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Gestures Collection (page 2)

In a world where words often fail to convey our deepest emotions, gestures become the universal language that bridges the gap. Picture No

Background imageGestures Collection: Ceremonial Ikat with Wayang figures, Klungrung, Bali

Ceremonial Ikat with Wayang figures, Klungrung, Bali
LIT389572 Ceremonial Ikat with Wayang figures, Klungrung, Bali by Indonesian School; (add.info.: Ikat or Ikkat is the method of weaving that uses a resist dyeing process similar to tie-dye on either)

Background imageGestures Collection: JD-90235669-M

JD-90235669-M
DOG. Cavapoo puppy studio with paw up holding red rose wearing a beret

Background imageGestures Collection: 13132716

13132716
Polar Bear - young bear waving and wearing Chirstmas glasses Date: 04-05-2020

Background imageGestures Collection: 13132717

13132717
Polar Bear - young bear waving and wearing a Graduation cap Date: 04-05-2020

Background imageGestures Collection: 13131440

13131440
DOG. Cross breed, head & shoulders, tongue outstudio, white background Date: 18-03-2019

Background imageGestures Collection: 13131439

13131439
DOG. Cross breed, head & shoulders, tongue outstudio, white background Date: 18-03-2019

Background imageGestures Collection: 13131438

13131438
DOG. Cross breed, head & shoulders, tongue outstudio, white background Date: 18-03-2019

Background imageGestures Collection: 13131437

13131437
DOG. Cross breed, head & shoulders, tongue outstudio, white background Date: 18-03-2019

Background imageGestures Collection: 13131350

13131350
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131349

13131349
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131348

13131348
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131345

13131345
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131343

13131343
DOG. Border Collie cross breed dog, sitting up with paws over face, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131342

13131342
DOG. Border Collie cross breed dog, sitting up with paws over face, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131341

13131341
DOG. Border Collie cross breed dog, sitting with paws over face, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131340

13131340
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131339

13131339
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: 13131338

13131338
DOG. Border Collie cross breed dog, sitting up with paws up, studio, white background Date: 18-03-2019

Background imageGestures Collection: La Chanteuse, 1897-99 (gilt bronze)

La Chanteuse, 1897-99 (gilt bronze)
5903333 La Chanteuse, 1897-99 (gilt bronze) by Charpentier, Alexandre (1856-1909); 8x14.5x.05 cm; Leeds Museums and Art Galleries (Leeds City Museum)

Background imageGestures Collection: Jilted, 1886 (bodycolour on paper)

Jilted, 1886 (bodycolour on paper)
1214357 Jilted, 1886 (bodycolour on paper) by Glindoni, Henry Gillard (1852-1913); 75.1x55.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English, out of copyright

Background imageGestures Collection: Portrait of George Washington, 1779 (oil on canvas)

Portrait of George Washington, 1779 (oil on canvas)
2630241 Portrait of George Washington, 1779 (oil on canvas) by Stuart, Gilbert (1755-1828); White House, Washington D.C. USA; (add.info)

Background imageGestures Collection: Three sumptuous oufits described as Graceful Gestures

Three sumptuous oufits described as Graceful Gestures of the Mode, Paris, 1926 from Doeuillet, Premet and Jenny Date: 1926

Background imageGestures Collection: Introducing John L. Sullivan, 1916 (litho)

Introducing John L. Sullivan, 1916 (litho)
874622 Introducing John L. Sullivan, 1916 (litho) by Bellows, George Wesley (1882-1925); 52.07 x52.55 cm; San Diego Museum of Art, USA; (add.info.: John L)

Background imageGestures Collection: The last meeting between Jacopo Foscari and his family before being exiled

The last meeting between Jacopo Foscari and his family before being exiled
3497533 The last meeting between Jacopo Foscari and his family before being exiled, 1838-40 (oil on canvas) by Hayez, Francesco (1791-1882); 165x233 cm; Fondazione Cariplo, Milan, Lombardy

Background imageGestures Collection: An Antiquarian, c. 1790 (pencil on paper)

