Gesture Collection (page 9)

Figure depicted in high relief on the side of a niche, detail of the stucco corridor by Mazzoni in Palazzo Spada, Rome Rome Palazzo Spada, stucco corridor High Relief, Statue High Renaissance

Two figures depicted in high relief framing a fresco inside a niche, detail of the stucco corridor by Mazzoni in Palazzo Spada, Rome Rome Palazzo Spada, stucco corridor High Relief

Two figures depicted in high relief, detail of the stucco corridor by Mazzoni in Palazzo Spada, Rome Rome Palazzo Spada, stucco corridor High Relief, Statue High Renaissance, Renaissance

High relief with the consignment of the keys to St.Peter, work by Ambrigio Bonvicino, located in the faade of the Basilica of St.Peter, Rome

Statue of Pius VI, work by Augustine Penna, Basilica of San Pietro, Rome. Rome Basilica of San Pietro Sculpture Baroque, Renaissance-Baroque styles and periods, Europe

Statue of St. Andrew, sculpture by Francois Duqesnoye, preserved in the Basilica of San Pietro, Rome. Rome Basilica of San Pietro Statue Baroque, Renaissance-Baroque styles and periods, Europe

Bronze bas-relief with Allegory of Philosophy. Detail of the monument to Pope Sisto IV. Vatican Grottoes, Vatica City. he monument is a work by Antonio del Pollaiolo

Model of angel with the face looking to the right. Work by Bernini for the Cathedral of St.Peter. Currently preserved in the Vatican Grottoes, Vatica City

Bas-relief with an angel; detail of the monument to Pope Paul II by Giovanni Dalmata. Preconstantinian Necropolis, Vatican City State of the Vatican City Preconstantinian Necropolis Low Relief

Christ benedicting; bas-relief by Giovanni Dalmata preserved in the Vatican Grottoes, Vatican City State of the Vatican City Vatican Grottoes Low Relief, Basrelief Early Renaissance, Renaissance

St. Peter benedicting; mosaic preserved at the Petriano Museum, Vatican City State of the Vatican City Petriano Museum Mosaic Gothic, Middle Ages, Europe, First and Second Millennium A.D

Fragment of the monument to Boniface VIII, Grotte Vaticane, St. Peter's Basilica, Vatican City State of the Vatican City St

Male nude. Drawing by Raphael, in the British Museum in London Great Britain London, British Museum Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Study for a religious composition with the Virgin, drawing by Fra Bartolomeo, in the British Museum in London Great Britain London, British Museum Drawing High Renaissance, Renaissance

Study of a male head wearing a hat. Drawing by Leonardo, in the Picture Gallery of Oxford, near London Great Britain Oxford, Ashmolean Museum Drawing High Renaissance, Renaissance

Study of a male head in profile. Drawing by Leonardo, in Windsor Castle, near London Great Britain Windsor Castle Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods

Study of a head and of an architectural structure. Drawing by Leonardo, in Windsor Castle, near London Great Britain Windsor Castle Drawing High Renaissance, Renaissance

Study of sitting figures. Drawing by Leonardo preserved in the Louvre Museum, Paris France Paris, Louvre Museum Drawing High Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe

Detail of the Monument to Pope Paul V. High-reliefs are by artists: Valsoldo, del Buzio and di Cristoforo Stati. Basilica of Santa Maria Maggiore, Rome

Bust of the doctor Gabriele Fonseca, by Gian Lorenzo Bernini, situated in the church of S. Lorenzo in Lucina, Rome Rome Church of S

Apsidal mosaic: Madonna enthroned and child between two groups of angels and Pasquale I on his knees. Over the apsidal arcade: Christ between two angels and the apostles; underneath

Relief depicting the Martyrdom of Saint Emerenziana, by Ercole Ferrata, preserved in the church of S. Agnese in Agone, Rome Rome Church of S

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Grottaferrata Abbazia Mosaic Byzantine Style, Byzantine Art, Europe, First and Second Millennium A.D.. Date of Photograph:1890 ca.. Date of Artwork:XII sec

The Virgin enthroned with Child surrounded by a group of angels. Mosaic of the apsidal basin, in the Church of Santa Maria in Domnica, Rome. Rome Church of Santa Maria in Domnica

David in the act of hurling his sling. Sculpted work by Gian Lorenzo Bernini, located in the Galleria Borghese, Rome. Rome Borghese gallery

The Muse Terpsichore. Roman copy from the Greek original, located in the Gallery of Colonna Palace, Rome. Rome Palazzo Colonna, gallery Statue Roman Art, Europe, Ancient Civilization

Roman statue depicting a nymph with a hand basin, work preserved in the Borghese Museum, Rome Rome Borghese Museum Statue Imperial Period, Roman Art, Europe, Ancient Civilization

The miraculous fishing; a Gobelins Manufactory tapestry designed by Jean Aubran. Quirinal Palace, Rome Rome Quirinal Palace Tapestry Eighteenth Century, Renaissance-Baroque styles and periods

