery, 1920 (gouache and graphite on paperboard) by Demuth, Charles (1883-1935); 61x50.5 cm; Metropolitan Museum of Art, New York

Background imageGeometrical Collection: A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House

A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House, London (engraving)
585046 A geometrical view of the grand procession of the Scald Miserable Masons, Somerset House, London (engraving) by English School

Background imageGeometrical Collection: A geometrical view of the east end of the St Stephens Chapel (engraving)

A geometrical view of the east end of the St Stephens Chapel (engraving)
602723 A geometrical view of the east end of the St Stephens Chapel (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageGeometrical Collection: 'Barn raising'quilt, c. 1880-1900 (pieced cotton and wool)

"Barn raising"quilt, c. 1880-1900 (pieced cotton and wool)
1071253 " Barn raising" quilt, c.1880-1900 (pieced cotton and wool) by American School, (19th century); 182.9x182.9 cm; Dallas Museum of Art, Texas

Background imageGeometrical Collection: Movement No. 3 Provincetown, (oil on board)

Movement No. 3 Provincetown, (oil on board)
985064 Movement No. 3 Provincetown, (oil on board) by Hartley, Marsden (1877-1943); 50.7x40.6 cm; Private Collection; (add.info.: Movement No.3 Provincetown. Marsden Hartley (1877-1943)

Background imageGeometrical Collection: 93851

93851

Background imageGeometrical Collection: The Dream (The Kiss); Le reve (Le baiser), c. 1934 (bronze with brown patina, base)

The Dream (The Kiss); Le reve (Le baiser), c. 1934 (bronze with brown patina, base)
1768020 The Dream (The Kiss); Le reve (Le baiser), c.1934 (bronze with brown patina, base) by Gonzales, Julio (1876-1942); 62 (height without base) cm; Private Collection; (add.info)

Background imageGeometrical Collection: Lighthouse, 1915 (oil on canvas)

Lighthouse, 1915 (oil on canvas)
1767623 Lighthouse, 1915 (oil on canvas) by Hartley, Marsden (1877-1943); 101.6x81.3 cm; Private Collection; (add.info.: Lighthouse. Marsden Hartley (1877-1943). Oil on canvas. Painted in 1915

Background imageGeometrical Collection: A Tlatilco female figure, c. 900-600 B. C

A Tlatilco female figure, c. 900-600 B. C
1767142 A Tlatilco female figure, c.900-600 B.C. by Tlatilco culture (1250-800 BC); 35.6 high cm; Private Collection; (add.info.: A Tlatilco female figure, Middle Preclassic, Ca. 900-600 B.C)



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"Exploring the Geometrical Wonders: From Mandelbrot Fractals to Art Deco Bathrooms" Step into a world where geometry reigns supreme, unveiling mesmerizing patterns and intricate designs. The captivating beauty art transcends borders, taking us on a visual journey across continents. In Paris, France, stand in awe as you gaze through the clock face at Musee D Orsay towards Montmartre. Witness the harmonious blend of lines and shapes that form an enchanting panorama. Meanwhile, Choi Hung Estate in Hong Kong showcases one of the oldest public housing estates with its geometrically inspired architecture – a testament to human ingenuity. Delve deeper into the realm of mathematics and discover the wonders of fractals. The Mandelbrot Fractal unravels before your eyes, revealing infinite complexity within its self-replicating patterns. And let's not forget about the Dragon Tail Fractal or Spiral Fractal – both showcasing nature's innate ability to create breathtaking symmetrical forms. Travel back in time to ancient civilizations where geometry played a vital role in their artistic expressions. Owen Jones' Egyptian 10 design transports us to Egypt's rich heritage while Renaiss 78 takes us on an exploration of Renaissance aesthetics. Greek civilization comes alive through Red-figure pottery adorned with pinax depicting ritual scenes and ex-votos from Eleusis offering glimpses into sacred practices. Marvel at architectural marvels like Notre Dame Cathedral's Rose Window in Paris – an exquisite display of stained glass blending geometric precision with divine inspiration. Jewish Museum Berlin unveils amulets symbolizing divine protection within Judaism, reminding us how geometry intertwines with spirituality. And finally, immerse yourself in contemporary design as you admire a Design for Dress Silk or Print featuring stunning brown and black motifs – proof that even modern fashion draws inspiration from timeless geometrical principles.