An Antiquarian, c. 1790 (pencil on paper)
3057503 An Antiquarian, c.1790 (pencil on paper) by Dance-Holland, Nathaniel (1734-1811); 17.8x33 cm; Private Collection; (add.info.: Ex)

Background imageGestures Collection: America - General Rogers Clark Crosses The Wabash

America - General Rogers Clark Crosses The Wabash
General George Rogers Clark And His Soldiers Crossing The Wabash During The American War Of Independence Date: 1778

Background imageGestures Collection: The last meeting between Jacopo Foscari and his family before being exiled

The last meeting between Jacopo Foscari and his family before being exiled
3497532 The last meeting between Jacopo Foscari and his family before being exiled, 1838-40 (oil on canvas) by Hayez, Francesco (1791-1882); 165x233 cm; Fondazione Cariplo, Milan, Lombardy

Background imageGestures Collection: The last meeting between Jacopo Foscari and his family before being exiled

The last meeting between Jacopo Foscari and his family before being exiled
3497531 The last meeting between Jacopo Foscari and his family before being exiled, 1838-40 (oil on canvas) (detail of 3497466) by Hayez, Francesco (1791-1882); 165x233 cm; Fondazione Cariplo, Milan

Background imageGestures Collection: The last meeting between Jacopo Foscari and his family before being exiled

The last meeting between Jacopo Foscari and his family before being exiled
3497466 The last meeting between Jacopo Foscari and his family before being exiled, 1838-40 (oil on canvas) by Hayez, Francesco (1791-1882); 165x233 cm; Fondazione Cariplo, Milan, Lombardy

Background imageGestures Collection: St Francis of Assisi, c. 1510s-20s (fresco)

St Francis of Assisi, c. 1510s-20s (fresco)
704382 St Francis of Assisi, c.1510s-20s (fresco) by Piombo, Sebastiano del (S. Luciani) (c.1485-1547); San Pietro in Montorio, Rome, Italy; (add.info.: Francis of Assisi (1181/2-1226)

Background imageGestures Collection: The Art of Talking with the Fingers, sign language alphabet (coloured engraving

The Art of Talking with the Fingers, sign language alphabet (coloured engraving
CHT166576 The Art of Talking with the Fingers, sign language alphabet (coloured engraving) by English School, (19th century); Institut National des Jeunes Sourds, Paris

Background imageGestures Collection: Wellington (colour litho)

Wellington (colour litho)
1268528 Wellington (colour litho) by English School, (19th century); National Army Museum, London; (add.info.: Field Marshal Arthur Wellesley, 1st Duke of Wellington (1 May 1769 - 14 September 1852)

Background imageGestures Collection: The Denial of St. Peter, c. 1620-1625 (oil on canvas)

The Denial of St. Peter, c. 1620-1625 (oil on canvas)
3576994 The Denial of St. Peter, c.1620-1625 (oil on canvas) by Seghers, Gerard (1591-1651); 157.7x227.3 cm; North Carolina Museum of Art, Raleigh

Background imageGestures Collection: 'Ethelfrid watched the wild gestures of the unarmed monks'(engraving)

"Ethelfrid watched the wild gestures of the unarmed monks"(engraving)
2792992 " Ethelfrid watched the wild gestures of the unarmed monks" (engraving) by Shaw, John Byam Liston (1872-1919); Private Collection; (add.info)

Background imageGestures Collection: A theatrical figure, possibly Sir Beerbohm Tree, c. 1908 (brush, w / c & ink on paper)

A theatrical figure, possibly Sir Beerbohm Tree, c. 1908 (brush, w / c & ink on paper)
3108936 A theatrical figure, possibly Sir Beerbohm Tree, c.1908 (brush, w/c & ink on paper) by Ospovat, Henry (1877/78-1909); 45.7x29.2 cm; Private Collection; (add.info)

Background imageGestures Collection: St. John, 1590-95 (oil on canvas)

St. John, 1590-95 (oil on canvas)
1067975 St. John, 1590-95 (oil on canvas) by Greco, El Domenico (1541-1614) (after); 62.9x50.5 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, gift of Doris A

Background imageGestures Collection: The last meeting between Jacopo Foscari and his family before being exiled