Statue of Venus Anadyomene, Roman copy of the Greek original, located in the Corsini Gallery, Rome. Rome Corsini Gallery. Statue Roman Art, Europe, Ancient Civilization. Date of Photograph:1940 ca

Portrait of little boys, stereoscopic photograph Florence. Date of Photograph:22-05-1899

Mosaic depicting the Birth and Baptism of Jesus Christ. Byzantine work decorating the vault of the entrance wing, Church of Martorana, Palermo. Palermo Church della Martorana

Mosaic depicting the apostles Peter and Andrew. Byzantine work decorating the vault of the right transept, Church of Martorana, Palermo. Palermo Church della Martorana

Mosaic depicting the apostles Thomas and Phillip. Byzantine work decorating the vault of the right transept, Church of Martorana, Palermo. Palermo Church della Martorana

Mosaic depicting the apostles Simeon and Bartholomew. Byzantine work decorating the vault of the left transept, Church of Martorana, Palermo

Mosaic depicting the prophets Elisha and Daniel. Byzantine work decorating the drum of the dome of the Church of Martorana, Palermo

Mosaic depicting the prophets David and Isaiah. Byzantine work decorating the drum of the dome of the Church of Martorana, Palermo

Putti, kissing, detail of the stucco decorations by Giacomo Serpotta in the Oratory of S. Lorenzo, Palermo. Palermo Oratory of S.Lorenzo, inside High Relief Late Baroque, Baroque

Christ turning into a pilgrim and the dinner with two Apostles, two episodes in the Life of Christ, taken from the cycle of mosaics in the Cathedral of Monreale Monreale Cathedral Mosaic Byzantine

Christ driving the merchants from the temple; a Gobelins Manufactory tapestry designed by Jean Audran. Quirinal Palace, Rome Rome Quirinal Palace Tapestry Eighteenth Century

The departure and dream of Jacob, from the stories of the Old Testament, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale

Abraham blessing Esau, the substitution of Esau with Jacob, scenes from the stories of the Old Testament, part of the cycle of mosaics located in the central aisle of the Cathedral of Monreale

The sacrifice of Abraham, mosaic in the central aisle of the Cathedral of Monreale Monreale Cathedral, interior Mosaic Byzantine Style, Byzantine Art, Europe, First and Second Millennium A.D

Noah making wine, Drunkenness of Noah and the Tower of Babel, scenes from the Old Testament, cycle of mosaics of the central nave of the Cathedral of Monreale

Noah putting animals in the Arc and setting the dove free, scene from the stories of Genesis, part of the circle of mosaics located in the central nave of the Cathedral of Monreale

Lamec accidentally killing Cain, scene from the stories of Genesis, part of the circle of mosaics located in the central nave of the Cathedral of Monreale

Adam working the land and the Sacrifice of Cain and Abel, scene from the stories of Genesis, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale

The Creator introducing Adam in Earthly Paradise. Mosaic work located in the Monreale Cathedral, province of Palermo. Monreale Monreale Cathedral Mosaic Byzantine Style, Byzantine Art, Europe

The Creation of the firmament and the Separation of waters, scene from the stories of Genesis, part of the cycle of mosaics located in the central nave of the Cathedral of Monreale

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"Gestures: A Window into History and Culture" From Winston Churchill's iconic V for Victory sign to Fidel Castro's impassioned speeches, gestures have long played a significant role in shaping our world. They convey emotions, beliefs, and aspirations that transcend language barriers. In 1942, as the world was engulfed in war, Churchill's defiant gesture became a symbol of hope and resilience. In the realm of entertainment, Jackie Gleason and his fellow cast members from The Honeymooners immortalized their camaraderie through gestures captured in publicity photographs. These gestures spoke volumes about friendship and laughter shared on screen during the 1950s. Gestures also hold historical significance beyond politics and entertainment. Daniel Mendoza's lithograph showcases his boxing prowess while Sigmund Freud's signed photograph captures the enigmatic presence of one of psychology's greatest minds. Artistic expressions often find solace in gestures too. From Christ Pantocrator’s serene encaustic gaze to Nicolas Poussin’s poignant Et in Arcadia Ego painting, these works evoke deep contemplation through subtle hand movements. Religion is replete with meaningful gestures as well. George Whitefield passionately preaching at Moorfields Fair or Fred Astaire gracefully dancing alongside Ginger Rogers demonstrate how body language can inspire faith or captivate audiences with its elegance. Beyond Western culture lies an array of diverse traditions represented by Zeus/Jupiter statues or Hindu goddess Durga sculptures adorning temples across India. Each gesture carries profound spiritual meaning within its cultural context. Lastly, Buddha’s statue from 1790 reminds us of enlightenment achieved through peaceful meditation—a timeless gesture that continues to resonate today. These glimpses into history remind us that they are not mere physical actions but powerful conduits for human expression—bridging gaps between cultures, transcending time itself—and reminding us all that sometimes words are simply not enough to convey what our hearts truly feel.