The last meeting between Jacopo Foscari and his family before being exiled
3497530 The last meeting between Jacopo Foscari and his family before being exiled, 1838-40 (oil on canvas) by Hayez, Francesco (1791-1882); 165x233 cm; Fondazione Cariplo, Milan, Lombardy

Background imageGestures Collection: Christ Blessing, c. 1400 (tempera on poplar wood)

Christ Blessing, c. 1400 (tempera on poplar wood)
BFM286777 Christ Blessing, c.1400 (tempera on poplar wood) by Taddeo di Bartolo (c.1362-1422); 61.5x35 cm; Lindenau Museum, Altenburg

Background imageGestures Collection: Sign language alphabet, 1827 (engraving) (b / w photo)

Sign language alphabet, 1827 (engraving) (b / w photo)
CHT237299 Sign language alphabet, 1827 (engraving) (b/w photo) by Alavoine, Adele (fl.1827); Bibliotheque des Arts Decoratifs, Paris

Background imageGestures Collection: Billy Sunday, 1923 (litho)

Billy Sunday, 1923 (litho)
874640 Billy Sunday, 1923 (litho) by Bellows, George Wesley (1882-1925); 22.86 x41.28 cm; San Diego Museum of Art, USA; (add.info.: William Ashley Billy Sunday (1862-1935)

Background imageGestures Collection: Mercury (bronze)

Mercury (bronze)
833526 Mercury (bronze) by Giambologna (Jean de Boulogne) (1529-1608) (after); 77x36x26 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info.: Mercury)

Background imageGestures Collection: Mercury (bronze)

Mercury (bronze)
833525 Mercury (bronze) by Giambologna (Jean de Boulogne) (1529-1608) (after); 77x36x26 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; (add.info.: Mercury)

Background imageGestures Collection: Thumbs up from three Manchester United wives l-r, Mrs Anne Dunne

Thumbs up from three Manchester United wives l-r, Mrs Anne Dunne, Norma Charlton and Joan Herd en-route to Wembley for the FA Cup final. 24th May 1963

Background imageGestures Collection: Liverpool footballer John Wark, January 1986

Liverpool footballer John Wark, January 1986

Background imageGestures Collection: Cassius Clay, aka (Muhammad Ali) on his way back to the United States after beating

Cassius Clay, aka (Muhammad Ali) on his way back to the United States after beating British Heavyweight Henry Cooper in 5 rounds



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In a world where words often fail to convey our deepest emotions, gestures become the universal language that bridges the gap. Picture No. 11092755 captures this essence beautifully, as a young man in a white shirt and blue jeans moves gracefully, his every gesture speaking volumes. Just like Chinese paper cuts, or Jianzhi, which intricately depict stories through delicate hand movements, they have the power to tell tales without uttering a single word. They possess an enchanting ability to transcend cultural barriers and connect souls from different walks of life. At times they can even be seen amidst bustling crowds at prestigious events like the Cannes Film Festival. Actress Diana Dors finds herself surrounded by autograph hunters, their eager hands reaching out for her attention. These simple actions speak of admiration and adoration towards someone who has touched their lives through her artistry. Yet not all they can met with unanimous approval. Model Joanne Latham's decision to pose for La Prise Pirelli Tyres Advertisement undoubtedly stirs controversy among militant feminists who criticize such acts as objectification. However, it is important to remember that gestures hold diverse meanings for different individuals; what may seem empowering to one might be perceived differently by another. Sometimes gestures take on more personal significance – like actress Sylvia Syms aboard a boat at sea in May 1959 – they reflect moments of introspection and contemplation amidst nature's vastness. Similarly, actress Anne Heywood learning to swim for her role in Floods of Fear demonstrates how physical movements can push us beyond our comfort zones and help us grow both personally and professionally. It also find expression in fashion choices; Jenny Clare models an exquisite smock frock designed by Ossie Clark for Radley in vibrant rainbow colors. This ensemble becomes more than just fabric draped on a body; it becomes an artistic statement conveyed through movement and style. Even when captured on paper through life drawings, gestures retain their captivating allure. Picture No.